Conservators Michele Marincola and Lucretia Kargère have published a new volume on the history, theory, and practice of the conservation of medieval sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated,Continue reading “New Publication: The Conservation of Medieval Polychrome Wood Sculpture”
The Arnamagnæan Institute, Department of Nordic Studies and Linguistics at the University of Copenhagen is looking to recruit a full-time conservator, starting as soon as possible or on the 1st of October 2020.
The Royal Institute for Cultural Heritage (KIK-IRPA, Brussels) and Ghent University (UGent) are pleased to announce the 2nd Ghent Altarpiece International Study Day on 11 September 2018 in Ghent. This event takes place one day before the renowned Symposium XXI for the Study of Underdrawing and Technology in Painting in Brussels (12-14 September 2018).
Summer Course in Technical Art History: The Artist’s Book: Materials and Processes (June 9-20, 2014) New York University, Institute of Fine Arts, Conservation Center Application deadline: Mar 24, 2014 The Conservation Center is pleased to announce the Summer Institute in Technical Art History 2014, a two-week intensive course in technical art history for students currently enrolled in or completing aContinue reading “Summer Course in Technical Art History, Institute of Fine Arts, New York”