CFP: Animals and Humans on the Move, Viator Essay Cluster, Deadline: 16th November 2020

The relationship between humans and their nonhuman traveling companions changed over time, and over the distances they traveled. Who would Don Quixote be without Rocinante, or Alexander without Bucephalus? This cluster of short essays proposes to look at moving/traveling animals and animals as the companions of traveling/moving humans in the Middle Ages and early modernity. To move or travel might encompass physical travel in its various forms, such as pilgrimage, military campaigns, or travel for commercial or diplomatic reasons, or more conceptual travel across cultures and periods. Contributions might also consider texts that describe animals on the move, including ekphrastic works (such as Byzantine hunting ekphrases), an outsider’s (or traveler’s) perspective on autochthonic animals as recorded in travel accounts, or more abstract texts describing travels and adventures of animals.

This cluster aims to offer cross-cultural perspective; papers exploring Byzantine, Arabic, Turkish, Jewish, Persian and other non-Western cultures are particularly welcome.

  • Animals as “companion species” in travel, war, pilgrimage, commerce, or politics
  • Traveling menageries, circuses, and animals shows
  • Journeys in search of real or imaginary animals
  • Ekphrastic texts depicting traveling animals
  • The dissemination and reception of texts about animals across languages, cultures, and time periods

Essays should be short, focused interventions (2000–3500 words). Contributions from early-stage scholars are especially welcome, including graduate students, postdocs, independent scholars, and members of the precariat.

Short abstracts of around 200 words should be emailed to by November 16, 2020, with essays to be submitted by January 15, 2021.


Published by Ellie Wilson

Ellie Wilson holds a First Class Honours in the History of Art from the University of Bristol, with a particular focus on Medieval Florence. In 2020 she achieved a Distinction in her MA at The Courtauld Institute of Art, where she specialised in the art and architecture of Medieval England under the supervision of Dr Tom Nickson. Her dissertation focussed on an alabaster altarpiece, and its relationship with the cult of St Thomas Becket in France and the Chartreuse de Vauvert. Her current research focusses on the artistic patronage of London’s Livery Companies immediately pre and post-Reformation. Ellie will begin a PhD at the University of York in Autumn 2021 with a WRoCAH studentship, under the supervision of Professor Tim Ayers and Dr Jeanne Nuechterlein.

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