Tag Archives: Scholarship

10 Doctoral Fellowships in the a.r.t.e.s. EUmanities-Programme

10 Doctoral Fellowships in the a.r.t.e.s. EUmanities-Programme
Deadline: November 3, 2017
csm_eumanities_rgb_2680d6c349a.r.t.e.s. EUmanities is a pioneering programme for a European Graduate School for the Humanities, co-funded by the European Union and the University of Cologne as part of the Marie Skłodowska-Curie Actions (Horizon 2020: MSCA). Central to this programme are its interdisciplinary approach and obligatory mobility phase.

Designed to meet the needs of individual Early Stage Researchers (ESRs) in the Humanities, beginning in April 2018 a.r.t.e.s. EUmanities provides places for up to 10 ESRs, training young scholars to excel in research and cope with the global challenges Europe is facing. Our mission is to empower ESRs in the Humanities to become aware of their pivotal role in shaping the future of Europe.

ESR positions have a duration of 36 months per person. The ESRs will be employed full-time by the a.r.t.e.s. Graduate School (living allowance EUR 3,073 less tax deductions and employer’s contribution to social insurance plus a monthly paid mobility allowance and additional travel and, if applicable, family allowances). The employment conditions include social benefit payments such as health insurance, unemployment insurance, pension contributions and parental benefits. Please note that, in general, the a.r.t.e.s. Graduate School is not able to cover tuition fees for the institution chosen for the obligatory mobility phase.

The ESRs of a.r.t.e.s. EUmanities are enrolled in the structured doctoral model of the a.r.t.e.s. Graduate School, the “Integrated Track”, according to two international mobility options. ESRs may apply for:

• “a.r.t.e.s. EU”: the European fellowship at a.r.t.e.s. EUmanities

• “a.r.t.e.s. global”: the global fellowship at a.r.t.e.s. EUmanities

a.r.t.e.s. EUmanities is funded by the Universität zu Köln and the European Union’s Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No 713600.

For more information on the application procedures and requirements, please visit www.artes.uni-koeln.de pr contact us via e-mail: artes-EUmanities@uni-koeln.de.


Funding Opportunity: 5-8 doctoral positions, MIMESIS, Munich Doctoral Program for Literature and the Arts, LMU Munich

cover170x170Funding Opportunity: 5-8 doctoral positions (E13 TV-L, 66%), MIMESIS, Munich Doctoral Program for Literature and the Arts at LMU Munich funded by the Elite Network of Bavaria, starting 1 April 2017
 Deadline for application: 1 November 2016.
The International Doctoral Program (IDP) MIMESIS is dedicated to innovative doctoral research in the fields of literature and the arts, with special emphasis on historical, theoretical and transdisciplinary perspectives. It will enable cooperation between research projects in literature, theatre, performance, music, film studies, architecture and the visual arts, offering both a forum and a framework in which interests drawn from any one of these areas enter into a dialogue with other areas in the wider spectrum of creative engagements. Its research program is framed by the term mimesis, a key concept throughout the history of the arts, right up to the most recent developments in critical and cultural theory. MIMESIS offers a structured program of doctoral study combining seminars, workshops, lecture series and master classes. In addition internships with leading cultural institutions and at partner universities will be integrated into the study program.
How to Apply: The applicants should hold an excellent/above average master’s degree or equivalent in literature, art history, theatre or film studies or related subjects. The outline of the research project should show an explicit connection to the research profile of the program (i.e. mimesis).
Please use the application tool on this website:
For further information please contact:

The Bishop Otter Scholarship (Chichester and King’s College London, Deadline 22 May 2015)

St Cuthbert, DarwenThe trustees of the Bishop Otter Trust seek to appoint a person of proven
academic ability to a new scholarship for exploration of theology and the
arts, based in Chichester, working in partnership with the Centre for Arts
and the Sacred at King’s (ASK), London.

The scholarship will be for two years. The successful candidate will be ready
to undertake some original, post-graduate work of research that will generate
theological debate (seminar, lecture, blog, etc), provide a research resource
for the bishop of Chichester, and achieve publication that will constitute
serious scholarship. Residential accommodation (including utilities, etc) is
provided. The scholarship is for £7,000 per annum. The time commitment to
the scholarship is three days a week residence in Chichester, the equivalent
of a .5 part-time post of 20 hours. Holiday is pro rata for a .5 part-time

Applications close at 12.00 noon on Friday 22 May, 2015.
Interviews will be held at The Palace, Chichester, on Tuesday, 2 June, 2015.

Details are available from Mrs Margaret Gibson, The Palace, Chichester, West
Sussex, PO19 1PY

Research Fellowship: École française de Rome (Rome 2015)

Research Fellowship
École française de Rome (Rome 2015)
Deadline: 4 November 2014

IMGFarneseGdeSalleLes Écoles françaises à l’étranger ont mis en place depuis la rentrée 2012 le statut de chercheurs résidents dans leurs établissements. À l’École française de Rome (EFR), ce titre est accordé à des enseignants-chercheurs, des chercheurs statutaires ou des post-doctorants sous contrat qui sont accueillis pour une durée de six mois renouvelable, pour contribuer à la réalisation d’un programme scientifique en collaboration avec l’EFR. L’accueil est réglé par convention entre l’EFR et l’organisme de rattachement de ces chercheurs. L’École met à leur disposition tous ses moyens matériels et scientifiques pour faciliter la réalisation de leur programme.

Une aide pour favoriser leur séjour hors de leur résidence peut en outre être proposée par l’EFR lorsque le programme ne bénéficie pas de financements extérieurs propres : pour ceux qui se logent par eux-mêmes dans Rome, une aide de 2000€ mensuels est octroyée ; pour ceux qui sont logés dans l’immeuble de la Piazza Navona, l’aide mensuelle est de 1200€ sur lesquels est effectué un prélèvement de 600€  pour le loyer du studio (chambre-cuisine-salle d’eau) ; pour tous, remboursement d’un voyage par semestre vers leur résidence principale, sur la base du tarif économique.

L’EFR propose pour 2015, sans préjuger d’autres demandes susceptibles d’être prises en compte sans aide financière, un total de 30 mois d’aide à la mobilité. Une attention particulière sera portée aux dossiers s’inscrivant dans les champs disciplinaires relevant des Sciences Sociales.

Les dossiers, comportant un bref CV avec bibliographie sélective, une lettre de motivation précisant la période de séjour sollicitée, une copie du contrat ou de l’arrêté de nomination dans l’institution d’appartenance ainsi qu’une autorisation de séjour à Rome émanant de cette même institution, peuvent être envoyés, par mail, au secrétariat du directeur des études concerné par le programme de recherches dans lequel s’insère la mobilité, dans les délais suivants : au plus tard le 4novembre 2014 pour les dossiers sollicitant une aide financière ; au fil de l’eau pour les autres dossiers.Les chercheurs sollicitant une aide à la mobilité seront informés de l’issue de leur demande au plus tard le 25 novembre 2014.

For further information, see: www.ecole-francaise.it
Source: http://blog.apahau.org/

Fellowship: Pre- or postdoc fellowships at the Kunsthistorisches Institut in Florence

Fellowship: Pre- or postdoc fellowships 
The Kunsthistorisches Institut in Florenz
Application deadline: 15 August 2014

The Kunsthistorisches Institut in Florenz – Max Planck Institut is pleased to place a call for applications to pursue studies in Art History within the independent Max Planck Research Group (MPRG) “Objects in the Contact Zone – The Cross-Cultural Lives of Things”, directed by Eva-Maria Troelenberg.

– 1-2 pre- or postdoc fellowships for up to 6 months, beginning approximately 1 October 2014 
– 1 student assistant position (BA or MA level, 80h/month) for October – December 2014

KHIThe research group seeks to adapt the notion of the “contact zone” as a key term, connecting it to the object: non-European objects which are shown and stored in Western museums or collections, reproduced in Western media or are regarded, described, analyzed and categorised through a Western lens – such objects are situated in a contact zone. This follows approaches of cultural anthropology, while maintaining genuinely art historical solutions as the investigative aim. As such, these contact zones create particular conditions of perception and reception, resulting both from the object’s own aura, provenance, or biography and from the recipient’s predisposition and intentions.

Following a potentially asymmetric, but basically reciprocal or polycentric working hypothesis of transculturation, we are looking at case studies which can shed significant light on the production of knowledge in such contact zones.

Our examples deal with the interrelation between particular objects or groups of objects and their cross-cultural reception as mediated through museums, collections, publications or other visual or performative cultural practices in the colonial and postcolonial age. We are mainly focusing on exchange processes within the larger modern Mediterranean and its global connections.

Together, our case studies can bridge the theoretical space between cross-cultural studies and visual culture phenomena and may also induce critical reassessments of established narratives, categories and key terms such as the very idea of “transculturation” itself. As our work is embedded into questions of institutional history as well as into the history of science, knowledge and representation, our overarching research queries have developed significantly towards fields such as:

– museum theory and exhibitions in cross-cultural context
– agency theories for polycentric and transcultural art histories
– political and social functions of aesthetic differences and convergences
– critical approaches to canon and chronology in art history

For further information on the MPRG see also

Fellowship applications in German or English language should include 

– detailed CV
– research proposal (max. 4 pages)
– list of publications and one substantial writing sample
– one letter of recommendation

Student assistant applications should include

– letter of motivation
– CV
– one letter of recommendation
– certificate of matriculation

Please send your electronic application in one pdf file (max. 2 MB) by 15 August to troelenberg@khi.fi.it.

The Kunsthistorisches Institut in Florenz is an equal opportunity employer and particularly encourages applications from women and disabled persons. Fellowships follow the rules of the Max Planck Society.

International scholarship programme (Berlin, Staatliche Museen)

International scholarship programme for sabbatical leave and research
residencies at the Staatliche Museen zu Berlin
Berlin, 01.01. – 31.12.2015
Application deadline: Aug 31, 2014

Launched in 2009, the International Scholarship Programme offers scholars from around the world the opportunity to spend one to three months on a research residency at the Staatliche Museen zu Berlin.

© Staatliche Museen zu Berlin / Juliane Eirich

© Staatliche Museen zu Berlin / Juliane Eirich

The programme supports research projects that bear direct relation to the diverse institutions and rich collections of the Staatliche Museen zu Berlin. It aims to strengthen the Staatliche Museen zu Berlin’s position within the international scholarly network and is therefore aimed specifically at foreign scholars who do not reside in Germany.

The programme especially promotes young researchers. The scholarships allow researchers to work on their project and make professional contacts at the Staatliche Museen zu Berlin. As a result, they also get to participate in the scholarly and cultural life within the Staatliche Museen zu Berlin and Stiftung Preussischer Kulturbesitz.

Graduate scholars, postgraduates and doctoral candidates as well as post-docs and professors who do not have their residence in Germany are eligible for application. The applicants must hold at least a first university degree at the time of application.

The application for a grant for 2015 has to be handed in by 31 August 2014 (postmark). The application has to be submitted directly to the Director General of the SMB.

Further information you will find at:

eikones Graduate School (Basel): Invitation to apply for 5 PhD Scholarships

eikones Graduate School (Basel): Invitation to apply for 5 PhD Scholarships
Submission deadline July 30, 2014

Invitation to apply for 5 PhD scholarships, including one from the Hans und Renée Müller-Meylan Foundation Basel for the period October 1, 2014 to September 30, 2017 in the fields of art history, music studies, German literature, philosophy, media studies, English or American literature.


eikones, the NCCR Iconic Criticism at the University of Basel, has pursued the question of the power and meaning invested in images through interdisciplinary research since 2005. eikones accordingly brings together 40 scientists from different disciplines whose PhDtheses and Post-doctoral projects are grouped in modules following specific questions. In addition, the Graduate School forms an integral part of the NCCR Iconic Criticism and offers PhD students numerous opportunities to participate on an interdisciplinary level.

The new Graduate School will commence in October 2014, awarding a total of 5 PhD scholarships. Supported projects will examine images from a systematic standpoint that relates to a key concept of the NCCR Iconic Criticism: the “singularity of images.”

This notion describes the NCCR’s object of study well: the image and the images, their genesis and history, and their role in praxis and theory. For heuristic purposes, three interrelated dimensions of singularity have been identified:

a) The singularity of an individual image in relation to a plurality of images
For much of its history, the study of images has focused on the individual image and thereby privileged those that are artistically or historically distinctive. In contrast, research at the NCCR, since its inception, has profited from a fruitful friction between the image in the singular and images in the plural. The project is built upon the conviction that the effective potential and meaning of an individual or distinctive image can only be analyzed in its relation to a plurality of images meaning that neither the singular nor plural need be privileged. Instead, the “singularity of images” encompasses both the individual image singled out and the image imbedded in particular relations.

b) The singularity of constellations of images
From a second perspective, the constellations in which individual images stand in relation to one another can themselves be understood as singular. An analysis of images in constellations should not presuppose a “system of images,” according to which images would be merely determined through internal differentiation, as in a structuralist system of signs. Rather, such an analysis has to consider the singularity of constellations and the plurality of images both in their own historicity and in their image-specific form. Constellations of images include a diverse spectrum of objects such as human artifacts, visual manifestations, products of psychic, cognitive, or instrumental processes, linguistic or semantic, scenic or performative phenomena, and, not least, works of art.

c) The singularity of images in practices
Finally, images and related phenomena should be considered in relation to artistic, social, epistemic, religious, economic, and scriptural practices, in which contexts they evince singularity in a third manner. They contribute to the ways in which these practices become perceptible, arrested, formatted, and, to different degrees, condensed, made concrete. In doing so, images do not only function as representa-tions of practices. Rather, their singularity consists in acquiring their own, irreducible meaning and agency, that enables social, esthetic and epistemological continuities, prompts change, and grounds new practices that only become conceivable thanks to the images’ specific capacities to format and condense.

Supported PhD projects are expected to relate to the notion of “the singularity of images,” whose con-tours are outlined here, making use of it in the context of their respective methodological approaches and their empirical or historical lines of inquiry.

For further information on how to apply, please see here.