Call for Papers: Conference, Communities and Networks in Late Medieval Europe (c. 1300–1500), St Catherine’s College, Cambridge, 9th-10th September 2021, Deadline: 7th June 2021

Historical research has witnessed a rapidly growing interest in ‘networks’ since the turn of the twenty-first century. This is due not only to the utility of networks in describing interrelations between historical actors, but also to the adoption of the concepts and methodologies associated with social network analysis (SNA). 

Our conference, which will take place at St Catharine’s College, Cambridge, in September 2021*, aims to build on and contribute to this expanding field of research by focusing on networks as a lens through which to investigate the internal and external dynamics of communities in the last two centuries of the European Middle Ages, a time of great cultural, socio-economic, and political change. ‘Community’ is defined as any form of interpersonal association, including urban, political, legal, cultural, intellectual, monastic, and friendship-based ones.

We are delighted to have a number of confirmed senior speakers from across Europe. Prof. Felicitas Schmieder (FernUniversität in Hagen) will deliver the keynote lecture, titled ‘Did Magdeburg Law create a network of culturally mixed urban communities across Europe?’. Prof. Wim Blockmans (Leiden University) will deliver the concluding remarks. Prof. Jan Dumolyn (Ghent University), Prof. Christina Lutter (University of Vienna), Dr Flávio Miranda (University of Porto), Dr Justyna Wubs-Mrozewicz (University of Amsterdam) will also participate.

We are now inviting proposals, especially from junior researchers (doctoral and post-doctoral), for papers lasting 20–25 minutes. Indeed, we hope the conference to be an opportunity for discussion between researchers at different stages of their career. Papers might address, but are not limited to, the following themes: 


• Networks and the development of communities
• Networks in conflict and conflict resolution
• Oral and written communication networks
• The impact of key late medieval processes on networks and communities (e.g. literacy and bureaucratization, development of infrastructure, warfare)
• Possibilities and drawbacks of social network analysis as a conceptual and methodological approach to the study of medieval communities

Abstracts of max. 300 words, together with a short biography of the author, should be submitted to commsandnetworks21@gmail.com by 7 June 2021. The confirmation of accepted papers will be announced by 21 June.

The event website can be found here.

*The conference is currently planned as an in-person event (registration fee: £20), but we are open to the possibility of employing a hybrid or online format in order to cater for the changing global situation and for different personal circumstances.

The organizers gratefully acknowledge the support of the George Macaulay Trevelyan Fund (Faculty of History, University of Cambridge), the Researcher-led Events Scheme (University of Cambridge), and the Social History Society.

Online Lecture: Paradise found: Romanesque tombs in Western Europe, c. 1000- c. 1150, Dr Xavier Dectot – Director of the future Orientalist Museum in Doha, Qatar, 30th April 2021 6-7 pm (BST)

Although the study of mediaeval tomb sculpture has been a fairly active field in the past decades, it has nearly exclusively focused on the much richer (at least in numbers) Gothic era. Most forays in the Romanesque have been driven by a teleological drive to find the supposed precursors of the Gothic monuments.

This lecture will aim to shed a different light on Romanesque tombs which bear witness to a period of intense experimentation and exploration, reflecting both a new desire for visibility and a very fluid and ever changing theological conception of the afterlife.

Dr Xavier Dectot started his career at the Musée de Cluny in Paris, where he spent ten years as curator of Sculptures, before moving on to become the founding director of the Louvre Lens, a branch museum of the Louvre in Northern France, then keeper and Art and Design at
National Museums Scotland and, currently, director of the future Orientalist Museum in Doha, Qatar. An honorary reader at the University of St Andrews, he is the author of numerous articles and books, amongst which are Pierres tombales médiévales, sculptures de l’au-delà (Remparts, 2006) and Les Tombeaux des familles royales de la péninsule ibérique au
Moyen Âge (Brepols, 2009).

Speaker – Dr Xavier Dectot – Director of the future Orientalist Museum in Doha, Qatar 

Organised by – Dr Rose Walker – Honorary Research Fellow, The Courtauld

This is a live online event.  

Please register for more details. The platform and log in details will be sent to attendees at least 48 hours before the event. Please note that registration closes 30 minutes before the event start time.  

If you have not received the log in details or have any further queries, please contact researchforum@courtauld.ac.uk. 

To register, click here.

New Issue: The Burlington Magazine, April 2021: Medieval Art and Architecture

This month’s edition of The Burlington Magazine is the first issue to be devoted to the Middle Ages for over thirty years encompasses a remarkable diversity of art and architecture. This issue has a wide variety of articles and book reviews for you to enjoy. We’ve teamed up with the Burlington Magazine team to offer our readers a special discount of 40% to be applied to the purchase of the current issue (use the code: ISSUE40) when ordering here.

Articles:

  • Gilded glass and English saints: a medieval reliquary at Douai Abbey, by Marian Campbell and Michaela Zoschg
  • An illuminated fifteenth-century Milanese manuscript of the ‘Meditationes Vitae Christi’, by Lisandra S. Costiner
  • Architecture and liturgy in the east end of Saint-Urbain, Troyes, by Michalis Olypmpios
  • The drinking servant in depictions of the ‘Adoration of the Magi’. by Peter Megyši

Online Lecture: ‘A Team Effort’: Architectural Drawing and Multimediality in Late-Medieval Spain, Costanza Beltrami, University of Oxford, 28th April 2021, 5-6pm (BST)

The Museo del Prado houses one of the most remarkable drawings of late-medieval Europe: a fifteenth-century view of the east end of San Juan de los Reyes, Toledo. Attributed to the church’s designer, Juan Guas (active 1453–1496), the drawing is unique for its representation of an interior perspective, populated by a wide-ranging decorative programme in different media, notably an altarpiece and stained glass.

Almost thirty years ago, one scholar described such decorative ‘density’ as the ‘team effort’ of the various artists responsible for each element of the design. Yet the drawing itself raises additional questions: What was its function? Why include such disparate furnishings? What does this object tell us about architecture, design and collaboration in late-medieval Spain? Exploring the tensions between the work’s form and content, this lecture will sharpen our historical and contemporary perspectives on the drawing, which served as a dynamic rhetorical object rather than an accurate construction record.

Costanza Beltrami is Departmental Lecturer in Medieval and Renaissance Art History at the University of Oxford. Her research focuses on Gothic architecture in the late fifteenth and early sixteenth centuries, and on the coexistence, tension and transition between Gothic and Renaissance projects. She is particularly interested in the management and representation of buildings in accounts, letters, drawings, ornament prints and other media. She is currently working on a book manuscript entitled Networking the Gothic: Juan Guas in Fifteenth-Century Spain.

Organised by Dr Tom Nickson

This is a live online event.  To book your place, please follow this link.

Please register for more details. The platform and log in details will be sent to attendees at least 48 hours before the event. Please note that registration closes 30 minutes before the event start time.  

If you have not received the log in details or have any further queries, please contact researchforum@courtauld.ac.uk. 

Online Lecture: “Not a Copy” – ‘The Power of Duplication: Medieval Persian Painting through Photographs, ca. 1890- 1920’, Yuka Kadoi (Institute of Art History, University of Vienna), 28th April 2021 17:30-19:00 (BST)


During the formative period of Persian art history in the late nineteenth and early twentieth centuries, photographic reproductions played a key role in the construction process of chronological and iconographical narratives. This paper explores an alternative history of medieval Persian painting by looking at the production and distribution of photographic reproductions. Often commissioned by dealers, such visual materials were widely circulated and distributed across collectors and scholars for identification, authentication and comparative research purposes. While the power of photographic reproductions in the early scholarship and connoisseurship of European art history is widely acknowledged, this should also be the case with non-European art history, including Persian art history, a topic which this paper wishes to address.

This annual lecture series is organised by the international research project Bilderfahrzeuge: Aby Warburg’s Legacy and the Future of Iconology. Entitled “Not A Copy,” this year’s series seeks to discuss the advent of new forms of visual expression in response to preceding artefacts and following from an interplay with their materiality and mediality. Humanities tend to reduce these dynamics to a dichotomy of a supposed ‘original’ and its ‘copy’. By doing so, the productive quality of transformation is often overlooked, whereas terms such as imitation, emulation, repetition, transmission, translation or recording are in continuous need of critical re-evaluation.

To book your tickets, click here.

Online Conference: Textiles and the Revelation of the Sacred, Université Paris 1 Panthéon-Sorbonne and EHESS-CRH, 6th-7th May 2021

Be they part of the composition of an image or gathered around the altar, textiles, as pliable and movable material, played a crucial part in the revelation of the invisible. Since the middle of the thirteenth century, the Real presence of Christ in the Eucharist became physically exalted and devotional images flourished in churches and in domestic interiors. It led to a genuine visual appetence, an intense desire to see the sacred. The image itself, powerful instrument of mediation between the visible and the invisible, is often compared to a veil, as it is able to suggest the presence or the absence of what is represented.

As garments, textiles adorned and transformed bodies. As dossals, they were the backdrop for adoration. As veils, they delineated the frontier between the human and the divine. As lifted curtains, they participated in a visual theophany and emphasized a supranatural presence. By this workshop, we want to explore the roles of textiles – be they real, fictional, material, painted or feigned – in the manifestation of the sacred, understood in its broadest sense, beyond the strictly religious sphere. Their diverse forms, their multiple functions and their metaphorical potential will be the core of our reflections. 

How were textiles seen in a liturgical or devotional context ? What were their roles in the figured or sacramental revelation of the divine ?

To register for this event, please follow this link. After registration, an email will be sent to attendees with more information on how to access the video conference.

Contact: textiles.rituelimage@gmail.com

PROGRAMME

6th May 2021

9h00: Accueil et présentation des journées – Juliette Brack, Julie Glodt, Nicolas Sarzeaud

9h30: Conférence inaugurale – Paul Hills (Courtauld Institute of Art)
Textiles and Touch: Depicting the Sacred

10h10: Discussion et pause

Session 1 : Dévoilement et monstration – Unveiling and Exhibiting
Présidence de séance : Alain Rauwel

10h30: Hector Ruiz Soto (Sorbonne Université)
Le retable-machine à l’espagnole : le dévoilement comme fabrique d’images de culte au XVIIe siècle

11h00: Julie Glodt (Université Paris 1 Panthéon-Sorbonne)
Cercle blanc sur fond noir. Le rideau de l’élévation et la visibilité de l’hostie (XIVe-XVIe siècles)

11h30: Nicolas Sarzeaud (EHESS)
On n’en montre jamais trop, jamais assez : exposer les linges du Christ dans la liturgie, le théâtre religieux et les images à la fin du Moyen Âge

12h00: Discussion
12h30: Pause 

Session 2 : Images et ornements – Images and Ornaments 
Présidence de séance : Astrid Castres

14h00: Helen Wyld (National Museums Scotland)
Flesh and Blood: The Fetternear Banner

14h30: Laurent Hablot (EPHE)
Les enseignes vexillaires militaires et le sacré au Moyen Âge

15h00: Discussion et pause

16h00: Evelin Wetter (Abegg-Stiftung, Riggisberg)
Liturgical Visualization and Devotion: Textile Strategies of Pictorial Corporal Cases

16h30: Juliette Calvarin, (Harvard University, Cambridge)
Umbral : L’amict et l’Annonciation au Moyen Âge tardif

17h00: Ralph Dekoninck et Caroline Heering (Université catholique de Louvain)
L’ornementalisation des Ornamenta Sacra dans les anciens Pays-Bas des XVIIe et XVIIIe siècles

17h30: Discussion

7th May 2021

9h15: Accueil

Session 3 : Vêture et performance – Clothing and Performance
Présidence de séance : Maximilien Durand et Marlène Albert-Llorca

9h30:  Diana Pereira (University of Porto, CITCEM)
Layered in secrecy and ritual: miraculous sculptures of the Virgin and the clothing of statues in Early Modern Portugal

10h00: Valeria E. Genovese (chercheuse indépendante, Naples)
Statues habillées : corps vivants ou nouvelles icônes ?

10h30: Discussion et pause

11h30: Laura Stefanescu (University of Sheffield)
Habiller les anges dans la Florence du XVe siècle : Des costumes pour le théâtre aux choix iconographiques

12h00: Rembrandt Duits (Warburg Institute, University of London)
Framed in Fabric. Liturgy in the Private Chapel of the Medici

12h30: Discussion
13h00: Pause

Session 4 : Révéler et honorer – Revealing and Glorifying 
Présidence de séance : Ralph Dekoninck

14h30: Lisa Monnas (chercheuse indépendante, Londres)
The Virgin’s veil in Tuscan Painting, 1250-1400

15h00: Victor Schmidt (University of Utrecht)
Curtains sculpted and depicted: the case of the Chapel of the Cardinal of Portugal, San Miniato al Monte, Florence

15h30: Discussion et pause

16h30: Juliette Brack (Université Paris 1 Panthéon-Sorbonne)
Le dais marial dans le retable florentin : liturgie et ecclésiologie (XVe-XVIe siècles)

17h00: Valentine Langlais (Université Paul Valéry, Montpellier 3)
Révélation et glorification du Saint-Sacrement : de l’usage du rideau dans l’iconographie flamande de la Cène (XVIe-XVIIe siècles)

17h30: Discussion

18h00: Échanges finaux et conclusion des journées

Responsables scientifiques : Philippe Morel (Université Paris 1 Panthéon-Sorbonne, HiCSA-CHAR), Philippe Plagnieux (Université Paris 1 Panthéon-Sorbonne, HiCSA), Alain Rauwel (Université de Bourgogne, CéSOR), Étienne Anheim (EHESS-CRH, Ahloma)

Online Lecture: Water Blood and Wine – Iconography of the Old Testament on Medieval Portable Altars, Sarah Luginbill, University of Colorado Boulder, April 22nd 2021 4pm PST/7pm EST

Sponsored by the Society for Ancient Mediterranean Religions, Sarah Luginbill will deliver a lecture online from the University of Colorado Boulder on the iconography of the Old Testament on medieval portable altars. They will present their dissertation research on iconography of Abraham, Abel and Melchisedech that feature on the lids of several portable altars made in German lands c.1000-1250 CE.

For more information on Luginbill’s research on medieval portable altars, please click here.

To see updates on how to access tomorrow’s Zoom, head to Luginbill’s twitter account (@salu1292) or Society for Ancient Mediterranean Religions website for updates.

New Journal Issue: IKON – Afterlife of Antiquity, Volume 30, 2020

The 2020 issue of IKON journal is available online via Brepols. Click here to read.

Table of Contents:

Foreword

Claudia Cieri Via
Aby Warburg and the Afterlife of Antiquity
Morphology and History

Han Lamers
Afterlife of Antiquity: Historical Maenderings

Katia Mazzucco
Nachlebende, Nachleben
Vehicles of Afterlife in (Some) Images and Words of the Warburg Library

Rebeka Vidrih
Triple Martyrdom at Notre Dame de Mouzon

Doron Bauer
Reused Roman Sarcophagi and the Emergence of Romanesque Sculpture in Northern Spain

Romana Rupiewicz
The Motion of Celestial Bodies in Medieval Iconography. Christian Assimilation of Ancient Cosmology

Fabio Tononi
Andrea Mantegna and the Iconography of Mourners. Aby Warburgs Notion of Pathosformeln and the Theory of Aesthetic Response

Barbara Baert
Afterlife Studies and the Occasio Grisaille in Mantua (School of Mantegna, 1495-1510)

Mauro Salis
When did Amphitrite Cross the Tyrrhenian Sea? Some Reflections on the Appearance of Grisaille, Myth and the Classical Renaissance Style in the Periphery of the Crown of Aragon

Stephanie Heremans
Fritz Saxl as Reader of Aby Warburgs Sassetti Essay

Simona Drăgan
Ancient Survivals, Ingenious Meanings. Iconographic Echoes and Symbols of Dantes Iphigenia in the Sienese Art of the Early Renaissance

Thodoris Koutsogiannis
Ancient Greek Figures in Renaissance Germany via Italy. Cyriacus of Anconas Drawings and Their Distorted Perception

Giacomo Montanari
Da Ciriaco a Sandro. Modelli culturali e figurativi dellAntica Grecia dai viaggi del Pizzecolli ai dipinti di Botticelli

Alessandra Galizzi Kroegel
From War Hero to Slave to Love. On the Reception of Achilles on Scyros in the Renaissance

Giuseppe Capriotti – Francesca Casamassima
Hermaphroditus and Iphis. Texts and Images from two Ovidian Myths to Visualize Sexual Ambiguity in the Early Modern Age

Lasse Hodne
The Afterlife of Greece. Warburgs Nietzschean Critique of Winckelmann

Laura Stagno
Roman History Themes for Andrea Dorias Palazzo del Principe

Filipa Araújo
Love is a fire that burns unseen. The Reception of Greek Erotic Representations in Alciatos Emblemata and Camoes

Jasenka Gudelj
Resemiotization of Eastern Adriatic Antiquities. Uses and Abuses of the Ancient Past

Antun Baće – Maja Zeman
Ancient Water-God in the Residences of Early Modern Dubrovnik

Agnieszka Skrodzka
Antique Inspirations in the Ideological Programmes of Artworks of King Stanisaw Augusts Patronage (1764-1795)

Ylva Haidenthaller
Adapting Antiquity. References to Classical Literature on Early Modern Swedish Medals

Irena Kraševac
Classical Themes as Iconographic Motifs in Historical Allegorical Painting. Examples by Gustav Klimt in the Rijeka Municipal Theatre and Ivan Tiov at the University Library in Zagreb

Palma Karković Takalić
Maritime Parnassus and the Iconographic Program of the Main Faade of the Municipal Theatre of Rijeka

Claudio Zambianchi
Lost and Found: Archaeological Fragments and Contemporary Art

Rita Ladogana – Ciro Parodo – Marco Giuman
“The Infallible Sign of the Destiny”. Reflections on the Iconography of the Myth of the Foundation of Rome in the Art of the Fascist Era

Roberta Minnucci
Heaps of Rags and Double Visions. The Interpretation of the Classical Venus in Arte Povera

Anthi-Danaé Spathoni
Idyllic, Pastoral and Abstract. Cy Twomblys Reinvented Arcadia

Karen von Veh
Classical Mythology as Satire. The Realities of a New South Africa in Diane Victors Birth of a Nation Series

Jarosław Janowski
Existence and Transience. The Ancient Idea of Number in Conceptual Art

Online Lecture: Representing the Other-Assessing Indo-Byzantine Through Textual Sources, ​Aniket T. Chettri (North Bengal University), April 23rd 2021,6pm (Istanbul Time Zone)

This lecture is part of the Byzantium at Ankara April Mini-Seminar Series entitled “Byzantium and the Silk Roads.

The Byzantine Seminar Series “Byzantium at Ankara” is an event organized and hosted in collaboration by the Department of History at Bilkent University and the Department of History of Art at Hacettepe University which will be held over the entire 2020/21 academic year. It is organized by Assoc. Prof. Dr. Sercan Yandim (Hacettepe University) and Asst. Prof. Dr. Luca Zavagno (Bilkent University).

The object of the series of talks is to engage Byzantine scholars from different backgrounds and areas of expertise in a conversation on issues which relate and resonate with the current socio-political and economic situation. The importance of building these connections should put Byzantium in a global, modern and historical perspective.

All the sessions will be broadcasted via Zoom. Pre-registration at byzantiumatankara@hotmail.com is required. A link to attend the seminar will be sent one hour before the start of the meeting.
 

For more information, please click here.

Podcast Episode: Les Enluminures, Christine de Pizan’s Workshop with Inès Villela-Petit

Les Enluminures have released the 14th episode of their podcast, available online via this link.

Who is Christine de Pizan? Most know of her as a prolific medieval author, or at least know that she found a seat at Judy Chicago’s table. But how did she work and procure materials? Who worked for her and with her? How did she select her illuminators? Did she deal directly with the Queen? Find out with author and art historian Inès Villela-Petit and our host Sandra Hindman as they discuss the discoveries produced by Villela-Petit’s monograph on Christine de Pizan’s workshop, L’atelier de Christine de Pizan

They uncover the material processes behind the scenes of Christinian creation, the social dynamics of the atelier and Christine’s relationship with the royal court. Through author’s drafts, pigment and parchment, traces and marks on the page, and the “stories” told in Christinian painting Inès Villela-Petit places Christine de Pizan’s workshop in its material context. Today Sandra Hindman and Inès Villela-Petit explore International Gothic society, discussing Villela-Petit’s realization of an “ideal” Christinian manuscript–– from the purchase of the raw materials through the delivery of the manuscript to the Queen.