Online Workshop: Beginner’s Guide to the Index of Medieval Art Database, 14 November 2023

The Index of Medieval Art are pleased to announce that they will be holding a new online training session for anyone interested in learning more about the database! It will take place via Zoom on Tuesday, November 14, 2023 from 10:00 – 11:00 am EST.

This session, led by Index specialists Maria Alessia Rossi and Jessica Savage, will demonstrate how the database can be used with advanced search options, filters, and browse tools to locate works of medieval art. There will be a Q&A period at the end of the session, so please bring any questions you might have about your research!

Sign up and find out more here.

CFP: ‘Owning Gothic Ivories: Buying, Giving, Circulating’, British Museum and V&A (25-26 October 2024), deadline 15 January 2024

Over the last three decades, research on Gothic ivories has seen a significant shift from studies concerned with stylistic attribution and classification towards the investigation of their materiality, iconography, function, and – last but not least – patronage. Although we now have a much better understanding of the social, devotional, and cultural contexts in which especially religious ivories were commissioned and produced, overall, we still know comparatively little about the owners of Gothic ivories. This is especially true for the secular sphere, where it has not yet been possible to link any surviving fourteenth-century carving to its first owner.

This conference aims to return to the question of the ownership of Gothic ivories, an area which offers great potential for further discoveries, particularly (but not only) through the combination of art historical object analysis with evaluations of contemporary written sources such as inventories, wills, and other documents. Illuminating the stories of historic owners, be they individuals or institutions, and their Gothic ivories is the first aim of this two-day conference, while the second is to shed light on the later life of these objects, and on their transition into new ownership contexts and uses.

We welcome proposals for 20-minute papers exploring material across these themes that deal with either case studies or broader methodological questions. Papers which take an interdisciplinary approach, breaking the traditional boundaries between art history, history of collecting, museum studies or conservation, are particularly welcome. Topics of interest may include but are not limited to:

Individual patrons and collectors of Gothic ivories.

  • Commissioning, buying, and trading Gothic ivories.
  • Gothic ivories in written sources.
  • Gothic ivories in their archaeological contexts.
  • The circulation of Gothic ivories.
  • The adaptation, restoration and/or change of function of Gothic ivories over time.
  • Object biographies of Gothic ivories in a conservation context.
  • The provenance of Gothic ivories.
  • The changing status and perception of Gothic ivories.
  • The reproductions of Gothic ivories, i.e. fictile ivories, electrotypes, photography etc.
  • The role of museums and curators as the custodians of Gothic ivories.
  • The display of Gothic ivories through time in treasuries, private collections, and museums.
  • The dispersal of Gothic ivories such as fragments, ensembles, and collections.

Please submit your abstracts of 250 – 300 words and a short biography of 100 words in one PDF document to Manuela Studer-Karlen (manuela.studer-karlen@unibe.ch), Naomi Speakman (nspeakman@britishmuseum.org) and Michaela Zöschg (m.zoschg@vam.ac.uk ) by 15 January 2024. Please note that travel and accommodation costs for speakers will be covered, and that the conference papers will be published.

Conference and Publication Timetable:

  • 15 January 2024: Deadline for submission of abstracts and biography.
  • 15 February 2024: Feedback on abstracts.
  • 25-26 October 2024: Conference.
  • 31 January 2025: Submission of papers for publication.

Organised by Manuela Studer-Karlen (University of Bern), Naomi Speakman (British Museum, London) and Michaela Zöschg (Victoria and Albert Museum, London). This conference is supported by the project “Love and War. Secular images on Gothic ivories”, funded by the Swiss National Science Foundation.

Lecture Series: Medieval Visual Culture Seminar, St Catherine’s College Oxford

St Catherine’s College, Oxford, Arumugam Building, Thursdays 5 pm (Except for Wednesday 18 October), all welcome 

Convenors: Elena Lichmanova (elena.lichmanova@merton.ox.ac.uk), Gervase Rosser, Martin Kauffmann, Hannah Skoda

Sacred Space

Week 2, 18 October 2023

Giosuè Fabiano (Courtauld Institute of Art), ‘Illuminavit hunc diem’: Natural Lighting, Liturgical Time and Frescoes in late Medieval Italian Churches

Week 4, 2 November 2023

John Munns (University of Cambridge), Topographical Realism in Winchester’s Holy Sepulchre

Week 6, 16 November 2023

Liz James (University of Sussex), The Remembrance of God’: Theologising Wall Mosaics

Week 8, 30 November 2023

Alexandra Gajewski (The Burlington Magazine), Theodechilde, Potentin and Osanna: Saints and Cult at Jouarre Abbey in the Middle Ages

Conference: ‘Romanesque and the Monastic Environment’, British Archaeological Association and Universidad de Valladolid, 8-10 April 2024

A Three-Day International Conference in Valladolid on the relationship between material culture and monasticism during the 11th and 12th centuries. There is also an opportunity to stay on for two days of visits to Romanesque buildings.

For a booking form send an email to conference@thebaa.org.

The British Archaeological Association will hold the eighth in its biennial International Romanesque conference series in conjunction with the Universidad de Valladolid on 8-10 April, 2024. The theme is Romanesque and the Monastic Environment, and the aim is to examine the design and functioning of monastic space as found in the Latin West between c.1000 and c.1200. The Conference will be held at the University of Valladolid with the opportunity to stay on for two days of visits to Romanesque buildings on 11-12 April.

While a particular approach to monastic planning can be observed in Carolingian Benedictine circles in the early 9th century – one in which ranges were organized on three sides of a garden with the church on a fourth – the extent to which this arrangement was widely adopted before the second half of the 11th century is unclear. Nor was it the only type of monastic plan in circulation. Semi-coenobitic orders had little use for ranges, even if the adoption of a garden surrounded by covered walks on four sides became more or less de rigeur in Latin monastic planning by c. 1100. When cloisters, chapter-houses, refectories, dormitories and work-rooms were established with clear relationships to each other and to the monastic choir, it becomes possible to speak of a core precinct, but what of other facilities, or precincts; infirmaries, outer courts, cemeteries, kitchens, gatehouses, and monastic choirs?

Speakers include Dustin Aaron, Verónica Abenza, Kirk Ambrose, Claude Andrault-Schmitt, Peter Scott Brown, Eric Cambridge, Eduardo Carrero Santamaría, Mañuel Castiñeiras, Kathleen Doyle, Barbara Franzé, Alexandra Gajewski, Richard Gem, Cecily Hennessy, Wilfried Keil, Nathalie Le Luel, Javier Martínez de Aguirre, John McNeill, Juan Antonio Olañeta, Julia Perratore, Neil Stratford, Béla Zsolt Szakács, Elizabeth Valdez del Álamo, Rose Walker, Tomasz Weclawowicz and Angela Weyer.


CONFERENCE (8-10 APRIL 2024)
The conference will open at 09.30 on Monday, 8 April with lectures in the University of Valladolid’s Palacio de Congresos Conde Ansúrez. Teas, coffees and lunch will be provided on all three days, in addition to dinner on two evenings. The conference will also include an evening reception. More information will be provided in the joining instructions.

Participants will need to arrange their own travel and accommodation. Valladolid is well provided with hotels and bed and breakfasts, and the conference organisers will send a list of hotels and B&Bs when they acknowledge receipt of your booking form.

VISITS (11-12 APRIL 2024)
We will also organise two days of visits to Romanesque sites for those who wish to stay on. These will include major surviving Romanesque monuments in Salamanca along with Santa Maria la Mayor in Toro, and a special out-of-normal-hours visit to the monastery of Santo Domingo de Silos.

SCHOLARSHIPS
A limited number of scholarships for students are available to help cover the cost of the conference. Please apply by 31 January 2024, attaching a short CV along with the name and contact details of one referee. Applications should be sent to: jsmcneill@btinternet.com or fbanos@fyl.uva.es

It would not be possible to mount this conference without John Osborn, and the British Archaeological Association wishes to take this opportunity to thank him for the boost to Romanesque scholarship afforded by his great generosity.

Conference Convenors: Fernando Gutiérrez Baños and John McNeill
Conference Secretary: Kate Milburn

Conference Programme: ‘La sculpture bourguignonne du XVe siècle’ / ‘Burgundian sculpture of the 15th century’, 11-13 December 2023

Conference organized by: Thomas Flum, Jean-Marie Guillouët, Sophie Jugie, Michele Tomasi

Free but mandatory registration: Melissa Nieto (melissa.nieto@unil.ch)

Day 1, 11 December 2023

Salle de l’Académie des sciences, arts et belles-lettres de Dijon.

Champmol et autour de Champmol

Présidence : Sophie Jugie
9h – 10h30am:

  • Susie Nash, Ad pedes patris: John the Fearless, Philip the Good and the Tomb of Philip the Bold
  • Andrew Murray, The Discourse of Sculptural Creativity at the Charterhouse of Champmol

11h – 12h30:

  • Hervé Mouillebouche, Les décors sculptés figuratifs du logis ducal de Dijon
  • Jean-Marie Guillouët et Petra Marx, New consideration on Sluter’s apprenticeship and the artistic landscape in Westphalia

Iconographie

Présidence : Michele Tomasi
14h30 – 16pm:

  • Véronique Boucherat, Le début d’un tout ? Approche iconologique de la Vierge éducatrice de l’église de Molay
  • Lola Fondbertasse et Alexandra Gérard, L’étude et la restauration d’une Vierge et l’Enfant au phylactère du musée des Beaux-Arts de Dijon


16h30 – 18pm:

  • Renate Prochno-Schinkel, The Migration of Mary Magdalene from Italy to Burgundy and France and its afterlife (mainly in Savoy)
  • Sherry C.M. Lindquist, Reading in Stone: What Are Books Doing in Burgundian Sculpture of the 15th Century?

Day 2, 12 December 2023

Amphithéâtre de la Bibliothèque Colette/La Nef.

Circulation de sculpteurs, depuis et vers la Bourgogne

Présidence : Thomas Flum

8h45am: Mots de bienvenue de Mme Christine Martin, 3e adjointe à la mairie de Dijon

9h – 10h30am:

  • Michele Tomasi, Oeuvres, documents, et l’histoire de la sculpture bourguignonne. Autour du cas de Jan Prindale
  • Michel Lefftz, Jacques Morel (actif ca 1418-1459) et la sculpture en Bourgogne


10h45 – 12h15pm:

  • Szilárd Papp, French and Burgundian Methods in Preparation- and Representation Techniques on Sculptures of the Buda Palace of the Hungarian King Sigismund of Luxembourg (1387–1437)
  • Maria del Carmen Lacarra, L’activité de Jean de la Huerta en terres d’Aragon (1434-1444 et 1457-1460), nouvelles hypothèses

La Bourgogne et ses marches

Présidence : Jean-Marie Guillouët

14h – 15h30pm:

  • Justin Kroesen, Horizontal, with Sculptures on Top: Rouvres-en-Plaine and European Medieval Altarpieces
  • Jean-Luc Liez, L’influence bourguignonne dans la sculpture en Champagne méridionale au xve siècle

16h – 17h30pm:

  • Fabien Dufoulon, La sculpture dans le diocèse de Chalon-sur-Saône (autour de 1500)
  • Benoît-Henry Papounaud, Restauration de deux ensembles de sculpture monumentale de la seconde moitié du XVe siècle de l’abbaye de Cluny

Day 3, 13 December 2023

Salle de l’Académie des sciences, arts et belles-lettres de Dijon.

OEuvres, matériaux et réception

Présidence : Françoise Perrot
8h – 10am:

  • Matthieu Pinette, La sculpture au coeur du programme emblématique du château de Germolles
  • Lucretia Kargère, The Metropolitan Museum’s monumental Poligny Virgin and Child

10h15 – 11h45am:

  • Géraldine Patigny, De marbre et d’albâtre. Les matériaux de la sculpture bourguignonne au XVe siècle
  • Cécile Gourhand, La place de la sculpture bourguignonne dans la réception du Moyen Âge aux États-Unis

Symposium: ‘The Image of the Book: Representing the Codex from Antiquity to the Present’, Philadelphia, 16-18 Nov 2023, (in-person and online)

The 16th Annual Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age
University of Pennsylvania and Free Library of Philadelphia

A great deal of recent research has focused on the objecthood of the pre-modern book and its associated materiality. But only sporadic attempts have been made to understand the role of visual representations of the book in conveying ideas about knowledge. How can our understanding be transformed when the dictum that “a picture is worth a thousand words” is put into practice, when the how of depiction is accorded as much importance as the what of textual content? This symposium will examine the means by which the book, and in particular the manuscript, is described across a wide variety of media, from painting and sculpture to digital media and film. Topics to be addressed include the book as a symbol of authority, wisdom, or piety; the visual archeology of otherwise vanished bookbinding styles, reading practices, and study spaces; and the re-imagining of the physicality of the codex through digital means.

The event will also mark the public launch at Penn Libraries of the Books as Symbols in Renaissance Art (BASIRA) project, an innovative, public-access web database of thousands of depictions of books in artwork produced between about 1300 and 1600 CE. The database, like the symposium itself, aims to engage historians of religion, literacy, art, music, language, and private life, as well as book artists, conservators, and interested members of the public. The symposium is organized in partnership with the Rare Book Department of the Free Library of Philadelphia.

The program will begin Thursday evening, November 16, 5:00 pm, at the Free Library of Philadelphia in the Rare Book Department, with a reception and keynote address by Jeffrey Hamburger, Kuno Francke Professor of German Art & Culture, Harvard University. The symposium will continue November 17-18 at the Kislak Center for Special Collections, Rare Books and Manuscripts.

The symposium will be held in person with an option to join virtually. All are welcome to attend. Use the link to register.

Conference Programme

Thursday, November 16, 2023, 5pm-7pm

Rare Book Department, Free Library of Philadelphia, Parkway Central Library, third floor
All registrants are invited to a reception before the lecture. The lecture will begin at 6:00 pm.

Keynote Address: ‘Avatars of Authorship’, Jeffrey Hamburger, Harvard University

With opening remarks by Janine Pollock, Free Library of Philadelphia; Sean Quimby, Kislak Center for Special Collections, Rare Books and Manuscripts, Penn Libraries; and Nicholas Herman, Schoenberg Institute for Manuscript Studies, Penn Libraries


Friday, November 17, 2023, 9.30am-7pm

University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts, Class of 1978 Orrery Pavilion, Van Pelt-Dietrich Library Center, sixth floor

9:30 – 10:00 am: Coffee

10:00 – 10:15 am: ‘Welcome and Introduction’
Nicholas Herman, Schoenberg Institute for Manuscript Studies, Penn Libraries

10:15 – 11:30 am: Meaning

  • ‘Book History’s Genesis in Exodus: Revisiting the Round Topped Tablets’, Sonja Drimmer, University of Massachusetts Amherst
  • ‘Under Construction: Making and Metaphor in Medieval Images of Book Production’, Beatrice Kitzinger, Princeton University

11:30 – 11:45 am: Coffee

11:45 am – 1:00 pm: Making

  • ‘Representations of Wax Tablets: Codices in Greco-Roman Art and their Importance for Understanding their Making and Use’, Georgios Boudalis, Museum of Byzantine Culture, Thessaloniki
  • ‘Visual Metaphors: Exploring Bookbinding Structures through Visual Representations’, Alberto Campagnolo, University of Udine

1:00 – 2:30 pm: Lunch (with display of real and replica items in Lea Library)

2:30 – 4:00 pm: Format

  • ‘Artisanal Books: Ceramic and Lacquer Imitations from the Qing Court’, Devin Fitzgerald, Yale University
  • ‘A Sampling of Blooks: A Foray into the Fascinating World of Book-form Objects’, Mindell Dubansky, The Metropolitan Museum of Art

(this session will conclude with a showcase of book-form objects)

4:00 – 4:15 pm: Coffee

4:15 – 5:00 pm: Official Launch of BASIRA: The Books as Symbols in Renaissance Art Database
Barbara Williams Ellertson, Independent Scholar and SIMS
Nicholas Herman, SIMS

5:30 – 7:00 pm: Schoenberg Institute for Manuscript Studies 10-year Celebration Event


Saturday, November 18, 2023, 9.30am-7pm

University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts, Class of 1978 Orrery Pavilion, Van Pelt-Dietrich Library Center, sixth floor

9:30 – 10:00 am: Coffee

10–11:15 am: Identities

  • ‘The Image of the Book at the Ottoman Court’, Emine Fetvacı, Boston College
  • ‘Imagining Religious Identity and Difference Through Book Formats: Scrolls and Codices in Judaism and Christianity’, Thomas Rainer, University of Zurich

11:15 – 11:30 am: Coffee

11:30 am – 12:45 pm: Avatars

  • ‘Scrolling through Scrolls and Books in Books of Hours’, Dominique Stutzmann, Institut de Recherche et d’Histoire des Textes
  • ‘Virtual Manuscripts in Virtual Spaces’, Sabina Zonno, University of Southern California

12:45 – 2:15 pm: Lunch (with demo of Manuscripts in VR)

2:15 – 3:45 pm: Icons

  • ‘The Medieval Book as Gateway: Contemplation, Meditation, and Image Making in the Lives of the Desert Fathers’, Denva Gallant, Rice University
  • ‘Iconic Books in Renaissance Art’, James Watts, Syracuse University

3:30 – 3:45 pm: Coffee

3:45 – 5:00pm: Transformations

  • ‘Manuscript Images of the Destruction and Salvage of Books’, Lucy Freeman Sandler, New York University
  • ‘Pop Bibliography: Finding Book History in Popular Media’, Allie Alvis, Winterthur Library

5:00 – 6:00 pm: Closing Reception


Lecture Series: Mmmonk School 2023 webinars on the Medieval Book

Mmmonk and Henri Pirenne Institute for Medieval Studies (UGent) will host the second edition of Mmmonk school in the autumn of 2023. Mmmonk School offers lessons for advanced beginners about the medieval book. It is an interdisciplinary practice-focused programme about medieval Flemish manuscripts. Six experts introduce the main concepts, skills and methods of their given field of expertise. The lessons are online, free and open for everyone.

Join us on three consecutive Fridays (4-6pm CET) in November and December!

Register and find out more here.

Programme

17 November (4-6pm CET)

  • Elaine Treharne (Stanford University): The human experience as an integral part of the history and identity of a book
  • Ann Kelders (KBR Royal Library Belgium): An Introduction to Polyphony Manuscripts in Medieval Flanders and Brabant

24 November (4-6pm CET)

  • Élodie Lévêque (Université Paris 1 Panthéon-Sorbonne): An Introduction to Biocodicology – The material studies of medieval manuscripts
  • Thomas Falmagne (Goethe-Universität Frankfurt am Main): An Introduction to Medieval Cistercian Reading Culture

1 December (4-6pm CET)

  • Lisa Demets (Ghent University): An Introduction to Multilingual Manuscripts in Medieval Flanders
  • Jeroen Deploige and Wim Verbaal (Ghent University): ‘Spotlight on Mmmonk Research’: Medieval Reading Strategies – The Liber Floridus as a circular enclosure of creation, history and incarnation

Call for proposals: ‘Environmental Narratives and the Eremitic Turn’, Different Visions Journal, deadline 30 November 2023

Different Visions invites proposals for contributions to a special issue, “Environmental Narratives and the Eremitic Turn.” This encompasses the locus of eremitic experience, which might be from any religious tradition or geographical location, whether wilderness, mountain, or desert, broadly conceived. It also encompasses the bodies – individual and communal – who chose to inhabit that landscape (as a real or imagined place), and their lived experience. This special issue seeks to explore the diverse ways in which eremitic bodies, ascetic practice, and the landscape of the wilderness, were represented and imagined in visual culture.

We welcome submissions that:

  • consider the resonance and meaning of the ascetic tradition across time and space
  • investigate the ascetic tradition and its entanglement with notions of the landscape as wilderness and holy mountain
  • adopt an environmental or ecocritical approach to the eremitic experience
  • explore the tensions between, for example, wilderness and cultivation, inhospitable and fertile landscapes, ascetic practice and the eremitic impulse
  • consider the re-imagining or invocation of the historical desert in monastic, mendicant or other contexts
  • explore the continuing resonance of the eremitic, in symbolic or ecologic terms, in our contemporary world
  • approach the themes above from a global perspective

This special issue engages with urgent contemporary concerns about the impact of human activity on the earth that sustains us. It resonates with recent scholarly interest in the relationship between humanity and nature in the pre- and early modern period, seeking a broad, inclusive, and cross-disciplinary reflection on the visual representation of this interdependence.

Please submit a proposal of no more than 300 words to differentvisionsjournal@gmail.com by Nov 30th. First drafts of accepted essays of no more than 12,000 words will be due August 1, 2024.

For questions please reach out to differentvisionsjournal@gmail.com.

You may also reach out to the special issue editors:

Find out more information here.

Funded PhD in Medieval Painting and the End of Life, Northeastern University London (NU London), deadline 31 October 2023

PhD Scholarship (Fully Funded) in Art History – Medieval Painting and the End of Life: From the Monumental to the Personal

As part of a major investment, Northeastern University London (NU London) has multiple, fully-funded PhD studentships available to accelerate its interdisciplinary research in the humanities, social sciences, and computing, maths, engineering and natural sciences. Each scholarship is fully-funded for three and a half years (UKRI rates) and includes full course fees, an annual stipend (including an additional London allowance) and associated costs, such as training.

The Project

This research will contribute methodologically to current debates across the humanities concerning the importance of visual and material objects within human experience. The student recruited to the research project will be required to work on medieval visual culture pertaining to the end of life, to demonstrate how imagery held agency in medieval people’s navigation of formative moments in the human lifecycle.

The specific regions and materials of focus will be shaped by the candidate.

More information and how to apply here.

Online Lecture: ‘Zero Hour for Illuminated Manuscripts? The Acquisition and Alienation of Medieval Art in Post-World-War II Nuremberg’, London Society for Medieval Studies,14 November 2023, 5.30-7pm (GMT)

Prof William Diebold, historian of early medieval art at Reed College, will share his latest work at the London Society for Medieval Studies.

Diebold will discuss the decisions regarding two manuscripts made during the 1950s by the Germanic National Museum in Nuremberg. The first was to acquire a spectacular Ottonian-era gospel manuscript, a book used in the Christian liturgy. The other was to sell two late medieval haggadahs (the book used by Jews to celebrate Passover) that had been in the collection of the Nuremberg museum for a century. This paper documents these stories, one of acquisition and the other of alienation, and locates them in their post-World-War-II German historical context.

This is part of the ongoing IHR London Society for Medieval Studies seminar series. All welcome – this event is free, but booking is required.

Seminar Abstract

This paper examines two decisions regarding medieval illuminated manuscripts made during the 1950s by the Germanic National Museum in Nuremberg. The first was to acquire a spectacular Ottonian-era gospel manuscript, a book used in the Christian liturgy.  The other was to sell two late medieval haggadahs (the book used by Jews to celebrate Passover) that had been in the collection of the Nuremberg museum for a century.

This paper documents these stories, one of acquisition and the other of alienation, and locates them in their post-World-War-II German historical context.  Because the Nazis had so heavily capitalized on the Middle Ages, which they saw as the “First Empire” that was reincarnated in their Third Reich, the status of medieval art was fraught in Germany after 1945.  And nowhere was this more true than in Nuremberg, the city that had been the site both of the Nazi Party’s annual rallies and of the postwar trials of the leading Nazis. To try to deal with this impossibly difficult legacy, many Germans viewed the end of the Second World War as the “Zero Hour,” a moment when their country began entirely anew.  This paper argues, however, that the acquisition of the early medieval gospel book and the alienation of the two haggadah manuscripts show that, assertions of a Zero Hour to the contrary, the legacy of the Nazi era was not an easy one to leave behind. Instead, the acquisition and deaccession policy of the Nuremberg museum instead shows more continuities with Nazi practices than breaks from it.

Register and find out more here.