Summer school: University Manuscripts in Medieval Europe
Datas: 23 de julho a 3 de agosto | dias úteis das 10h00 às 12h30
Docente Responsável: Catarina Tente
Docentes: Maria Alessandra Bilotta
Áreas: História da Arte e Estudos Artísticos
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Conference: The 39th Fifteenth Century Conference, University of Reading, 6-8 September 2018
This year’s conference will be held at the University of Reading’s ICMA Centre from Thursday 6th September to Saturday 8th September. We have a very exciting programme including sessions covering a wide range of late medieval themes, from political to art-historical; and plenary lectures from Chris Briggs, Anne Curry, Chris Given-Wilson and Elizabeth New. We will also be celebrating the fifteenth volume of The Fifteenth Century at a reception jointly hosted by Boydell & Brewer and the ICMA Centre.
Friday will include a tour of the newly re-opened Reading Abbey and its quarter, and the re-designed gallery at Reading Museum with some gems from the University of Reading’s Special Collections. A drinks reception will be held at Reading Museum before the conference dinner, will be held at the Victoria Hall in Reading’s Town Hall on the Friday evening – please remember to select this on the registration form. Registration options are available for the full three days, or for individual day registration. A special reduced fee is offered for students opting for the full three days registration.
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CFP: Ruling an Empire in a Changing World. Studies on Origin, Impact, and Reception of the Notitia Dignitatum
In the late 4th and the first half of the 5th century, administrative lists were compiled, which have become known under the name of Notitia Dignitatum. This collection of lists offers us nowadays a unique insight in the administrative and military structures of the Roman Empire, in both its Western and its Eastern part. The number and quality of the illustrations in particular, as the whole composition and character of the document, point towards the assumption that the original version was no traditional administration manual. In research, the analysis of the transmission history has been of the same fundamental importance as the use of the Notitia Dignitatum as a historical source. The extant manuscripts are all tracked back to a Carolingian parchment codex from the library of the diocesan chapter of Speyer; a codex that was last mentioned in 1566 and is assumedly lost. Since more than 100 years, the mysteries of the lacunary transmission history and the variations in the manuscripts from the Late Medieval/Early Modern times have been fundamental for every scientific approach to this document. Due to these factors, the Notitia Dignitatum has remained until today an important, but at the same time very controversial part of numerous historical and archaeological studies.
Confirmed Keynote speakers:
Dr. Peter Brennan (University of Sydney);
Prof. Bernhard Palme (University of Vienna);
Dr. Jeroen W. P. Wijnendaele (Ghent University)
Concept:
One of the aims of this international conference is to reflect, for the first time since the 1974 Oxford colloquium organised by R. Goodburn and Ph. Bartholomew, upon the considerable increase in knowledge about the Notitia Dignitatum which has occurred over the last decades. This has largely been due to new possibilities, for example offered by the digitalisation of the extant manuscripts. Furthermore, there remain older theories to be discussed at the conference, and space for new approaches shall be created equally. Until a few years ago, practically everyone conducting research on the Notitia Dignitatum was working with those manuscripts or older editions which were the most easily accessible. By now, however, digitalisation of all known manuscripts and fragments allows easy and unrestricted access so crucial for detailed studies based on source criticism. The Notitia Dignitatum demands, as hardly another antique source does, interdisciplinary approaches and collaboration between different historical and archaeological disciplines in order to address properly all the various aspects of this multi-faceted document. Consequently, colleagues from all the disciplines in question, Ancient History, Epigraphy, Papyrology, Provincial Roman Archaeology, Classical Archaeology, Art History, Medieval Studies, Palaeography, and related fields are invited to submit abstracts.
Application:
Applications in German, English, or French should include information about the following points:
Title of the presentation, abstract (250 words max), name, institution, postal address, mail address, short biography (150 words max). Presentations should not last longer than 20 min and will be followed by a discussion of 10 min. The successful applicants will be informed via mail by 30th November 2018.
We are planning to cover the travel costs for the participants. However, this cannot yet be confirmed as we are awaiting the outcome of funding applications for this conference.

CFP: Animals: Theory, Practice, Representation (Leiden, 4-5 Apr 19)
Leiden, Netherlands, April 4 – 05, 2019
Deadline: Oct 1, 2018
<https://www.universiteitleiden.nl/en/events/2019/04/lucas-2019-graduate-conference-animals-theory-practice-representation>
Call for Papers
Animals: Theory, Practice, Representation
The field of human-animal studies has become a lively domain where diverse disciplines examine the divergences and convergences between humans and animals, their evolutions, demarcations, and entanglements. Not only do we conceptualize, historicize, and embody animals in our lives, but also produce, preserve, and consume them, pushing some to the verge of extinction and creating others through genetic modification. The fact that animals play a significant part in most aspects of our lives, thus invites us to reflect on our relationships with them. On April 4th and 5th, 2019, Leiden University Centre for Arts in Society (LUCAS) will be hosting a conference called, Animals: Theory, Practice, and Representation. This graduate conference is an international and interdisciplinary platform where PhD and master students can present, exchange, and discuss research results and innovative theoretical insights with participants from diverse backgrounds.
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Conference: Illuminating the Dark Ages Manuscript Art and Knowledge in the Early Medieval World

PROGRAMME
Thursday 28th of June
11.00 Reception, talks, and manuscript display at the University Library’s Centre for Research Collections (CRC). Venue: 5th floor of the Main Library building, George Square.
Welcome by Rachel Hosker, Deputy Head of Special Collections (CRC).
Presentation by Aline Brodin, “From the Scriptorium to the Screen. Exploring medieval manuscripts in the digital age”.
Talks by Giulia Sagliardi, Emma Trivett and Manuel de Zubiria Rueda.
NB. A priori this event is only open to speakers and chairs (additional places will be subject to space availability).
14.00 Lunch break
15.00-15.30 General Registration. Venue: Hunter Building at Edinburgh College of Art (Lauriston Place, Ground floor)
Welcome and initial remarks (Venue: Lecture Theatre, Hunter Building)
15.30-17.00. Session I. Manuscripts in the Christian East. Chaired by Niels Gaul.
Elijah Hixson (Edinburgh), “The lost miniatures in Codex Sinopensis(Paris, BnF, supplément grec 1286), a sixth-century copy of the Gospel of Matthew”
Ketevan Mamasakhlisi (Tbilisi), “A few theological issues from the teachings of St. Amun”
Courtney Tomaselli (Harvard), “Teach me Good Judgement and Knowledge. King David as Spiritual Father in a Byzantine Book of Psalms”
Irma Mamasakhlisi (Tbilisi), “Healing miracles of Christ from the Gelati Gospels”
17.00-18.00 Keynote I. Dr Felicity Harley-McGowan (Yale).
“Models of Suffering: The Passion miniatures of the St Augustine Gospels and their iconographic sources”
20.00 Conference dinner
Friday 29th of June
Venue: Lecture Theatre, Hunter Building at ECA (Lauriston Place).
10.00-11.15 Session II. The Insular World I. Chaired by Heather Pulliam.
Jane Geddes (Aberdeen), “The earliest portrait of St Columba: his presence at St Gallen”
Christine Kemmerich (Bonn), “The Evangelist symbols in early medieval book illumination: the Book of Durrow in context”
Tina Bawden (Berlin), “Illuminating the elements”
11.30-13.00 Session III. Carolingian Europe and Ottonian Germany. Chaired by Jesús Rodríguez Viejo.
David Ganz (Berlin), “The initials in Berlin Philips 1741”
Ivana Jakovljevic-Lemcool (Belgrade), “Zodiacal imagery in early medieval manuscripts: appropriation and transmission of the Classical motif”
Jean-Louis Walther (Independent, Switzerland), “Les Tituli de la Bible de Moutier-Grandval”
Katharina Theil (Zurich), “Interplay between Figuration and Abstraction, Inside and Outside: The Abstract Goldsmith Cover of the Reichenau Gospels”
13.00 Lunch break
15.00-16.00 Keynote II. Prof. Michele Bacci (Fribourg).
“Dynamics of Artistic Interaction in the Mediterranean World After Antiquity: A Typological Approach”
16.15-17.10 Session IV. The Insular World II. Chaired by Heather Pulliam.
Colleen Curran (Oxford), “Fair words and fairer forms: the poetic function of the illustrations in Oxford, Bodleian Library, MS Junius 11”
Stephanie McGucken (Edinburgh), “Illuminating the woman in Late Anglo-Saxon England: Images of Femininity and the Female body”
17.15-18.30 Session V. The Iberian Peninsula. Chaired by Jesús Rodríguez Viejo.
Roger Collins (Edinburgh), “The Beatus Problem”
Soledad de Silva y Verástegui (Basque Country), “Bibles, the Beatus Commentary and canonic collections: Three great illustrated manuscripts from tenth-century Hispania”
Jessica Sponsler (Pennsylvania College of A&D), “In the Pure Womb of the River: The Baptism of Christ in the Girona Beatus and theological dilemmas of tenth-century Iberia”
18.30 Concluding remarks and acknowledgments.
CFP: Permeable Bodies in Medieval and Early Modern (London, 5-6 Oct 18)
University College London, October 5 – 06, 2018
Deadline: Jul 23, 2018
Permeable Bodies in Medieval and Early Modern Visual Culture
In recent years, the human body has gained a prominent position in discussions of medieval and early modern cultures. The troublesome contingency of the human body encompassed critical boundaries between inside and outside, and became a central concern in religious, political, and economical developments. Medieval bodies were permeable microcosms, not only sites containment but also of revelatory experiences. In the early modern period, body and identity were indistinct, interdependent categories, inseparable from the natural and cultural space that they inhabited. This logic of perpetual fluidity both generated a disquieting sense of impending doom, but also allowed for the propagation of multiple possibilities of understanding, which materialised into a rich visual and material culture.

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2018 AAANZ: Aesthetics, Politics & Histories (Melbourne, 5-8 Dec 18)
School of Art, RMIT University, Melbourne, December 5 – 08, 2018
Deadline: Jun 25, 2018
<http://aaanz.info/aaanz-home/conferences/2018-conference/>
Panel Proposals for Aesthetics, Politics & Histories: The Social Context of Art
The Art Association of Australia and New Zealand Conference 2018 (AAANZ)

Convenors: Professor Daniel Palmer and Dr Marnie Badham, Vice Chancellors post Doc Research Fellow at RMIT University
The conference will open critical dialogue on the histories of art by examining the social contexts of aesthetics and politics. Bringing together art historians, theorists, curators, critics, and artists from across the region, we will offer a four-day program of panels and papers, publication prizes, masterclasses and a parallel artistic program to be announced soon!
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CFP: Moyen Âge et séries. Numéro spécial de la revue « Médiévales : Langues, Textes, Histoire »
La revue Médiévales : Langues, Textes, Histoire envisage la publication en 2020 d’un numéro thématique provisoirement intitulé « Moyen Âge et séries ».
Les séries occupent une place croissante dans les pratiques culturelles contemporaines, et plusieurs d’entre elles ont à voir avec la période médiévale. Il peut s’agir en premier lieu de la mise en scène d’un épisode historique, d’une période donnée, de la vie d’un personnage célèbre, voire de l’adaptation d’une œuvre littéraire médiévale ou ayant pour cadre le Moyen Âge – ce qui implique un travail documentaire plus ou moins scientifique. Il existe aussi, bien entendu, un Moyen Âge de fantasy, fantastique et fantaisiste, mais que le spectateur reconnaît néanmoins comme « moyenâgeux ». Certaines séries, enfin, comportent des références plus subtiles et moins immédiatement intelligibles à des œuvres ou des événements de la période médiévale.
New Publication: Imago urbis: Les sceaux de villes au Moyen Âge, by Ambre Vilain

Ambre Vilain, Imago urbis. Les sceaux de villes au Moyen Âge, Paris, Comité des travaux historiques et scientifiques, 2018 (L’Art et l’essai, 18). 360 p. | 16,5 × 22 cm | ill. | br. ISBN : ISBN 978-2-7355-0860-0. Prix : 38 euros.
Lorsque, dans la seconde moitié du XIIe siècle, les villes d’Europe septentrionale acquièrent un statut juridique, elles se dotent d’un sceau et doivent choisir une image pour définir leur identité. Parmi les nombreuses représentations auxquelles les villes ont recours, l’architecture tient une place majeure. Le vocabulaire formel utilisé remonte parfois à l’Antiquité, mais dans certains cas les graveurs sont capables de mettre au point des portraits urbains singuliers répondant efficacement à un programme. Ce dernier met en images des concepts comme l’identité collective, les rapports d’autorité ou même la liberté communale. L’auteur entreprend ici de replacer le sceau de ville dans le contexte de sa création, qu’il soit politique, artistique ou sociologique.