Call for Papers: Muslim Subjects and Clients in the Pre-Modern Christian Mediterranean

14-DC logo colorThe Mediterranean Seminar is seeking proposal for two proposed panels, on “Muslim Subjects and Clients in the Pre-Modern Christian Mediterranean,” organized by Abigail Balbale [Bard Graduate Center/University of Massachusetts Boston] and Brian Catlos [Religious Studies, CU Boulder/Humanities, UC Santa Cruz] to be submitted for consideration for the Middle East Association Studies Annual Conference, (November 22-25, 2014 – Washington, DC).

Islam was conceived as a universal religion and social organization, and a ideology of liberation rooted in the correct expression of divine sovereignty. The first era of Islam was characterized by a wave of conquest that only reinforced the faith’s universal aspirations — in space of less than a century, Arab Muslims and their clients brought the former Persian Empire, much of Byzantium, the Maghrib and the Iberian Peninsula under their rule. Both Revelation and the practica associated with this conquest led Muslims to develop a formal position in which members of monotheistic religions (in principle, Jews, Christians, and Zoroastrians) were incorporated into dar al-Islam as subject peoples or dhimmis. This phase of ebullience coincided with the formulation of Islamic law and the crystallization of Islamic institutions.

Beginning in the mid-eleventh century, however, the political tide in the Mediterranean turned, as Latin Christian powers began to expand at the expense of Muslim princes, and began to conquer and colonize substantial areas in the Islamic Mediterranean. For the first time Islam was confronted with the situation of substantial populations of Muslims living under non-Muslim rule  (“mudéjares”/“mudajjan”) — a state of affairs that flew in the face of fundamental principles. Moreover, Muslim princes who had previously held the upper hand in relationships of clientage with Christian rulers, now found themselves in a subordinate role in the Latin-dominated Mediterranean.

In the last four decades, subject Muslims in Iberia, Italy, Ifriqiya, and the Eastern Mediterranean have been the subject of intense historical study, most of it locally or regionally-based and finely focused in terms of chronology or approach.  In March 2014, Cambridge University Press will publish “Muslims of Medieval Latin Christendom, ca. 1050–1614” the first monographic study of the experience of subject Muslims across the Christian West — an attempt to synthesize the work of scholars of subject Muslims to date.  To mark this occasion, and to showcase the newest and most original research in this field, we are seeking papers for two panels: “Theory,” and “Practice.”

“Theory” will examine how Islam grappled with the problem of Muslim submission to infidels from the point of view of ideology, whether religious or political, and may include studies from disciplines including, for example, history, literature, legal history and philosophy.

“Practice” will look at the dynamics of Muslim clientage and submission “on the ground” and may include economic, political, and social history, the study of art, architecture and material culture, and literature, to name but a few.

We are particularly interested in papers that cross or interrogate categories of analysis (such as “Muslim” and “Christian”), that examine issue of Muslim heterodoxy and diversity, that examine Muslims’ relations with other minority communities (e.g.: Jews), or that engage with relatively neglected areas of mudéjar studies, such as gender, conversion, and slavery.

Please submit a proposals for 20-minute papers to be presented in person to Abigail Balbale (balbale@bgc.bard.edu) and Brian Catlos (bcatlos@ucsc.edu) on or before Wednesday January 29 for consideration. Include a 150-200 word abstract and a 2-page CV and indicate whether you will need to request AV equipment.

Publication News: New Light on Old Glass: Recent Research on Byzantine Glass and Mosaics

New-Light-on-Old-Glass-Recent-Research-on-Byzantine-Mosaics-and-Glass-British-Museum-academic-book-cmc0861591794_productlargeThis new publication brings together a range of leading scholars from around the world to discuss the most recent research in the field of Byzantine glass and mosaics in an interdisciplinary context – ranging from art history to physics and Byzantine studies.

New Light on Old Glass explores how mosaics are perhaps the most outstanding examples of Byzantine art which survive; revealing changing aesthetics and issues surrounding the technical production of glass in medieval artistic practices.

This is the first time that so many diverse papers, ranging from art history, archaeology, chemistry, physics and Byzantine studies have been assembled in one volume.

The book is the culmination of a five-year research programme on the Composition of Byzantine Glass Mosaic Tesserae, conducted by the University of Sussex in conjunction with the British Museum and sponsored by the Leverhulme Trust.

The Editors

Chris Entwistle is curator of the Late Roman and Byzantine collections at the British Museum.
Liz James is professor of Art History at the University of Sussex.

Contents

1. ‘Glass Mosaic Tesserae from the 5th to the 6th Century Baptistry of San Giovanni alle Fonti, Milan, Italy’, Elizabeth Neri, Marco Verità and Alberto Conventi
2. ‘Glass Tesserae from the Petra Church’, Fatma Marii
3. ‘Studies in Middle Byzantine Glass Mosaics from Amorium’, Hanna Witte
4. ‘Mosaic Tesserae from the Basilica of San Severo and Glass Production in Classe, Ravenna, Italy’, Cesare Fiori
5. ‘The Observation and Conservation of Mosaics in Ravenna in the 5th and 6th Centuries’ Cetty Muscolino
6. ‘A Quest for Wisdom’, Nadine Schibille
7. ‘Mosaics and Materials’, Claudia Tedeschi
8. ‘A Study of Glass Tesserae from Mosaics in the Monestareis of Daphni and Hosios Loukas’, Rossella Arletti
9. ‘Notes on the Morphology of the Gold Glass Tesserae from Daphni Monestary’, Polytimi Loukopoulou and Antonia Moropoulou
10. ‘Glass Producers in the Late Antique and Byzantine Texts and Papyri’, E. Marianne Stern
11. ‘On the Manufacture of Diatreta and Cage Cups from the Pharos Beaker to the Lycurgus Cup’, Rosemarie Lierke
12. ‘The Lycurgus Cup’, Jaś Elsner
13. ‘Making Late Antique Gold Glass’, Daniel Thomas Howells
14. ‘Gold Glass in Late Antiquity’, Andrew Meek
15. ‘Late Antique Glass Pendants in the British Museum’, Chris Entwistle and Paul Corby Finnery (With an appendix by Philip Fletcher)
16. ‘A Scientific Study of Late Antique Glass Pendants in the British Museum’, Stepan Röhrs, Andrew Meek and Chris Entwistle
17. ‘The Production and Uses of Late Antique Glass in Byzantine Thessaloniki’, Anastassios Antonaras
18. ‘To Beautify Small Things’, Ann Terry
19. ‘Experiencing the Light’ , Claire Nesbitt
20. ‘New Light on the “Bright Ages” ’, Claudine Bolgia
21. ‘The Absence of Glass’ , Maria Vassilaki
22. ‘Borders of Experimentalism, Francesca Dell’ Acqua
23. ‘Viewing the Mosaics of the Monasteries of Hosios Loukas, Daphni and the Church of Santa Maria Assunta, Torcello ’, Robin Cormack
24. ‘The Abbot Philotheos, Founder of the Katholikon of Hosios Loukas’, Nano Chatzidakis
25. ‘Recording Byzantine Mosaics in 19th –century Greece’, Dimitra Kotoula (With a contribution from Amalia G. Kakissis
26. ‘The Christ Head at the Metropolitan Museum of Art, New York, the Apse in the Bode Museum, Berlin, and Other Fake Mosaics’, Irina Andreescu – Treadgold
27. ‘Alexandria on the Barada’, Judith S. McKenzie
28. ‘Mosaics by Numbers, Liz James, Emõke Soproni and Bente Bjørnholt
29. ‘Early Islamic and Byzantine Silver Stain’, Lisa Pilosi and David Whitehouse
30. ‘Victorian or Justinianic? Painter or Practitioner? In Situ or Reverse?’ Paul Bentley

Conference: People, Texts and Artefacts: Cultural Transmission in the Norman Worlds of the Eleventh and Twelfth Centuries, Emmanuel College Cambridge, 23-25 March 2014

Programme

Sunday 23 March 2014

12.00-2.00pm  – Registration and informal lunch Queens’ building, Harrods Room

2.00pm  – Welcome by Professor Elisabeth van Houts (Cambridge) Queens’ Building, Lecture Theatre     

2.15-3.45pm – Session 1

  • David Abulafia (Cambridge), ‘The transformation of the Norman kingdom of Sicily’
  • Edoardo d’Angelo (Naples) ‘A Norman school in the Holy Land?’

3.45-4.15pm – Tea/coffee

4.15-5.45pm – Session 2

  • Paul Oldfield (Manchester), ‘The Bari charter of privileges of 1132: articulating the culture of a new Norman monarchy’
  • Alice Taylor (King’s College, London), ‘Homage in Norman law and chronicles’

7.00pm – Dinner

Monday 24 March 2014

9.30-11.00am – Session 3

  • Tom Licence (East Anglia), ‘Historical writing at St. Vincent’s, Metz and its influence in the Anglo-Norman world’
  • Mario Zecchino (Bologna) ‘Weights and measures in the Norman- Swabian world’

11.00-11.30am – Tea/coffee

11.30-1.00pm – Session 4

  • Giuseppe Mastrominico (Ariano Irpino), ‘Law and literature in the Courts of Love’
  • Lindy Grant (Reading), ‘Angevin princesses as agents of cultural transmission’

1.00-2.30pm – Lunch

2.30-4.00pm – Session 5

  • Anna Laura Trombetti (Bologna) ‘Attività legislativa di Guglielmo I e di Guglielmo II’
  • Robert Liddiard (East Anglia), ‘The Landscapes and the Material Culture of the Anglo-Norman Empire: Chronology and Cultural Transmission’

4.00-4.30pm – Tea/coffee

4.30pm – Exhibition Emmanuel College Library Medieval Manuscripts

7.00pm – Conference Dinner

Tuesday 25 March 2014

9.00-10.30am – Session 6

  • Graham Loud (Leeds),’The medieval archives of the abbey of S.Trinità, Cava’
  • Teofilo de Angelis (University of Cassino-Basso Lazio)‘The manuscript tradition of Petro of Eboli’s De balneis Puteolanis: recensio and stemma codicum’

10.30-11.00am – Tea/coffee

11.00-11.45am – Session 7

  • Marie-Agnès Avenel (Caen), Ecrire la conquête: une comparaison des récits de Guillaume de Poitiers et Geoffrey Malaterra

11.45-12.15pm – Session 8

  • David Bates (East Anglia/Cambridge) Concluding remarks Editors’ information about plans for publication

12.30pm – departure

The conference can be booked from 17 January 2014 (until 15 March 2014) through the University of Cambridge conference e-sales facility and then look for ‘Conferences’ and ‘History’.

For six graduate students’ bursaries (a reduction of £50), please contact Elisabeth van Houts (emcv2@cam.ac.uk)

Call for Papers: Irish Conference of Medievalists

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 The 28th ICM will take place in University College Dublin, 1 – 3 July 2014.

The Irish Conference of Medievalists is an interdisciplinary forum which welcomes papers on all aspects of Irish and European medieval culture, including archaeology, history, art history, folklore, language and literature. We also welcome papers which explore Ireland in its wider international context. This year we encourage speakers to organise themed panels, consisting of three papers and a nominated chair.

Submission of Panels: The ICM welcomes the submission of panels. Each panel should explore a particular theme. Individual speakers will provide papers of no more than 20 minutes. The panel may nominate a chairperson. The ICM committee will provide a chair if one is not nominated. Each panel will have a 90 minute time slot.

Submission of Papers

Proposals are invited for papers of 20 minutes duration. Successful applications will be placed in general panels consisting of three speakers and a chair nominated by the ICM committee. Each general panel will have a 90 minute time slot.

Submission Deadline

The deadline for the submission of panels and papers is 15 April 2014. The committee will review all submissions and inform applicants of their decisions by the beginning of May.

For further information visit the website.

ICMA Lecture: ‘Patriarchal Lectionaries of Constantinople’ with Professor Robert Nelson, 19 February 2014

ICMA at the Courtauld Lecture 2013/14
Series made possible through the generosity of Dr. William M. Voelkle

Wednesday 19 February 2014
5.30pm, Kenneth Clark Lecture Theatre

Professor Robert Nelson (Robert Lehman Professor, Department of the History of Art, Yale University): Patriarchal Lectionaries of Constantinople

The Greek Gospel lectionary, containing those passages read during the liturgy and arranged according to the church calendar, has long been of interest to art historians. Earlier attempts to study it did not produce lasting results until the basic text of these manuscripts began to be explored. That research has gathered momentum in recent years, thanks especially to the work of Professor John Lowden, and has coalesced around the concept of the Patriarchal lectionary, created for the use of Hagia Sophia during the eleventh century. This lecture will look further into history of that lectionary before, during, and after this period.

Robert Nelson studies and teaches medieval art, mainly in the Eastern Mediterranean. He was the co-curator of Holy Image, Hallowed Ground: Icons from Sinai at the J. Paul Getty Museum in 2006-2007. His book, Hagia Sophia, 1850-1950, 2004, asks how the cathedral of Constantinople, once ignored or despised, came to be regarded as one of the great monuments of world architecture. Current projects involve the history of the Greek lectionary, illuminated Greek manuscripts in Byzantium and their reception in Renaissance Italy, and the collecting of Byzantine art in twentieth-century Europe and America. The last involves the publication of the letters between Royall Tyler and Robert and Mildred Bliss, the founders of Dumbarton Oaks in Washington, D.C., which has just begun to be published online.

Call for Papers: Language as Culture in the Eastern Mediterranean (330-2013)

egonopoulos_b_28Language as Culture in the Eastern Mediterranean (330-2013)

The students of the Centre for Byzantine, Ottoman and Modern Greek Studies at the University of Birmingham are proud to announce the 15th Annual Postgraduate Colloquium, which will take place on Saturday, 24th May 2014.

Keynote speaker: Dr Maria Georgopoulou,
(Director of the Gennadius Library, The American School of Classical Studies at Athens)

The colloquium will bring postgraduate students together to discuss the significance of language in the eastern Mediterranean from Late Antiquity to the Modern Age. Beginning with the observation that all studies are routinely possessed by language, it is important to understand the relationship between language and culture. A major goal is to examine the role of culture in linguistic meaning, language use and, conversely, the role of linguistic form and culture in social action and in cultural practices. Language is a key to understanding the social, symbolic and expressive lives of members of society.

How, we will ask, can we learn more about language, and, what can we say about language in the Mediterranean basin?

Studies of ritual and performance, of patronage and status often draw on linguistic evidence to talk about various forms of cultural production: attesting to the crucial and hitherto unacknowledged role of language in the creation of cultural subjectivities. Language as a term should not be limited to literary forms, as verbal products, but may be extended to encompass a broader range of visual narratives, including, potentially, painting, architecture and other kinds of material culture. We are interested in the production, interpretation and reproduction of social meanings, as expressed and accrued through language and in exploring the relation to culture and society.

We invite proposals for 20-minute papers in all fields of Byzantine, Ottoman and Modern Greek Studies. Topics may include but are not limited to:

  • Language ideology
  • Visual culture
  • Literary analysis
  • Objects and words as symbols of identity
  • Theories and practices of image-making
  • Perceptions and sounds of speech
  • Ideological context of architecture
  •  Literacy and education
  •  Multicultural communities
  • Representation, power and social status

Please send an abstract of no more than 250 words to George Makris at GTM036@bham.ac.uk by Monday, 24th March 2014.

Publication News: Joanna Cannon, Religious Poverty, Visual Riches.

religious-poverty-282x330Religious Poverty, Visual Riches. Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries by Joanna Cannon

The Dominican friars of late-medieval Italy were committed to a life of poverty, yet their churches contained many visual riches, as this groundbreaking study reveals. Works by supreme practitioners—Cimabue, Duccio, Giotto, and Simone Martini—are examined here in a wider Dominican context. The contents of major foundations—Siena, Pisa, Perugia, and Santa Maria Novella in Florence—are studied alongside less well-known centers. For the first time, these frescoes and panel paintings are brought together with illuminated choir books, carved crucifixes, goldsmith’s work, tombs, and stained glass. At the heart of the book is the Dominicans’ evolving relationship with the laity, expressed at first by the partitioning of their churches, and subsequently by the sharing of space, and the production and use of art. Joanna Cannon’s magisterial study is informed by extensive new research, using chronicles, legislation, liturgy, sermons, and other sources to explore the place of art in the lives of the friars and the urban laity of Central Italy.

 

Call for Papers: Mary of Burgundy The Reign, the ‘Persona’ and the Legacy of a European Princess

Image0001jpg8e76-3b5c8Call for Papers: Mary of Burgundy The Reign, the ‘Persona’ and the Legacy of a European Princess

International Colloquium (Brussels–Bruges, 5–7 March 2015)

Mary of Burgundy (1457–1482), daughter of Charles the Bold and heir to the Burgundian States, has received relatively little scholarly attention from specialists. Despite an exhibition held at Beaune from November 2000 to February 2001 (Bruges à Beaune. Marie, l’héritage de Bourgogne) as well as a number of biographies of varying merit, her brief reign remains overshadowed by those of her father, Charles the Bold, her husband, Maximilian of Hapsburg, and those of her son and grandson, Philip the Fair and Charles V. Mary’s reign, however short, is nevertheless important in the history of Europe and her absence from scholarly research is all the more surprising given the current interest in the role of women at the Burgundian court, particularly in Mary’s stepmother, Margaret of York, and her own daughter, Margaret of Austria.

On closer inspection, however, it is clear that Mary of Burgundy was a key player in the most important spheres of her day, notably politics, diplomacy, and the arts. On the political front, her involvement in the Great Privilege of 1477 and the crisis which sparked it is well known. However, the precise role played by the duchess and those close to her in this tangled series of events – especially the lessons that she learnt from the experience – are less well understood. More generally, the diplomatic negotiations and military campaigns which had an impact on her reign deserve greater attention from scholars, and the princess’s own role in these needs to be brought to light. Her role as a patron of the arts has recently started to receive more interest beyond the notoriety of the Hours of Mary of Burgundy. However, a number of important works of literature, history and iconography associated with the duchess have yet to be explored. Finally, it also important to consider the image of Mary in historiography, both in the collective memory of her own time and in that of subsequent generations, in order to understand the place that she occupies – or not – in the collective, historical, imagination.

This international colloquium aims to bring together specialists working on the fifteenth century and on Mary’s reign from across the disciplines – literature, manuscript studies, political, social, cultural and economic history, art history, and gender studies – in order to reassess the ‘persona’, the reign and the legacy of Mary of Burgundy in the history of Burgundian and European culture.

The colloquium will take place in Brussels and in Bruges, 5–7 March 2015. Proposals for papers (25 minutes maximum, in English or in French) might consider, but are not restricted to, the following themes:
– The political, diplomatic and military aspects of Mary’s reign and her role in these areas;

– Mary’s role as a patron of the arts (literature, history/historiography, painting, sculpture etc.);

– Her links to and relationships with towns and their culture;

– Her entourage and her education;

– Her impact on collective memory.

Proposals of about fifteen lines (200–300 words) should be sent by 15 May 2014 to the following address: jonathan.dumont@ulg.ac.be

Symposium: Christians and Muslims: Early Encounters

629px-Sednaya_MaryChristians and Muslims: Early Encounters
A Symposium at Brown University
Sunday, February 23, 2014|2-6pm|RI Hall108

The seventh-century rise of Islam opened a new era of religious “pluralism” in the Middle East. Yet, it would be more than a century before early Muslim scholars recorded the first Arabic accounts of the changes taking place. Syriac and Arabic-speaking Christians, however, were already producing and navigating their own responses to the new political and social order. Historically, linguistically and culturally rooted in the central lands of Islam, yet sorely understudied as sources for early Islamic history, late antique and medieval Middle Eastern Christians provide fresh perspectives for understanding the nature of religious and social change in a dynamic era of history.

Symposium Schedule

2pm: Sidney H. Griffith, Catholic University of America “Bible and Qur’an: Memory, Engagement and Difference”
Nancy Khalek, Brown University, Respondent

3:15pm: Break

3:45pm: Michael Penn, Mt. Holyoke College “Beyond Clashing Civilizations: Rethinking Early Christian-Muslim Relations”
Susan Ashbrook Harvey, Brown University, Respondent

5:00pm: New Questions in the study of early Muslim-Christian Relations
A roundtable discussion with Jonathan Conant, Brown University; Steven Judd, Southern- Connecticut State University; Sandra Toenies Keating, Providence College; Charles Stang, Harvard Divinity School; Anthony Watson, Brown University

Call for Papers: “Travel Accounts in Arabic Literature: New Perspectives and New Findings”

14-DC logo colorMiddle Eastern travelers have a rich history in writing about their interactions with other cultures. The authors, many of whom are Arabs, documented their encounters using various genres and forms, such as travel accounts, memoirs, and autobiographical histories.

This panel, to be proposed for the  Middle East Association Studies Annual Conference, (November 22-25, 2014 – Washington, DC) seeks papers that will shed new light on those texts, especially on papers that examine:
•     New archival findings.
•    Examination of less known travel accounts.
•    The circumstances of disseminating (copying, circulating or publishing) travel accounts.
•    The implications of patronage and authors’ agency.
While the focus of this panel is on Middle Easterners who write (or wrote) in Arabic, papers that examine texts written in other languages (e.g. Arab-Ottoman, Arab-Persian, Judeo-Arabic, Aljamiado, etc) are welcome. Comparative papers are also welcome.
Please e-mail your name, e-mail, academic affiliation and a 300-400 word abstract by Friday Jan 31, 2014 to: Suha Kudsieh [kudsieh@gmail.com].