New Publication: ‘The Medieval Mediterranean between Islam and Christianity: Crosspollinations in Art, Architecture, and Material Culture’, Edited by Sami Luigi De Giosa and Nikolaos Vryzidis

In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia.

Study day: ‘La sculpture monumentale médiévale à l’épreuve du musée: enjeux, conceptions, réceptions’, Musée du Louvre (30 June-1 July 2025) and Université de Toulouse (2-3 October 2025)

This study day, both at the Musée du Louvre and Université de Toulouse, focuses on how medieval sculpture is exhibited.

Conference: ‘Un art mamlouk: évolutions et questions d’attributions’, Musée du Louvre, Paris, 23 June 2025, 9am-5.30pm (CEST)

1,213 / 5,000
Conceived in conjunction with the Mamluks 1250-1517 exhibition, this study day offers a reinterpretation of Mamluk art through an interdisciplinary and transregional approach, drawing on art history, archaeology, and technical analysis.

CFP: ‘“As stiffe twin compasses”: Allegory and Sciences, 1300-1700’, deadline 15 June 2025

Papers are invited for this upcoming conference that investigates the multifaceted roles of allegory within scientific and intellectual traditions from the Late Middle Ages to the Early Modern period in Europe.

Conference: ‘Siena: The Rise of Painting 1300-1350’, London, The National Gallery, 20 June 2025, 9am-5.45pm (BST)

Join the National Gallery in London to hear about the remarkable achievements of Siena’s artists and the significance of Sienese painting in the wider world during the late Middle Ages.

Murray Seminar: ‘African coastlines, the Manueline Style and Changing Perceptions of Nature’ with Scott Nethersole, Birkbeck, 10 June 2025, 5-6.30pm (BST)

Please join Birkbeck for the final Murray Seminar of this academic year with Scott Nethersole, ‘mai non vidi la più bella costa de quel che me parse questa: African coastlines, the Manueline style and changing perceptions of nature’.