Fellowships: Harvard University Society of Fellows Junior Fellowships 2021, deadline 7 August 2020

The purpose of the Harvard University Society of Fellows is to give men and women at an early stage of their scholarly careers an opportunity to pursue their studies in any department of the University, free from formal requirements. They must be persons of exceptional ability, originality, and resourcefulness, and should be of the highest calibre of intellectual achievement, comparable to successful candidates for junior faculty positions at leading universities. These Junior Fellows are selected by the Senior Fellows, who with the President and Provost of the University, and the Dean of the Faculty of Arts and Sciences, ex officio, administer the Society. Those elected receive three year fellowships.

To be eligible for a Junior Fellowship, a candidate must be at an early stage of his or her scholarly career. Men and women interested in any field of study are accepted. Most Junior Fellows receive the Ph.D. just prior to the start of the fellowship. If still pursuing the Ph.D., Junior Fellows should be at the dissertation stage of their theses and be prepared to finish their degrees within a year of becoming fellows. If already a recipient of the degree, they should not be much more than a year past the Ph.D. at the time the fellowship commences.

The number of Junior Fellows at any one time normally is limited to thirty-six, and usually twelve are chosen each year. The term of appointment is three years, and no extensions are granted. During the academic year, Junior Fellows are required to reside in Cambridge or close-by neighboring communities and to regularly attend all of the weekly lunches and dinners. Junior Fellows are expected to work full-time in the office or lab space provided to them by the University during term time. Junior Fellows are not subject to examination, are not required to make reports, receive no credit for courses, and may not be candidates for any degree other than the Ph.D. Those who are still pursuing the Ph.D. should have completed their routine training for advanced work and should be well along in the writing of their theses before becoming Fellows. They may complete the writing of their theses and proceed to such final or special examinations as the universities of their candidacies may require, and may be granted the degree of Ph.D.

Candidates are nominated for Junior Fellowships, generally by those under whom they have studied. Applications are not accepted from candidates themselves. 

The deadline for receiving nominations for Junior Fellowships which begin July 1, 2021, is Friday, August 7, 2020. 

More information can be found here: https://socfell.fas.harvard.edu/about

Call for Workshop Submissions: The annual CARMEN online meeting (1-2 September 2020), deadline 31 July 2020

The annual CARMEN open meeting brings together scholars and professionals from across the world in participatory and interactive formats: project development workshops; training and networking; the ‘Forum’ showcase for projects, institutions and research centres; and, just as importantly, opportunities for socializing.

This year’s annual meeting, originally planned to take place in Dublin at Trinity College on 1-2 September 2020, will do all of these things; due to the Covid-19 pandemic, however, it will do them online! We are introducing a series of virtual-friendly modifications to the CARMEN formats you are familiar with (or want to familiarize yourself with), and will be welcoming your input on how we can improve this format for a possible hybrid future, enabling people to participate in CARMEN’s international networks in new ways.

The CARMEN annual meeting always has a thematic strand: this year’s is Environment. A Plenary Round Table will take place during the meeting and will be accompanied on Twitter. We now invite proposals for the workshops which will take place on both days between 2 and 4 pm GMT +1 in webinar format. The organiser of the workshop will be responsible for online hosting, and will provide a link together with a short description; registration will be necessary. The one-hour workshops will have a break to start or boost twitter exchanges.

Workshops are interactive sessions which facilitate development of new projects and partnerships. Workshop sessions should take about 60 minutes and can present a project, or project idea, at any stage of development. Workshops are most successful when the convenor has a clear aim for the session and a plan for fostering discussion, and when the theme has cross-disciplinary reach. They are a valuable way to make links and find new collaborators, and can be on any topic (not limited to the thematic strand).

Proposals for workshops in 2020 including a theme and an abstract of about half a page as well as information on the video conference tool of choice should be sent to felicitas.schmieder@fernuni-hagen.de by July 31st the latest. Workshops will be scheduled in the CARMEN meeting programme and publicised as part of the event. The links to the fixed-time (synchronous) meetings (plenary, workshops) and if applicable the registration tool will be provided on Eventbrite.

We will also host the annual Forum, in virtual format — an opportunity for any medievalist to facilitate outreach, connection and communication between individuals, organisations and projects by presenting their new or planned books, projects, centers. The Forum will take place on Twitter throughout the meeting and will run asynchronously. We will list all projects that are sent to cristina_pimenta@sapo.pt by July 31 st the latest; ideally you will already have a twitter presentation.

Please spread the word and join us via Eventbrite and Twitter. CARMEN relies on your worldwide participation! You can follow our hashtag at #CARMEN_20.

Buy a ticket now for further information and communication as the timetable takes shape.

Get your tickets here.

Resources: British Archaeological Association Online Lectures & More

Due to the pandemic, a number of the British Archaeological Association’s meetings and lectures have had to be cancelled. However, fear not, because the BAA have recorded their lectures and provided a fantastic resource sharing community. Check out what the BAA have digitally available.


Lectures in Lockdown

As a result of the spread of the coronavirus, the Society of Antiquaries has closed and the final two lectures of the BAA’s 2019-20 season have been delivered virtually and posted to YouTube.

BAA Lecture_'Plan and Elevation- Twelfth-Century Drawings_British Archaeological Association

April 2020 Lecture: Dr Karl Kinsella, ‘Plan and Elevation: Twelfth-Century Drawings of Architecture’

Karl Kinsella is currently a Shuffrey Junior Research Fellow in Architectural History at Lincoln College, University of Oxford. Prior to this, Karl completed his DPhil at Keble College and took up a lectureship at the Art History department at the University of York for two years.

Lecture_'Sculpture in Roman Britain and its Continental Context'_British Archaeological Association

May 2020 Lecture: Penny Coombe, ‘Sculpture in Roman Britain and its Continental Context’

Penny Coombe is currently undertaking a DPhil in Classical Archaeology at Wolfson College, University of Oxford. Penny’s thesis title is Figural sculpture in Roman Britain and its Continental relationships: stone carving at the edge of Empire and is supervised by Dr Peter Stewart.

Virtual Tour Church of Kilpeck in Herefordshire_John McNeill_British Archaeological Association

A virtual tour of Kilpeck with John McNeill

Join John McNeill on a virtual tour to the remarkable Church of Kilpeck in Herefordshire.


BAA Sharing Resources

Many BAA members are currently conducting research under testing conditions, with no access to libraries or other resources. Yet many BAA members have substantial libraries and digital archives of their own, which collectively represent a significant and largely untapped resource.

This new scheme offers BAA members a way of working together in these difficult times: anyone who needs materials or might be able to offer them should open this BAA resources page, where there are further details.


New Publication & Call for Manuscripts: Eastern European Visual Culture and Byzantium (13th – 17th C.), edited by Maria Alessia Rossi & Alice Isabella Sullivan

This series explores the art, architecture, and visual culture of regions of the Balkan Peninsula, the Carpathian Mountains, as well as early-modern Russia and Ruthenia between the thirteenth and seventeenth centuries. Through historically grounded examinations of the visual and cultural productions of these Eastern European territories, this series highlights the prismatic relationships between local traditions, the Byzantine heritage, and cultural forms adopted from other models. The local artistic productions ought to be considered individually and as part of larger networks, thus revealing the shared heritage of these regions and their indebtedness to artistic models adopted from elsewhere, and especially from Byzantium. In stressing the local specificity and the interconnectedness of these Eastern European geographical areas, this series aims to challenge established perceptions of what constitutes ideological and historical facets of the past, as well as scholarly notions of what can be identified as Byzantine, post-Byzantine, and early modern history, art, and culture.


The series editors are interested in contributions that address how cross-cultural exchange operated across Eastern European regions that developed at the intersection of different traditions, among them Latin, Greek, Slavic, and Islamic; issues of visual eclecticism in the art, architecture, and visual culture; as well as the role of patronage, workshop practices, and the movements of people and objects in the transfer and adaptation of artistic ideas, techniques, and styles.


We invite proposals for monographs, edited volumes, conference proceedings, and translations in English. All suitable submissions will undergo a double blind peer review process.


Should you like to submit a book proposal, please complete the Book Proposal Form and send it by email to the series co-editors.


This book series is part of the North of Byzantium initiative: www.northofbyzantium.org

Series Co-editors:

  • Maria Alessia Rossi (Princeton University), marossi@princeton.edu
  • Alice Isabella Sullivan (University of Michigan), aisulli@umich.edu

Editorial Board:

  • Vlad Bedros, George Oprescu Institute for Art History, Romanian Academy  
  • Elena Boeck, DePaul University
  • Jelena Bogdanović, Iowa State University 
  • Ivan Drpić, University of Pennsylvania
  • Dragoş Gh. Năstăsoiu, National Research University “Higher School of Economics,” Moscow
  • Nicole Paxton Sullo, Yale University
  • Christian Raffensperger, Wittenberg University
  • Robert Romanchuk, Florida State University
  • Henry Schilb, Princeton University
  • Justin Willson, Princeton University

Job: Digitisation and Digital Engagement Manager, The University of Edinburgh, Digital Library, deadline 24 July 2020 at 5pm

This is a great opportunity to join the University of Edinburgh to manage, lead and develop our digitisation service. You will explore new ways of increasing the proportion of the University’s Collections available online, manage outsourcing of digitisation, specialist in-house photography, and scanning/rapid digitisation work.

The University has growing demand driving the transformation of analogue collections into digital collections in order to support research, teaching and, in particular, digital scholarship which makes this a fantastic opportunity to join the Digital Library team.

This role will give an experienced manager the opportunity to shape and build the University’s digitisation services, working with a wide range of collections making them accessible online, with potential further growth of the service to support the Edinburgh Citydeal.

You will manage 4+ staff, set targets, monitor progress, and oversee multiple simultaneous digitisation projects. Your management skills will ensure you have a motivated and effective team, providing them with good support, and your knowledge of both specialist digitisation as well as mass digitisation workflows and a belief in continuous improvement will ensure that the service is delivered in an efficient manner.

Closing Date: 24 July 2020 at 5pm (GMT).

Interviews: w/c 10th August or 17th August 2020

For further particulars and to apply for this post please click here.

CFP: Dark Archives 20/20: A Conference on the Medieval Unread & Unreadable (8-10 September 2020), deadline 31 July 2020

The conference will take place online, via Zoom & http://darkarchiv.es

This year, medieval primary materials have become physically inaccessible to researchers – and their archives literally dark – to a degree unknown since medieval studies first developed. And yet 2020 also caps a decade of huge growth in online digital images and other data for those sources, albeit still only for a tiny fraction. As Dark Archives 2019 investigated, this burgeoning digital availability is fuelling some of the great ambitions of medieval studies: to scan, transcribe and assemble all of its physical materials, both extant and approximations of the lost, as a single ‘graphosphere’, enabling thereby a range of transformative new disciplines and insights.

Dark Archives 20/20 therefore invites researchers from around the world to address a basic question underscored by our current physical isolation: if we no longer have access to the original sources, only to (overwhelmingly digital) copies, what of the medieval do we still possess, and what more might we thereby uncover?

We welcome proposals for papers and for practical workshops on any aspect of this topic, from any discipline, including:

How do we estimate known & unknown primary materials, extant & destroyed, in any area? What information can we digitally capture from physical artefacts (from handwriting to proteins)? Are there kinds of information that cannot be digitally captured? Given limited resources, what should we be scanning next, and how? What else should archives be doing? What is the potential of online collective scholarly endeavour, including crowdsourcing? What disciplines and discoveries might the digital enable (e.g. hitherto lost reception histories linking the ‘big medieval world’, geographically and conceptually)? What will be the new scholarly forms for the fruits of digital research? Can we trust digital facsimiles?

Sessions will be scheduled to allow participation from around the world; while discussion will be live, talks will be pre-recorded. Please submit abstracts of up to 500 words by 31 July 2020, at the latest, to Dr Stephen Pink, Executive Officer, SSMLL, at ssmll@history.ox.ac.uk.

Fellowships: I Tatti Fellowship Application (2021-2022), deadline 15 October 2020

Fifteen I Tatti Residential Fellowships, each for twelve months, are available annually for post-doctoral research in any aspect of the Italian Renaissance, broadly understood historically to include the period from the 14th to the 17th century and geographically to include transnational dialogues between Italy and other cultures (e.g. Latin American, Mediterranean, African, Asian etc.).

I Tatti offers Fellows the precious time they need to pursue their studies with a minimum of obligations and interruptions together with a maximum of scholarly resources—a combination that distinguishes the Harvard Center from similar institutions. Fellows have full access to the Berenson Library’s rich collections of books and periodicals, photographs and digital images, manuscripts and recordings. As one of the over seventy libraries that make up the Harvard Library system, the Biblioteca Berenson provides access to a vast range of online journals and other electronic resources, and offers Fellows comprehensive interdisciplinary resources for the study of late medieval and early modern Italy.

I Tatti is a site for lively academic encounters and dynamic exchanges. Each year, a number of activities such as exploratory seminars, workshops, and tours of exhibitions and cultural institutions are organized for the Fellows. In addition, the center hosts conferences, lectures, and concerts and attendance is expected of all Appointees. Rather than present a traditional paper at the end of the year, Fellows give presentations of their fellowship projects in-progress in September. This provides an opportunity to explore problems and questions and receive valuable feedback early in the fellowship year from other members of the multidisciplinary community.

Eligibility

Fellows are selected by an international and interdisciplinary committee that welcomes applications from scholars from all nations. The committee aims to assess the ability of candidates to contribute in a collegial way to the intellectual life of the Harvard Center. It pays special attention to the strength of the proposed project and its potential to yield original results, and to the candidate’s curriculum vitae.

At the time of application, scholars must hold a PhD, dottorato di ricerca, or an equivalent degree and will be asked to upload a scan of the certificate. They must be conversant in either English or Italian and able to understand both languages. They should be in the early stages of their career, having received a PhD between January 1, 2010 – September 1, 2020, and have a solid background in Italian Renaissance studies. Candidates may not be working on a second PhD at the time of application. In the event that a candidate holds two doctoral degrees, the eligibility dates (PhD certificate dated between January 1, 2010 – September 1, 2020, inclusive) apply to the more recent degree.

The project must represent advanced research in the Italian Renaissance, broadly defined historically as the period ranging from the 14th to the 17th centuries and geographically to include transnational dialogues between Italy and other cultures (e.g. Latin American, Mediterranean, African, Asian etc.). Subjects covered include art and architecture, history, literature, material culture, music and performance, philosophy, religion, and science. Scholars can also apply to work on the transmission and circulation of ideas, objects, and people during the Renaissance, into and beyond the Italian peninsula, or on the historiography of the Italian Renaissance, including the rebirth of interest in the Renaissance in later periods. It must be possible for applicants to carry out most of their research in Florence with the resources available in the city and at I Tatti. Applicants should demonstrate that they have already completed the necessary preliminary work to establish that the project shows promise. Preference is given to a postdoctoral research project, but projects could also represent a significant reworking of a dissertation. Special consideration may be given to candidates without regular access to research materials and facilities available in Italy.

One of the I Tatti fellowships, sponsored by a generous grant from the Florence Gould Foundation, is designated for scholars who a) work on a Franco-Italian Renaissance topic (which includes any project exploring the contact between the geographic areas of Italy and France in the early modern period); b) reside in France; or c) have French citizenship. Candidates who fall into one or more of these categories should indicate their status in the penultimate section on the application form.

The Fellow is responsible for obtaining a visa, permesso di soggiorno, and health coverage (and, if appropriate, for accompanying family members). The Fellow must determine if a visa is required and, if necessary, obtain one before travel.

Renewals or repeats of an I Tatti Fellowship are not granted. Scholars can apply for only one type of fellowship at I Tatti per academic year.

Terms

The Fellowship year runs from July 1 to June 30. In light of the residential nature of this fellowship, Fellows must live in the Florence area and be present at the Villa and at lunch at least three days a week beginning the first week of September. They are expected to engage fully in the scholarly life of the institution, and attendance at lectures, Fellows’ seminars, and other events sponsored by I Tatti is assumed of every Fellow.

The principal duty of an I Tatti Fellow is to pursue advanced research at I Tatti. Fellows must obtain full academic leave from their home institutions and devote full time to their studies here. No Fellow is allowed to have any other professional obligations, paid or unpaid. Absences, e.g. for a job interview or thesis defense, should be kept to a reasonable level and appointees must write to the Director for approval of absences of a week or longer. Since Fellows are not expected to be at the Villa until early September, we recommend they pursue research at sites outside of Florence during July and August.

Fellows are offered a study, use of the Biblioteca Berenson, lunches on weekdays, and various other privileges. The stipend is $60,000, plus a supplement towards relocation expenses. There are several apartments on the I Tatti property, rent free, but with charges for utilities. If an apartment is not available, a housing subsidy will be offered to help offset rental costs.

If the candidate receives partial salary or outside grants, this must be indicated on the application or in subsequent correspondence with the Director, and permission must be received.

Application

Applications can be written in English or Italian and must be submitted electronically by midnight (Cambridge, MA time) on October 15, 2020. Scholars can apply for only one type of I Tatti fellowship per academic year.

NB: A yearlong I Tatti Fellowship for Non-UK citizens normally based in the UK could jeopardize the outcome of their eventual application for settlement (also called ‘indefinite leave to remain’) in the UK. We encourage such scholars to apply instead for a short-term fellowship at I Tatti.

Letters of Recommendation

Applicants must have two scholars who know their work well submit recommendations online by October 22, 2020. These recommendations can be written in English or Italian. In order to give your referees adequate time to submit letters of recommendation, click the reference tab and register them as early as possible. Referees will receive an email explaining how to access the system and submit their letters electronically. It is the applicants’ responsibility to inform the scholars writing on their behalf of the nature of the project and the deadline for submission.

More information here: http://itatti.harvard.edu/i-tatti-fellowship


Click here to apply: https://itatti.slideroom.com/#/login/program/55075

News: Canterbury Cathedral Free entry for all visitors – until Sunday 12 July 2020

Canterbury Cathedral’s free entry to all visitors offer continues until Sunday 12 July, after this, kids go free with reduced prices for adults until 31 August. All tickets must be pre-booked online via our website.

They’ve introduced a range of new safety measures to ensure your wellbeing, including one-way routes, enhanced cleaning regimes, hand sanitiser stations, distanced seating, additional signage and floor markings, and PPE for our staff, volunteers and Constables as appropriate.

To find out more please read their visitor FAQs to prepare for your visit and to find out what you can expect from them – and what they request of you – to ensure a safe, enjoyable and memorable experience.

Sam Fogg: Object of the Week

Since the beginning of lock-down, Sam Fogg has been giving Medieval Art enthusiasts a glimpse into their expansive collection with their Object of the Week series. The wonderful team at Sam Fogg present a different fascinating object every Friday. You can check out the series over on their website, twitter and instragram! Here are a few of our favourite ones:


A Bronze Bell inscribed with the Ave Maria, last quarter of the 15th century, Austria

This slender bell was likely cast in a Viennese foundry at some point in the late fifteenth century. It is delicately ornamented, including the unusual addition of human faces with their  striking silhouettes at the top of the bell. It is exceptionally rare to find such ornament on surviving medieval bells. You can hear more about this fascinating object in Sam Fogg’s video.

Read more about the bronze bell here.

Cardinal John Fisher (1469-1535), Bishop of Rochester, c. 1540, Northern Netherlands

This small portrait depicts Cardinal John Fisher who was executed for opposing King Henry VIII. It is believed to be the earliest surviving painted likeness of John Fisher. As part of the series, Sam Fogg has created a video where you can learn all about this exquisite painting.

Read more about the portrait here.

The Head of the Christ Child, from a Sedes Sapientiae Group, c. 1220, Meuse Valley

This diminutively proportioned head of the infant Christ carved with wide, almond-shaped eyes, a strong nasal ridge, and a subtle smile with delicately separated lips, combines two art forms: sculpture and goldsmiths’ work. The synthesis of these two mediums reached its height in Europe during the early thirteenth century, and this miraculous survival encapsulates them both perfectly. Check out their video all about it here.

Read more about this head here.

A Gable Plaque from a Reliquary Chasse showing an Apostle, c. 1190 (France, Limoges, from the so-called Chapitre Workshop) Sam Fogg

A Gable Plaque from a Reliquary Chasse showing an Apostle, c. 1190

This vividly enamelled plaque of an Apostle was originally part of a gable end of a reliquary chasse. The demand for such lavish reliquaries in the Middle Ages was generated by the cult of relics and encouraged by pilgrimages, which gained momentum in the 12th century. The plaque has been attributed to a circle of goldsmiths known by the provisional name ‘Chapitre workshop’, active by around 1180 in Limoges.

View it here.


Head over to Sam Fogg’s website, twitter and instragram for more fascinating objects from the series.

CFP: 8th Days of Justinian I, Skopje (November 13–14, 2020), deadline 10 August 2020

The International scientific symposium “Days of Justinian I” is an annual interdisciplinary scholarly forum aimed at the presentation of the latest research followed by discussions on various aspects of Byzantine and Medieval Studies before 1500; this includes the treatment and interpretation of cultural, historical and spiritual heritage in contemporary modern Europe. The Symposium is dedicated to Emperor Justinian I with the aim to bring together scholars from around the world to address a broad range of issues related to Byzantium and the European Middle Ages, comprising the exploration of the cultural and historical legacy as an integrative component of the diversities and commonalities of Unified Europe.

This year the special thematic strand, Religion, aims to incite scholarly debate about the different concepts of religion in Byzantium and Medieval Western Europe. Being an essential component of the Byzantine and Medieval Western World, the religion has shaped the identity of the individuals, communities, polities, acting as a factor of division and unification. Various questions will be raised in examining the profound role of religion in historical processes, political and cultural transformations, that transcended boundaries and time. As an inspirational model for the literary, architectural, artistic works, religion will be also observed as an intermediate expression of the past traditions, the system of networks, values, beliefs and practices. The Symposium will address wide range of conceptional issues in exploring the phenomena of religion and religious controversies in Eastern Roman Empire and Medieval Western Europe. This will include the perspectives of the religion as a function of culture and belonging, its role in defining and constructing the identities, the exclusion and inclusion, conversion and defiance, violence and tolerance, militarization and waging “sacred” wars, relationship with the nations, the heritage of Europe.

The Symposium will address wide range of conceptional issues in exploring the phenomena of religion and religious controversies in Eastern Roman Empire and Medieval Western Europe. This will include the perspectives of the religion as a function of culture and belonging, its role in defining and constructing the identities, the exclusion and inclusion, conversion and defiance, violence and tolerance, militarization and waging “sacred” wars, relationship with the nations, the heritage of Europe.

Papers are welcomed on various topics that may include, but are not limited to the following areas of discussion:

  • Paganism and Christianity
  • Christianity and the Romanness
  • Byzantine Orthodoxy and Catholicism: Dividing the East and West
  • Byzantine Orthodoxy and the World of Islam
  • Christianity and identity
  • Religion and ethnicity
  • Religious inclusion and exclusion
  • And more (see here for more keywords)

Please send the application form to the following address: days.justinian@gmail.com

For further inquiries you can contact the Secretary of the Symposium, Prof. Dragan Gjalevski: days.justinian@gmail.com

Please check the Facebook page https://www.facebook.com/days.justinian and website www.ini.ukim.mk for news about the Symposium, the agenda, special events and the online application form.

More information can be found here.