Scholarships: MA in Medieval Studies, University of York, deadline 31 June 2020

The University of York is still offering scholarships for those pursuing an MA in Medieval Studies at the university. Ensure you’ve applied for a place on our MA by the end of June. Applications after that date are still welcome but sadly cannot be considered for bursaries.

You can learn more here.

MA Medieval Studies, University of York

Explore all facets of European medieval life and culture, from 400 to 1550, studying in the heart of England’s medieval capital.

Our expertise spans over 1,000 years and four different disciplines, offering dedicated training in medieval languages, palaeography and diplomatic – the analysis and authentication of historical documents. Our innovative interdisciplinary approach makes the Centre for Medieval Studies (CMS) one of the world’s leading centres for study and research of the Middle Ages. 

The MA in Medieval Studies is an introduction to the medieval cultures of Europe. New disciplines will complement your existing skills, offering you world-class teaching from the departments of Archaeology, English, History and History of Art. You’ll learn to recognise how the subjects are inter-related, while exploring the fields of study that most interest you.

In the medieval city of York, inspiration is everywhere, and you’ll have access to some of the UK’s most important medieval records, including York Minster Library and Archives and the Borthwick Institute for Archives.

Our graduates go on to work in a wide range of professions, including archives, libraries, museums, galleries, publishing companies and the heritage sector.

New Publication: Rome in the Eighth Century: A History in Art, by John Osborne

This book addresses a critical era in the history of the city of Rome, the eighth century CE. This was the moment when the bishops of Rome assumed political and administrative responsibility for the city’s infrastructure and the physical welfare of its inhabitants, in the process creating the papal state that still survives today. John Osborne approaches this using the primary lens of ‘material culture’ (buildings and their decorations, both surviving and known from documents and/or archaeology), while at the same time incorporating extensive information drawn from written sources. Whereas written texts are comparatively few in number, recent decades have witnessed an explosion in new archaeological discoveries and excavations, and these provide a much fuller picture of cultural life in the city. This methodological approach of using buildings and objects as historical documents is embodied in the phrase ‘history in art’.

John Osborne is a Distinguished Research Professor and Dean Emeritus in the Faculty of Arts and Social Sciences at Carleton University, Ottawa. He is a cultural historian of early medieval Italy with a focus on the material culture of Rome and Venice. His publications include studies of medieval use of the Roman catacombs, murals in churches such as San Clemente and Santa Maria Antiqua, cultural contacts between Rome and Constantinople, and the medieval understanding of Rome’s heritage of ancient buildings and statuary.

Purchase the book here.

Call for Submissions: Individuality and Tradition in Medieval Book Culture. A Comparative Approach to Variation, Vox Medii Aevi, deadline July 15th 2020

Deadline: July 15th 2020
The articles should be sent to voxmediiaevi@gmail.com

Any work with medieval manuscripts implies studying hundreds of variants. The 20th century witnessed a dramatic change in the approaches towards this variation, from the search for the Graal of the reconstructed original to the humble appreciation of any individual manuscript as it is. The latter approach has been developing since the famous manifest, first proposed in the essay by Bernard Cerquiglini and then picked up by Steven Nichols — to understand the medieval book culture, one needs to recognise variation as an integral part of medieval literacy that cannot be put aside but has to be studied on its own.

The variation manifest going hand in hand with the appreciation of orality in medieval intellectual culture has given rise to new approaches towards variation in the individual regional manuscript traditions. Thus, it seems of great interest to see whether variation itself can vary in any way from tradition to tradition, from context to context. This issue aims to collect examples of the approaches towards variation in different regions of medieval literacy, not only stimulated by the variation manifest but also ones that had a separate history of dealing with medieval variation. The collection will render to comparative perspective both on the variation and on the ways the scholars coming from different backgrounds developed by long traditions of their predecessors as well as the particularities of their subjects approach this subject .

Possible topics might include — but are not limited to:

  • Manuscript variation in different language cultures of the Middle Ages;
  • Variation and working strategies of medieval scribe;
  • Oral and written in the medieval book culture;
  • Place of the retelling in the medieval book culture;
  • Variation in specific contexts;
  • Variation and methodology of its research in medieval studies.

We also welcome reviews of recently published books on the topic (no more than 3 years old).

Found out more information here.

Conference: Relationships, CMS Graduate Conference, University of York, 23-24 June 2020

The annual CMS graduate conference ‘Relationships’ on the 23rd and 24th June is going digital!

Tuesday 23 June 2020, 9.00am

Sign up form is here: https://forms.gle/4F6jS8yfaekViiyz9 

Sign up closes on the 21st June at 12 midnight.

You must sign up via the link so that we can send you Zoom links before the conference starts.  

Programme

Day 1: 23rd June 2020

9:00- 9:20Introductory Remarks
Watch on Youtube here
9:20- 9:50Writing Conference Proposals Workshop via Zoom
Dr Keith Allen, Deputy Director of the Humanities Research Centre, University of York
9:50- 10:00Break
10:00- 11:00Panel 1: The Earthly and the Divine
Chair: Jordan Cook
Kate Falardeau ‘Reliquary Image: Salvation, Enclosure, and the Book in the Frontispiece Illustration of the New Minster Liber Vitae’.
Hannah Victoria ‘ The Sexualisation of Chastity in Mechthild von Magdeburg’s Das Fließende Licht der Gottheit’.
Dr Mihai Dragnea ‘ Hippomancy in the Baltic Region: Desacralization of the Wendish Sacred Horses’.

Watch on Youtube here.
11:00- 11:30Panel 1: Live Q&A via Zoom
11:30- 11:40Break
11:40-12:40Panel 2: New Methodologies
Chair: Isobel Staton
Constantin Favre ‘The identification of anonymous masters: the relationship between works of art and archival documents’.
Isaac Lawton ‘Landscape, Space, and Neighbourly Relations in Fourteenth-Century Wakefield, West Yorkshire’
Monica Donelli ‘Adelheid of Burgundy across the centuries: the relationship between the Vita Adelheidis Imperatricis and the Vita politico-religiosa di Santa Adelaide, Regina d’Italia’

Watch on YouTube here.
12:40-13:10Panel 2: Live Q&A via Zoom
13:10-14:10Lunch
14:10-14:55Panel 3: People and Environments
Chair: Katie Vernon
Youyoung Jung ‘Capital and cities of Byzantium: Between reality and imagination’.
Barry Crump ‘The Meaning and Use of York’s Medieval City Walls’

Watch on YouTube here.
14:55-15:15Panel 2: Live Q&A via Zoom
15:15-15:25Break
15:25-16:10Panel 4: The Human and the Monstrous “Other”
Chair: Karli Grazman
Charlotte Ross ‘Enslaving Giants: the Role of Monstrous Mitigation in Establishing Relationships in the Medieval Bevis-Tradition’.
Sidney Wilson ‘Fantoum and Fayryȝe: The Green Knight’s Relationship to His Greenness and the Audience in Sir Gawain and the Green Knight’.

Watch on YouTube here.
16:10-16:30Panel 4: Live Q&A via Zoom
16:30-16:35Concluding Remarks for Day 1
Watch on Youtube here
16:35-17:35Break-Out Social Rooms on Zoom
All Day EventAn all-day Zoom session has been provided for everyone from 9:20 to 16:30 to socialise during the event. This room will not be moderated so if you have any concerns please email yorkcmsconference@gmail.com

Day 2: 24th June 2020

9:30-9:40Introductory Remarks
Watch on Youtube here
9:40-10:40Panel 5: Intimate Relationships
Chair: Katie Vernon
Jessy Simonini ‘Homosexuality, homosociality, fin’amor: rethinking the Lancelot-Galehaut relationship in the Lancelot en prose’.
Aaron Sheldon ‘The Ties that Bind: Exploring Love in Old Norse Families’.
Kirstin Barnard ‘The Monastic Social Experience in a Lincolnshire Abbey During the Fifteenth Century’.
                                   
Watch on Youtube here.
10:40-11:10Panel 5: Live Q&A via Zoom
11:10-11:20Break
11:20-12:05Panel 6: People and Animals
Chair: Karli Grazman
Benjamin Bertrand ‘Pursuing Masculinity: Dogs and Men in Anglo-Saxon and Anglo-Norman England’.
Anastasija Ropa ‘Brothers in Arms or Mere Vehicles? Relationships between riders and their warhorses in medieval literature’.

Watch on Youtube here.
12:05-12:25Panel 6: Live Q&A via Zoom
12:25-12:35Break
12:35-13:15“Impact” a Workshop via Zoom
Dr Helen M. Jones, Faculty Impact Manager, Arts and Humanities Research Centre, University of York
13:15-14:15Lunch
14:15-15:15Panel 7: Hierarchies in Conflict
Chair: Isobel Staton
Madison Crow ‘Laywomen and the Burial of Infants in the Italian Middle Ages’.
Edgar Rops ‘Guilty pleasures: irregular relationships in Western Europe and on its borders’.
Filippo Ribani ‘Peasants and Landowners Before the Judge (Reggio Emilia, Italy, 1350-1450)’.

Watch on YouTube here.
15:15-15:45Panel 7: Live Q&A via Zoom
15:45-16:00Break
16:00-17:00Keynote Speaker via Zoom. 
Dr Hollie Morgan on Relationships and Postdoctoral Projects.
Live Q&A and Concluding Remarks
17:00-17:10Concluding Remarks
Same Zoom session as above. This session will immediately follow on from the Keynote talk.
17:00-18:00Break-Out Social Rooms
All Day EventAn all-day Zoom session has been provided for everyone from 9:40 to 16:00 to socialise during the event. This room will not be moderated so if you have any concerns please email yorkcmsconference@gmail.com

See the WordPress for more details: https://yorkcms2020.wordpress.com/

Call for Submissions: Special Issue: ‘Monastic Identities and Boundaries in the Medieval West’, Religions, Deadline: 1st March 2021

This Special Issue of Religions aims to expand the modern understanding of “medieval monasticism” by looking at the flexibility of medieval representations of the monastic life. Beginning in late antiquity and continuing throughout the medieval period, monastic identities were subject to continuous definition and redefinition. This took place for individuals, for whole communities, and at the level of entire movements, congregations, and orders. The results can be found in identity accounts that were embedded in narrative texts, rules, iconographic representations, clothing, arrangements of space, and a wide range of other forms. These accounts of self deserve attention, and scholars are invited to consider them with respect to the following four areas. One is that of an author’s, artist’s, designer’s, builder’s, etc. perception and representation of the distinctive nature of his or her particular strand of monastic life. The second is the relationship of these identity accounts to the specific ideological, cultural, socio-economic, and institutional contexts in which they were created. The third area is the impact of identity accounts and practices on subsequent perceptions within a particular community, congregation, or order. And finally, there is the question of how these narratives helped establish clear conceptual or practice-based boundaries with other forms of monastic life and with the “secular world” in general. For this Special Issue, prospective authors are invited to submit studies on any of the four themes above, with particular attention to how their findings relate to (and possibly correct) the modern understanding of monastic identities and boundaries. The ultimate aim is to help with developing a more flexible, dynamic, and less-unified understanding of medieval monasticism as a spiritual, social, and institutional phenomenon.

Prof. Dr. Steven Vanderputten
Guest Editor

Keywords:

  • medieval monasticism
  • identities
  • representation
  • narratives of identity

Deadline for manuscript submissions: 1 March 2021.

Special Issue Editor

Prof. Dr. Steven Vanderputten, Guest Editor

Department of History, Ghent University, 9000 Ghent, Belgium
Interests: social and cultural history of the Latin West in the Early and Central Middle Ages; religious communities; monasticism; reform; collective identities; memory; gender

Manuscript Submission Information

Manuscripts should be submitted online at www.mdpi.com by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All papers will be peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1000 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI’s English editing service prior to publication or during author revisions.

Found out more information here.

New Publication: Catalan Maps and Jewish Books: The Intellectual Profile of Elisha ben Abraham Cresques (1325-1387), by Katrin Kogman-Appel

This books describes the life of Elisa ben Abraham Cresques, known to many as the author of the Catalan Atlas, and focuses on the Jewish aspects of his fascinating career, his professional profile, and his scholarship.

This book presents a small chapter in the intellectual history of the Jews of Majorca. Its key figure is Elisha ben Abraham Bevenisti Cresques (1325–1387) a cartographer in the service of King Peter IV of Aragon and a scribe and illuminator of Hebrew books. Elisha Cresques’ career evolves at a point in time when some of the most fascinating threads of methodological interests relevant to intellectual history meet. He emerges as a hub, so to speak, where mapmaking converged with scribal work, miniature painting with scientific knowledge, and the culture of a minority with that of the majority. How he was able to negotiate his patron’s expectations and his own cultural identity and frame them within the political, cultural, and religious discourses of his time is the subject of this book.

Katrin Kogman-Appel holds an Alexander von Humboldt Professorship in Jewish Studies (2015–2020), which she took up at the University of Münster. A scholar of medieval Jewish book culture, she is the author of Illuminated Haggadot from Medieval Spain (2007), which won the Premio del Rey Prize of the American Historical Association in 2009. Her A Mahzor from Worms (2012) was a finalist of the National Jewish Book Award.

Table of Contents

Preface
List of Illustrations
Introduction
1  Book Art for the Jewish Call – Charts for the Court
2 Collecting Books
3 Visualizing the Ecumene at Large
4 Filling in the Details
5 Political Space Between the Baltic Sea, the Atlantic and the Mediterranean
6 Imaging Islam in Africa and the Middle East
7 The Mongol Khanates
8 Mythical Space: Past and Future
Epilogue
Bibliography and Sources
Index

You can purchase the book here.

Training: Les livres liturgiques manuscrits et imprimés : principes de catalogage, École des chartes (virtually) 2-4 Sep 2020

Comment comprendre un livre liturgique, identifier son usage et ses particularités ? Quels sont les instruments de référence pour leur étude?

La liturgie représente au Moyen Âge l’une des formes d’interaction sociale les plus complexes et les plus développées ; sa place importante dans la vie quotidienne a engendré une production massive de livres comme support du rituel, dont le contenu, la structure et la forme varient en fonction de l’usage et de la destination. La connaissance des livres liturgiques est donc fondamentale pour la compréhension de la culture médiévale et de ses formes d’expression. Cette formation est conçue pour offrir les instruments de connaissance de la liturgie médiévale et de ses livres, ainsi que les principes de leur catalogage.

Lead by Laura Albiero.

Wednesday 2nd to Friday 4th September 2020

Programme:

2 septembre 2020

  • 9h30-12h30 : « La messe et ses livres  »
  • 14h-17h : « L’office et ses livres »

3 septembre 2020

  • 9h30-12h30 : « L’usage liturgique et son identification »
  • 14h-17h : « Instruments de travail »

4 septembre 2020

  • 9h30-12h30 : « Comment décrire un livre liturgique ? »
  • 14h-17h : « Présentation de cas d’étude et exercices »

Date limite des inscriptions : 22 août 2020

Prices

  • Si vous êtes étudiant ou doctorant, veuillez nous contacter à l’adresse : formation.continue @ chartes.psl.eu
  • Si votre institution ou organisme de rattachement relève du secteur public, le tarif appliqué aux droits d’inscription sera indiqué comme « public » (630 €).
  • Si, en revanche, votre institution ou organisme de rattachement relève du secteur privé, le tarif appliqué aux droits d’inscription sera indiqué comme « privé » (1 260 €).

Find out more information here.

New Publication: Building the Caliphate: Construction, Destruction, and Sectarian Identity in Early Fatimid Architecture, by Jennifer Pruitt

A riveting exploration of how the Fatimid dynasty carefully orchestrated an architectural program that proclaimed their legitimacy

This groundbreaking study investigates the early architecture of the Fatimids, an Ismaili Shi‘i Muslim dynasty that dominated the Mediterranean world from the 10th to the 12th century. This period, considered a golden age of multicultural and interfaith tolerance, witnessed the construction of iconic structures, including Cairo’s al-Azhar and al-Hakim mosques and crucial renovations to Jerusalem’s Dome of the Rock and Aqsa Mosque. However, it also featured large-scale destruction of churches under the notorious reign of al-Hakim bi-Amr Allah, most notably the Church of the Holy Sepulcher in Jerusalem. Jennifer A. Pruitt offers a new interpretation of these and other key moments in the history of Islamic architecture, using newly available medieval primary sources by Ismaili writers and rarely considered Arabic Christian sources. Building the Caliphate contextualizes early Fatimid architecture within the wider Mediterranean and Islamic world and demonstrates how rulers manipulated architectural form and urban topographies to express political legitimacy on a global stage.

Jennifer A. Pruitt is assistant professor of Islamic art history at the University of Wisconsin–Madison.

Yale is currently offering a 25% discount if you order from their website. Promo code YAB89

Call for Editors: Material Culture Review /Revue de la culture matérielle (MCR/RCM) Seeks New Editor and Host Institution

Material Culture Review /Revue de la culture matérielle (MCR/RCM), Canada’s only scholarly journal dedicated to the study of material culture, is currently seeking a new Editor-in-Chief and host institution.  

The journal seeks a new Editor-in-Chief and host institution who will be committed to furthering the publication as a forum for the exchange of current research and methodologies in the field of material culture studies, and who will work to maintain the journal as an outlet for the important research and community initiatives that public sector institutions, like museums and galleries, engage in. 

The journal is published twice yearly (Spring & Fall) and provides a venue for refereed articles and research reports encompassing a range of approaches to interpreting culture and history through an analysis of people’s relationships to their material world. MCR/RCM solicits and publishes in Canada’s two official languages. In addition to peer-reviewed articles and research reports, MCR/RCM publishes other scholarly work including research notes, exhibition and historic site reviews, book reviews, and book review essays.

The journal has an established list of subscribers and subscription revenue, as well as dedicated editorial team members who can remain with the journal. MCR/RCM is also eligible to apply for SSHRC’s Aid to Scholarly Journal funding competition, and has been successful in previous applications. MCR/RCM uses the OJS/PKP management system and publishing platform, administered through the University of New Brunswick Library’s Centre for Digital Scholarship.

The journal is also hosted on Erudit, and is well indexed. If you see a strong fit between the publication interests of MCR/RCM and your own areas of research specialty and scholarly engagement, and have made major journal or book publications in material culture studies, you are invited to contact Dr. Richard MacKinnon, Editor-in-Chief, (richard_mackinnon@cbu.ca) for further details.

Seminar: Digital Humanities Approaches to Comparative Study of Medieval Musical Iconography, June 18, 2020

A jointly presented online seminar by Suzanne Wijsman (University of Western Australia Conservatorium of Music) and  Susan Boynton (Columbia University Department of Music, USA)

Thursday 18 June 2020:
– 4-5:30 p.m. (AWST Australia-UTC+08:00)
– 10-11:30 am Central European Summer Time
– 9-10:30 am British Summer Time

This seminar will comprise a joint presentation by Assoc/Prof Suzanne Wijsman of UWA’s Conservatorium of Music, and Prof Susan Boynton, of Columbia University’s Department of Music. It will introduce the Musiconis database as a tool for the analysis and interpretation of medieval musical iconography as well as training in digital humanities for postgraduate students in the French-American Bridge for Medieval Musical Iconography, a collaboration between Columbia University and the Paris Sorbonne. It will discuss a developing collaboration to apply the ontological framework of the Musiconis metabase to a corpus of musical images from medieval Jewish sources, facilitating comparative study of musical motifs occurring in both Christian and Jewish medieval iconography.

Please click this URL to start or join this Zoom seminar:
https://uwa.zoom.us/j/96710836279?pwd=cmRYbk1XcFVVQmlMR2FLaHl2TVNkdz09
Zoom Meeting ID: 967 1083 6279