Conf: La famosa muraglia (Berlin, 16 Feb 18)

300px-Palazzo_Medici_Riccardi_by_night_01Institut für Kunstwissenschaft und Historische Urbanistik – Fachgebiet Kunstgeschichte, Technische Universität, Berlin, Straße des 17. Juni 150/152, Architekturgebäude, Raum A 060, 16.02.2018

La famosa muraglia. Aktuelle Forschungen zu Architektur und Stadtraum in Florenz um 1450

Organisation: Andreas Huth
Freitag, 16. Februar 2018, 14 (s.t.)-18.30 Uhr
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Books roundup: New Books by Brepols Publishers on Medieval Architecture

AMA_08Decorated Revisited
English Architectural Style in Context, 1250-1400

Edited by John Munns

 ISBN 978-2-503-55434-1

Thirty-Five years after the publication of Jean Bony’s seminal work on the so-called Decorated style of English architecture (The English Decorated Style: Gothic Architecture Transformed, 1979), this volume brings together a selection of groundbreaking essays by the most promising emerging scholars of English medieval architecture, together with contributions by two of the leading established authorities on the subject: Nicola Coldstream (The Decorated Style: Architecture and Ornament, 1240-1360, 1994) and Paul Binski (Gothic Wonder: Art, Artifice, and the Decorated Style, 1290–1350, 2014).

The contributors revisit Bony’s work and reassess the scholarly legacy of the past three-and-a-half decades. Drawing on a range of innovative methodologies, they then present exciting new insights into the nature and significance of English architecture in the period, focusing particularly on its broader European context. The essays are developed from papers delivered as part of a major seminar series at the University of Cambridge in 2013-14.

John Munns teaches the history of medieval art at the University of Cambridge since 2011, where he is a Fellow and Director of Studies at Magdalene College.

More info: http://bit.ly/2lfNQ8K


AMA_09Memory and Redemption
Public Monuments and the Making of Late Medieval Landscape

By Achim Timmerann

 ISBN 978-2-503-54652-0

Erected in large numbers from about 1200 onwards, and featuring increasingly sophisticated designs, wayside crosses and other edifices in the public sphere – such as fountains, pillories and boundary markers – constituted the largest network of images and monuments in the late medieval world. Not only were they everywhere, they were also seen by nearly everyone, because large sections of the populace were constantly on the move. Carrying an entire spectrum of religious, folkloric and judicial beliefs, these monuments were indeed at the very heart of late medieval life. This is the first critical study of these fascinating and rich structures written by a medievalist art historian. Focusing on the territories of the former Holy Roman Empire, this investigation considers such important edifices as the towering wayside crosses of Wiener Neustadt and Brno or the elaborate pillories of Kasteelbrakel and Wrocław, though less ostentatious works such as the Bildstöcke of Franconia and Carinthia or the high crosses of Westphalia and the Rhineland are equally examined. In addition, the study looks at the homiletic, literary, devotional and artistic imagination, in which wayside crosses and other such structures helped constitute a spiritual and allegorical landscape that very much complemented and put pressure on the physical landscapes traversed and inhabited by the contemporary public.

Achim Timmerann teaches medieval and northern Renaissance art and architecture at the University of Michigan, Ann Arbor. He is author of Real Presence: Sacrament Houses and the Body of Christ, c. 1270-1600.

More Info: http://bit.ly/2xELbLf

Birkbeck Medieval Seminar: The Productive Medieval Body

chirurgia.jpgThe Birkbeck Medieval Seminar is an annual event. It is free and open to all scholars of the Middle Ages. It is designed to foster conversation and debate on a particular topic within medieval studies by providing the opportunity to hear new research from experts in the field. We are a welcoming and inclusive environment. This venue is fully accessible. Please contact Isabel Davis (i.davis@bbk.ac.uk) for futher information or if you need help using the registration site.

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Lecture: Un trésor de l’Arsenal : la Bible de Saint-Jean d’Acre

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6 février 2018 – 18h15-19h30

Galerie Colbert, auditorium
Institut national d’histoire de l’art
2, rue Vivienne ou 6 rue des Petits Champs
75002 Paris

Lorsque Saint Louis s’installe à Saint-Jean d’Acre entre 1250 et 1254, la cité cosmopolite où se côtoient chrétiens, juifs et musulmans, est la ville la plus florissante du Royaume latin de Jérusalem. Mais c’est sans doute sous l’impulsion du roi de France qu’un scriptorium y est fondé et qu’une production de manuscrits richement enluminés y prend naissance. Cette Bible, commanditée, sans doute, par Saint Louis qui l’aurait ensuite rapportée en France, présente une intéressante tentative de traduction de la Bible en langue vernaculaire et un important cycle d’enluminures où se mêlent style français et iconographie byzantine, reflet du creuset de cultures qu’est alors Saint-Jean d’Acre. Ce manuscrit est entré au XVIIIe siècle dans la collection du fondateur de l’Arsenal, le marquis de Paulmy.Continue reading “Lecture: Un trésor de l’Arsenal : la Bible de Saint-Jean d’Acre”

Workshop: Doctoral Students Open Day at the British Library – Pre-1600 Collections, 5 February 2018

A reminder for PhD students with research interests relating to the ancient, medieval and early modern worlds: the British Library’s Doctoral Open Day for our pre-1600 collections will take place on 5 February 2018. The day is aimed at first-year doctoral students who would like to learn more about finding and using our collection material for their research. The approach is interdisciplinary and useful for students working on topics in classics, history, literature, history of art, religion, and the history of science and medicine. You can book your place on the Events page. A ticket to attend costs £10, including lunch and refreshments. The number of places is limited, so booking in advance is necessary.

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CFP: Sequitur – BU Graduate Student Art History Journal

Department of History of Art & Architecture at Boston University
Deadline: Feb 12, 2018
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SEQUITUR Issue 4: 2
Spring 2018
CFP: Extra

The editors of SEQUITUR, a graduate student journal published by the Department of History of Art & Architecture at Boston University, invite current graduate students in art history, architecture, fine arts, and related fields to submit content on the theme of Extra for the Spring 2018 issue.
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CFP: Digital Humanities for Academic and Curatorial Practice (Rome, 23 – 24 May 18)

Biblioteca Angelica di Roma and American Academy in Rome, Italy, May 23 – 24, 2018
Deadline: Mar 1, 2018
DIGITAL HUMANITIES FOR ACADEMIC AND CURATORIAL PRACTICE

The Digital Humanities have challenged all disciplines of Art History to engage with new interdisciplinary methodologies, learn new tools, and re-evaluate their role within academia. In consequence, art historians occupy a new position in relation to the object of study. Museums have been equally transformed. The possibilities of creating virtual realities for lost/inaccessible monuments poses a new relationship between viewer and object in gallery spaces. Digital Humanities interventions in museums even allow us to preserve the memory of endangered global heritage sites which cease to exist or are inaccessible (celebrated examples including the lost Great Arch of Palmyra reconstructed with a 3D printer). Curatorial practices are now trending towards a sensorial and experiential approach.

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Book round-up: A History of the Gutenberg Bible, by Eric Marshall White

The Gutenberg Bible is widely recognized as Europe’s first printed book, a book that forever changed the world. However, despite its initial impact, fame was fleeting: for the better part of three centuries the Bible was virtually forgotten; only after two centuries of tenacious and contentious scholarship did it attain its iconic status as a monument of human invention. Editio princeps: A History of the Gutenberg Bible is the first book to tell the whole story of Europe’s first printed edition, describing its creation at Mainz circa 1455, its impact on fifteenth-century life and religion, its fall into oblivion during the sixteenth and seventeenth centuries, and its rediscovery and rise to worldwide fame during the centuries thereafter. This comprehensive study examines the forty-nine surviving Gutenberg Bibles, and fragments of at least fourteen others, in the chronological order in which they came to light. Combining close analysis of material clues within the Bibles themselves with fresh documentary discoveries, the book reconstructs the history of each copy in unprecedented depth, from its earliest known context through every change of ownership up to the present day. Along the way it introduces the colorful cast of proud possessors, crafty booksellers, observant travelers, and scholarly librarians who shaped our understanding of Europe’s first printed book. Bringing the ‘biographies’ of all the Gutenberg Bibles together for the first time, this richly illustrated study contextualizes both the historic cultural impact of the editio princeps and its transformation into a world treasure.

Eric Marshall White, PhD, became Curator of Rare Books at Princeton University Library in 2015 after eighteen years as Curator of Special Collections at Southern Methodist University’s Bridwell Library. A specialist in early European printing, he has published numerous articles and exhibition catalogues on rare books.

More Info: http://bit.ly/2kuyQW8

CFP: (Re-)Forming Sculpture (Leeds, 26-27 Jun 18)

350px-Perrecy-les-Forges_01University of Leeds and The Hepworth Wakefield, June 26 – 27, 2018
Deadline: Mar 16, 2018

Call for Papers for the Association for Art History’s 2-day Summer Symposium organised by the Doctoral and Early Career Research Network.

Keynote Speakers:

Martina Droth, Deputy Director of Research, Exhibitions, and Publications | Curator of Sculpture, Yale Center for British Art

Dr Rebecca Wade, Assistant Curator (Sculpture), Leeds Museums and Galleries, based at the Henry Moore Institute

Paper proposal deadline: 16 March 2018

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Re-opening the Workshop: Medieval to Early Modern (London, 31 Jan-27 Jun 18)

Warburg Institute, Woburn Square, London WC1H 0AB, January 31 – June 27, 2018

Re-opening the Workshop: Medieval to Early Modern

e986ba7faa2ca55eff27486400168447--leather-apron-workshop-designWorkshop and workshop practices represent a core and dynamic research strand in the history of art. This strand encompasses the study of canonical artists but equally of the anonymous producers whose activities can be deduced from the surviving art objects, thanks to ever developing research questions and methodologies. This topic helps us to think about the agents and their networks (artists, patrons and other market consumers), objects and socio-economic factors (making, buying and trading) as well as the broader cultural issues of the transmission of skills and ideas (the movement of artists, objects and imagery). Our lecture series brings together leading experts in medieval and early modern historical periods in and beyond Europe, particular highpoints for the study of workshop practices, and also those researching workshop continuities and changes in later centuries, including digital mediation.

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