Conference: Subterranean, York

index ‘Subterranean’ is a two-day interdisciplinary conference, organised for the 17 and 18 of May, 2014 at the University of York. It is not an overstatement to suggest that much of the material culture associated with the medieval world (including artefacts, objects and spaces), are identified with the ground in some way. From the famed grave goods of the high-status burials such as Prittlewell and Sutton Hoo, the ship burials of Sutton Hoo and Oseberg, to Wilfrid’s much-studied subterranean spaces of the crypts built at Hexham and Ripon, to the recent metal-work finds in Staffordshire and Yorkshire, to the dramatic discovery of the Faddan More Psalter, as well as the multiplicity of objects uncovered by antiquarian and archaeological digs which form the mainstay of the corpus, the field of the medieval is suffused with objects which are irrevocably associated with the earth. The idea of such treasures being hidden from the view of the modern world, just beneath its surface is intriguing and these subterranean spaces (and the objects they hide, hold or reveal) exert a fascination for today’s viewer. In addition to these objects, medieval material culture is also rife with sites and spaces which connect the earth, the ground, to the heavens, such as churches which connect subterranean spaces with those of the heavens, or the monumental carved stone crosses of the Insular world, embedded within the earth, but pointing to an eschatology beyond it.

This conference seeks to explore, through the consideration of visual, textual and material evidence, the idea of the ‘subterranean’ within the medieval world, both in terms of the objects and spaces located there, beneath the surface, but also in terms of that which is hidden or secret, reconsidering the ‘subterranean’ as concept, object and location for discussion. The idea of the ‘Dark Ages’, though largely dismissed in the scholarship, is nonetheless an idea which has a prevalent hold on the public conception of the medieval, chiming with the dark, unknown of the subterranean. This conference seeks to enquire whether, by looking again at well-known objects, artefacts, texts and spaces, further light may be shed on them; unearthing new meanings, ideas and references. The conference crosses various disciplines and periods, bringing together emerging scholars working across several fields of research with established academics, to provide a platform for the reconsideration of the idea of the ‘subterranean’, in all its forms. The conference aims to provide a forum for new avenues of thought around how the idea of ‘subterranean’ is conceptualised within the medieval period, allowing for flexible, shifting and changing attitudes to the art, objects, places, ideas and histories which currently define it in both popular and scholarly consciousness.

Sound as Artefact

Very short notice: to all on the Material Witness programme: Please email jaw62@kent.ac.uk if you’d like to come to this by the end of today (the 22nd). Cancellations have meant the event may not reach quorum, so if you are in London and can go, do sign up! The event will run 11-5 at the BL on Friday.

Alixe Bovey's avatarMaterial Witness

The OU’s Dr Helen Coffey guest blogs about a workshop taking place this Friday at the British Library

As an intangible art form, music poses a number of challenges for the researcher, especially when studying repertoire and practices which pre-date the advent of electronic recording. While we are incredibly lucky that such diverse and numerous sources (both musical and non-musical) have been passed down to us, these can also pose questions about the extent to which we can learn about past musical outputs from tangible media.

Opening from a Netherlandish manuscript containing 28 motets, 1513-c. 1525 (British Library, Royal 8 G VII, ff. 23v-24) Opening from a Netherlandish manuscript containing 28 motets, 1513-c. 1525 (British Library, Royal 8 G VII, ff. 23v-24)

Our workshop ‘Sound as Artefact’, to be held at the British Library on 25th April, will consider some of the sources – and questions – musicologists deal with in their study of musical repertoire, practices and performances. After an introduction to the music collections of…

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The experience of sacred places: times and settings (Aguilar de Campo, Spain, Sept 26-28 2014)

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Xavier BARRAL I ALTET, Université de Rennes 2 y Ca’ Foscari de Venecia

 Susana CALVO CAPILLA, Universidad Complutense de Madrid

 Vincent DEBIAIS, CNRS–Université de Poitiers/CESCM

 Rosa RODRÍGUEZ PORTO, Universidade de Santiago de Compostela

 Bissera PENTCHEVA, Stanford University. California

 Michele BACCI, Universität Freiburg – Suiza

 Herbert l. KESSLER, Johns Hopkins University

Click here for further details.

 

Call for Papers: Medieval Roofing between the Loire and the Meuse, images and techniques

Papers in French, English and Dutch are invited for the international conference ‘Les couvertures monumentales au Moyen Âge entre Loire et Meuse : images et techniques’, Tournai, 22-23 January, 2015. Abstracts and CVs to yves.felix.desmet@spw.wallonie.be by 25 April 2015.

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2ème Colloque international

Les couvertures monumentales au Moyen Âge entre Loire et Meuse: images et techniques

Tournai, Auditoire du Séminaire, 22-23 janvier 2015

 

Organisation scientifique :

Direction du Patrimoine du Service public de Wallonie, Namur (DGO4)

Centre européen d’Archéométrie, Université de Liège

 

Organisation pratique:

Agence intercommunale de Développement IDETA, Tournai

C’est en 2008 que les travaux sur les parties romanes, nef et transept, ont débuté à la cathédrale de Tournai. Cette opération a consisté en la restauration des murs extérieurs, suivie par le rétablissement des toitures en plomb comme à l’origine au Moyen Age. Aujourd’hui, l’achèvement des travaux sur la nef offre désormais une image renouvelée de la Cathédrale pour les habitants et ses visiteurs.

Ce changement significatif est l’occasion de se pencher plus attentivement sur les couvertures qui protégeaient les monuments au Moyen Age, et ce d’autant plus que des études récentes renouvellent la connaissance de celles-ci.

Afin de faire le point sur les avancées réalisées dans la connaissance des couvertures médiévales, le Département du Patrimoine organise une rencontre internationale sur la thématique suivante : la toiture, ses contraintes et ses effets

  • Les formes données aux toitures, et leur symbolique
  • La visibilité de ces couvertures dans leur contexte
  • Le décor, son importance passée, ses matériaux et techniques
  • Iconographie, littérature et symbolique
  • Les matériaux de couverture ; mise en forme et mise en œuvre
  • Les contraintes que la couverture pose sur la conception du monument
  • La gestion des eaux pluviales et ses conséquences sur l’humidité interne des édifices, les ventilations et les circulations dans les parties hautes des édifices.
  • L’approche du 19e siècle dans la restauration des couvertures médiévales
  • Études de cas

 

Comité scientifique :

Vincent Brunelle (Architecte en chef de Monuments historiques)

Stéphanie Diane Daussy (Archéométrie et Archéologie, Lyon 2)

Laurent Deléhouzée (DGO4)

Françoise Duperroy (DGO4)

Frédéric Epaud (CNRS, Université de Tours)

Patrick Hoffsummer (Centre européen d’Archéométrie, Liège)

Pierre Paquet (DGO4)

Frédérique Pécriaux (Province de Hainaut)

Jacques Pycke (Université catholique de Louvain)

Nicolas Reveyron (Université de Lyon 2)

 

Comité organisateur :

Françoise Duperroy (DGO4)

Patrick Hoffsummer (Centre européen d’Archéométrie, Liège)

Frédéric Banse (IDETA)

 

Propositions de communication, titre et résumé (de 15 à 30 lignes maximum), à renvoyer avec un bref CV (maximum 2 pages, avec les coordonnées complètes de l’auteur), en format Word et en attachement avant le 25 avril 2014 à l’adresse électronique : yves.felix.desmet@spw.wallonie.be. Les communications, d’une durée maximale de 20 à 25 minutes, pourront être présentées en français, néerlandais ou anglais.

Les propositions de communication seront examinées par le comité scientifique dans le mois qui suit. Les propositions qui n’auront pas été retenues par le comité pourront toutefois être présentées par leurs auteurs sous la forme de posters sur les lieux du colloque.

Les frais de transport, de séjour et de logement des intervenants extérieurs au Tournaisis seront pris en charge par les organisateurs.

Call for papers: Commemoration of the Dead: New Approaches, New Perspectives, New Material; London

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Call for Papers for Commemoration of the Dead: New Approaches, New Perspectives, New Material conference to be held 10.00- 17.00, Saturday 15 November 2014 at the Institute of Historical Research, Senate House, Malet Street, London WC1E 7HU

Proposals are invited for papers to be presented at a one-day conference, jointly sponsored by the Monumental Brass Society and the Church Monuments Society. The aim of this event is to showcase the developments in research techniques and approaches that have led to new insights into monumental brasses.

This follows a conference, ‘Fifty Years after Panofsky’s Tomb Sculpture: New Approaches, New Perspectives, New Materials’ to be held at the Courtauld Institute of Art on 21 June 2014. Panofsky, in his lavishly illustrated Tomb Sculpture, included the illustration of only a single brass (Pl. 212), that of the hand-holding Sir Edward Cerne and Lady Elyne Cerne, Draycott Cerne, Wilts. The ‘Commemoration of the Dead’ conference will address this imbalance by examining the significance of monumental brasses within the broader context of funerary art, especially the connections and divergences between brasses and other forms of tomb sculpture.

The core period covered by the conference will be Medieval to Early Modern, but papers up to the current day will be considered. The core geographic focus will be Europe.

Papers are invited on a wider range of topics arising from the study of monumental brasses, and could include:

• Individual brasses – style, location, patronage, production

• Groups of brasses united by a common theme

• Materials and their symbolic importance

• Function of brasses- prospective/retrospective, devotional, legal, etc.

• Audience and reception

• Brasses and the liturgy

• Inscriptions, epitaphs, heraldry

• Technical investigation

Logistics:

• Length of paper: 20 minutes

• Expenses: limited funds are available to cover speakers’ expenses

This is an opportunity for doctoral and early post-doctoral students to share their research. It is intended (subject to quality and peer review) to publish a joint collection of edited essays from the two conferences.

Please send proposals of no more than 250 words and a brief biography to

tombsculpture@gmail.com by 18 May.

Organised by: Christian Steer, Hon. Secretary, Monumental Brass Society, Ann Adams & Jessica Barker, PhD Candidates, The Courtauld Institute of Art.

Journal: The Medieval Globe

2844248Announcing The Medieval Globe. Connectivity~Communication~Exchange, a  new biannual academic journal. The Medieval Globe (TMG) is a peer-reviewed journal to be launched in 2014, published in both print and digital formats.  It is based at the University of Illinois at Urbana-Champaign and sponsored by CARMEN, the Worldwide Medieval Network.  It is dedicated to exploring the modes of communication, materials of exchange, and myriad interconnections among regions, communities, and individuals in an era central to human history.

The Medieval Globe promotes scholarship in three related areas of study:

  • the direct and indirect means by which peoples, goods, and ideas came into contact,
  • the deep roots of global developments,
  • the ways in which perceptions of “the medieval” have been (and are) constructed around the world.

Contributions to a global understanding of the medieval period need not encompass the globe in any territorial sense. The Medieval Globe advances a new theory and praxis of medieval studies by bringing into view phenomena that have been rendered practically or conceptually invisible by anachronistic boundaries, categories, and expectations: these include networks, communities, bodies of knowledge, forms of movement, varieties of interaction, and identities. It invites submissions that analyze actual or potential connections, trace trajectories and currents, address topics of broad interest, or pioneer portable methodologies.

For more information, please visit:  http://www.arc-humanities.org/the-medieval-globe.html

Conference: Misericordia International Conference (León, 29th May – 1st June 2014)

Misericordia International Conference
Choir Stalls in Architecture and Architecture in Choir Stalls
León, 29th May – 1st June 2014

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Misericordia International was founded by Elaine C. Block (1925-2008) as an association dedicated to the research, awareness and study of choir stalls, and their relationship to other artistic expressions during the Middle Ages. Since its creation, it has promoted the celebration of a biannual international conference as a place for scientific exchange among those members of the research community interested in this topic, from a multidisciplinary point of view. Previous editions, celebrated in Cologne, Barcelona, Amiens, Angers, Sheffield, Rouen, Basel, Paris, Nijmegen and Gdansk, have provided a space to delve into the study of choir stalls from different points of view.

This next edition, under the title “Choir Stalls in Architecture and Architecture in Choir Stalls”, wants to highlight the importance of choir stalls in the spatial conception of cathedrals, and how sculptors used them to rehearse motifs, models and solutions of a formal, stylistic and constructive character, which would later be employed in architectural solutions.

There are four scheduled sessions:
Session I: Space, liturgy and architectural conception
Session II: Symbolism and Iconography
Session III: Study of prominent examples
Session IV: Destructions, interventions and Restorations

For more information, please visit the following website: misericordialeon2014

Call for papers: Exhibiting the Renaissance

indexExhibiting art objects has certainly increased over the past decades. There are more and more large scale exhibitions, some of which able to attract masses of people. What is the driving force behind this multitude of exhibitions? Does Renaissance, once a classical topic, still play a significant role? In order to understand the outreach of the Renaissance in public view, we would like to have insides on how museums are dealing with their Renaissance departments. A museum is seldom build of objects just of one single period, but collections and their curators are competing over permanent exhibition space and temporary exhibitions.

We would like to invite papers with reflections on the value of
Renaissance objects in the perception of museum strategies, competing
collections, possibilities of exhibition, etc. The value and perception
of the collection might vary because the museum strategy values the
Renaissance highly, because the curator is a successful promoter,
because the civic surroundings are especially open to Renaissance
topics, because the permanent collection already contains widely known
Renaissance objects, or because the exhibition projects focus on topics
which attract a mass of people.

A thematic issue on “Exhibiting the Renaissance” is projected with the
open access online journal Kunsttexte (www.kunsttexte.de) for the first
half of 2015. We invite papers (in German, English, French, Italian,
Spanish) for a deadline in October 2014. Please feel free to contact
the editors of the section Renaissance with any questions.

Send your proposals to both editors of Kunsttexte (Sektion Renaissance)
Angela Dressen (adressen@itatti.harvard.edu)
Susanne Gramatzki  (gramatz@uni-wuppertal.de)

Deadline: 31 October 2014

Call for proposals: Moving Women, Moving Objects (300-1500), CAA 2015

Moving Women, Moving Objects (300-1500)
Call for Proposals for a Session sponsored by the International Center of Medieval Art at the College Art Association Annual Conference
February 11-14, 2015, New York City

indexAs we examine medieval works of art like manuscripts, reliquaries, and jewels, today anchored and spotlighted in their museum vitrines, it is easy to imagine these sumptuous objects at rest in the hands of their original owners. But, in truth, they were in constant motion, and women were especially responsible for the movement of these works of art. This panel seeks to enrich the discussion of women and their relationships with their objects that, in the area of non-book arts, remains relatively unexplored. Luscious objects were gifts that traveled lesser and greater distances, some imported in brides’ nuptial coffers and many more commissioned and used to unite women separated by their politically advantageous marriages. Sisters and mothers, grandmothers and aunts, daughters and cousins, as well as friends and allies, all exchanged works of art with shared stories and iconographies. These pieces were the tokens that served as tribute, the centerpieces of rituals and ceremonies, the precious keepsakes enjoyed in intimate places, and the markers of architectural spaces often also founded or endowed by these women.
Theories of feminism, anthropology, sociology, and geography, among others, can all aid in the interpretation of the movement of works of art by women. New technologies such as GIS mapping and digital modeling enable us to visualize the international trajectories of works of art, as well as the movement and placement of them within architectural space. Proposals for this panel could include papers concerning women living between 300-1500. While proposals discussing European examples are anticipated, those analyzing any culture are encouraged. Papers might discuss women moving their objects in ritual space; the international, cross-cultural fertilization of the arts resulting from women’s gifts; the mapping of women’s identity through placement of objects; or class and women’s movement of their objects.

Please email the session chairs the attached Session Participation Proposal Submission form, a preliminary abstract of your proposal, a letter of interest, CV, and supporting materials.

Proposals due: May 9; Abstracts due: Aug. 8; Full text of papers due: Dec. 1, 2014.

Contact: Tracy Chapman Hamilton, Sweet Briar College, thamilton@sbc.edu; Mariah Proctor-Tiffany, California State University, Long Beach, mariah.proctor@csulb.edu

Publication: Speculum, Vol. 89, issue 2 (April 2014)

SPCSpeculum, published quarterly since 1926, was the first scholarly journal in North America devoted exclusively to the Middle Ages, a period ranging from 500 to 1500. It is open to contributions in all fields studying this era. Its primary emphasis is on Western Europe, but Arabic, Byzantine, Hebrew, and Slavic studies are also included.  The journal publishes over a thousand pages a year of articles and book reviews, reaches an international audience, and is the most widely distributed journal of medieval studies.

– Gold Coinage and Its Use in the Post-Roman West, Rory Naismith

– “Knowledge Will Be Manifold”: Daniel 12.4 and the Idea of Intellectual Progress in the Middle Ages, J.R. Webb

– Early-Medieval Exegesis of the Song of Songs and the Maternal Language of Clerical Authority, Hannah W. Mattis

– In Praise of the Too-Clement Emperor: The Problem of Forgiveness in the Astronomer’s Vita Hludowici imperatoris, Andrew J. Romig

– Neither Bewitched nor Beguiled: Philip Augustus’s Alleged Impotence and Innocent III’s Response, Constance M. Rousseau

 

 

 

http://journals.cambridge.org/action/displayJournal?jid=SPC