The first International Workshop on Medieval Epigraphy held in Roda de Isábena (Aragon, Spain) from 15 to 19 September 2021 is opening a call for applications for young scholars working on medieval inscriptions.
Author Archives: charlottecook
New Publication: ‘Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art, Volume 7’, ed. John A. Cotsonis
Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides.
Call for Papers: ‘Movement’, Medieval Studies Student Colloquium, Cornell University, 26-27 March 2021 (Deadline 15 January 2021)
The Medieval Studies Program at Cornell University is pleased to announce its thirty-first annual graduate student colloquium (MSSC). The conference will take place on the 26th and the 27th of March, to be held virtually over Zoom.
Postdoctoral Research Fellowship: Late Antique and/or Medieval Greek and Near Eastern Narrative, Ghent University, deadline 5 January 2021
The Department of Literary Studies at Ghent University (Belgium) is seeking well-qualified applicants for a fully-funded and full-time postdoctoral research fellowship in the European Research Council Consolidator Grant project Novel Echoes.
New Publication: The Interaction of Art and Relics in Late Medieval and Early Modern Art, ed. Livia Stoenescu
The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance.
New Publication: Art et économie en France et en Italie au XIVe siècle: Prix, valeurs, carrières, ed. Nicolas Bock and Michele Tomasi
From Giotto to the Parisian goldsmith Jean le Braelier, from Avignon to Naples via Mallorca, by approaching paintings, funeral monuments, frescoes, precious wood panelling and even a royal faldistoire, the authors question the impact of economic factors on the artistic creation.
Call for Applications: Mary Jaharis Center Grants 2021-2022, deadline 1 February 2021
The Mary Jaharis Center for Byzantine Art and Culture is pleased to announce its 2021–2022 grant competition. Our grants reflect the Mary Jaharis Center’s commitment to fostering the field of Byzantine studies through the support of graduate students and early career researchers and faculty. Mary Jaharis Center Dissertation Grants are awarded to advanced graduate studentsContinue reading “Call for Applications: Mary Jaharis Center Grants 2021-2022, deadline 1 February 2021”
CFP: 6th Conference for Doctoral and Post-Doctoral Students in Humanities and Social Sciences – Art and Nature (8 October 2021), deadline 15 May 2021
The conference will look at how the natural world has been presented, reflected or interacted by visual artists through centuries. The papers will debate on various topics from the pragmatic view of the natural world, existed simply to serve society, through the idea of natural phenomena, animals, plants etc. as allegories and symbols utilized toContinue reading “CFP: 6th Conference for Doctoral and Post-Doctoral Students in Humanities and Social Sciences – Art and Nature (8 October 2021), deadline 15 May 2021”
Scholarship: MAA Inclusivity and Diversity Research Grant (Deadline 31 December 2020)
The Inclusivity and Diversity Research Grant of up to $3,000 will be granted annually to a scholar, at any stage in their career, who seeks to pursue innovative research that will broaden the scope of medieval studies. Projects that focus on non-European regions or topics under the Inclusivity and Diversity Committee’s purview such as race,Continue reading “Scholarship: MAA Inclusivity and Diversity Research Grant (Deadline 31 December 2020)”
CFP: Perspective: actualité en histoire de l’art, ‘Inhabiting’ 2021-2022 (deadline 10 January 2021)
For its coming issue, the INHA journal Perspective asks the question of what it means to inhabit: to inhabit a space, a territory, one’s home or one’s body, whether we are dealing with far away frontiers, or the outlines of intimacy; to inhabit one’s life, one’s society/ies, one’s epoch, in what inhabiting means in termsContinue reading “CFP: Perspective: actualité en histoire de l’art, ‘Inhabiting’ 2021-2022 (deadline 10 January 2021)”
Medieval Art Research 