The Department of Art History of the European University, St. Petersburg October 8 – 10, 2020 Due June 10, 2020 In 2018 the international conference History and Its Images, organized by the Department of Art History of the European University at St. Petersburg, was dedicated to Francis Haskell’s seminal book of the same title, whichContinue reading “CFP: Manufacturing the Past, Deadline 10 June 2020”
Tag Archives: CFP
CFP: On Materiality and the Virtual (a virtual symposium), NYU University, deadline April 15, 2020
Following on last year’s theme Out of Place / Out of Time, the Medieval and Renaissance Graduate Student Interdisciplinary Network (MARGIN) is proud to announce the theme of our 2020 MARGIN Symposium: Materiality and the Virtual. The Symposium will take place virtually via Zoom on May 1. A link for the symposium will be sentContinue reading “CFP: On Materiality and the Virtual (a virtual symposium), NYU University, deadline April 15, 2020”
CFP: Within and Without the Manuscript
Within and without the manuscript: interactions between illumination and the other arts Université de Lausanne October 22nd-23rd, 2020 Due April 19, 2020 Since at least the 1960s, book illumination has been fully recognized as an important sector of the arts and as an integral part of the historical studies of the book. The study ofContinue reading “CFP: Within and Without the Manuscript”
CFP: ‘What does animation mean in the Middle Ages?Theoretical and Historical Approaches’, Bialystok, Poland, deadline 30 April 2020
International conference in Bialystok, Poland from the 17th-20th September 2020 Organised by The A. Zelwerowicz National Academy of Dramatic Art Branch Campus in Bialystok, Poland and University of Bergen, Norway This conference is concerned with the agency and life of material objects and evolves around the investigation of two interlaced objectives. First, the conference willContinue reading “CFP: ‘What does animation mean in the Middle Ages?Theoretical and Historical Approaches’, Bialystok, Poland, deadline 30 April 2020”
CFP: ‘Relationships’, University of York, Centre for Medieval Studies, Interdisciplinary Graduate Conference, deadline 23 April 2020
Date(s): 23-24 June 2020 Location: King’s Manor, Exhibition Square, York We welcome paper proposals of 250-300 words for 15-20 minute papers on the theme of Relationships in any area of Medieval Studies from current postgraduate students (MA, PhD, MPhil), early career scholars, and independent researchers. Topics can include (but are not limited to): Interpersonal relationshipsContinue reading “CFP: ‘Relationships’, University of York, Centre for Medieval Studies, Interdisciplinary Graduate Conference, deadline 23 April 2020”
CFP: ‘Remarkable women’: Female patronage of religious institutions, 1350-1550, The Courtauld Institute of Art, deadline: 10 April 2020
This conference seeks to explore the ways in which women patronised and interacted with monasteries and religious houses during the late Middle Ages, how they commissioned devotional and commemorative art for monastic settings, and the ways in which these donations were received and understood by their intended audiences.
CFP: ‘Travelling Objects, Travelling People: Art and Artists of Late Medieval and Renaissance Iberia and Beyond, c. 1400–1550’, The Courtauld Institute of Art, deadline 10 January 2020
Travelling Objects, Travelling People aims to nuance our understanding of the exchanges and influences that shaped the artistic landscape of Medieval and Renaissance Iberia.
CFP: ‘Working Materials and Materials at Work in Medieval Art and Architecture’, 25th Annual Medieval Postgraduate Colloquium, The Courtauld Institute of Art, 7 February 2020, deadline 22 November 2019
Materials mattered in the Middle Ages. Only with the right materials could artists produce works of art of the highest quality, from jewel-encrusted crosses, gilded and enamelled chalices and ivory plaques to large-scale tapestries, wooden stave churches and stone cathedrals. This conference seeks to explore the qualities and properties of materials for the people who sourced, crafted and used them.
CFP: Enclosures: Women’s Religious Art and the Boundaries of Method, International Medieval Congress, Leeds 2020, deadline 10 September 2019
This panel seeks to explore new methodologies for studying the art of women’s religious communities in global and cross-cultural perspective from about 500 to 1525 CE. In the last few decades years, art historians have put women back on the map of European medieval art history. Harnessing the second-wave feminism, scholars, such as Caroline WalkerContinue reading “CFP: Enclosures: Women’s Religious Art and the Boundaries of Method, International Medieval Congress, Leeds 2020, deadline 10 September 2019”
CFP: Prologues in Learned Texts of Medieval Magic, Research Group on Manuscript Evidence (Kalamazoo 2020, Deadline 15th September 2019)
1. Prologues in Learned Texts of Medieval Magic Deadline for abstracts: 15 Sept 2019 Although the prologues of learned books of magic could take many forms, nearly all share at least one common characteristic: the claim to transmit a secret and pristine branch of knowledge. Such claims are frequently couched in the form of a narrativeContinue reading “CFP: Prologues in Learned Texts of Medieval Magic, Research Group on Manuscript Evidence (Kalamazoo 2020, Deadline 15th September 2019)”
Medieval Art Research 