Tag Archives: Giotto

Conference: The Right Moment. A Symposium on Kairotic Energies, Brussels, 18-19 October 2018

church-of-the-holy-nativity-631The Greek term kairós expresses an idea of ‘grasping the right moment’, which travelled through art, literature, and philosophy. And even today, it is central to debates over, for example, time management. Combining perspectives from classical reception studies and iconology, this ongoing project at KU Leuven (2017-2021) is about the reception of kairós in the visual medium from antiquity to the Renaissance. How was the notion of kairós visualized in images throughout time, from antiquity to the early modern era? And more specifically, how did text and image work together to transform the notion of kairós in various contexts?

The attending speakers from Belgium, Germany, France, Israel, Croatia, The Netherlands, Romania, The United Kingdom, The United States, and Switzerland have not only been selected on the basis of their interdisciplinary skills in the field; but equally because of their distinctive contribution to the method of iconology and visual anthropology.

Many among them are key influencers on, among other things, the importance of the Humanities in terms of peace process work, ecology, and the relationship between Eastern and Western civilizations.

Barbara Baert – Kunstwetenschappen KU Leuven – www.illuminare.be

PROGRAM

Thursday, 18 October

08.30-09.00 Registration

09.00-09.15 Welcome speech by Pierre Van Moerbeke,
Executive director of Francqui Foundation

09.15-09.30 Welcome speech by Luc Sels, Rector of KU
Leuven

09.30-10.00 Introduction by Barbara Baert

10.00-10.30 Coffee break

Part I
10.30-11.30 Giotto, the Eye and the Gaze – Victor Stoichita
Respondent: Herman Parret

11.30-12.30 Time in the Context of Ecclesia/Synagoga – Miri Rubin
Respondent: Inigo Bocken

12.30-14.00 Lunch

Part II
14.00-15.00 Epochal Madness: Notes on the Present Moment – W. J. T. Mitchell
Respondent: Stéphane Symons

15.00-16.00 The Manic Moment – Davide Stimilli
Respondent: Hedwig Schwall

16.00-16.30 Coffee break

16.30-17.30 The Silence of Lifta – Avinoam Shalem
Respondent: Amr Ryad

17.30-18.15 Presentation of the new series Recollection: Experimental Reflections on Texts, Images and Ideas – Veerle De Laet (Leuven University Press) & Ellen Harlizius-Klück

Friday 19 October

08.30-09.00 Welcome & coffee

Part III
09.00-10.00 The Nativity Church in Bethlehem as Kairotic
Space – Bianca Kühnel
Respondent: Marina Vicelja-Matijašic

10.00-11.00 L’occasion de la grâce dans le martyre – Pierre Antoine Fabre
Respondent: Ralph Dekoninck

11.00-11.30 Coffee break

11.30-12.30 A Dialogue of Early Buddhism, Hinduism and
Jainism on the Varieties of Auspicious Moments – Eugen Ciurtin
Respondent: Reimund Bieringer

12.30-14.00 Lunch

Part IV
14.00-15.00 Generating Synchronicity: Bodily and Affective
Techniques – Elisabeth Hsu
Respondent: Philippe Van Cauteren

15.00-16.00 The Moment of the Dangerous Women – Catherine Harper
Respondent: Ann-Sophie Lehmann

16.00-16.30 Coffee break

16.30-17.30 Concluding remarks – Han Lamers & Bart Verschaffel

17.30-18.00 Book presentations: Paul Peeters (Peeters Publishers) & Illuminare – Centre for the Study of Medieval Art

18.00-19.30 Farewell drinks

Contact and registration: stephanie.heremans@kuleuven.be
Registration deadline: 30 September 2018

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Conference: Art and Economy in France and Italy in the 14th century: new research

giottotodeleteConference: Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes,Art et économie en France et en Italie au XIVe siècle. Nouvelles enquêtes, Université de Lausanne, 19-20 October 2017

 

 

Programme:

Jeudi 19 octobre 2017

Nicolas Bock, Michele Tomasi
Introduction

14h30 L’Italie au Trecento et au Quattrocento : da Giotto alla morte !

Damien Cerutti
Giotto & Cie. Réflexions sur le marché pictural florentin dans le deuxième quart du Trecento

Katalin Prajda
Finanze e attività imprenditoriale nelle industrie pittoriche, orafe e di carpenteria nella Firenze del primo Rinascimento. Come la seta divenne una specialità fiorentina

Fabio Marcelli
Arte, civiltà comunale ed economia nell’Appennino umbro-marchigiano

Giampaolo Ermini
Il cantiere del coro trecentesco del duomo di Orvieto: manovalanza, materiali, costi e finanziamenti

Paola Vitolo
Spese della morte: investimenti per l’aldilà (e per l’al di qua) e pratica artistica (Italia, XIII-XIV secolo)

 

Vendredi 20 octobre 2017

9h00 Les arts de luxe

Chiara Maggioni
Orfèvreries à Mantoue au XIVe siècle : frais, évaluations, valeurs de marché

Andrea Cravero
Vetri dorati e graffiti del basso medioevo: economia di una bottega assisiate e mercato fiorentino

Giampaolo Distefano
Le occasioni del mercato artistico parigino del Trecento e la carriera dell’orafo Jean le Braelier

11h30  Entre l’Italie et la France

Teodoro De Giorgio
La riorganizzazione del sistema fiscale della corte pontificia avignonese sotto Giovanni XXII (1316-1334) e il nuovo volto del mecenatismo artistico papale

Alain Salamagne
L’usage du bois précieux dans le château en France et en Bourgogne (1350-1450)

14h00 Perspectives méditerranéennes

Doron Bauer
Economic Fluctuations and Artistic Production in The Kingdom of Majorca

Francesco Ruvolo
Prima di Antonello. Nuovi culti, spazio sacro e potere economico, nella Messina tra Due e Trecento

15h00  En ouvrant encore les horizons

Étienne Anheim
L’économie du travail artistique au XIVe siècle en France et en Italie

Wim Blockmans
La spécificité du secteur de l’art dans l’économie du bas Moyen Âge
Conclusions

 

Murray Seminars on Medieval and Renaissance Art at Birkbeck, Spring Term 2017

0067_allegory_of_justice_-_injustice-144a8d98631489020fe18th Jan Zsofia Buda ‘The Lady with the book and the closed curtain: iconographical peculiarities in a 15th-century Jewish service book for Passover’ discusses some unusual illustrations in a South German Jewish service book for Passover, finding among other things some surprising similarities with Christian iconography

22 Feb Laura Jacobus ‘”Mea culpa?” Penitence, Enrico Scrovegni and me’ The Arena Chapel in Padua was until very recently thought to be commissioned as an act of restitution for usury, and its frescoes by Giotto as an expression of penitence on the part of the patron Enrico Scrovegni. That view has now been challenged by Laura Jacobus and others. But two of her recent discoveries have the potential to reinforce the established view and undermine her own. What happens when a researcher uncovers inconvenient truths, and what is to be done?

15th March Péter Bokody ‘The Politicization of Rape: Giotto’s Allegory of Injustice in Padua’ suggests that the allegory of Injustice in the Arena Chapel (Padua) by Giotto and the allegory of War in the Palazzo Pubblico (Siena) by Ambrogio Lorenzetti are key allegorical images of rape which can offer critical and politicized representations of sexual violence without sanitizing or eroticizing the act. Their unparalleled representations of sexual violence have implications for a general history of rape and the visual culture of late-medieval Italy.

All this term’s seminars take place in the History of Art Department at Birkbeck (43, Gordon Sq., London WC1H 0PD) in Room 114 (The Keynes Library) at 5pm. Talks finish by 5.50pm (allowing those with other commitments to leave) and are then followed by discussion and refreshments. We hope to see you there.

Murray Seminar on Medieval and Renaissance Art, Autumn Term 2015

Lukas%20schildert%20Madonna_detail%20schets800[1]The Department of History of Art at Birkbeck presents a series of seminars on medieval and renaissance art, supported by the bequest established in memory of Professor Peter Murray, the Department’s founder.

Thursday 22nd October
Dr. Robert Maniura, Rogier van der Weyden, Portraiture and Flesh

Thursday 19th November
Dr. Laura Jacobus, Four Weddings and a Funerary Chapel: a brief ‘herstory’ of the Arena Chapel

Thursday, 10th December
Dr.Juliana Barone, Leonardo da Vinci in Seventeenth-Century France

All seminars are held at 5pm at Birkbeck’s School of Arts (43, Gordon Sq., London, WC1H OPD) in Room 112, and are followed by refreshments.

Publication News: Giotto and the Flood of Florence in 1333

128119Giotto and the Flood of Florence in 1333 : A Study in Catastrophism, Guild Organisation, and Art Technology by Erling S. Skaug

Giotto di Bondone was the key figure in the transition from medieval to modern in European painting. It is well known that he, on 12 April 1334, was appointed architect of the cathedral of Florence, and that he made a design for the campanile. But it has never been explained why he was offered that task, and at that particular point of time. Was it just an honorary position for the aging artist, shortly before his death? Or was his actual commission to organise the rebuilding of vital parts of the city after the disastrous flood of 4 November 1333 – the worst catastrophe of its kind until the one in 1966? By this angle of approach, based upon the textual evidence of the nomination, it becomes possible to put together several pieces of a puzzle that makes up an entirely new picture of a moment in the history of Florencee. Elements as different as Giotto’s stay at the French court in Naples, the introduction of punched decoration in Florentine painting, the dating of some of his problematic altarpieces, the Florentine painters’ place int he city’s gild structure as shown by their formal titles, and a perhaps surprising glimpse into Giotto’s workshop in its late period can all be shown to be causally connected.