Seminar: We Have Always Been Medieval – Bruno Latour and the Premodern, UCL Institute of Advanced Studies, 30 June 2020 7-8:30pm

From We Have Never Been Modern to An Inquiry into Modes of Existence, Bruno Latour’s philosophical project has long been conceived as a critique of ‘Modernity’, starting with Enlightenment dualisms (nature/culture, words/things, sacred/secular) and extending to the Cyber Age’s promise of unmediated access to knowledge (what Latour calls ‘Double Click’).

Online Workshop: Layers of London Webinar: The Archaeology of Pottery Production in London from Medieaval times to the Victorians, The Institute of Historical Research, 23 July 2020, 4-4:50pm

This talk looks at the rich archaeological evidence for the many different kinds of pottery that have been made in the London area from the 12th through to the 19th century, including medieval greywares, Surrey whitewares, London-made redwares, tin-glazed wares, stonewares, slipwares and porcelain and covering known centres extending from Woolwich and Deptford to Pinner, Fulham and Mortlake.

Conference: The 38th Annual Gerry Hedley Student Symposium, Postgraduate Conservation Students, Courtauld Institute of Art, 1 July 2020, 9am – 2:30pm

The Gerry Hedley Symposium is an annual student-run conference. Post-graduate students and interns from all three of the UK’s conservation courses, The Hamilton Kerr Institute, Northumbria University and The Courtauld Institute of Art, have the opportunity to present their research.

New Publication: Reliquary Tabernacles in Fourteenth-Century Italy: Image, Relic and Material Culture, by Beth Williamson

Ground-breaking study of the enigmatic and unique tabernacles from fourteenth-century Italy, which for the first time combined relics and images. Images and relics were central tools in the process of devotional practice in medieval Europe. The reliquary tabernacles that emerged in the 1340s, in the area of Central Italy surrounding the city of Siena, combinedContinue reading “New Publication: Reliquary Tabernacles in Fourteenth-Century Italy: Image, Relic and Material Culture, by Beth Williamson”

Call for Papers: Privilege and Position, Sewanee Medieval Colloquium, deadline: 1 October 2020

The Forty-Sixth Annual Sewanee Medieval Colloquium, The University of the South, Sewanee, TN, April 9-10, 2021 The Sewanee Medieval Colloquium invites abstracts for papers engaging with privilege and position in global medieval cultures. Possibilities might include the histories of ecclesiastical or royal hierarchy, the production of artistic forms, analysis of international trade, the literature of class, status,Continue reading “Call for Papers: Privilege and Position, Sewanee Medieval Colloquium, deadline: 1 October 2020”

Job: Lecturer in Pre-Modern Art, History of Art Department, The University of Edinburgh, deadline 23 July 2020

College of Arts, Humanities and Social Sciences History of Art is seeking to appoint a Lecturer in pre-modern art with research and teaching expertise in art from any geographic area, c.500 CE to 1500 CE. The successful candidate will play a leading role in the delivery and development of our undergraduate and postgraduate programmes andContinue reading “Job: Lecturer in Pre-Modern Art, History of Art Department, The University of Edinburgh, deadline 23 July 2020”

Seminar Series: Blogging Manuscripts, Oxford Medieval Studies, 6, 8, 9 July 2020

The University of Oxford Medieval Studies are hosting a fringe event on ‘Blogging with Manuscripts’ which will run on the Monday, Wednesday and Thursday of the Leeds IMC Congress (6th, 8th, 9th July 2020). Over the course of three days, you can join in with different seminars: Blogging Manuscripts with Polonsky German, Teaching the Digital CodexContinue reading “Seminar Series: Blogging Manuscripts, Oxford Medieval Studies, 6, 8, 9 July 2020”

Essay Prize: Church Monuments Society Essay Prize, deadline 31 December 2020

The Council of the Church Monuments Society offers a biennial prize of £500 called the Church Monuments Essay Prize, to be awarded with a certificate for the best essay submitted in the relevant year. The aim of the competition is to stimulate people, particularly those who may be writing on church monuments for the first time, to submit material for the peer-reviewed international CMS journal Church Monuments.

PhD Funding: UCLA Department of Art History Establishes the Diane C. Brouillette Graduate Fellowship

The UCLA Department of Art History has established the Diane C. Brouillette Graduate Fellowship in Art History, thanks to a $250,000 tribute gift in memory of the late UCLA alumna Diane Brouillette. The gift qualified for an additional $125,000 in matching funds from the UCLA Humanities Centennial Matching Gift Fund.

Call for Submissions: Journal of Medieval Iberian Studies

The Journal of Medieval Iberian Studies (JMIS) is a leading interdisciplinary journal for innovative scholarship on the multiple languages, cultures, and historical processes of the Iberian Peninsula, and the zones with which it was in contact. We encourage submission of all innovative scholarship of interest to the community of medievalists and Iberianists, and welcome informal inquiries.