Seminar: The Turkish Straits – Inquiries into a Crossroad

The Turkish Straits between the Mediterranean and the Black Sea are often described as a symbolic dividing line between Europe and Asia, but historically their function has been uniting and not separating. At the crossroads of land routes between the Balkans and Anatolia, and the sea route between the Mediterranean and the Black Sea, they have constituted a natural meeting place for peoples and cultures since ancient times. Two world empires, the Byzantine and the Ottoman, were ruled from the straits and left their marks on the two main world religions of Christianity and Islam. Greeks, Slavs, Scandinavians, Italians, Turks and Englishmen have tried to gain control over the Straits and sometimes succeeded; but the prize has remained contested and been a recurrent source of dispute. As such, the straits have also been at the core of Eastern and Western political discourses at least since the accession of the Persian king Xerxes 2500 years ago, and their significance to the outbreak of the First World War in 1914 has come to the foreground in recent years.

To mark these historical convergences, and to initiate an interdisciplinary platform for future research about the history of the Straits, we invite junior (pre-doc and post-doc) scholars to present their own research and exchange perspectives on the topic during a one-week seminar with excursions at the Swedish Research Institute in Istanbul, November 1-7, 2014. We welcome submissions from different areas of research, such as the Ancient, Byzantine and Ottoman eras, art history, archaeology and memory studies, studies in the religious, cultural and political relations, as well as the topography, landscape and environment history of Eastern Europe, the Mediterranean and the Middle East. Applicants should submit abstracts of no more than 500 words to nbneidolon@gmail.com no later than Friday, May 15, 2014, together with a CV and a few lines about their interest in the topic, from a subject specific as well as from an interdisciplinary point of view.

For those who are accepted, the stay in Istanbul, the excursions and most meals will be arranged and paid for by the seminar. In addition to this, we may consider reimbursing the cost of travel to and from Istanbul for a strictly limited number of applicants (those who wish to be considered for such travel funding should specify it in their application and explain why other sources are not available).

Lecture: Byzantine Money: The Politics and Aesthetics of a World Currency

Thursday, March 13, 2014
6:00pm – 8:00pm

Arthur M. Sackler Museum lecture hall, 485 Broadway, Cambridge, MA 02138

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Byzantine Money: The Politics and Aesthetics of a World Currency
Ilse and Leo Mildenberg Memorial Lecture

Eurydice Georganteli, Harvard University Fellow in the History of Art and Architecture, Harvard University

When the Roman Empire’s capital moved from Rome to Constantinople in 330 CE, Europe’s political and economic center shifted. The coinage produced in the new imperial capital, and in cities across what was to become the Byzantine Empire, defined the society, politics, economic practices, and art of medieval Europe and beyond. This lecture, drawn from Harvard’s outstanding collections of coins and seals, explores Byzantine money as one of the most enduring world currencies.

Reception to follow lecture.

Free admission.

Call for Papers: II International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada

Call for Papers
II International Conference. Sevilla, 1514: Arquitectos tardogóticos en la encrucijada
Seville, November 12-15, 2014
Deadline: 31 May 2014

https://i0.wp.com/www.plsnow.co.uk/wp-content/uploads/2011/12/durer_melancholia_i.jpg

After the I International Conference Arquitectura tardogótica en la Corona de Castilla held in Santander in 2010, the II International Conference. Sevilla, 1514: Arquitectos Tardogóticos en la encrucijada, aims to serve as a forum for discussion on the latest research developed in this thematic area in an international context.

The conference will be celebrated as a joint activity between the Universities of Cantabria, Seville, Lisbon (Portugal) and Palermo (Italy) and will be held in the city of Seville during the month of November, 2014, with a duration of 4 days distributed into scientific sessions and guided visits. The scientific sessions will focus on the following topics:

  • Magister: Biographies and trajectories of the Late Gothic master builders.
  • The role of promoters and patrons.
  • 1514 as a milestone: the Late Gothic period and the “Franciscan, German and Moorish skeins”.
  • The councils of master builders in the Late Gothic period.
  • Science, technique and archaeology.
  • Engravings, treatise and microarchitectures.

Those interested in presenting a paper must send the title and abstract in Spanish or in English (max. 1,000 characters) before the 31st of May, 2014, along with their personal information (full name, e-mail address, mailing address and telephone number) to the following e-mail address: congresosevilla@unican.es (only one paper will be admitted per person).

For more information, please visit the following website: www.tardogotico.es

Conference: Orfèvrerie gothique en Europe (Lausanne, 26-28 March 2014)

ogLausanne University, 26. – 28.03.2014

Orfèvrerie gothique en Europe. Production et réception.

Université de Lausanne – Site de Dorigny
Bâtiment Amphimax, salle 414
26-28 mars 2014

PROGRAMME

Mercredi 26 mars 2014

14h00 Accueil des participant-e-s
Ouverture des travaux, par Élisabeth Antoine-König (Musée du Louvre, Paris) et Michele Tomasi (Université de Lausanne)

Entre villes et cours
14h30 Sophie Cassagnes-Brouquet (Université de Toulouse) Riches et puissants, la domination d’un groupe artistique au sein d’une société urbaine à la fin du Moyen Âge : l’exemple de Toulouse
15h10 Marie-Claude Léonelli (DRAC, Avignon) L’orfèvrerie à la cour pontificale d’Avignon et sa diffusion outre Rhône au XIVe siècle
Pause
16h10 Jörg Richter (Université de Berne) Goldschmiedearbeiten in den Rechnungen der Grafen von Tirol
16h50 Élise Banjenec (Université Paris IV-Sorbonne) Philippe le Bon et les orfèvres : statuts des fournisseurs et répartition des commandes d’orfèvrerie du duc de Bourgogne

Jeudi 27 mars 2014

Ateliers et foyers
9h00 Élisabeth Antoine-König (Musée du Louvre, Paris) Thème et variations dans l’Œuvre de Limoges : la question des modèles
9h40 Gerhard Lutz (Dom-Museum, Hildesheim) Hildesheim as a centre of goldsmiths’ work in the 14th and 15th century
Pause
10h40 Evelin Wetter (Fondation Abegg, Riggisberg) ‘Networking’ among Transylvanian Goldsmiths in the Late Middle Ages
11h20 Philippe Trélat (Université de Rouen) D’or et d’argent : l’orfèvrerie chypriote entre Orient et Occident (XIIe-XVe siècle)

Figures d’orfèvres
14h30 Stefano Riccioni (Université de Venise) Le ‘firme’ degli orafi nel Trecento senese : autocoscienza d’artista o marketing di bottega ?
15h10 Glyn Davies (Victoria and Albert Museum, Londres) Siena and the Chalice Trade, 1250-1500 : creativity and standardization
Pause
16h10 Elisabetta Cioni (Université de Sienne) Per l’oreficeria senese della seconda metà del Trecento. Un’ulteriore proposta per la bottega ‘dei Tondi’
16h50 Anna Molina Castellà (Université de Barcelone) Pere Bernés, platero de Valencia y de la casa del rey de Aragón

Vendredi 28 mars 2014

La production sacrée et sa réception
9h00 Christine Descatoire (Musée de Cluny, Paris) Des reliquaires à succès des régions
septentrionales : phylactères et croix staurothèques (fin du XIIe – première moitié du XIIIe siècle)
9h40 Daniela Mondini (Accademia di Architettura, USI, Mendrisio) Pierre et Paul sous les
insignes de la monarchie française. Encore sur les reliquaires des Capita apostolorum au Latran
Pause
10h40 Clario di Fabio (Université de Gênes) L’arca processionale del Battista nella cattedrale di Genova. Le ‘radici’ internazionali e il ‘cantiere’ di una micro-cattedrale gotica
11h20 Sara Minelli (Museo del Tesoro del Duomo e Archivio Capitolare, Verceil) Reliquiari parlanti e attivi : stato delle ricerche

La production profane et sa réception
14h30 Sarah Zingraff (Université d’Aix-Marseille) Les objets de parure orfévrés en Italie
du nord entre la seconde moitié du XIVe et la fin du XVe siècle : l’apport de l’iconographie
15h10 Joan Domenge i Mesquida (Université de Barcelone) Caballería y orfebrería. El collar emblemático en los reinos hispánicos en torno a 1400
Pause
16h10 Michele Tomasi (Université de Lausanne) L’orfèvrerie dans la Chronique du règne de
Charles VI
16h50 John Cherry (Londres) Patronage and Purpose : the silver seal matrices of Colleges in late medieval England

La participation au colloque est gratuite.

Il est conseillé d’utiliser l’arrêt du Métro m1 UNIL- Sorge.
Pour davantage d’informations concernant l’accès au site de l’UNIL,
consultez le site : http://www.unil.ch/acces/page36432_fr.html#2

Organisation : Élisabeth Antoine-König (Musée du Louvre) et Michele
Tomasi (UNIL)

Renseignements :
Michele Tomasi
Université de Lausanne
Section d’histoire de l’art
bâtiment Anthropole
CH 1015 LAUSANNE
Tél. : ++41.21.692.35.74
Fax : ++41.21.692.29.35
Courriel : michele.tomasi@unil.ch

Conference: Textilien & Inventare (Vienna, 27-28 March 2014)

WORKSHOP chasubke
Inventories of Textiles – Textiles in Inventories (Late Medieval and Early Modern Period)

PROGRAM

March 27 (Late Middle Ages)

CHAIR: Thomas Ertl
14.00: Opening Remarks
14.15: Christiane M. Elster, Inventories and Textiles of the Papal
Treasury around 1300. Concepts of Papal Representation in written and material media
15.00: Sarah-Grace Heller, Revisiting the Inventories of Artois:
Mahaut and the Line between Treasure and Fashion
15.45 Break
16.15: Sharon Farmer, Finding Parisian Silk in Aristocratic and Royal Accounts
17:00: Lisa Monnas, Reading English Royal Inventories: the Inventory of Henry V (1423)

March 28 Morning (Early Modern Period I)

CHAIR: Barbara Karl
9.30: Annemarie Stauffer, A List of Garments for Charles the Bolds Entourage Sent to Tommaso Portinari in Bruges in 1473
10.15: Richard Stapleford, The Fabric of Life in the 1492 Inventory of the Estate of Lorenzo de’ Medici
11.00 Break
11.30 Jessica Hallett, All His Worldly Possession, Textiles in the Inventory of the Fifth Duke of Braganza, 1563
12.15 Paula Hohti, European Influences on Scandinavian Noble Dress: Textiles and Clothing in the Surviving Inventories in Finland, 1550-1600

March 28 Afternoon (Early Modern Period II)

CHAIR: Corinne Thepaut- Cabasset
14.00: Chiara Buss, A “Book of Foreign Samples” Dated 1628 from the State Archives in Milan
14.45: Burkhard Pöttler, Clothes and Cloths in Styrian Probate Inventories of the Late 17th and 18th Centuries
Break 15.30
16.15: Hedda Reindl-Kiel, The Empire of Fabrics – The Range of Fabrics in Internal Ottoman Gift Traffic and Textiles as Ottoman Diplomatic Gifts (16th-18th Centuries)
17.00: Kim Siebenhüner & Gabi Schopf & John Jordan, Cottons and Indiennes in Early Modern Swiss Inventories
17:45 Concluding Discussion

The workshop is a joint initiative of MAK (Museum für angewandte Kunst, Wien) and WISO (Department of Economic and Social History, University of Vienna). Guests are most welcome. All presentations will be given in English. For further information please contact:

Prof. Thomas Ertl
Department of Economic and Social History
University of Vienna
Universitätsring 1, 1010 Wien, Austria
thomas.ertl@univie.ac.at

Dr. Barbara Karl
Curator of Textiles and Carpets
MAK – Museum für angewandte Kunst
Stubenring 5, 1010 Wien
barbara.karl@mak.at

Postdoctoral Fellowship: Hulme University Fund and John Fell OUP Research Fund Postdoctoral Fellowship in the Humanities

brasenoseUniversity of Oxford – Humanities Division and Brasenose College
Grade 7: £29,837 p.a.

The University of Oxford’s Humanities Division, in association with Brasenose College, is offering a Postdoctoral Fellowship from 1 October 2014 on a full-time fixed-term contract for 3 years.
The fellowship is designed to support a promising academic who has completed her or his doctorate and is developing a new academic project. During the tenure of the post, the fellow will develop experience in research, teaching and organising academic initiatives. The fellowship is hosted by the Oxford Research Centre in the Humanities (TORCH), which stimulates and supports research activity that transcends disciplinary and institutional boundaries. For more details see http://www.torch.ox.ac.uk.
The successful applicant will pursue a research project in one of the following three areas: Orientophilia, Medieval Studies, or Race and Resistance Across Borders. Further details on research networks in these areas in TORCH are available in the job description.

The Hulme Postdoctoral Fellow will be a member of the Senior Common Room at Brasenose College for the full duration of the fellowship and expected to contribute to the intellectual life of both the college and their faculty. Applicants will have completed a doctorate by the date of taking up the fellowship and be at an early stage of an academic career with a commitment to their own professional development and progression to an academic post.

Applications must be submitted online.

The closing date for applications is 12.00 noon on 11 April 2014. You will be required to upload a supporting statement, a CV, and other documents as detailed in the job description.

Debate at King’s College, London, Department of Greek and Latin Office

The King’s Classics Department and Institute of Classical Studies are delighted to announce a lecture by Prof. Luca Giuliani (Humboldt-Universität zu Berlin / Wissenschaftskolleg zu Berlin), with response by Prof. Dyfri Williams (Université libre de Bruxelles):

The Warren Cup: A piece of mimetic craftsmanship around 1900?
The ‘Warren Cup’ – a small, silver drinking cup decorated in low relief with scenes of homosexual intercourse – was purchased by the British Museum for £1.8m in 1999; today, it is one of the most cherished pieces in the British Museum’s Roman Galleries (and a highlight of Neil MacGregor’s History of the World in 100 Objects). In this lecture, Prof. Luca Giuliani re-examines the cup’s modern reception since its initial purchase by Edward Perry Warren in 1911. Rather than date the cup to the first century AD, however, Prof. Giuliani suggests that the object is in fact a modern forgery, its imagery specially designed for its first, eponymous owner.

Luca Giuliani’s research on the ‘Warren Cup’ has attracted much media attention in Germany. This will be the first time that Prof. Giuliani addresses a British audience on the subject: to enrich discussion, the British Museum has nominated Prof. Dyfri Williams (author of The Warren Cup, published by the British Museum Press in 2006) to act as respondent. The collaborative event marks the close of this year’s lectures on Medium and Mimesis in Classical Art, and will be followed by a reception at ‘Chambers’ on the King’s College London Strand campus (sponsored by the Department of Classics).

This is an open public event, and all are warmly invited.

Location
S-1.27 Strand Campus
When
12/03/2014 (17:15-18:30)
Contact
For more information, please contact Michael Squire (michael.squire@kcl.ac.uk) or Alexia Petsalis-Diomidis (alexia.petsalis-diomidis@kcl.ac.uk)

37th Battle Conference on Anglo-Norman Studies

University of Winchester
Thursday 24 July – Monday 28 July 2014

 Booking has now opened for the Battle conference at Winchester in July 2014. This will be handled via the University of Winchester; please visit their website, at http://store.winchester.ac.uk/browse/extra_info.asp?compid=1&modid=2&deptid=10&catid=10&prodid=139, to register. The final date for booking is 7 July 2014.

It is possible to book as Resident or non-Resident delegate for the whole conference (respectively £366.65 or £234.95) or per day. Whatever your choice may be, there is also a conference fee of £30.00 pp for overheads as this conference, organised by the Allen Brown Memorial Trust, is unsubsidised and self-funded.

The full package and conference fee include all accommodation (for residents) as well as meals, tea/coffee, entrance fees and wine for the conference dinner on Saturday. On other nights wine is available but will need to be paid for on location.

Accommodation is located very near the conference venue (West Downs Centre) but delegates should be aware that it is on a fairly steep slope! It consists of ensuite single rooms in groups of five which share a kitchen with tea/coffee making facilities. The conference centre is at a distance of approximately 20 minutes walk from Winchester centre and on a bus route.

Alongside the main lecture room, there will be access to two break-out rooms for the duration of the conference.

Summer Institute: The Invisible (Cologne, 15-23 July 2014)

Theaterwissenschaftliche Sammlung, Universität zu Köln, July 15 – 23,
2014
Deadline: Apr 2, 2014
Cologne University’s international interdisciplinary summer institute 2014 will take place from 15th to 23rd of July 2014. After last year’s founding event on “Techniques of Imagination”, participants and faculty of 2014 will focus on historiographical perspectives on “The Invisible”. We invite graduate and postgraduate students from Art History, Media, Film, Theatre, Performance and Cultural Studies to apply for our international program. Each participant may choose from three seminars led by a pair of scholars from Northwestern University
(Evanston, USA) and the University of Cologne. 2014’s program includes seminars on Art History, Theatre and Performance Studies and Film and Media Studies. In addition to our seminars we offer interdisciplinary academic workshops that allow for a dialogue across the seminars. Each participant can choose one seminar and a workshop, thus composing his/her individual study program. Seminars and workshops are framed by study trips, evening lectures by faculty, and poster presentations by students.

The summer institute will be hosted by the Theaterwissenschaftliche Sammlung (TWS) of Cologne University, one of the largest archives of theatre history in Europe. Situated in the picturesque manor house Schloss Wahn, located in the outskirts of Cologne, it provides a unique setting for learning and discussion, combining gracious surroundings with facilities for daily meetings, and offering access to exceptional archival materials in proximity to one of Germany’s most vibrant metropolises.

All sessions will be conducted in English.

A provisional timetable and more information can be found on our
website http://sic.uni-koeln.de

Call for Participants: Roots and Routes III – Sociability and Material/Digital Mediterranean (26 May – 3 June 2014, Toronto)

Format:
Unlike traditional academic conferences, the Roots & Routes Summer Institute features a combination of informal presentations, seminar-style discussions of shared materials, hands-on workshops on a variety of digital tools, and small-group project development sessions. The institute welcomes participants from a range of disciplines with an interest in engaging with digital scholarship; technical experience is not a requirement. Graduate students (MA and PhD), postdoctoral fellows and faculty are all encouraged to apply.
Hosted by the University of Toronto Scarborough, the institute allows participants to develop a more coherent and explicitly transdisciplinary analytical framework for future scholarship using digital tools and methodologies. Participants will explore new formats for conducting research and presenting their findings. By teaming up with information technology specialists and digital scholarship experts working outside the Mediterranean, participants will have a chance to develop long-term collaborative projects to enhance their ongoing individual research agendas. In order to maximize the potential for future collaboration and broad, thematic conversations, groups will be composed of participants from a variety of disciplinary backgrounds and at different stages of their scholarly careers, from senior scholars to advanced undergraduates. Participants are encouraged to engage each other’s materials, bring insights from their own fields of expertise to a broader methodological and conceptual discussion, and begin to draw out connections between what are often seen as disparate fields of knowledge.

Annual theme:
This year’s theme, “Sociability and Materiality,” aims to capture a range of historical problems and their attendant methodological and epistemological challenges. Participants are invited to define and approach this theme from the position of their individual disciplines and research interests. For example, what place does “the Mediterranean” have in discussions about manuscript, print, and digital cultures and their interpretation? What can historians, art historians, archaeologists, and other scholars learn from one another when tackling these problems? (How) are themes such as sociability and materiality useful in the study of the premodern Mediterranean? How can attention to materiality and sociability make salient the various practices of knowledge production of different disciplinary traditions, and what do such practices entail? What new ways of envisioning archives (as processes as well as products) are being facilitated by digital technologies? How do digital media and methodologies change the ways in which we identify, access, and interpret historical records? What might “collaborative research” in digital environments have to learn from (and teach) the history of earlier forms of scholarly sociability? How does the recent resurgence in the history of material culture speak to longer-term interest among historians of the book in the materiality of textual artifacts?

Application Guidelines:
Applicants should submit  a CV and a brief proposal (up to 600 words) that includes a discussion of their current research and a specific object they would like to present and further develop digitally. This object may be a text, an artifact, a dataset, or a cluster of any of the above. Once accepted, participants will be asked to compile a bibliography of relevant readings to share with others in advance, as well as to install and become familiar with a few digital tools (e.g. Zotero), to allow us to explore more advanced features and digital skills at the institute itself. Participants are not expected to have prior programming knowledge or other advanced digital skills, but should be genuinely interested in the potential of digital tools to challenge and transform current research practices.
Application deadline: March 21, 2014

See http://ocs.library.utoronto.ca/index.php/utsc/RRSI3/announcement/view/139
** Travel bursaries may be available for some out-of-town graduate student participants. **
Please contact the organizers at rrsi2014[at]utsc.utoronto.ca for further information or to get involved in the organizing process.
“Roots & Routes: Scholarly Networks and Knowledge Production in the Premodern Mediterranean and in the Digital Age” is a three-year Summer Institute (2011, 2012 & 2014) hosted by the University of Toronto Scarborough and is generously supported by a grant from the University of Toronto’s Connaught Fund.