Call for Papers: ‘The Materiality in the Fourteenth Century II: Art and Architecture’, ICMS Kalamazoo, 9-14 May 2022 (Deadline 15 September 2021)

The art and architecture of the fourteenth century reflect the social changes and political upheavals that defined the period in Europe. Scholars have increasingly employed the materiality of art—its physical features and characteristics—to critically investigate expanding trade networks, modes of production, and the relationship between artist, patron, and viewer. This session builds on this momentum to explore the social and cultural function of art and architecture in the fourteenth century. Submissions are invited to examine the materiality of art and architecture from any disciplinary and theoretical perspective; interdisciplinary approaches are particularly encouraged. Potential papers might comprise, but are not limited to, investigations of the relationship between an object’s material and form; examinations on shifts in artistic production; applications of visual and formal analysis; or considerations of the ritual, political, and economic significance of objects and their materials. This session invites submissions on all forms of art and architecture including from Latin, Byzantine, and Islamic contexts.

This session is the second of three panels sponsored by the 14th Century Society centered on the discussion of materiality during the fourteenth century. Please submit paper proposals by September 15th through the ICMS Confex website (https://icms.confex.com/icms/2022am/cfp.cgi). Please contact Gabriela Chitwood (gchitwoo@uoregon.edu) with any questions and concerns.

Call for Papers: ‘Digital Methods in Preservation of Medieval Cultural Heritage: New Approaches and Technologies’, ICMS Kalamazoo, 9-14 May 2022 (Deadline 15 September 2021)

In many parts of the world, medieval monuments, sites, and artifacts are facing a threat of devastation, either due to political crises resulting in armed conflicts or acts of vandalism, or deteriorating climate effects, inadequate conservation practices, as well as other adverse natural or social circumstances. Access to some of them is restricted on account of these conditions- a problem that became worldwide during the ongoing pandemic. For all the above-mentioned reasons, digital preservation of material cultural heritage has become a matter of utmost necessity and urgency.

This session aims to present various methods in digital recording and presentation of medieval visual culture that has been recently developed and implemented, as well as to highlight the importance of digitization in certain groups of monuments or objects particularly vulnerable at the present moment.

Blago Fund, which is sponsoring the session, is an organization devoted to the preservation and promotion of Serbian cultural heritage, primarily through the creation of online digital collections that preserve detailed visual records of architectural elements, interior decoration, and the surroundings of churches and monasteries built on the territories of the Serbian medieval state. Owing to the efforts of volunteers and experts from the fields of photography, art history, and internet technologies, all the material created is readily available on the Blago Fund website under a CC license.

The session seeks proposals that will address some of the issues related to practices in digital humanities used in the preservation of the material heritage of the Middle Ages- technical advancements created or employed in digitization, innovative approaches taken, and particular obstacles faced in the process. The organisers also invite scholars and professionals to present their insights and experiences working with digital visual databases in studying and teaching the Middle Ages.

Please submit abstracts no later than 15 September through the ICMS Confex website (https://icms.confex.com/icms/2022am/cfp.cgi). For any questions or concerns, please contact Ida Sinkevic (sinkevic@lafayette.edu) or Ivana Lemcool (ivana.lemcool@blagofund.org).

Call for Papers: ‘Decentering the Self: Liminality and Marginality in Self-Presentation’, International Congress on Medieval Studies, deadline 15 September 2021

Recent work on subjecthood and patronage in Byzantine studies has shown the import of formulas and models, especially in light of liturgical and literary ones, for understanding and presenting the self. At the same time, theories of queerness and intersectionality have been used to bring greater awareness to previously overlooked medieval identities. Drawing on these discourses, this panel revisits traditional sites of self-presentation, such as seals, donation images, and objects of commemoration to ask how these issues were visualized. How did patrons with marginal or liminal identities represent themselves? Or why would a patron choose to represent themselves via a figure whose identity did not fit neatly into societally defined categories? For example, why would a man choose an angel as his emblem? At stake is how we recognize and interpret medieval self-identification. Speakers are encouraged to address de-centered subjects, either patrons or iconographies, and ask how the arena of self-presentation can aid our understanding of what liminal and marginal meant to medieval patrons and viewers. 

The organisers welcome papers exploring these themes from Late Antiquity to the Late Middle Ages and from any geographic area.

Please submit abstracts of 300 words via the ICMS Website. For questions please contact the organizers.

Session organizers
Alexis Gorby, University of Oxford
Lora Webb, Stanford University

Session sponsor
Center for Medieval and Early Modern Studies, Stanford University

Call for Participants: Studying East of Byzantium VIII: Material Culture (Deadline 13 September 2021)

The Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA, are pleased to invite abstracts for the next Studying East of Byzantium workshop: Studying East of Byzantium VIII: Material Culture.

The three-part workshop intends to bring together doctoral students studying the Christian East to reflect on how to study the material world of the Christian East, to share methodologies, and to discuss their research with workshop respondents, Marica Cassis, University of Calgary, and Kate Franklin, Birkbeck, University of London. The workshop will meet on November 19, 2021, February 18, 2022, and June 6–7, 2022, on Zoom. The timing of the workshop meetings will be determined when the participant list is finalized.

The workshop invites doctoral students working in any discipline of East Christian studies to discuss the role of material culture—monuments, archaeological sites, artifacts, images—in their research and to consider questions such as: how can the tools of the study of material culture assist in understanding the realities of the Christian East? What is the difference between material culture and art-historical and archaeological approaches? How does attention to the non-verbal world harmonize with or challenge historical narratives based on textual study?

Participation is limited to 10 students. The full workshop description is available on the East of Byzantium website (https://eastofbyzantium.org/upcoming-events/). Those interested in attending should submit a C.V. and 200-word abstract through the East of Byzantium website no later than September 13, 2021.

For questions, please contact East of Byzantium organizers, Christina Maranci, Arthur H. Dadian and Ara Oztemel Chair of Armenian Art, Tufts University, and Brandie Ratliff, Director, Mary Jaharis Center for Byzantine Art and Culture at contact@eastofbyzantium.org.

East of Byzantium is a partnership between the Arthur H. Dadian and Ara Oztemel Chair of Armenian Art at Tufts University and the Mary Jaharis Center for Byzantine Art and Culture at Hellenic College Holy Cross in Brookline, MA. It explores the cultures of the eastern frontier of the Byzantine Empire in the late antique and medieval periods.

Job Opportunity: Assistant Professor, History of Medieval Christianity, Princeton Theological Seminary (Deadline 15 September 2021)

Princeton Theological Seminary invites applications for a tenure-track position in the History of Medieval Christianity. The research and publication specialization is open. We invite applications from scholars who work on medieval Christianity’s theological, cultural, and social aspects. Candidates must be prepared to teach an introductory survey course on early and medieval church history. Ability and/or experience in teaching courses on the varieties of medieval Christianity beyond Europe, and on the interactions among Christians, Jews, and Muslims in the middle ages is desirable.

The successful candidate will teach in all of the Seminary’s degree programs (M.Div., M.A.C.E.F., M.A.T.S., Th.M., and Ph.D.), pursue an active scholarly research agenda, and participate in the life of the Seminary. As Princeton Theological Seminary is related to the Presbyterian Church (USA), faculty members are expected to work constructively within an ecumenical ethos informed by the Reformed Tradition. 

A letter of interest and curriculum vitae (including bibliography) should be uploaded to the online application site at: https://tns-apps.ptsem.edu/FacultyApplicationMedieval/. The appointment is expected to commence July 1, 2022. Review of applications will begin September 15, 2021.

Those wishing to nominate others for this position are invited to contact Jacqueline Lapsley, Dean of Academic Affairs, at academic.dean@ptsem.edu.

Online Lecture: ‘Romanesque Sculpture in Devon and Cornwall’, with Dr Alex Woodcock, The Society for Church Archaeology, 7 September 2021, 19–20pm (BST)

The Society for Church Archaeology is delighted to welcome Dr Alex Woodcock who will deliver an online lecture on the topic of ‘Romanesque Sculpture in Devon and Cornwall’. Alex is a writer, artist and former cathedral stonemason with a background in buildings archaeology. Their last book, King of Dust, was published in 2019 by Little Toller Books. Alex has written about medieval and modern art for magazines and journals including Resurgence, Elementum, Reliquiae, Shima and The Debutante. Alex had written about medieval sculpture for academic books and journals, and their PhD was on the grotesque in medieval sculpture.

The lecture will be hosted through Zoom and will take place on Tuesday 7th September 2021 from 19:00 to 20:00.

Register here.

Unfortunately this lecture will not be recorded.

Please note: When you register for this talk you will receive an email (with reminders leading up to the event) with a link to a unique Online Event Page. This is where you will be able to access the talk at the scheduled time and date as listed.

Conference Announcement: Fifteenth Century Conference Programme Now Available, Centre for Medieval Studies, University of Bristol, 2-4 September 2021

The draft programme is now available and can be downloaded here.

There is also an information sheet available here

A list of hotels is available here. Hotels need to be booked separately from the registration process for the conference.

(Please note these documents may be updated between now and the conference.)

Registration will open very shortly, with the link posted on the Fifteenth Century Conference website.

All enquiries to: Helen.fulton@bristol.ac.uk

Call for Papers: ‘Medicine in Early Modern Italy: Between Theory and Practice, 1500-1700’, Palazzo Alberti, 19 November 2021 (Deadline 16 September 2021)

Traditionally, the history of medicine in early modern Italy was a field divided sharply into the study of theory and the study of practice, yet this separation was neither equal nor historically justified. Whereas serious attention was given early on to the intellectual foundations of the discipline, far less attention was directed to the consideration of how and when this body of knowledge was translated into practical expressions such as recipes, cures, procedures, and public measures (and vice-versa). A corrective to this imbalance has emerged in the past decades, with scholars adopting, for instance, patient-centered perspectives an exploration of the role of the body, emotions and gender, and the full range of formal and informal practitioners. Further opportunities for understanding the practice of medicine have arisen whenever historians of medicine have engaged with other disciplines, including art and architectural history, religious studies, environmental history, book history, and economic history.


The aim of this conference is to redress the historiographic bifurcation of studies of medical theory and studies of medical practice. We seek papers that reveal the entangled interrelationship between these two realms in a period that was characterized by the rise of empirical experimentation, as well as the growing need to incorporate novel drugs and unfamiliar diseases into the hoary paradigms of professional medicine. The following are examples of the questions that animate interest in this topic: Did physicians’ casebooks make reference to either the utility and/or limitations of medical theory? In what contexts do we encounter recipes that indicate implementation and modification of a theory, such as Galenic humoral medicine or Paracelsian iatrochemistry? What were the challenges and impact on theory and practice of the importation of new medicines through the growth in global trade? What consequences did the academic debate around the influence of Arabic writings have for medical practice? To what degree did an understanding of medical theory matter in the licensing of apothecaries? With the emergence of the printing industry, did the tension between practice and theory expand or shrink? Did prevailing medical theories facilitate or hamper the integration of new discoveries in anatomy and medical botany into the physician’s practice? To what degree was penning a theoretical treatise a catalyst to a lucrative career as a court physician? Did empiricists and quacks ever find it beneficial to adopt the language and concepts of medical theory? Did religious reforms make their impact felt differently in theory versus practice? To what degree could a prince-practitioner eschew theory yet maintain credibility in elite circles?


The conference organizers (John Henderson, Sheila Barker and Rose Byfleet) invite proposals for 25-minute unpublished papers in English or Italian that address the tensions and interplay of practice and theory in medicine, with reference to a wide range of early modern actors and contexts:

  • Botanical Gardens
  • Court physicians
  • Nurses, barber surgeons, wet nurses, midwives, etc
  • Domestic Medicine
  • Apothecaries
  • Recipe Books
  • Hospitals
  • Monasteries and convents
  • Medical Guilds and licensing boards
  • Hippocratic non-naturals and manuals on healthy living
  • Cosmetics and cosmeceuticals
  • Lapidaries and the historical use of gemstones


Confirmed participants: Evelyn Welch, David Gentilcore, Sandra Cavallo, Paolo Savoia, Lavinia Maddaluno, and Sharon Strocchia (pending Covid-19 university policy regulations).

To apply: please prepare a single .pdf document that contains the following items in this sequence: your name, contact information, and institutional affiliation; a one-page summary of your presentation topic; and a maximum of a one-page CV that highlights relevant publications or conference papers. Please send this to education@medici.org by 16 September 2021.

For complete information, visit https://www.medici.org/theoryandpractice/

Call for Papers: ‘Identity Abroad in Central and Late Medieval Europe and the Mediterranean’, University of Cambridge 7-8 January 2022 (Deadline 12 September 2021)

Life in the central and late Middle Ages was characterised by high levels of mobility and migration. Shifts in political, economic, cultural and religious life encouraged and sometimes forced individuals and groups to move ‘abroad’ permanently or temporarily, to places nearby or further afield.

Organisers from the Universities of Cambridge and Oxford invite papers for their upcoming conference Identity Abroad in Central and Later Medieval Europe and the Mediterranean, to be held at Cambridge 7-8 January 2022.

The position and impact of these ‘foreigners’ in societies has been widely discussed. However, what is less considered is how they understood and (re)presented themselves. This conference aims to explore the construction, expression, and practical significance of different forms of social identity among individuals and groups living ‘abroad’ in Europe and the Mediterranean in the period from the eleventh to the fifteenth century.

The conference invites proposals for 20-minute papers from graduate and early career researchers working across all relevant disciplines in the Humanities and Social Sciences. By bringing together a variety of different perspectives, the conference not only aims to consider how ‘identity abroad’ functioned in specific contexts, but also to emphasise developments, patterns, and divergences. Topics of interest include, but are not limited to:

  • Individuals and groups living ‘abroad’, such as merchants, artisans, pilgrims, scholars, diplomats, soldiers, exiles, ethnic and religious minorities, and captives and enslaved people
  • Voluntary or forced, temporary or permanent migration
  • Importance of political allegiance, language, cultural heritage, and faith in identity construction
  • Means of identity expression, such as written production and material culture
  • Relations between different ‘foreign’ individuals and groups
  • Interaction and assimilation/resistance to assimilation with ‘local’ populations, institutions, and rulers
  • Impact of gender, socio-economic background, and other types of differences
  • Theoretical treatments of the concepts of ‘identity’, ‘foreignness’, and ‘abroad’ in the Middle Ages

To submit a proposal, please send an abstract of up to 250 words and a short biographical note to identityabroad22@gmail.com no later than 12th September 2021.

The organisers plan to hold the conference in person in Cambridge, UK. However, this may change to reflect developments relating to Covid-19.

Registration Now Open: Communities and Networks in Late Medieval Europe, International Virtual Conference, 9-10 September 2021

Registration is now open for Communities and Networks in Late Medieval Europe. Register at https://www.eventbrite.co.uk/e/communities-and-networks-in-late-medieval-europe-c-13001500-registration-165407840303

Historical research has witnessed a rapidly growing interest in ‘networks’ since the turn of the twenty-first century, as seen in ambitious endeavours such as the foundation of the Journal of Historical Network Research in 2017. This is due not only to the utility of networks in describing interrelations between historical actors, but also to the adoption of the concepts and methodologies associated with social network analysis (SNA).

Communities and Networks in Late Medieval Europe aims to build on and contribute to this expanding field of research by exploring how the descriptive, conceptual, and methodological tools provided by the study of networks can deepen our understanding of the complex sets of relationships between and within different types of communities in the specific context of the last two centuries of the European Middle Ages. The fourteenth and fifteenth centuries were a time of great political, socio-economic, and cultural change in Europe: the period in question, therefore, offers numerous exciting opportunities (and challenges) for the application of network-based approaches to the study of community dynamics.

You can find the conference programme at https://communitiesandnetworks21.files.wordpress.com/2021/08/communities-and-networks-in-late-medieval-europe-c.-1300e280931500.pdf

You can also visit the website (https://communitiesandnetworks21.wordpress.com) and follow on Twitter at @commsandnets21.