Medieval Art Research

CFP: 15th International Congress of Turkish Art (Naples, 16-18 September 2015)

Call for Papers:
15th International Congress of Turkish Art (ICTA)
Università di Napoli “L’Orientale”, Dipartimento Asia, Africa e Mediterraneo (Piazza San Domenico Maggiore 12, Napoli), 16 – 18 September 2015
Deadline: 30 September 2014

We are pleased to inform you that the 15th International Congress of Turkish Art will take place in Naples, at the Università di Napoli “L’Orientale”, from September 16th to 18th 2015. Even though maintaining the traditional topics of the previous congresses, the organizers proposed a specific section devoted to Italy and the Turkish world. They ask participants wishing to give lectures, to submit abstracts on any of the following topics (grouped under three headings):

I. Turkish Arts and Aesthetics
a) Architecture
b) Painting, painters and the decorative arts
c) Arts of the book
d) Arts of fire: Tiles, ceramics and glass
e) Metalwork
f) Rugs and textiles
g) Scholars, collectors and collections
h) Turkish Arts in Europe/Italian collections

II. Italy and the Turkish World: Interactions
a) Architecture and decoration
b) Trade, diplomacy and the arts
c) The image of the Turk in Italian art
d) Naples and the Ottoman World
e) Music and performing arts

III. Archeology/Excavations

The languages of the Congress will be Turkish, English and Italian. The papers should not exceed 20 minutes in duration. Abstracts should only be submitted in English (min. length 250, max 500 words) and sent to the Italian Organizing Committee. Simultaneous translation will not be available at the Congress.

In view of the great interest that is expected, the International Organizing Committee reserves the right to decide on the papers to be given on the basis of the abstracts submitted. Adjudication will take place using the blind evaluation method. Those submitting abstracts will be informed of the International Organizing Committee’s decision at the time of the Second Circular is sent out, at latest by November 2014.

Those wishing simply to attend to the Congress (i.e. without reading a paper) should notify the Italian Organizing Committee of their intention to do so by October 30th 2014.

Deadline for proposals: 30 September 2014.
Contact: 15thcongressturkishart@gmail.com

CFP: The World of St. Francis of Assisi (Siena, 17-19 July 2015)

Call for Papers:
The World of St. Francis of Assisi (Siena, 17-10 July 2015)
Deadline: 15 October 2014

When Jorge Bergoglio became the first pope to choose the name Francis, it served as a reminder of Francis of Assisi’s profound effect on the world in the eight centuries since his death. During his lifetime, Francis challenged religious, social, and economic norms and helped reenergize a Church under assault. He founded the most popular religious order of the Middle Ages, and from the thirteenth century up to the present, Franciscans have attracted devotees from Assisi to Latin America and beyond. The program committee invites proposals for papers on any number of topics that consider the legacy of Francis and the Franciscans including:

The meaning and significance of Franciscan art in its medieval, Renaissance, and modern contexts
Francis’ legacy of interfaith dialogue and peacemaking
Female orders of Franciscan nuns, including the Poor Clares and Clarissan Nuns
Francis’ economic, social, and environmental views and their legacy
Franciscan spirituality, poverty, or the teaching of St. Francis to modern audiences
The history of the Franciscan order

This conference is open to scholars from all academic disciplines, including history, art history, literature, English, theology, philosophy, Church history, and environmental studies.

In addition to individual papers, the program committee will also entertain proposals for special sessions (3 papers) and panel discussions on a particular topic.

We welcome 250-word abstracts of papers (20 minutes), with an additional short CV. All proposals will be reviewed by the conference committee. Proposals (in a PDF file, or in Word) should be sent as an email attachment to francisconference2015@gmail.com by October 15, 2014. Notification of acceptance will be sent by November 15, 2014.

The conference will be held in Siena at the Siena School for the Liberal Arts. It will include keynote lectures by Fr. Michael Cusato (Director of the Franciscan Institute at St. Bonaventure) and Ron Herzman, SUNY Geneseo Distinguished Teaching Professor of English. A dinner for conference participants is planned for Saturday night, as well as an excursion to Assisi with a guided tour led by Dr. William R. Cook (SUNY Geneseo Dinstiguished Teaching Professor of History) for Sunday.

For more information on the conference, including lodging suggestions and transportation details, please visit the conference website: http://www.geneseo.edu/history/world-st-francis-assisi

All participants are responsible for their own lodging and travel arrangements. No travel funding is available.

The registration fee for the conference will be $180, with a discount for early registration before December 1, 2015 ($160). The fee includes Saturday’s group dinner.

Organizing committee:
Bradley R. Franco (University of Portland)
Weston Kennison (SUNY Geneseo)
Beth Mulvaney (MeredithCollege)
Mario Ascheri (Università Roma 3)

Conference: The Doors of Andrija Buvina in Split Cathedral, Split, Croatia, 23-24 September 2014

Knjizevni krug Split
Institut za povijest umjetnosti – Centar Cvito Fiskovic, Split
Zavod za znanstveni i umjetnicki rad HAZU Split

Scientific committee: Josko Belamaric & Guido Tigler
Editors of the Conference: Xavier Barall i Altet, Igor Fiskovic, Vladimir Peter Goss, Branko Jozic, Luca Mor

Schedule of Papers

Tuesday, September, 23

9.00
Words of Welcome by the Archbishop of Split and Makarska, Msgr Marin
Barisic and Mayor of Split, Ivo Baldasar

The Beginning of the International Scholarly Conference, Opening
Addresses by Josko Belamaric and Guido Tigler

First Session
Chairmen: Igor Fiskovic i Gaetano Curzi

9.30 – 9.50 Vladimir Peter Goss (Rijeka):
Andrija Buvina and the Early Croatia Art in Wood

10.00 – 10.20 Josko Belamaric (Split):
Andrija Buvina – pictor de Spaleto, a Master Rooted in the Historical
and Artistic Reality of the Split and Dalmatia of the 1200s

10.30 – 10.50 Guido Tigler (Firenze):
Andrea Buvina era anche un intagliatore o solo un pittore?

11.00 – 11.15 Break

11.15 – 11.35 Judit Gál i Mirko Sardelic (Budimpesta – Zagreb):
Archbishop Bernard (1200-1217) between Hungary and Split

11.45 – 12.05 Branko Jozic (Split):
Manuscript Codex 626 C from the Treasury of Split Cathedral – Riddles
and Results

12.15 – 12.35 Emanuela Elba (Bari):
Immagini a modello. Il ciclo della vita di Cristo nella pittura e nelle
arti suntuarie dell’area Adriatica tra XI e XIII secolo

12.45 – 13.00: Break

13.00 – 13.20 Radoslav Buzancic (Split):
Andrija Buvina and Radovan. The Message of Salvation on the Portals of
the Split and Trogir Cathedrals

13.30 – 13.50 Xavier Barall i Altet (Rennes):
Signatures, représentations et organisation du travail, formules et
perception sociale des formules. Réflexions sur le travail du bois à la
fin de l’époque romane et au début du gothique, à propos des portes de
la cathédrale de Split

Wednesday, September, 24

Second Session
Chairmen: Xavier Barall i Altet i Branko Jozic

9.00 – 9.20 Dino Milinovic (Zagreb):
Identifying Models in Medieval Art: two Christological Cycles in
Croatian Medieval Art

9.30 – 9.50 Daniela Matetic Poljak (Split):
The Ornamention of Buvina’s Doors – Tradition and Innovation

10.00 – 10.20 Franko Coric (Zagreb):
Buvina Doors – A Unique Testimony to the Paradigm Shift in the Theory
of Monument Protection

10.30 – 10.50 Zana Matulic Bilac (Split):
Split’s Cathedral Romanesque Portal Wooden Doors – Conservation Project
2014/2015

11.00 – 11.30: Break

11.30 – 11.50 Igor Fiskovic (Zagreb):
Romanesque Sculpture from Dubrovnik Cathedral

12.00 – 12.20 Pavusa Vezic (Zadar):
Anatomy of a Lost Monument – a Recomposition of the Facade of the
Romanesque Cathedral in Zadar

12.30 – 12.45: Break

12.45 – 13.05 Gaetano Curzi (Pescara):
Medieval Wooden Doors in Central Italy: A Reconsideration

13.45 – 14.05 Luca Mor (Udine):
Su alcune sculture lignee nel Patriarcato di Aquileia tra i secoli XII
e XIII

14.15 – 14.35 Fulvio Cervini (Firenze):
Wooden Sculpture and Metalworks about 1200: some case studies

Closing of the Conference

Murder in the Cathedral in Putney

KONICA MINOLTA DIGITAL CAMERA — St Mary’s, Putney Bridge

Something Wicked Theatre are pleased to announce their upcoming performance of T.S. Eliot’s modern classic, in the historic and atmospheric surroundings of St. Mary’s Church in Putney, famous location of the ‘Putney Debates’ held in the seventeenth century during the English Civil War.

Murder in the Cathedral is the poetic dramatization of an equally iconic event in English history, the murder of Thomas Beckett in 1170 by the knights of King Henry II in Canterbury Cathedral. Our play, directed by award‐winning director,Adam Morley, and performed by trained actors, will focus strongly on the medieval context, making the most of this ancient church setting, using natural lighting and contemporary music to enhance the actors’ performance.

Performances

Wed, Oct 8^th: Matinee. 1.00pm: Food. 2.00pm: Theatre

Thurs, Oct 9^th: Matinee. 1.00pm: Food. 2.00pm: Theatre

Evening. 7.00pm: Food. 8.00pm: Theatre

Fri, Oct 10^th: Evening. 7.00pm: Food. 8.00pm: Theatre

Sat, Oct 11^th: Evening. 7.00pm: Food. 8.00pm: Theatre

(Please note that there is no evening performance on Oct 8th)

Theatre ticket prices: £14, £12 concs.

A medieval‐style meal will be offered to complement the performance in Putney Pantry, the restaurant adjoining St Mary’s Church

Tickets purchased separately £12; joint ticket theatre/meal £22

For further information regarding the meal, please contact Putney Pantry on: 0208 789 1137 orinfo@putneypantry.com.

To book tickets, please contact TicketSource as follows :

Through their website: somethingwicked.ticketsource.co.uk

By telephone: 0333 666 3366

Please note that there is a single fee of 1.50 for booking by telephone or online.

NB: TicketSource is a booking service only and cannot answer queries regarding times, etc, all of which should be addressed directly to the Church on 020 8394 6063.

Publication News: New Issue of “Different Visions”

Publication News:
Different Visions: A Journal of New Perspectives on Medieval Art
Issue Five: Female Sexualities

Different Visions: A Journal of New Perspectives on Medieval Art is a web-based, open-access, peer-reviewed annual, devoted to progressive scholarship on medieval art. The fifth issue of Different Visions is devoted to Female Sexualities and guest co-edited by Sherry Lindquist and Mati Meyer. As Sherry states in her introduction, the papers in this issue had their origin in a session devoted to this topic at the 2010 International Medieval Congress at Leeds. It is very exciting to be publishing them now in Different Visions. For free online-access to all articles, see here: http://differentvisions.org/issue-five/

Content

Sherry C.M. Lindquist. Introduction: Visualizing Female Sexuality in Medieval Cultures

Sarah Salih, King’s College London: The Trouble with “Female Sexuality”

Mati Meyer, The Open University of Israel: Theologizing or Indulging Desire: Bathers in the Sacra Parallela (Paris, BnF, gr. 923)

Marian Bleeke, Cleveland State University: “Hag of the Castle:” Women, Family, and Community in Later Medieval Ireland

Sarit Shalev-Eyni, The Hebrew University of Jerusalem: The Bared Breast in Medieval Ashkenazi Illumination: Cultural Connotations in a Heterogeneous Society

Elina Gertsman, Case Western Reserve University: Si grant ardor: Transgression and Transformation in the Pühavaimu Altarpiece

CFP: Concilium Lateranense IV (Rome, 25-29 November 2015)

Call for Papers:
Concilium Lateranense IV
Commemorating the Octocentenary of the Fourth Lateran Council of 1215
Rome, 25-29 November 2015
Deadline: 1 November 2014

On Monday 30 November 1215 in the Basilica of St John Lateran, Innocent III brought the first assembly of the whole Church since the Council of Chalcedon (451) to a rousing finale by summoning all the delegates to unite in faith and by issuing Ad Liberandam, an encyclical calling for a crusade to liberate the Holy Land. This Council, fourth in the Lateran series but the twelfth ecumenical gathering of the Church in the Western tradition, included the five patriarchs or their representatives, together with more than one thousand bishops, abbots and other dignitaries, both ecclesiastical and secular. At each of the three plenary sessions held on 11, 20 and 30 November respectively, Innocent preached a set-piece sermon whilst, behind the scenes, delegates debated such major issues as who was more worthy to lead the Empire and how to contain the Albigensian heresy.
The accounts of eyewitnesses reveal that Innocent’s consecration of Santa Maria in Trastevere and celebrations for the anniversary of the dedication of the Vatican Basilica served not only to emphasize the history, majesty and ritual of the Church but also offered a welcome respite from the intensive discussions in the Lateran Palace. The Fathers of the Council promulgated seventy decrees, covering topics as diverse as heresy, Jewish-Christian relations, pastoral care and Trinitarian theology as well as ecclesiastical governance. Monks and secular clergy were to be reformed, the nascent mendicant orders welcomed to the Church and diocesan bishops instructed to implement far-reaching conciliar decisions across Christendom.

Eight hundred years on, Lateran IV still stands as the high-water mark of the medieval papacy, its political and ecclesiastical decisions enduring down to the Council of Trent whilst modern historiography has deemed it the most significant papal assembly of the Later Middle Ages. In November 2015, we have a unique opportunity to re-evaluate the role of this Council in the reform of the universal Church. Taking an inter-disciplinary approach, we shall investigate how its decisions affected the intellectual, cultural, social and religious life of the medieval world. We particularly encourage individual papers from disciplines such as art history, theology, canon law, crusade studies, literature and from those who work on relations between Jews and Christians, which we hope will broaden current interpretations of the events of the Council, their subsequent importance and long-term impact. Alternatively, three-paper session proposals on a common theme will also be most welcome.

Papers may be delivered in English, French, German, Italian or Spanish but must be limited to 30 minutes. Abstracts of no more than 200 words with all the necessary contact details should be sent no later than 1 November 2014.

Please direct any questions to fourthlateranat800@gmail.com
For further information, see: http://lateraniv.com

New Publication: Royal Manuscripts Conference Papers Now Online (Electronic British Library Journal 2014)

New Publication:
Royal Manuscripts Conference Papers Now Online
Electronic British Library Journal 2014 (articles 4–10)

The British Library is pleased to announce that selected papers from the two-day international conference associated with the ‘Royal Manuscripts’ exhibition (11 November 2011 – 13 March 2012) are now available on the Electronic British Library Journal 2014 (articles 4–10).

Royal Manuscripts: The Genius of Illumination showcased over 150 richly decorated manuscripts associated with and collected by English monarchs between the ninth and sixteenth centuries. Drawn mainly from the Old Royal library given to the nation by George II in 1757, the exhibited manuscripts revealed a magnificent artistic inheritance and provided a vivid insight into the lives and aspirations of those for whom they were made.

On the 12-13 December 2011, seventeen speakers gathered in the British Library to discuss different aspects of the Royal collection, from the makers and users of these books to content as diverse as genealogy and law, legend and history, and liturgy. An account of the conference, its speakers and their subjects, can be read here.

Source: http://britishlibrary.typepad.co.uk/digitisedmanuscripts/2014/09/royal-manuscripts-conference-papers-now-online.html

CFP: III. Forum Kunst des Mittelalters/Forum Medieval Art (Hildesheim, 16-19 September 2015)

Call for Papers:
III. Forum Kunst des Mittelalters/Forum Medieval Art
Hildesheim, 16-19 September 2015
Deadline: 20 October 2014

The 3rd Forum for Medieval Art will take place in Hildesheim from September 16 – 19, 2015. Colleagues interested in presenting papers are invited to send proposals for the sessions listed below by October 20, 2014 to mail@mittelalterkongress.de. Each presentation should have a length of c. 20 min. Proposals should be limited to no more than 300 words.

Sessions proposed:

1. New Research on Bishoprics and Monasteries in Eastern Central Europe – 10th – 13th Centuries / Neue Forschungen zu Bischofssitzen und Klöstern in Ostmitteleuropa 10.–13. Jahrhundert (GWZO Leipzig – Jiři Fajt & Markus Hörsch / Leipzig)

2. Bishops in the High Middle Ages – Mediators, Donors, Saints / Bischöfe im Hohen Mittelalter – Mittler, Auftraggeber, Heilige (Bruno Klein / Dresden)

3. European and Mediterranean Middle Ages: Trade, Mobility and Cultural Horizons, 600 – 1200 / Europäisches und mediterranes Mittelalter: Handel, Mobilität und kulturelle Horizonte 600-1200 (Manfred Luchterhandt / Göttingen)

4. 1000 Years Bernward’s Bronze Doors / HAS VALVAS FVSILES – 1000 Jahre Bernwardtür (Dommuseum Hildesheim – Michael Brandt, Claudia Höhl & Gerhard Lutz / Hildesheim)

5. A Territorial Landscape in Change: Merseburg Cathedral and 11th Century Architecture in Saxony / Herrschaftslandschaft im Umbruch. Der Merseburger Dom und die Architektur des 11. Jahrhunderts in Sachsen (Institut Europäisches Romanik Zentrum an der Martin-Luther-Universität Halle-Wittenberg – Wolfgang Schenkluhn & Andreas Waschbüsch / Halle an der Saale)

6. Carolingian Art and the Quest for Authenticity (International Center of Medieval Art – Adam Cohen / Toronto & Genevra Kornbluth / Glenn Dale)

7. Jewellry between Early and Late Middle Ages: Media of Sight and Touch / Schmuck zwischen Früh- und Spätmittelalter: kostbare Dinge – Medien des Blicks und der Berührung (Silke Tammen / Gießen)

8. The Work of Art in the Early Middle Ages: Shifting Borders and New Horizons (Beatrice Kitzinger / Stanford & Joshua O’Driscoll / Cambridge, Mass.)

9. New Research on Bamberg Cathedral and Its Furnishings, 11th – 13th Centuries / Neue Forschungen zum Bamberger Dom und seiner Ausstattung vom 11. bis zum 13. Jahrhundert (Matthias Exner / München & Gerhard Weilandt / Greifswald)

10. New Research on Early and High Medieval Architecture in Italy / Neue Forschungen zur früh- und hochmittelalterlichen Architektur in Italien (Werner Jacobsen / Münster & Hildegard Sahler / München)

11. New Research on Liturgical Vestments until the 12th Century / Neue Forschungen zur liturgischen Gewandung bis zum 12. Jahrhundert (Regula Schorta / Riggisberg)

12. Productivity in the Circle of the Hildesheim Relic Shrines in the 12th and 21st Centuries: Challenges to Interdisciplinary Research / Produktivität im Umkreis der Hildesheimer Reliquienschreine im 12. und 21. Jahrhundert: Herausforderungen an die interdisziplinäre Forschung (Dorothee Kemper / Hildesheim & Hedwig Röckelein / Göttingen)

13. Ornament between Aesthetic and Function: A New Look at Early Medieval Manuscripts / Ornament zwischen Ästhetik und Funktion. Ein neuer Blick auf frühmittelalterliche Handschriften (Herzog August Bibliothek Wolfenbüttel – Christian Heitzmann / Wolfenbüttel & Gia Toussaint / Hamburg)

14. Sacral Topographies / Sakraltopographien (Bernd Nicolai & Jörg Richter / Bern)

15. Always Wised-Up: The Contribution of Epigraphy to the Dating of Medieval Art / Stets im Bild – der Beitrag der Epigrafik zur Datierung mittelalterlicher Kunst (Christine Wulf / Göttingen)

16. Founders and Memoria from the Brunonids to the Guelfs / Stifter und Memoria von den Brunonen zu den Welfen (Jochen Luckhardt & Heike Pöppelmann / Braunschweig)

17. Around 1200: The Role of Hildesheim in a Time of “European Globalization”/ Um 1200. Die Rolle Hildesheims in einer Zeit „europäischer Globalisierung“ (Klaus Niehr / Osnabrück)

18. Origins: Narratives of Origin of Objects, Materials and Techniques in the Early and High Middle Ages / Ursprünge. Herkunftsnarrative zu Objekten, Materialien und Techniken in Früh- und Hochmittelalter (Philippe Cordez / München & Rebecca Müller / Frankfurt)

19. Wall Paintings in the High Middle Ages: Art History and Conservation / Wandmalerei des hohen Mittelalters: Kunstgeschichte und Restaurierung (Ursula Schädler-Saub / Hildesheim & Heidrun Stein-Kecks / Erlangen)

For the full CFP with an abstract for each session, see: http://mittelalterkongress.de/mittelalterkongress/wb/pages/posts/call-for-papers-english-version—3rd-forum-medieval-art—hildesheim—september-2015-28.php

Further information: www.mittelalterkongress.de

Doctoral Workshop: “Neue Tendenzen der Italienforschung zu Mittelalter und Renaissance” (Florence, 13-15 November 2014)

Doctoral Workshop:
Neue Tendenzen der Italienforschung zu Mittelalter und Renaissance
Florence, Kunsthistorisches Institut – Max-Planck-Institut
13-15 November 2014

unter Leitung von Prof. Dr. Ingrid Baumgärtner (Kassel), Prof. Dr. Klaus Herbers
(Erlangen-Nürnberg), Prof. Dr. Alessandro Nova (Florenz/Frankfurt am Main) und Prof. Dr. Gerhard Wolf (Florenz/Berlin).

Vom 13. bis 15. November 2014 findet am Kunsthistorischen Institut (Max-Planck-Institut) in Florenz der interdisziplinäre und internationale Workshop „Neue Tendenzen der Italienforschung zu Mittelalter und Renaissance“ für Nachwuchswissenschaftler_innen statt. Unter Leitung von vier im Bereich der Italienforschung ausgewiesenen Expert_innen sowie zwei eingeladenen Keynote-Speakers präsentieren fortgeschrittene Doktorand_innen und Post-Docs ihre Projekte aus der Geschichte des Mittelalters und der Frühen Neuzeit sowie aus der mittelalterlichen und frühneuzeitlichen Kunstgeschichte. Zur Diskussion stehen dabei sowohl inhaltliche Fragen als auch die theoretische und methodische Ebene. Zentrales Anliegen des Workshops ist es, die jüngeren Ansätze der Italienforschung in Geschichte und Kunstgeschichte zusammenzubringen, zu kommentieren, kritisch zu würdigen und vor allem dieses Themenfeld in Deutschland durch den Austausch der Forschenden zu stärken.

Die Schwerpunktbereiche der Tagung sind in insgesamt vier Sektionen gebündelt. Thematische Ausrichtungen wie Kunsttheorie und Begriffsgeschichte, Kirchen- und Herrschaftsgeschichte, Raum- und Stadtgeschichte oder Formen von Sakralität und Objekten stehen mit verschiedenen Zeitschnitten in Korrelation, also dem Hoch- und Spätmittelalter, der Renaissance und der Gegenreformation. Ausgewählte Keynote-Speakers rahmen die Beiträge der Referent_innen ein; sie bieten Anregungen für übergreifende Einordnungen und stehen für die Diskussionen der unterschiedlichen Arbeitsschwerpunkte zur Verfügung. Die Veranstaltung richtet sich an Nachwuchswissenschaftler_innen beider Epochen, beider Disziplinen sowie aller anschlussfähigen Nachbardisziplinen.

Programm

Donnerstag 13. November 2014

14.30 Alessandro Nova und Gerhard Wolf: Begrüßung
Ingrid Baumgärtner und Klaus Herbers: Einführung

I. Text und Bild im Mittelalter
Diskussionsleitung: Gerhard Wolf (Florenz/Berlin)

14.50 Diana Nitzschke (Erlangen-Nürnberg): Frühchristliche Bodenmosaiken in Sakralbauten im Westen des Römischen Reichs unter besonderer Berücksichtigung Italiens

15.30 Armin Bergmeier (München): Vergrabene Reliquiare und göttliche Visionen. Unsichtbare Bilder im Frühmittelalter

16.40 Larissa Düchting (Erlangen-Nürnberg): Heiligkeit in Süditalien im frühen Mittelalter

17.20 Anselm Rau (Frankfurt am Main): Emotion und Bildgenese. Zur Affektsteuerung im Lignum vitae vor dem Hintergrund der monastischen Meditationskultur

18.30 Keynote-Sprecherin Daniela Bohde (Frankfurt am Main/Marburg): Maria Magdalena am Kreuzesfuß oder: Plädoyer für eine Ikonographie des Ortes

Freitag 14.11. 2014

II. Kirche, Frömmigkeit und Herrschaft im hohen und späten Mittelalter
Diskussionsleitung: Klaus Herbers (Erlangen-Nürnberg)

09.20 Katrin Getschmann (Tübingen): Mönche und Kanoniker im Streit: Ein
Mailänder Konflikt in der ersten Hälfte des zwölften Jahrhunderts

10.00 Viktoria Trenkle (Erlangen-Nürnberg): Expertise und Ehre: Kardinäle im hohen Mittelalter

10.40 Giuseppe Cusa (Frankfurt am Main): Die Laiengeschichtsschreibung in der Mark Verona-Treviso während des politischen Wandels von der Kommune zur Signorie

11.50 Mona Alina Kirsch (Heidelberg): Der Handel in Sizilien von der Machtergreifung Karls I. von Anjou 1266 bis zur Re-Affirmation der aragonesischen Herrschaft im Jahr 1396

12.30 Katharina Weiger (Berlin): Kunst im Königreich Neapel und Giotto: Kreuzigungsikonographie zwischen Tradition und Innovation

III. Signorie, Hofkultur und Gemeinschaft
Diskussionsleitung: Ingrid Baumgärtner (Kassel)

14.30 Vera-Simone Schulz (Berlin): Globale und lokale Nahtstellen zwischen den Künsten. Textile Ästhetik in der Toskana und in Florenz

15.10 Claudia Jentzsch (Berlin): Ordnung und Gemeinschaft. Die Ästhetik der Florentiner Augustinerkirche Santo Spirito

15.50 Gerda Brunnlechner (Hagen): Die ‚Genueser Weltkarte‘ von 1457 – Alternativen und Wandlungen von Raumdarstellungen in der Kartographie des 15. Jahrhunderts

17.00 Andreas Hermann Fischer (Kopenhagen/München): Aufschlag für Alfonso: Tennis im rinascimentalen Ferrara und die Spielkultur(en) des italienischen Cinquecento

17.40 Mauro Spina (Turin): Rapporti figurativi tra Germania del sud e Italia settentrionale nel primo Cinquecento

18.30 Keynote-Sprecherin Petra Schulte (Köln/Frankfurt am Main): Ungleichheit in den italienischen Städten des Hoch- und Spätmittelalters

Samstag 15.11.2014

IV. Religiosität und Affekt – Von der Renaissance bis ins Zeitalter der Gegenreformation
Diskussionsleitung: Alessandro Nova (Florenz/Frankfurt am Main)

9.00 Katharine Stahlbuhk (Hamburg): Der Einsatz von monochromer Monumentalmalerei innerhalb der Kirchenreformen nach dem Großen Schisma und der Observantenbewegung

9.40 Angela Tietze (Bochum): Tiefste Trauer und Angemessenheit – Affektmodellierungen in der bildenden Kunst der Frühen Neuzeit (1450-1750)

10.20 Maurice Saß (Hamburg): „Come cane e gatto” – Affektive Tierblicke als Momente künstlerischer Selbstvergewisserung

11.30 Filine Wagner (Zürich): „Pittore delicatissimo e molto vago“. Die Bedeutung Bernardino Luinis in der Lombardei der Gegenreformation

12.10 Steffen Zierholz (Bern): Räume des Selbst. Kunst und Spiritualität in der Gesellschaft Jesu (1580-1700)

12.50 Schlussdiskussion

Conference: VIIe rencontres internationales des doctorants en études byzantines (Paris, 3-4 October 2014)

Conference:
VIIe rencontres internationales des doctorants en études byzantines
Paris – INHA, 3-4 October 2014

Organisées sur deux jours, ces Rencontres internationales ont pour but de rassembler des étudiants de troisième cycle, français et étrangers, travaillant sur la civilisation byzantine. Quels que soient le champ de recherche et le domaine de spécialisation (histoire, histoire de l’art, archéologie, philologie, etc.), il s’agit de partager les recherches des doctorants en études byzantines ou de disciplines proches (Moyen Âge occidental, monde islamique, peuples des steppes, etc.), les interactions étant toujours fructueuses. Pluridisciplinaires et dynamiques, ces Rencontres souhaitent favoriser les discussions scientifiques et méthodologiques autour des sujets de recherche présentés, afin de développer davantage les échanges d’expériences, de conseil et de points de vue entre les jeunes chercheurs, intervenants et auditeurs.

PROGRAM

Vendredi 3 octobre (salle Walter Benjamin)

9h Accueil

Économie et commerce à Byzance à l’époque tardo-antique

9h30
MARANI Flavia (EPHE et Université de Pise)
La circulation monétaire dans le Latium méridional du royaume ostrogoth à la reconquête byzantine

10h
DRAPELOVA Pavla (Université d’Athènes)
Coins as a Source of Information on a Provincial City : the Case of Antioch (518-565)

10h30
REY Sylvain (Université Paris I Panthéon-Sorbonne)
Le commerce tardo-romain dans l’océan Indien : le rôle de l’Arabie (IIIème-VIIème siècles)

11h00
pause café en salle Aby Warburg

11h30
KOROSIS Vassileios (Université d’Athènes)
Les artisans appelés banausoi dans la préfecture d’Illyricum pendant l’Antiquité Tardive (IIIème-VIIème siècle ap. J.C.) selon les données rchéologiques et les sources primaires

12h
LAMESA Anaïs (Université Paris – Sorbonne)
Les monuments rupestres de Cappadoce : de l’étude d’une pratique à la compréhension d’une société

12h30
JUGĂNARU Andra (Central European University, Budapest)
Men, Women, and the Angelic Life :Double Monasteries in Late Antiquity

13h
PEPPA Aikaterini (Université Paris I Panthéon-Sorbonne)
Recherches sur l’économie de la ville de Philippes à la fin de l’Antiquité Tardive

13h30-14h30
repas en salle Aby Warburg

Livre et littérature à l’époque médio-byzantine

14h30
ROUQUETTE Maïeul (Université de Lausanne et Université d’Aix-Marseille)
Les apôtres dans la Souda

15h
RĂDUCAN Ana-Maria (Université de Bucarest)
Le Cantique des Cantiques et le discours mystique de saint Syméon le Nouveau Théologien

15h30
pause café en salle Aby Warburg

16h
VUKAŠINOVIĆ Milan (EHESS et Université de Belgrade)
The Authors and Their Families in Two Early Xth Century Byzantine Texts

16h30
SGANDURRA Mariafrancesca (Università degli Studi di Roma Tor Vergata)
L’histoire d’un livre liturgique de l’Église byzantine : le Pentecostaire

17h30
Assemblée générale de l’Association des étudiants du Monde byzantin
(AEMB)

Samedi 4 Octobre (salle Walter Benjamin)

9h
Accueil

Société byzantine et vie intellectuelle du XIIème au XVème siècle

9h30
JOUETTE Jean-Cyril (Université d’Aix-Marseille)
Les astrologues, les devins, les magiciens et la guerre (IXème-XIIème siècles)

10h
ROSKILLY Jack (Université Paris I Panthéon- Sorbonne et Université de Vienne)
Les correspondants des évêques : du réseau relationnel aux échelles de pouvoir

10h30
TRANCHINA Antonino (Université de Rome – La Sapienza)
Middle-Byzantine Phialai : a Preliminar Survey, from Constantinople to Provincial Areas

11h00
pause café en salle Aby Warburg

11h30
PARLIER Matthieu (Université Lyon 2)
Filiations et continuité de l’État dans les éloges impériaux sous les premiers Paléologues

12h
KOUVARAS Konstantinos (Université d’Athènes)
La contribution catalytique des ascètes hésychastes à la formation du phychisme de la société byzantine au cours de la seconde moitié du XIVème siècle

12h30
JOVANOVIĆ Jelena (Université de Rome – La Sapienza)
Power, Ideology and Identity : Monastic Foundations in the Late XII Century. Examples of Architectural Commission in the Serbian Medieval State

13h-14h30
repas en salle Aby Warburg

L’art à Byzance aux époques tardives

14h30
NESTOROVIĆ Milica (Université de Belgrade)
Secret Places or Side Story Tellers : Visual Narrative of Late Byzantine Parekklesions

15h
NING Ye (Université Blaise Pascal, Clermont-Ferrand)
Les peintures de Novgorod du XIIIème au XVème siècle

15h30
pause café en salle Aby Warburg

Le monde byzantin perçu par l’Occident

16h
ALEXIU Andra-Nicoleta (Université de Bucarest)
The Reception of the Byzantine World in the Writings of Hildegard of Bingen

16h30
KARNACHOV Alexander (Institut d’Histoire de Saint-Pétersbourg)
Latin glosses in Greek Manuscripts of the XIII-XIV Centuries in St. Petersburg : a tribute to the history of Greek studies in the Middle Ages

17h GRASSI Giulia (Université de Rome – La Sapienza)
Byzance à Paris: l’Exposition d’art byzantin au Musée des Arts Décoratifs en 1931

18h00
Bilan des VIIes Rencontres byzantines

For further information, see here.