New Publication: ‘The Medieval Monastery of Saint Elijah: A History in Paint and Stone’ by Alison Perchuk

A methodologically ambitious, sumptuously illustrated, and erudite study of a twelfth-century monastery near Rome that offers a compelling biography of a neglected Romanesque jewel as well as evocative multisensory readings of its architecture, frescoes, and sculpture.

CFP: British Archaeological Association at Leeds IMC 2022, deadline 24 September 2021

The British Archaeological Association invites proposals for their organised sessions at the 2022 International Medieval Congress at the University of Leeds (4th-7th July 2022). It is hoped that the 2022 conference will return to the in-person format in 2022 after two years online.

New Publication: ‘Silver Saints: Prayers and Badges in Late Medieval Books’ by Hanneke van Asperen

‘Silver Saints’ discusses the religious life of lay people in the late Middle Ages and the meaning of badges in books, both the painted motifs in beautifully decorated manuscripts and many traces of original badges.

Online Lecture: ‘The Medieval World with the Women Written Back In’ with Dr Janina Ramirez, Art History Festival, 20 September 2021, 8-9pm (BST)

As part of the Art History Festival, Janina Ramirez will discuss her forthcoming book, Femina, and introduce the audience to the important women that have been written out of history.

Exhibition: ‘Fragmented Illuminations: Medieval & Renaissance Manuscript Cuttings at the V&A’, V&A Museum, 8 May 2022

If you are in London, be sure to check out the display at the Victoria & Albert Museum: ‘Fragmented Illuminations: Medieval & Renaissance Manuscript Cuttings at the V&A’ – open now.

Call for Journal Submissions: ‘Imago, ius, religio. Religious Iconographies in Illustrated Legal Manuscripts & Printed Books (9th -20th Centuries)’, Eikón Imago Journal 2023, deadline 1 February 2022

The journal “Eikon-Imago”, alongside the research team IUS ILLUMINATUM of Institute of Medieval Studies (IEM) of the Faculdade de Ciências Sociais e Humanas at the Universidade NOVA in Lisbon, has decided to devote the 2023 special issue to the study and examination of religious iconographies in legal manuscripts and printed books, so as to create a place for discussion and exchange on the diverse artistic, historical and social aspects of these iconographies.

CFP: ‘Arms and Armour of Romance’, Sponsored by the Medieval Romance Society, International Congress on Medieval Studies 2022, deadline 15 September 2021

The Medieval Romance Society invites proposals for their session ‘Arms and Armour of Romance’ for the 2022 International Congress on Medieval Studies

CFP: Vagantes Conference on Medieval Studies at Cleveland Museum of Art & Case Western Reserve University in Cleveland, 24-26 March 2022, deadline 29 November 2021

The 21st annual Vagantes Conference on Medieval Studies invites abstracts from current graduate students and recently graduated Masters students from all disciplines on any topic related to the long Middle Ages. We encourage proposals for innovative presentations (20 minutes) and lecture-performances (25 minutes) on the global medieval, non-Eurocentric geographies, and medievalism(s).

Fellowship: Helen Ann Mins Robbins Fellowship in Medieval Studies 2022-2023, The Rossell Hope Robbins Library at the University of Rochester, deadline 15 January 2022

The Rossell Hope Robbins Library at the University of Rochester is pleased to invite applications for the Helen Ann Mins Robbins Fellowship in Medieval Studies. The fellowship is open to women and gender minorities with dissertation projects in any field of medieval studies.

CFP: ‘Encountering the Sacred in Medieval Italian Spaces’, Italian Art Society, International Congress on Medieval Studies 2022, deadline 15 September 2021

This session seeks papers which investigate how medieval Italian spaces impacted experiences of the sacred. How did Christians, Jews, and Muslims experience the sacred in the spaces of medieval Italy? In what ways did navigating through medieval religious spaces, homes, governmental spaces, streets and squares, or the countryside inform encounters with the sacred?