New Publication: Renaissance Meta-painting, Edited by Alexander Nagel and Péter Bokody

The volume offers an overview of metapictorial tendencies in book illumination, mural and panel painting during the Italian and Northern Renaissance. It examines visual forms of self-awareness in the changing context of Latin Christianity and claims the central role of the Renaissance in the establishment of the modern condition of art.

New Publication: Monsters and Monstrosity in Jewish History: From the Middle Ages to Modernity, edited by Iris Idelson-Shein and Christian Wiese

Drawing on Jewish history, literary studies, folklore, art history and the history of science, this book examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture.

Online Lecture: The Maius Masterclass with Professor Susan Boynton, 31 July 2020 4pm

For our final event in the Maius Masterclass series, on Friday 31 July at 4pm, we are delighted to welcome Professor Susan Boynton (Columbia University). Susan’s research has focused on such topics as music in the Iberian peninsula, liturgy, manuscript studies, and intersections between music and the visual arts.

CFP: Jerusalem: The Holy City as Interreligious Experience (International Congress on Medieval Studies Kalamazoo 2021), deadline 15 September 2020

Sponsor: Center for Medieval and Early Modern Studies (CMEMS), Stanford University Co-Ordinator: Ana Núñez (ananunez@stanford.edu) This panel contributes to conversations that explore Jerusalem as a space of central importance to Jews, Christians, and Muslims. Through critical rereadings of textual accounts and material remains, the papers in this panel will highlight the dynamic ways in which JerusalemContinue reading “CFP: Jerusalem: The Holy City as Interreligious Experience (International Congress on Medieval Studies Kalamazoo 2021), deadline 15 September 2020”

New Publication: The Ghent Altarpiece: Research and Conservation of the Exterior, Edited by Bart Fransen and Cyriel Stroo

The outer panels of the Ghent Altarpiece had been overpainted to a considerable extent. The virtuosity of the Eyckian technique and aesthetics remained hardly visible. And yet, this had never been observed before the start of the conservation treatment. By removing the overpaint, the tonal richness and the coherent rendering of light and space once again came to the fore.

Fellowship: Teaching Fellow in History of Art, University of Edinburgh, deadline 7 August 2020 5pm

The University of Edinburgh invites applications from specialists in the visual and material court culture of Northern Europe, c. 1400-1800. We welcome versatile applicants who have secondary interests in areas of high student need and who are able to incorporate material from the University’s Centre for Research Collections into their teaching.

CFP: New Faces in Medieval Iberian Studies, IMC Leeds 2021 (5-6 July), deadline 15 september 2020

What began as a casual conversation led to the establishment of a new collaborative group, AGECSMIberia, dedicated to connecting graduate and early career Iberianists around the world and showcasing their new exciting work through sponsored sessions. The global pandemic has made the promotion of the work of early career Iberianists even more important in an infinitely more complex job market.

New Publication: Lexique des stalles médiévales / Lexicon of Medieval Choir Stalls, by F. Billiet and E. C. Block

As well as an introduction that includes articles on the history and function of medieval choirstalls, the lexicon provides illustrated multilingual definitions of the elements used in the construction and decoration of the stalls. As with the illustrated bibles of the Middle Ages, this book includes the most beautiful of the works of art which decorate the medieval choir stalls in thirteen Catholic countries of Europe.

New Publication: Funerary Portraiture in Greater Roman Syria, edited by Michael Blömer and Rubina Raja

This volume provides a unique survey of locally produced funerary representations from across regions of ancient Syria, exploring material ranging from reliefs and statues in the round, to busts, mosaics, and paintings in order to offer a new and holistic approach to our understanding of ancient funerary portraiture.