Conference: Moving Body Parts: Their Transcendence of Time and Space in Pre-Modern Europe

568px-Sigillum_Universitatis_Ludovico-Maximilianeae.svgMoving Body Parts: Their Transcendence of Time and Space in Pre-Modern Europe
Munich, Ludwig-Maximilians-Universität, April 11 – 12, 2014

Organizers
Urte Krass (Institut für Kunstgeschichte der LMU München)
Romedio Schmitz-Esser (Historisches Seminar der LMU München)
Münchner Forschungszentrum Fundamente der Moderne

According to Jean-Claude Schmitt, “the dead have no existence other than
that which the living imagine for them” – and sometimes, the living not
only force them to exist in their memory but also to persist materially.
By keeping the mortal remains above the earth, by dividing them,
manipulating them and moving them to different places, the deceased are
assigned a very active role within the world of the living. The title of
this workshop includes, however, also a second “species” of migrating
bodily fragments, namely body parts that are imagined to be moving by
themselves. This workshop asks for the reasons why body parts were
moved, in which way this happened, how they were visualized, and what
the nature, both visual and material, of their transport media was. It
asks for the benefits of body parts transcending space and time, and
which body parts could be imagined to be moving.

Program

Friday, April 11

1.15-2pm
Introduction
Romedio Schmitz-Esser and Urte Krass (LMU Munich)

2-2.30pm
Body Parts in / as Pictures
Kristin Marek (Staatliche Hochschule für Gestaltung, Karlsruhe)

2.30-3pm
Discussion

Coffee break

3.45-4.30pm
Moving Hearts and the Rise of Individualism in the 13th Century
Immo Warntjes (Queen’s University, Belfast, UK)

Heart Burials in Medieval and Early Modern Europe
Estella Weiss-Krejci (Austrian Academy of Sciences, Vienna)

4.30-5pm
Discussion

Coffee break

5.30-6.15pm
Dead Leg Walking. A Miraculous Transplantation and its Medico-Ethical
Dimension
Kay Peter Jankrift (TU Munich, Germany)

Giovan Battista Della Porta’s Shady Hands and Feet of Executed Criminals
Sergius Kodera (New Design University, St. Pölten, Austria)

6.15-6.45pm
Discussion

Break

19.30 Public Lecture:
Wandering Genitalia
Ann Marie Rasmussen (Duke University, USA)

Saturday, April 12

9.15-10am
Reviving the Corpse of Quintilian: Humanist Texts and the Language of
Relics
Hester Schadee (LMU Munich, Germany)

Migrating Martyrs: The Visual Presentation of Whole-Body Roman Catacomb
Saints in Counter-Reformation Bavaria
Noria Litaker (University of Pennsylvania, USA)

10-10.30am
Discussion

Coffee break

11-11.45am
The Triple Movement of St Adalbert’s Head
Masza Sitek (Jagiellonian University Kraków, Poland)

Moving the Saints Through Texts
Henrike Haug (TU Berlin, Germany)

11.45-12.15
Discussion

Call for Papers: 3nd INTERNATIONAL CONFERENCE TAO-KLARJETI

mudmivi3nd INTERNATIONAL CONFERENCE TAO-KLARJETI
17-21 October, 2014

The National Center of Manuscripts warmly invites scholars from different fields of research to submit proposals for the International Conference “Tao-Klarjeti”. This is the third conference on the issue.

Rich history and cultural significance of Tao-Klarjeti, which had established herself among the most prominent monastic centers of Eastern Christendom, has generated scholarly interest to the historical province.

In early middle ages Tao-Klarjeti was the flourishing principality and a significant center of the Georgian monastic movement. A big number of ruins of fortresses, churches and monasteries scattered throughout the area corroborate the above. Local religious centers, which drew intellectual resources from entire Georgia, had close cultural contacts with the most significant monastic centers of the Byzantine realm.

Strategic location of Tao-Klarjeti made it a target of neighbouring empires, contributing to political fate of the province and to creation of a multicultural environment.

WORKING SECTIONS

• History / Source study / Archival study
• History of art
• Philology / Codicology /
Textual criticism
• Linguistics
• Ethnology/Archaeology
• Restoration/Conservation
• Tourism and management of
cultural legacy
• Geography

WORKING LANGUAGES
• Georgian
• English
• Turkish

PROPOSAL NOTES
To submit a paper proposal for the conference, please com- plete the attached Proposal Form and send it by e-mail to conference@manuscript.ac.ge.
Deadline for a proposal: 30 April, 2014

ABSTRACT
Deadline: 25 May
Type: Acadnusx, Sylfaen, Times New Roman Number of symbols at maximum: 2.000-4.000 Confirmation for participation by the organizing group before 25 June

PAPER
Deadline of submission following reception of confirmation, within 1 month (25 July)
Type: Acadnusx, Sylfaen, Times New Roman Number of symbols at maximum: 13.000
• The paper should not neither be published, nor pre- sented at any other conference
• The abstract should clearly indicate the results of the study

Conference: Boundaries in Art & Architecture, 19th Annual Medieval Postgraduate Student Colloquium, Courtauld Institute of Art, 1 February 2014

10.00-17:30, Saturday 1 February 2014 (with registration from 09.30)

Kenneth Clark Lecture Theatre, The Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN
 
Ticket/Entry details: Admission free, all welcome. No booking is necessary.
 
Medieval art and architecture are often misconceived as being governed by categories and boundaries, be it geographical, social, or artistic. This colloquium will aim to question and challenge these assumptions by highlighting the fluidity and flexibility extant within art and architecture at the time. Boundaries will be interpreted in the wider sense of the word, encompassing geographic location and artistic media as well as questions of in-betweenness and hybridity. The papers will explore the issue of the creation and articulation of boundaries, the question of the validity of scholarly categories, and how art ventured to transgress visual, architectural, and cultural divisions.
 
PROGRAMME
 

9.30-10.00:
 
10.00-10.10
 
 
 
10.10-10.30:
 
10.30-10.50:
 
 
10.50-11.10:
 
11.10-11.30:
11.30-12.00:
Registration
 
WELCOME
 
SESSION 1 – The Problem of Categories in Medieval Art and Architecture. Chair: Michaela Zöschg
Sophie Dentzer (The Courtauld Institute of Art): Beyond Geographical and Stylistic Boundaries: an Approach to the Study of English Decorative Vaulting
Dragoş Năstăsoiu (Central European University, Budapest):Transgressing Boundaries: Mural Painting in the Orthodox Churches of Fourteenth- and Fifteenth-century Transylvania
James Hillson (University of York): Architectural Interaction Post-Bony: Regions, Centres and Archetypes in the English Decorated Style
Discussion
Tea Break
 
 
 
12.00-12.20:
 
12.20-12.40:
 
12.40-13.00:
 
13.00-13.20:
 
13.20-14.30:
 
 
 
14.30-14.50:
 
14.50-15.10:
 
 
15.10-15.30:
 
15.30-15.50:
 
15.50-16.20:
 
 
 
16.20-16.40:
 
16.40-17.00:
 
17.00-17.20:
 
17.20 – 17.30
 
17.30
 
SESSION 2 – Transgression and Transition. Chair: Joost Joustra
 
Federica Gigante (The Warburg Institute and SOAS): Islamic Textile as Boundary in Fourteenth-Century Italian Art and Architecture
Veronica Dell’Agostino (La Sapienza, Rome): Ornamental Painting as Limit of the Painted Space: the Case of  ‘San Pietro al Monte di Civate’ Fresco Fragments
Maria Alessia Rossi (The Courtauld Institute of Art): Inbetween Text and Image: the Case of Christ’s Miracle Cycle
Discussion
 
Lunch break (not provided)
 
SESSION 3 – Structures of Power. Chair: Maeve O’Donnell
 
Cristina Dagalita (University of Paris IV, Sorbonne): Illustrating Dissidence: the Fool among the Foolish Virgins
Antonino Tranchina (La Sapienza, Rome): Inscriptions at the Martorana in Palermo: Performing Monumental Speeches across Materials and Languages at the Times of Roger II
Karl Kinsella (Oxford University): Doors as Portals: Structures of Power in Anglo-  Saxon Art
Discussion
 
Tea Break
 
SESSION 4 – The Visualisation of Marginality. Chair: Jack Hartnell
 
Monika Winiarczyk (University of Glasgow): Marginal and Intricate: Synagoga and the Medieval Christian Conception of Judaism
Andrea Mattiello (University of Birmingham): Katechoumena/gynaikites: Upper Galleries in Late Palaiologan Churches in Mystra
Niamh Bhalla (The Courtauld Institute of Art): Asserted Binaries and Ambiguous Borders: Gender and the Image of the Last Judgment in Byzantium
Closing Remarks  (Dr Antony Eastmond, The Courtauld Institute of Art)
 
RECEPTION

Conference: The Paradigm of Vasari. Reception, Criticism, Perspectives

Giorgio-Vasari-portraitConference: The Paradigm of Vasari. Reception, Criticism, Perspectives
Kunsthistorisches Institut, Florence (Max-Planck-Institut)
14-16 February, 2014

Organized by Fabian Jonietz und Alessandro Nova

The ‘Lives’ of Giorgio Vasari, published in 1550 and 1568 respectively, must be acknowledged as an inevitable center of all European art-historiographical discourses of both the early modern period and modernity. As a purposeful continuation, implicit model of reference or counterpoint to new approaches, Vasari serves as paradigm not only to the older art historical writings; the theories, concepts, methods, aims and self-reflections of current studies of art history are also deeply linked to the model of the ‘Lives’. This conference reviews historical modes of the reception of Vasari, but asks likewise what relevance his concepts still hold for today’s interests of art historical studies, and whether the ‘Lives’ might open new perspectives for the future practice of art historiography.Programme PDF.

Call for Papers: Culture, Power and Identity in the Pre-Modern Mediterranean

sealThe Mediterranean Seminar is seeking proposals for panels on “Culture, Power and Identity in the Pre-Modern Mediterranean,” organized by Brian Catlos [Religious Studies CU Boulder/Humanities UC Santa Cruz] and Sergio La Porta (Armenian Studies, CSU Fresno)  to be submitted for consideration for the annual meeting of the American Historical Association to be held January 2-5, 2015 in New York City.

Mediterranean Studies represents an approach that is transforming our view of the history of Pre-Modern Europe, North Africa and the Middle East by taking an inter-disciplinary and comparative approach to the history of the Medieval West (ie.: the area west of the Indus), by “provincializing” Europe, eschewing grand teleological narratives, and by interrogating essentializing categories that have dominated historical analysis when deployed uncritically and universally (e.g.: Christianity, Judaism, Islam, Europe, Byzantium, the Near East…).

We are seeking proposals that focus on the intersection of culture, power and religious and ethnic identity, on communal relations, and/or on processes of acculturation, translatio, and conflict in the broader Mediterranean.

In principle we will propose two panels: “Ideals” and “Action” — the former focusing on the ideology of pre-Modern identity politics and its expression, and the latter on the outcomes of  policy and practice in this regard.

Papers focusing on social, political and economic history are welcome, but we are particularly interested in papers that are interdisciplinary in nature and/or that focus on art history, musicology, architecture, philosophy, history of science and medicine, the construction of class and/or gender identity, material culture or literature, and/or that focus on traditionally understudied groups (e.g.: Berbers, Copts, Armenians) and/or that combine approaches or take a chronologically or regionally comparative approach.

Please submit a proposals for 20-minute papers to be presented in person to Brian Catlos (bcatlos@ucsc.edu) and Sergio La Porta (slaporta@csufresno.edu) on or before Thursday, February 6 for consideration. Include a 150-200 word abstract and a 2-page CV, and indicate whether you will need to request AV equipment, and put “AHA Proposal” in the subject line.

Call for Papers: Eating Anatolia: Remembered Histories and Forgotten Foods

ARHAPoster2Eating Anatolia: Remembered Histories and Forgotten Foods
Koç University Department of Archaeology and History of Art’s
2nd annual Graduate Student Symposium, May 3, 2014 in Istanbul.

“First we eat, then we do everything else.” MFK Fisher

 Koç University’s department of Archaeology and History of Art is pleased to announce “Eating Anatolia: Remembered Histories and Forgotten Foods”. Few aspects of our shared human experience are more fundamental than food. The act of preparing, serving and eating food in both historic and contemporary contexts spans low and high culture, encompassing social and cultural practices. Food functions as utility and pleasure, exposing social dynamics between producers and consumers and the wealth of material and cultural references that can be drawn from these interactions. In its breadth and diversity, the topic presents a provocative opportunity to examine this most basic feature of history from a multi-disciplinary perspective, remembering that there is no single narrative to explain the story of food over time.

This symposium seeks to encourage a diverse range of perspectives and disciplines concerned with a span of topics, areas and periods as they relate to food and food production in Anatolia and its surrounding regions, including agriculture, feasting, cooking methods and technologies, and food culture manifested in migration and exchange. Fellow graduate students are encouraged to consider alternative perspectives and how they contribute to a richer understanding of food-related practices and implications in Anatolia from the earliest prehistory until the end of the Ottoman Empire. Anatolia and surrounding regions from prehistory to the end of the Ottoman Empire, suggested topics include:

– Food production & agriculture Domestication of crops and animals
– Wine & viticulture
– Tools & technologies
– Ingredients, recipes and diets
– Spices and their distribution
– Feasting & rituals
– Visual or textual representation of food
– Migration & trade
– Food as cultural heritage
– Architecture related to food production and distribution

Applicants should submit a 250-word abstract by February 14th, 2014 to: arhasymposium@gmail.com Graduate students from all disciplines are encouraged to apply.

 

Call for Papers: Muslim Subjects and Clients in the Pre-Modern Christian Mediterranean

14-DC logo colorThe Mediterranean Seminar is seeking proposal for two proposed panels, on “Muslim Subjects and Clients in the Pre-Modern Christian Mediterranean,” organized by Abigail Balbale [Bard Graduate Center/University of Massachusetts Boston] and Brian Catlos [Religious Studies, CU Boulder/Humanities, UC Santa Cruz] to be submitted for consideration for the Middle East Association Studies Annual Conference, (November 22-25, 2014 – Washington, DC).

Islam was conceived as a universal religion and social organization, and a ideology of liberation rooted in the correct expression of divine sovereignty. The first era of Islam was characterized by a wave of conquest that only reinforced the faith’s universal aspirations — in space of less than a century, Arab Muslims and their clients brought the former Persian Empire, much of Byzantium, the Maghrib and the Iberian Peninsula under their rule. Both Revelation and the practica associated with this conquest led Muslims to develop a formal position in which members of monotheistic religions (in principle, Jews, Christians, and Zoroastrians) were incorporated into dar al-Islam as subject peoples or dhimmis. This phase of ebullience coincided with the formulation of Islamic law and the crystallization of Islamic institutions.

Beginning in the mid-eleventh century, however, the political tide in the Mediterranean turned, as Latin Christian powers began to expand at the expense of Muslim princes, and began to conquer and colonize substantial areas in the Islamic Mediterranean. For the first time Islam was confronted with the situation of substantial populations of Muslims living under non-Muslim rule  (“mudéjares”/“mudajjan”) — a state of affairs that flew in the face of fundamental principles. Moreover, Muslim princes who had previously held the upper hand in relationships of clientage with Christian rulers, now found themselves in a subordinate role in the Latin-dominated Mediterranean.

In the last four decades, subject Muslims in Iberia, Italy, Ifriqiya, and the Eastern Mediterranean have been the subject of intense historical study, most of it locally or regionally-based and finely focused in terms of chronology or approach.  In March 2014, Cambridge University Press will publish “Muslims of Medieval Latin Christendom, ca. 1050–1614” the first monographic study of the experience of subject Muslims across the Christian West — an attempt to synthesize the work of scholars of subject Muslims to date.  To mark this occasion, and to showcase the newest and most original research in this field, we are seeking papers for two panels: “Theory,” and “Practice.”

“Theory” will examine how Islam grappled with the problem of Muslim submission to infidels from the point of view of ideology, whether religious or political, and may include studies from disciplines including, for example, history, literature, legal history and philosophy.

“Practice” will look at the dynamics of Muslim clientage and submission “on the ground” and may include economic, political, and social history, the study of art, architecture and material culture, and literature, to name but a few.

We are particularly interested in papers that cross or interrogate categories of analysis (such as “Muslim” and “Christian”), that examine issue of Muslim heterodoxy and diversity, that examine Muslims’ relations with other minority communities (e.g.: Jews), or that engage with relatively neglected areas of mudéjar studies, such as gender, conversion, and slavery.

Please submit a proposals for 20-minute papers to be presented in person to Abigail Balbale (balbale@bgc.bard.edu) and Brian Catlos (bcatlos@ucsc.edu) on or before Wednesday January 29 for consideration. Include a 150-200 word abstract and a 2-page CV and indicate whether you will need to request AV equipment.

Publication News: New Light on Old Glass: Recent Research on Byzantine Glass and Mosaics

New-Light-on-Old-Glass-Recent-Research-on-Byzantine-Mosaics-and-Glass-British-Museum-academic-book-cmc0861591794_productlargeThis new publication brings together a range of leading scholars from around the world to discuss the most recent research in the field of Byzantine glass and mosaics in an interdisciplinary context – ranging from art history to physics and Byzantine studies.

New Light on Old Glass explores how mosaics are perhaps the most outstanding examples of Byzantine art which survive; revealing changing aesthetics and issues surrounding the technical production of glass in medieval artistic practices.

This is the first time that so many diverse papers, ranging from art history, archaeology, chemistry, physics and Byzantine studies have been assembled in one volume.

The book is the culmination of a five-year research programme on the Composition of Byzantine Glass Mosaic Tesserae, conducted by the University of Sussex in conjunction with the British Museum and sponsored by the Leverhulme Trust.

The Editors

Chris Entwistle is curator of the Late Roman and Byzantine collections at the British Museum.
Liz James is professor of Art History at the University of Sussex.

Contents

1. ‘Glass Mosaic Tesserae from the 5th to the 6th Century Baptistry of San Giovanni alle Fonti, Milan, Italy’, Elizabeth Neri, Marco Verità and Alberto Conventi
2. ‘Glass Tesserae from the Petra Church’, Fatma Marii
3. ‘Studies in Middle Byzantine Glass Mosaics from Amorium’, Hanna Witte
4. ‘Mosaic Tesserae from the Basilica of San Severo and Glass Production in Classe, Ravenna, Italy’, Cesare Fiori
5. ‘The Observation and Conservation of Mosaics in Ravenna in the 5th and 6th Centuries’ Cetty Muscolino
6. ‘A Quest for Wisdom’, Nadine Schibille
7. ‘Mosaics and Materials’, Claudia Tedeschi
8. ‘A Study of Glass Tesserae from Mosaics in the Monestareis of Daphni and Hosios Loukas’, Rossella Arletti
9. ‘Notes on the Morphology of the Gold Glass Tesserae from Daphni Monestary’, Polytimi Loukopoulou and Antonia Moropoulou
10. ‘Glass Producers in the Late Antique and Byzantine Texts and Papyri’, E. Marianne Stern
11. ‘On the Manufacture of Diatreta and Cage Cups from the Pharos Beaker to the Lycurgus Cup’, Rosemarie Lierke
12. ‘The Lycurgus Cup’, Jaś Elsner
13. ‘Making Late Antique Gold Glass’, Daniel Thomas Howells
14. ‘Gold Glass in Late Antiquity’, Andrew Meek
15. ‘Late Antique Glass Pendants in the British Museum’, Chris Entwistle and Paul Corby Finnery (With an appendix by Philip Fletcher)
16. ‘A Scientific Study of Late Antique Glass Pendants in the British Museum’, Stepan Röhrs, Andrew Meek and Chris Entwistle
17. ‘The Production and Uses of Late Antique Glass in Byzantine Thessaloniki’, Anastassios Antonaras
18. ‘To Beautify Small Things’, Ann Terry
19. ‘Experiencing the Light’ , Claire Nesbitt
20. ‘New Light on the “Bright Ages” ’, Claudine Bolgia
21. ‘The Absence of Glass’ , Maria Vassilaki
22. ‘Borders of Experimentalism, Francesca Dell’ Acqua
23. ‘Viewing the Mosaics of the Monasteries of Hosios Loukas, Daphni and the Church of Santa Maria Assunta, Torcello ’, Robin Cormack
24. ‘The Abbot Philotheos, Founder of the Katholikon of Hosios Loukas’, Nano Chatzidakis
25. ‘Recording Byzantine Mosaics in 19th –century Greece’, Dimitra Kotoula (With a contribution from Amalia G. Kakissis
26. ‘The Christ Head at the Metropolitan Museum of Art, New York, the Apse in the Bode Museum, Berlin, and Other Fake Mosaics’, Irina Andreescu – Treadgold
27. ‘Alexandria on the Barada’, Judith S. McKenzie
28. ‘Mosaics by Numbers, Liz James, Emõke Soproni and Bente Bjørnholt
29. ‘Early Islamic and Byzantine Silver Stain’, Lisa Pilosi and David Whitehouse
30. ‘Victorian or Justinianic? Painter or Practitioner? In Situ or Reverse?’ Paul Bentley

Conference: People, Texts and Artefacts: Cultural Transmission in the Norman Worlds of the Eleventh and Twelfth Centuries, Emmanuel College Cambridge, 23-25 March 2014

Programme

Sunday 23 March 2014

12.00-2.00pm  – Registration and informal lunch Queens’ building, Harrods Room

2.00pm  – Welcome by Professor Elisabeth van Houts (Cambridge) Queens’ Building, Lecture Theatre     

2.15-3.45pm – Session 1

  • David Abulafia (Cambridge), ‘The transformation of the Norman kingdom of Sicily’
  • Edoardo d’Angelo (Naples) ‘A Norman school in the Holy Land?’

3.45-4.15pm – Tea/coffee

4.15-5.45pm – Session 2

  • Paul Oldfield (Manchester), ‘The Bari charter of privileges of 1132: articulating the culture of a new Norman monarchy’
  • Alice Taylor (King’s College, London), ‘Homage in Norman law and chronicles’

7.00pm – Dinner

Monday 24 March 2014

9.30-11.00am – Session 3

  • Tom Licence (East Anglia), ‘Historical writing at St. Vincent’s, Metz and its influence in the Anglo-Norman world’
  • Mario Zecchino (Bologna) ‘Weights and measures in the Norman- Swabian world’

11.00-11.30am – Tea/coffee

11.30-1.00pm – Session 4

  • Giuseppe Mastrominico (Ariano Irpino), ‘Law and literature in the Courts of Love’
  • Lindy Grant (Reading), ‘Angevin princesses as agents of cultural transmission’

1.00-2.30pm – Lunch

2.30-4.00pm – Session 5

  • Anna Laura Trombetti (Bologna) ‘Attività legislativa di Guglielmo I e di Guglielmo II’
  • Robert Liddiard (East Anglia), ‘The Landscapes and the Material Culture of the Anglo-Norman Empire: Chronology and Cultural Transmission’

4.00-4.30pm – Tea/coffee

4.30pm – Exhibition Emmanuel College Library Medieval Manuscripts

7.00pm – Conference Dinner

Tuesday 25 March 2014

9.00-10.30am – Session 6

  • Graham Loud (Leeds),’The medieval archives of the abbey of S.Trinità, Cava’
  • Teofilo de Angelis (University of Cassino-Basso Lazio)‘The manuscript tradition of Petro of Eboli’s De balneis Puteolanis: recensio and stemma codicum’

10.30-11.00am – Tea/coffee

11.00-11.45am – Session 7

  • Marie-Agnès Avenel (Caen), Ecrire la conquête: une comparaison des récits de Guillaume de Poitiers et Geoffrey Malaterra

11.45-12.15pm – Session 8

  • David Bates (East Anglia/Cambridge) Concluding remarks Editors’ information about plans for publication

12.30pm – departure

The conference can be booked from 17 January 2014 (until 15 March 2014) through the University of Cambridge conference e-sales facility and then look for ‘Conferences’ and ‘History’.

For six graduate students’ bursaries (a reduction of £50), please contact Elisabeth van Houts (emcv2@cam.ac.uk)

Call for Papers: Irish Conference of Medievalists

cropped-abenhelly-hires

 The 28th ICM will take place in University College Dublin, 1 – 3 July 2014.

The Irish Conference of Medievalists is an interdisciplinary forum which welcomes papers on all aspects of Irish and European medieval culture, including archaeology, history, art history, folklore, language and literature. We also welcome papers which explore Ireland in its wider international context. This year we encourage speakers to organise themed panels, consisting of three papers and a nominated chair.

Submission of Panels: The ICM welcomes the submission of panels. Each panel should explore a particular theme. Individual speakers will provide papers of no more than 20 minutes. The panel may nominate a chairperson. The ICM committee will provide a chair if one is not nominated. Each panel will have a 90 minute time slot.

Submission of Papers

Proposals are invited for papers of 20 minutes duration. Successful applications will be placed in general panels consisting of three speakers and a chair nominated by the ICM committee. Each general panel will have a 90 minute time slot.

Submission Deadline

The deadline for the submission of panels and papers is 15 April 2014. The committee will review all submissions and inform applicants of their decisions by the beginning of May.

For further information visit the website.