21st International IRCLAMA Colloquium – Performing Power through Visual Narrativity

The Hungarians’ First March into Pannonia, Chronicon Pictum
The Hungarians’ First March into Pannonia, Chronicon Pictum

Performing Power through Visual Narrativity in Late Medieval Europe. An Interdisciplinary Approach, 29-31 May 2014

International Research Center for Late Antiquity and the Middle Ages, University of Zagreb.

 

Organizing and scientific committee

Xavier BARRAL I ALTET

Alain Erlande BRANDENBURG

Jean Pierre CAILLETNikola JAKŠIĆ

Miljenko JURKOVIĆ

Vinni LUCHERINI

 

ČETVRTAK, 29. svibanj / Thursday, May 29th

 

 

15.00

POZDRAVNI GOVORI / GREETING SPEACHES

Miljenko Jurković (University of Zagreb) and Vinni Lucherini (Università degli Studi di Napoli Federico II)

 

Xavier Barral i Altet (Université de Rennes II, Università Ca’ Foscari di Venezia), Formes de narration médiévale, avec ou sans “histoires”, au service du pouvoir. Introduction au colloque

 

THE REPRESENTATION OF MONARCHIC POWER

First Session

Chair: X. Barral i Altet

 

Martin Aurell (Université de Poitiers), L’art comme propagande? Henri II d’Angleterre, Aliénor d’Aquitaine et leurs enfants

Vinni Lucherini (Università degli Studi di Napoli Federico II), Saint-Denis, Luigi IX e le tombe dei re di Francia: nuove ipotesi di lettura attraverso le fonti testuali medievali 16.30-17.00 – coffee break

 

Jean-Pierre Caillet (Université Paris-Ouest), Le Roman des rois de Primat (1274): une première interprétation imagée de l’histoire de France

Alain Dubreucq (Université de Lyon), L’idéologie royale et ses représentations des Carolingiens aux Valois

Imre Takács (Museum of Applied Arts, Budapest), Corona et crux – Heraldry and Crusader symbolism on some 13th century Hungarian royal seals

 

Discussion

 

 

 

 

PETAK, 30. svibanj / Friday, May 30th

 

Second Session

Chair: Jean-Pierre Caillet

9.30

 

Giulia Orofino (Università di Cassino), Icone del potere nel Regesto di Pietro Diacono (cod. Casin. Reg. 3)

 

Maria Alessandra Bilotta(Iem, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa), Fra regalità e giustizia: la rappresentazione del sovrano in un inedito manoscritto tolosano dell’Infortiatum all’Escorial (prima metà XIV secolo)

 

Nicolas Reveyron (Université de Lyon), Le côté obscur du pouvoir royal. Prétérition et métonymie dans le discours politique au portail nord de la cathédrale de Lyon

 

11.00 – 11.15 coffee break

 

 

THE MONARCHIES OF CENTRAL EUROPE AND THE ADRIATIC

 

Zsombor Jékely (Museum of Applied Arts, Budapest), Narrative Structure of the Painted Cycle of a Hungarian Holy Ruler: The Legend of St. Ladislas

 

Mladen Ančić (University of Zadar), The Realm of St. Stephen or Angevin Empire. The 14th Century Kingdom of Dalmatia et Croatia as Case Study of Governing Institutions

 

Nikola Jakšić (University of Zadar), La committenza reale in Dalmazia angioina. L’arca di San Simeone profeta a Zara

 

Vesna Pascuttini-Juraga, Ivana Peškan (Conservation Department, Varaždin),A key stone from the parish church of St. Nicholas in Varaždin: a connection with the family of the king Matthias Corvinus

 

Discussion

 

13.30 – 15.00 — lunch break

 

 

THE ROYAL POWER AND THE IMAGE OF DEATH

 

Third Session

Chair: Vinni Lucherini

15.00

 

Gerardo Boto (Universitat de Girona), La peninsula de los panteones. Espacios funerarios regios en monasterios y catedrales ibericas medievales

 

Marta Serrano (Universitat Rovira i Virgili, Tarragona), Visualizing the Monarchy Power in the XIVth Century: An Example of Narrativity through Chronicle Texts and Funeral Images in the Iberian Peninsula

 

Stefano D’Ovidio (Università degli Studi di Napoli Federico II), La tomba di Roberto d’Angiò in Santa Chiara a Napoli: una lettura iconografica

 

Ivan Gerat (Institute of Art History, Bratislava), The Power of Deceased in Panel Paintings from Central Europe (c. 1474 – 1507)

 

 

17.00-17.30– coffee break

 

Discussion

 

18.00.

Presentation of the 20th volume of Hortus artium medievalium

 

 

 

SUBOTA, 31. svibanj / Saturday, May 31st

 

THE REPRESENTATION OF ECCLESIASTICAL AND LAY POWER

 

Fourth Session

Chair: Nikola Jakšić

9.30

 

Milagros Guardia (Universitat de Barcelona, Ircum), La ripresa e i valori semantici della storia di Giuseppe l’ebreo nel primo duecento: i rilievi di Santa Restituta a Napoli e i suoi precedenti monumentali nella tarda antichità

 

Christian Lauranson (Université de Lyon), “Ad utrumque paratus” ou la crosse et l’épée. Duplicité du pouvoir de l’évêque du Puy au Moyen Âge

 

Carles Mancho (Universitat de Barcelona, Ircum), Oltre i muri della chiesa: la decorazione di San Pietro a Sorpe (Catalogna) come imposizione sul territorio

 

11.00 – 11.15 coffee break

 

Imma Lorés (Universitat de Lleida), Hagiographie et mémoire: l’utilisation de l’évêque saint Ramon de Roda au XIIIe siècle

 

Isabel Escandell Proust (Universitat de les Illes Balears), Reflets de la politique épiscopale. À propos des manuscrits enluminés et bibliothèques de la Couronne d’Aragon (XIII-XIVème siècles)

 

Gabriele Archetti – Francesca Stroppa (Università Cattolica del Sacro Cuore, Milano-Brescia), Immagine e buon governo nell’ideologia politica e nella memoria visiva del vescovo Berardo Maggi (Brescia, 1275-1308)

 

13.30 – 15.00 — lunch break

 

 

Fifth Session

Chair: Miljenko Jurković

15.00

 

Roberto Greci (Università degli Studi di Parma), L’associazionismo e i suoi simboli

 

Rosa Alcoy (Universitat de Barcelona), Ley y potestades eclesiásticas del Trecento: patrimonio visual y contexto jurídico en las Causas del Decretum Gratiani

 

Stéphanie Diane Daussy (UMR 5138, Archéométrie et Archéologie, Lyon 2), «Quanto cultu auroque Templa fulgerent». La beauté de la vision comme expression des pouvoirs

 

 

17.00-17.30coffee break

 

Vinni Lucherini – Conclusions

 

 

 

Sunday,June 1st

9.00-16.00

 

TERENSKI OBILAZAK LOKALITETA I SPOMENIKA ISTRE

EXCURSION FOR THE PARTICIPANTS Uz stručno vodstvo / Guided by: prof. dr. sc. Miljenko Jurković; prof. dr. sc. Ivan Matejčić

Lunch at one of the monuments (with paid inscription fee)

 

— — Departure of participants

Gothic Ivories: Context and Content

Christ Crucified between two thieves, the Wallace Collection, London
Christ Crucified between two thieves, the Wallace Collection, London

A first look at the big programme for the joint British Museum/Courtauld conference on Gothic ivories.

 

DAY 1

Saturday 5 July: The Courtauld Institute of Art, Kenneth Clark Lecture Theatre

 

9.30 Registration (reception hall-Courtauld Institute)

 

10.00 Introduction John Lowden and Catherine Yvard, The Courtauld Institute of Art

 

10.15 KeynotePaul Williamson, Victoria and Albert Museum
‘They Who Only Ivories Know, Know not Ivories’: Polychrome and Other Micro-Carvings around 1400 in their Broader Context.

 

Session One: The Object and its History

10.45 The Ivory Virgin and Child from the Martin Le Roy Collection

Danielle Gaborit-Chopin, Musée du Louvre, Parisand Juliette Levy-Hinstin, Conservator, Paris

11.05 A Happy End: The Group of the Descent of the Cross Reunited

Élisabeth Antoine-König, Musée du Louvre, Paris and Juliette Levy-Hinstin, Conservator, Paris

11.25 Looking Closely: What a 14th-Century Ivory has been Waiting to Tell Us

Lydia Chávez, University California Berkeley

 

11.45 Coffee break

 

Session Two: Ivories in Context: Sources and Uses

12.15 I segni del potere. I Pastorali gotici in avorio per i Vescovi dell’Italia mediana

Ileana Tozzi, Museo Diocesano di Rieti

12.35 Buying, Gifting, Storing: Ivory Madonnas in Documentary Sources from Late Medieval Central Europe

Christian Nikolaus Opitz, University of Vienna

12.55 What’s in a Name: Peigniers, Tabletiers, and Late Flamboyant Parisian Ivory

Katherine Eve Baker, Institut National d’Histoire de l’Art, Paris

 

13.15 – 14.30 Lunch

 

Session Three: Ivory Carving in the 16th century

14.30 Reproductions Reproduced. Woodcut, Ivory and Terracotta

Ingmar Reesing, University of Amsterdam

14.50 Biting, Dripping, Screaming? Active Bone on a Medical Knife Handle

Jack Hartnell, The Courtauld Institute of Art, London

15.10 Anatomical Impulses in 16th-Century Memento Mori Ivories

Stephen Perkinson, Bowdoin College, Brunswick (Maine)

 

15.30 Refreshments

 

Session Four: Collecting in the 19th Century

16.00 Gothic Ivories in an Unknown Illustrated Catalogue of the Collection of Clément Wenceslas, Comte de Renesse-Breidbach (1776 – 1833)

Franz Kirchweger, Kunsthistorisches Museum, Vienna

16.20 Fictile Ivories: Diffusing the Taste for and Connoisseurship of Gothic Ivories

Benedetta Chiesi, Museo Nazionale del Bargello, Florence

16.40 William Maskell and his Network: a 19th-Century Case Study

Naomi Speakman, The British Museum, London

 

17.00 – 18.00 Reception

 

 

DAY 2

Sunday 6 July: The British Museum, Stevenson Lecture Theatre

 

9.30 Registration

 

10.00 Introduction Naomi Speakman, Curator of Late Medieval Collections, The British Museum

 

10.15 KeynoteMichele Tomasi, Université de Lausanne
Why the Embriachi?

 

Session One: New Perspectives on Embriachi Carving

10.45 When is a Workshop not a Workshop? Re-considering Embriachi Bone Carving

Glyn Davies, Victoria and Albert Museum, London

11.05 The Embriachi Collection of the Museum of Decorative Arts, Paris

Monique Blanc, Musée des Arts Décoratifs, Paris

 

11.25 Coffee break

 

Session Two: Questions of Iconography

11.55 The Son of Man Crowned in Thorns: Gothic Ivories and the Invention of Tradition in 13th-Century Paris

Emily Guerry, University of Oxford

12.15 A Workshop Reconstructed: Construction and Content

Sarah Guérin, Université de Montréal

12.35 Twin Plaques from the State Hermitage Museum and Budapest Museum of Applied Arts: an Iconographical Study

Marta J. Kryzhanovskaia, The State Hermitage Museum, Saint Petersburg

 

12.55 – 14.00 Lunch

 

Session Three: Relationships with Other Media

14.00 The Use of Gothic Ivories as a Basis for the Iconography of the Tomb of Lady Inês de Castro (Alcobaça Monastery – ca. 1358 -1362)

Carla Varela Fernandes, Fundação para a Ciência e a Tecnologia, Lisbon

14.20 Christ Crucified Between Two Thieves in the Wallace Collection London

Geoffrey Rampton, Independent Scholar, London

14.40 Ivory, Parchment, Paper: Ivory Sculpture and the Arts of the Book, 14th-16th Century

Catherine Yvard, The Courtauld Institute of Art, London

 

15.00 Refreshments

 

Session Four: Collectors and Ivories, 19th– 20th Centuries

15.30 ‘Collected with Love and Care’: Gothic Ivory in the Neutelings Collection of Medieval Sculpture

Lars Hendrikman, Bonnefantenmuseum, Maastricht

15.50 Paul Thoby, MD.: a Constant Collector

Camille Broucke, Musée Dobrée, Nantes

16.10 De Aves Venando in Eburibus: Two 19th– or 20th-century Ivories Acquired by Sir William Burrell

Anisha Birk, The British Museum, London and Robert Gibbs, University of Glasgow

 

16.30 – 16.45 Concluding remarks

Tickets will be available here soon:

http://www.courtauld.ac.uk/researchforum/events/2013/summer/jul05_GothicIvoriesConference.shtml

Harlaxton medieval conference 2014: The Plantagenet Empire, 1259-1453

King Henry VI presented to the Virgin and Child by St Louis © The British Library Board (Cotton MS Domitian A. XVII f.50r)
King Henry VI presented to the Virgin and Child by St Louis
© The British Library Board (Cotton MS Domitian A. XVII f.50r)

The Plantagenet Empire, 1259-1453
Tuesday 15th – Friday 18th July 2014
Harlaxton Manor, Harlaxton, Lincs

Provisional Programme
Tuesday, 15th July
2:00 Welcome by Christian Steer (Symposium Secretary)
2:15–3:30 Session 1: Introductions: Themes and Approaches
Mark Ormrod, David Green, Peter Crooks
This session will offer some introductory thoughts on approaches to the subject of the Plantagenet Empire, with considerations of methodology, historiography, terminology, and the ‘imperial model’.

3:30 -4:15: Tea

4:15–5:30 Session 2: Ideology and Perceptions of Empire
Jean-Philippe Genet, „Empire and the English identity: reflections on the king of England‟s dominium‟
Len Scales, „The Empire in translation: English perspectives on imperium and emperors, 1220-1420‟
6:00–7:00: Dinner
7:15 Informal visit to Harlaxton church

Wednesday, 16th July
7:00-8.30: Breakfast
9:00–10:15 Session 3: Domination and Conquest
Brendan Smith, „Status and Power in the Plantagenet Empire‟
Craig Taylor, „Imagining the Lancastrian Empire in France‟
10:15-11:00: Coffee
11:00–12:45 Session 4: Resistance and Collaboration
Seán Duffy, „Irish and Welsh responses to empire, 1258-1327‟
Francoise Lainé, „Uncommon seneschals in Aquitaine: three Gascon commoners in Edward II‟s time‟
Rachel Moss, „Substantiating Sovereignty: Regal Imagery in Plantagenet Ireland‟
1:00: Lunch
2:00–3:45 Session 5: Peripheral Perspectives
Jackson Armstrong, „Peripheries, Provinces and the Plantagenet North‟
Peter Fleming, „Bristol and the end of Empire: the consequences of the fall of Gascony‟
Helen Fulton, „Cultural interactions between Wales and Ireland, c. 1300‟
3:45–4:15: Tea
4:15–6:00 Session 6: Imperial Networks 1
Anne Curry, „The baillis of Lancastrian Normandy: English men wearing French hats?‟
Andrea Ruddick, „Clerical careers and networks in the Plantagenet world‟  Joel Rosenthal, „Have Mitre, will travel: Edward III‟s bishops as diplomats‟ 6:00–7:00: Dinner
Thursday, 18th July
7:00-8:30 Breakfast
9:00–10:45 Session 7: Race and Identity
Julian Luxford, „Specimens of race: their representation in Plantagenet documents‟
Godfried Croenen, „Regional identities in France: Froissart and other chroniclers‟
Kim Woods, „Plantagenets in Alabaster‟
10:45-11:15: Coffee
11:15–1:00 Session 8: Imperial Networks 2
Michael Bennett, „The Plantagenet empire as „enterprise zone‟: war and business networks, c. 1415-1450‟
Jessica Lutkin, „Patterns of purchase – the networks of English goldsmiths, alien merchants and Plantagenet patrons‟
Gwilym Dodd, „Minor Diplomatic Incidents: the English Crown and Foreign Litigants‟
1:00: Lunch
2:00: Excursion to Tattershall Castle and Church
7:00: Reception
7:30: Symposium Dinner in the Great Hall

Friday, 18th July
7:00-8:30: Breakfast
9:30–10:45 Session 9: Language and Communication
Serge Lusignan, „Communication in the Later Plantagenet Empire: the Use of Anglo-French in England and in continental domains‟
Steve Boardman, „ “Our mother tongue”: language and the “end of empire” in fourteenth-century Scotland‟
10:45–11:15: Coffee
11:15–12:30 Session 10: Responses: The Empire in Retrospect and Prospect
Michael Brown, „The Plantagenet Empire and the Insular World‟
John Watts, „The Plantagenet Empire and the Continent‟
12:45: Lunch and departure

TO BOOK, VISIT
http://harlaxton.org.uk/

The Work of Art in the Age of Digital Reproduction, 31 May 2014

Alixe Bovey's avatarMaterial Witness

This event, the third of four plenary events in the AHRC-sponsored programme Material Witness, will explore the implications of Walter Benjamin’s influential and prescient essay The Work of Art in the Age of Technological Reproduction. This event is organised in collaboration with the AHRC Digital Transformations theme through Andrew Prescott’s Theme Leader Fellowship: thanks to this support it is free and open to all, but advance registration is essential. Material Witness participants (you know who you are) should email Jayne Wackett (jaw62@kent.ac.uk). Everybody else, please click here to register.

King’s College London, Guy’s Campus, Lecture Room 2. New Hunt’s House, London SE1 1UL

Programme

10:00 Registration & coffee

10:30 Session 1: Walter Benjamin’s Work of Art in the Age of Technological Reproduction

  • Andrew Prescott (King’s College London): The Digital Aura
  • Neil Cox & Dana MacFarlane (Edinburgh): Workshopping Benjamin and Heidegger

12:30Lunch

1:30Session 2: The Age of Digital Reproduction

  • Bronac Ferran…

View original post 209 more words

Lecture: ‘Monastic Space and the Use of Books in Anglo-Norman England’, Tessa Webber, London Society for Medieval Studies, IHR London

The London Society for Medieval Studies is hosting a lecture at 7.00 in the Torrington Room (104), First Floor, Senate House (located on Malet Street, London WC1E 7HU) by:

Dr Tessa Webber (Trinity College, Cambridge) who will be speaking on ‘Monastic Space and the Use of Books in Anglo-Norman England’.

All those who are interested in Medieval Studies are very welcome to attend.

The Society is entirely funded by its members and support from the Institute for Historical Research. We suggest a small donation of £6.00 per year if you would like to become a member or, alternatively, £2.00 per lecture. Please contact Sarah (sw544@cam.ac.uk) if you would like more information.

http://www.history.ac.uk/events/browse/15161

Talk: TORCH Book at Lunchtime Byzantine Matters, Professor Averil Cameron (Oxford)

image002TORCH Book at Lunchtime | Byzantine Matters, Professor Averil Cameron

Wednesday 21st May, 13:00 – 13:45, with lunch from 12:45 | Seminar Room, Radcliffe Humanities Building, Woodstock Road, Oxford

The themes raised by Professor Cameron’s book will be discussed by:

– Dr Jas Elsner (Humfrey Payne Senior Research Fellow in Classical Archaeology and Art)
– Dr Peter Frankopan (Director of the Oxford Centre for Byzantine Research)
– Dame Jinty Nelson (Emeritus Professor, King’s College London)

About the book:

For many of us, Byzantium remains “byzantine”–obscure, marginal, difficult. Despite the efforts of some recent historians, prejudices still deform popular and scholarly understanding of the Byzantine civilization, often reducing it to a poor relation of Rome and the rest of the classical world. In this book, renowned historian Averil Cameron presents an original and personal view of the challenges and questions facing historians of Byzantium today.

The book explores five major themes, all subjects of controversy. “Absence” asks why Byzantium is routinely passed over, ignored, or relegated to a sphere of its own. “Empire” reinserts Byzantium into modern debates about empire, and discusses the nature of its system and its remarkable longevity. “Hellenism” confronts the question of the “Greekness” of Byzantium, and of the place of Byzantium in modern Greek consciousness. “The Realms of Gold” asks what lessons can be drawn from Byzantine visual art, and “The Very Model of Orthodoxy” challenges existing views of Byzantine Christianity.

Throughout, the book addresses misconceptions about Byzantium, suggests why it is so important to integrate the civilization into wider histories, and lays out why Byzantium should be central to ongoing debates about the relationships between West and East, Christianity and Islam, Catholicism and Eastern Orthodoxy, and the ancient and medieval periods. The result is a forthright and compelling call to reconsider the place of Byzantium in Western history and imagination.

Averil Cameron is professor emeritus of late antique and Byzantine history at the University of Oxford and former warden of Keble College, Oxford. Her books include The Mediterranean World in Late AntiquityThe Byzantines, and The Later Roman Empire.
Part of the TORCH Book at Lunchtime series
Free and open to all. For more information please visit www.torch.ox.ac.uk or find us on Facebook and Twitter.

 

Substitute paper wanted for Leeds session

Tunstead, rood screen
Tunstead, rood screen

Session 1135, Wednesday 9 July 2014: 11.15-12.45

Local Heroes: New Approaches to the Study of Minor Saints and Their Cults

Organizer: Anne E. Bailey, Harris Manchester College, University of Oxford

Chair: Rodney M. Thomson, School of History & Classics, University of Tasmania

One of the Hagiography Society sessions at Leeds this year has had a speaker pull out and is in need of a replacement.  The session topic is on minor saints’ cults, and the session is intended to be interdisciplinary, so there is plenty of room for art-historical work.  Although Leeds is a medieval conference, the Hagiography Society is expanding its reach to include a broader historical and geographical range, so papers outside of the strictly interpreted realm of medieval studies would also be welcome.  If you are interested in contributing a paper, please email Anne Bailey (anne.bailey@history.ox.ac.uk); or, if you know someone who might be interested, please forward this information.

5th International annual conference “Actual Problems of Art Theory and History” 2014

Winter_Palace_facade_large-620x312The Departments of Russian Art and West-European Art of the Faculty of History of St. Petersburg State University, the Department of Art Theory and History of the Faculty of History of Lomonosov Moscow State University and The State Hermitage Museum invite you to participate in the 5th International annual conference “Actual Problems of Art Theory and History”. The conference is to be held on October 28 – November 1, 2014 at the Faculty of History of St. Petersburg State University and The State Hermitage Museum.

The topical problems of art history and theory of art are to be discussed at the conference. The general theme of the conference 2014 is “Images of Classical Antiquity. Ancient Art and its Heritage in the World Culture”. Special attention of the plenary and the sessions will be paid to the phenomenon of art and culture of Classical antiquity, transformation of its legacy in the development of European art system and values, and its significance for the formation of entire European culture and various national cultures.

Working languages of the conference: Russian and English.

Applicants are welcome to suggest papers on all the themes on art from early Middle Ages up to modernity provided they are concerned with the above mentioned problems. It is proposed to hold a plenary session and thematic sessions. Posters are to be admitted to the corresponding sessions. The applications and abstracts of papers should be sent before the 30th of June, 2014 to the following e-mails: conference@actual-art.org (with the subject line “For the conference”).

The application should include the following information:
– Full name
– Date, country and place of birth
– Title of the paper
– University / Place of work, its address and postal code
– Position
– Supervising professor
– Home address and postal code, telephone, fax, e-mail

Please, indicate whether whether you need the University’s assistance in issuing the Russian visa. The applications of students, postgraduate students and young specialists without an academic degree should be accompanied by the recommendation of one`s supervisor sent from the personal e-mail of the latter or a scanned version of the recommendation signed by the supervisor.

The Committee will organize the sightseeing tours to Pavlovsk and Tsarskoye Selo. Also it is possible to arrange seminars in Novgorod and Pskov (1–2 days, at the wish of the participants of the conference). The accommodation of the participants during the conference will be free of charge.

The abstracts of papers should be presented in electronic form, as a Microsoft Word document in Russian or English with 1,5 space, text size 12, Times New Roman Cyr, field size 25 mm. The character limit is 2,000.The name of the file should coincide with the name of the applicant.
The participants will be selected by the Organizing Committee according to the following criteria:
– relevance and the innovative character of the presented research
– quality of the abstracts
– possibility to group the papers into several sessions by their subjects
The materials not selected for participation in the conference are not reviewed and not sent back. The applicants will be noticed upon the selection results by the 10th of September 2014.

The abstracts of papers will be published in 2014. The most prominent papers will be included in the volume of the conference to be issued in 2015.

For the provisional programme and proposed sessions please see programme-of-the-conference-actual-problems-of-art-theory-and-history-2014

Romanesque Virgin found inside walls of Spanish church

romanesque virginA carving of the Virgin Mary, dating to the late twelfth or early thirteeth century, has been found during works on the tower of Utande church, Guadalajara, in central Spain. The work contains much original polychrome, especially in the face. It is most likely it was originally a sedes sapientiae figure, with Christ sitting in her lap.

The statue is currently in a private house in the village, and will probably be sent to the diocesan museum for restoration, where it will ultimately be displayed. The parish priest hopes it may return to the church for feasts, and perhaps that a replica could be made.

It seems possible it was hidden when it became unfashionable, but was kept out of respect for the image. What do fellow medievalists think of this find? Have any similar Romanesque Spanish Madonnas been found in this way? How does she rank among other survivors? Let us know: comment below or email medievalartresearch@gmail.com!

http://www.europapress.es/castilla-lamancha/noticia-albaniles-descubren-emparedada-talla-romanica-virgen-iglesia-utande-guadalajara-20140507190745.html

 

The Abbot’s Table, Glastonbury Abbey, Friday 13th June 2014

3466856343[1]The Abbot’s Table on Friday 13th June 2014

Chaired by Professor Roberta Gilchrist

(University of Reading and Glastonbury Abbey Trustee)

09:30 – 10.30 Registration and coffee

10.30 – 10.35 Welcome

10.35 – 10.45 Introduction

10.45 – 11.15 Professor James Clark (University of Exeter): ‘Eating and the monastic life in late medieval England’

11.15 – 11.45 Stewart Brown: `Recent archaeological work’

11.45 – 12.15 Coffee break

12.15 – 12.45 PhD student paper

12.45 – 13.15 Peter Brears: ‘The Form and Function of the Medieval Kitchen’

13.15 – 14.15 Lunch

14.15 – 14.45 Professor Chris Woolgar (University of Southampton): How far can we talk about cuisine in the Benedictine monasteries of late medieval England?

14.45 – 15.15 Coffee break

15.15 – 15.45 Marc Meltonville (Hampton Court Palace): ‘Cooking in the King’s Kitchen. The reconstruction and experimental use of the kitchens of Henry VIII at Hampton Court.’

15.45 – 16.30 Discussion & Questions to the panel from delegates

16.30 – 16.45 Summary

16.45 – 17.00 Closing address

 

Speaker Biography and Synopsis

Professor James Clark (University of Exeter)

‘Eating and the monastic life in late medieval England’

Biography
James Clark is Professor of History at the University of Exeter and Director of the Centre for Medieval Studies. He has published widely on monastic life in medieval England and makes regular contributions to radio and tv documentaries, most recently as series consultant on BBC2’s Tudor Monastery Farm.

Synopsis
‘Monastic glory’s known to one and all: their treats are reading, tears and dinners small!’(anonymous couplet in a medieval English manuscript). Monastic life was expected to be
hard on the mind, the spirit and the body. This was not lost on the monks of late medieval England but unlike the pioneers of early times from whom they had inherited these precepts, they were the residents of well-appointed – even modish – communities which had the benefit of many of the small comforts, and at least some of the great luxuries, available in the outside world. Their investment in food for themselves and their honoured guests was considerable, and, if the bickering chit-chat of the visitation records is to be believed, their preoccupation with it was constant. Yet it would be wrong to represent the last generations of monastic England as wholly given over to high living, whatever the savage portraits of Chaucer – or the sheer scale of their kitchens – might suggest. In reality, these men and women still sought to reconcile the customs of the secular table with the ascetic ideals of the cloister.

Stewart Brown
Biography
Stewart Brown is a field archaeologist (MIFA). He has been an independent archaeological contractor since 1988. He began his career with the Exeter Museums’ Archaeological Field Unit (1972-9), then won a scholarship to attend the Oxford `In Service Training Scheme’ run jointly by Oxford University and the Archaeological branch of the DoE (now English Heritage). From 1982-8 he was Archaeologist and Interpretation/Education Officer at Buckfast Abbey

Synopsis
Excavation of the present 14th dating from the first stone kitchen on the site, as well as one wall footing from an earlier timber structure. Building recording revealed evidence for lost features of the kitchen, as `Recent archaeological work’ -century kitchen’s interior uncovered floors and hearthswell as a hitherto unknown phase of makeshift structures having been erected against
he kitchen’s north and south walls, probably in the early post-medieval period.

PhD Student
This part of the day will offer the opportunity for PhD student/s to deliver a paper.

Peter Brears

‘The Form and Function of the Medieval Kitchen’

Biography
Peter Brears is one of Britain’s leading food historians and a winner of the prestigious international Andre Simon Food Book of the Year 2009 for his book ‘Cooking and Dining in Medieval England’. After a distinguished career in museums, including the directorship
of the York and Leeds City Museums, he became a freelance museum and historic
house consultant and food history writer in 1994. Since then he has undertaken a wide range of research and development projects for Historic Royal Palaces, the National trust, English heritage and others. In 1986 he was a founding member of the Leeds Symposium on Food History and Traditions, in addition to producing separate books both on this subject, and on museum collections of domestic artefacts. In all of these he has demonstrated his skills as an illustrator, his drawings greatly adding to the reader’s understanding and appreciation of our culinary heritage.

Synopsis
Medieval kitchens were carefully planned so as to be as safe and efficient as possible. Using comparisons with other great English kitchens, their buildings and fixtures, this lecture will use their evidence to demonstrate how the Abbot’s kitchen was intended to be used and explain some of its lesser-known but revealing features.

Professor Chris Woolgar (University of Southampton)

How far can we talk about cuisine in the Benedictine monasteries of late medieval England?
Biography
Chris Woolgar is Professor of History and Archival Studies at the University of Southampton, where he is Director of the Centre for Medieval and Renaissance Culture. His books include The Great Household in Late Medieval England (Yale University Press, 1999), The Senses in Late Medieval England (Yale University Press, 2006) and a volume, edited with Dale Serjeantson and Tony Waldron, on Food in Medieval England: Diet and Nutrition (Oxford University Press, 2006). He is currently writing a book on the culture of food in the later Middle Ages.

Synopsis
If, at first glance, it may seem an unpromising line of enquiry to focus on cuisine in monasteries, there is good evidence to show that the scale of the investment in foodstuffs, in cooking and in the kitchens and bakehouses of the great Benedictine abbeys of England was impressive. The Abbot’s Kitchen at Glastonbury is indicative of monastic interest not only in food, but in cuisine. Cooks of distinction prepared the piquant sauces that formed an important component of elite dining, bakers produced a bewildering variety of loaves, of different size and fineness, from a range of grains; and the quality of ingredients was carefully judged. High-class cookery came with a style of dining that would not have been out of place in the households of the upper ranks in late medieval England. In this pattern of consumption, the monastic world was at its most receptive to secular ideas.

Marc Meltonville (Hampton Court Palace)
The reconstruction and experimental use of the kitchens of Henry VIII at Hampton

Biography
Marc has worked in museums for over 20 years in education, exhibition design and more lately interpretation. A chance meeting with a noted food historian led him to be involved with the first experiment with live historic cookery at Hampton Court in 1991. Supposedly a one off project; Marc has worked with the Historic Royal Palaces ever since.

Since 2006 he has been based at Hampton Court working first on the research and representation of the Tudor kitchens and then as similar project to open the long lost Royal Kitchens at Kew Palace. Lately he has been involved in the research and reconstruction of the King George I’s Chocolate Kitchen at Hampton Court.

These projects have seen him involved with numerous TV and radio programmes along
with lecturing across the UK and North America.
In March this year Marc went to Virginia to lecture on his current work and have a go at making whiskey in an 18th Century distillery at Mount Vernon.

Book a place:

http://www.glastonburyabbeyshop.com/rw_shop/ShopViewCat.php?&cat=21061&dx=1&ob=3&rpn=shopviewcat21061&new_cat=21078&sid=355d86891c5eec964ea2089964b9cd80