Given the global Covid-19 outbreak, for the academic year 2020-2021 FIDEM has exceptionally decided to provide only a modular, online DEEM program.
MAVCOR – the Center for the Study of Material & Visual Cultures of Religion – is delighted to announce the first in a series of virtual tours of buildings around the world. The tour of the remarkable mosque of Christ of the Light in Toledo, Spain, is freely accessible at https://mavcor.yale.edu/material-objects/giga-project/christ-light-mosque-toledo. Users can explore the building in threeContinue reading “Virtual Tour: Center for the Study of Material & Visual Cultures of Religion, Mosque of Christ of the Light, Toledo with Dr Tom Nickson”
Image: Master of the Dresden Prayer Book (Flemish, active about 1480 – 1515) The Temperate and the Intemperate, about 1475–1480, Tempera colors and ink on parchment. The J. Paul Getty Museum, Los Angeles, Ms. 43, recto. The IHR European History 1150-1550 seminar cycle for 2020 presents a lecture titled ‘Merchants and Diaspora Round Table’ forContinue reading “Online Seminar: ‘Merchants and Diaspora Round Table’, Miri Rubin (QMUL), Serena Ferente (KCL) and Kate Franklin (Birkbeck), Thursday 15th October 17.30”
This online study event is arranged as three one-hour lectures, which respectively discuss the emergence of Christian imagery in the catacombs between c.250 and c.400 AD, the development of ecclesiastical building types such as basilicas, baptisteries and martyria, and the birth of Christian narrative art.
Programme: Meet in front of Salisbury Cathedral at 11.00 (in west walk of cloister if raining). There is a train from Waterloo at 9.20 which arrives at Salisbury station at 10.50 for anyone travelling from London. 11:00 – 13:00 Salisbury cathedral and Museum with Tim Tatton-Brown and John McNeill. We will look at the materialContinue reading “Study Day: British Archaeological Association, Old Sarum Study Day, Saturday 10 October 2020”
Please note that this course will be in Spanish. Illuminated Manuscripts: History, Production and identification. The course is designed as an introductory to the study of Illuminated Manuscripts from both theoretical and practical viewpoints. The relationship between text and image(s), the history of manuscripts production or the materials and techniques used by scribes and illuminatorsContinue reading “Online Course: Los manuscritos iluminados: historia, producción y descripción, 21 September – 2 October 2020”
A 75-minute panel discussion followed by 15 minutes of Q&A scheduled for Tuesday, 15 September 2020, 5–6:30 p.m. ET, via Zoom.
The International Center of Medieval Art (ICMA) is hosting an online workshop on Digital Tools for Teaching on Friday, August 14 at 12:00pm EST. Led by Rheagan Martin, the ICMA’s Coordinator for Digital Engagement, the workshop will focus on a comparison of the capabilities of ArtSteps and Omeka, two virtual exhibition platforms, as well as a demonstrationContinue reading “Online Workshop: Digital Tools for Teaching Medieval Art”
Are you an MA or PhD student or a postdoctoral researcher re-evaluating your research goals this summer? Join experienced researchers and staff from Wellcome Collection as we expand our horizons of actionable methodologies in the face of restricted travel and temporary closures.
Course tutor: Paul Taylor (Curator, Warburg Institute Photographic Collection) Ever since Gombrich’s Art and Illusion and Goodman’s Languages of Art, the theory of images has been a lively and growing subject. And yet in all the many publications in the field, only a handful mention an approach which has been important in art history for centuries – iconography,Continue reading “Online Course: How Images Mean: An Introduction to Iconographic Theory, 27-31 July 2020”