Tag Archives: edited volume

CFP FOR AN EDITED COLLECTION: Architectural Representation in the European Middle Ages

ramsey censerCFP FOR AN EDITED COLLECTION: Architectural Representation in the European Middle Ages, edited by Hannah Bailey, Karl Kinsella, and Daniel Thomas

Deadline: 1 November 2017

The architectural remnants of the Middle Ages—from castles and cathedrals to village churches—provide many people’s first point of contact with the medieval period and its culture. Such concrete survivals provide a direct link to the material experience of medieval people. At the same time, exploring the ways in which architecture was conceptualized and depicted can contribute to our understanding of the ideological and imaginative worldview of the period.

This volume seeks to investigate all aspects of architectural representation in the medieval period, encompassing actual, symbolic, or imaginary architectural features, whether still standing today, observable in the archaeological record, or surviving only through depiction in literature or art. Topics of interest might include (but are not limited to) the social and symbolic value of architecture, architectural metaphor or imagery, architecture in visual representations, architecture in the depiction of other spaces, memory and architecture, and architectural style.

The volume is interdisciplinary in outlook and we welcome contributions from across the spectrum of academic disciplines, including literature, history, art, theology, and archaeology.

Please send abstracts of no more than 250 words, with a brief biographical blurb, to the editors at: architecturalrepresentations@gmail.com by 1st November, 2017.


CFP: Of Man Eating Men: Medieval and Early Modern Cannibalism (edited volume)

800px-tartar_cannibalism_illumination_matthew_paris_chronica_majoraCall for papers: Edited volume: Of Man Eating Men: Medieval and Early Modern Cannibalism, edited by Sarah Lambert, under consideration with the series Explorations in Medieval Culture (Brill).
The “headline” idea of cannibalism evokes images of depraved killers feasting on the flesh
of their victims, Sweeny Todd-style. Modern society has been fascinated by cases of
murder that involve ingesting parts of other human beings. However, the word and the
concept have a fascinating early history in the medieval world.
Debates around transubstantiation engaged with the idea of theophagy—the cannibalistic
consumption of Christ’s body, and the virulent anti-Semitism of the period focused on
accusations of the Jewish consumption of Christian blood in an imagined act of
blasphemous cannibalism. During periods of famine or siege, people occasionally resorted
to cannibalism out of desperation. Dante records literary horror at his invention of the
divine punishment of Ugolino della Gherardesca who gnaws upon the head of
Archbishop Ruggieri, implying that in starvation, Ugolino may have been driven to
cannibalize his sons and grandsons—an act disproven by modern forensic science. There
are numerous scenes of cannibalism in medieval and early modern art and narrative.
Cannibalism has always existed and is a facet of what it means to be human. It is a
universal phenomena that often relates to the primal desire to survive, but can also be an
act of veneration and honor, and is still a topic of fierce debate amongst anthropologists
and archaeologists today.
This volume examines way that cannibalism served variant and normative functions in
the culture of the European middle ages, taking in religious, literary, psychosocial, artistic
and historical fields of inquiry; it interrogates distinctions of “reality” and “fiction”, and
questions early definitions of the human species as illustrated by discourses of autophagy,
“eating the self”.

How to submit: The editor welcomes abstracts of 250 words on any aspect of cannibalism in the medieval or early modern period including, but not limited to, theology, art, literature, history, law, medicine, archaeology, anthropology, psychology and forensics.
Abstracts should include the author’s name, contact details, affiliation, email address and a brief bio, and should be sent to Sarah Lambert: s.lambert@gold.ac.uk
This volume is under consideration with the series Explorations in Medieval Culture


CFP: Power of the Bishop, Second Edited Volume

Deadline: 1 October 2016

The second volume ‘In the Hands of God’s Servants’: The Power of the Bishop and the Problem of Personality is being prepared, based on the conference Episcopal Personalities held at Cardiff University, 2015. We would like to invite submissions for this volume on the subject of personality and its impact in the formation, enhancement and undermining of the episcopal office across Britain, Europe and Asia Minor during the High Middle Ages. We particularly encourage interdisciplinary applications, and are interpreting the geographical range quite widely.

Topics may include (but are not limited to):

  • Problems with/Possibilities for interpreting a bishop’s personality from source material,with close readings of manuscripts or other sources (not limited to textual)
  • How episcopal personalities were projected/constructed, through art, liturgical music, architecture, material and visual culture
  • Discussions of personality traits as tropes – negative and positive/sinful and saintly – in literature, hagiography, chronicles and other source material
  • Discussions of visual representations of personality traits in stained glass and other artistic representations of medieval bishops in any visual media
  • Case-studies and comparisons of individual bishops, and the impact of their personality upon the formation, projection, enhancement or undermining of their position
  • The consequences of contrasting episcopal personalities in the development of monasticism or upon communities of secular canons
  • The impact of contrasting episcopal personalities in dealings with secular lords, kinship networks, friendship networks, etc.

Submit essays of no more than 7500 words in length including footnotes and bibliography with a 30-40 word author bio to powerofthebishop@gmail.com. Submissions should be in English.

Call for Contributions: Edited Volume ‘After the Carolingians: Manuscript Illumination in the Tenth–Eleventh Centuries’

salzburgpericopes001Call for Contributions: edited volume After the Carolingians: Manuscript Illumination in the Tenth–Eleventh Centuries
Deadline: Jun 1, 2016

A great deal of research remains to be done on the substantial and
wide-ranging corpus of illuminated manuscripts produced in continental
Europe between the late ninth and late eleventh centuries. Whether
tucked away in footnotes or relegated to the status of comparanda, the
extant manuscripts from this difficult period of history — particularly
from the regions of modern-day France and Flanders — rarely receive the
focused attention they deserve. Yet many manuscripts from the tenth and
eleventh centuries have the potential to challenge our understanding of
fundamental issues of historical inquiry, including the nature of
artistic originality, various processes of transmission, the working
relationships between artists, patrons and scribes; even the essential
character and functions of illumination.

We seek papers that offer new perspectives on the culture of
illuminated books produced between c. 900 and c. 1050 outside the
established centers of art-historical focus in Anglo-Saxon England and
the Ottonian Empire. Studies of manuscripts originating beyond the
traditional geographic boundaries of the Carolingian Empire are most
welcome, as are studies that coordinate manuscripts with their physical
environment or with works of art in other media, and studies that
reflect upon relationships of “center and periphery” or questions of
regionalism, problematize the issue of artistic quality, or investigate
connections between tenth–eleventh century manuscripts and illumination
of other periods.

Papers will be collected in a volume to be published in the series
“Sense, Matter and Medium: New Approaches to Medieval Culture” (De
Gruyter). We wish also to propose a session on the topic of the volume
at the Annual Meeting of the Medieval Academy of America (Toronto,
April 6–8, 2017), which will double as a contributors’ meeting.

Submission: Please send an abstract of your proposed contribution (ca. 300 words) and let
us know whether you would be able to attend the MAA conference.
Deadline: June 1, 2016. Please contact us with any questions.

Beatrice Kitzinger (Princeton University, bkitzinger@princeton.edu)
Joshua O’Driscoll (The Morgan Library and Museum,

Call for Contributions: Critically Mediterranean: Aesthetics, Theory, Hermeneutics, Culture (Edited Volume)

Call for Contributions: 
Critically Mediterranean: Aesthetics, Theory, Hermeneutics, Culture
ed. by Yasser Elhariry (Dartmouth College) & Edwige Tamalet Talbayev (Tulane University)
Deadline: 15 December 2014

This is a call for contributors for Critically Mediterranean: Aesthetics, Theory, Hermeneutics, Culture, a peer-reviewed edited volume co-edited by Yasser Elhariry (Dartmouth College) & Edwige Tamalet Talbayev (Tulane University).

satelliteMeditPointing to the crux of much debate and scholarship in Mediterranean Studies, W. V. Harris has defined Mediterraneanism as “the doctrine that there are distinctive characteristics which the cultures of the Mediterranean have, or have had, in common” (1).  A pervasive approach to the region in the disciplines of history and anthropology, the concept has fruitfully brought to light the presence of “common denominators” underlying the region’s past that warrant a comparative reading of local history across broad spans of time and space. Based on excavating millennia-old histories of ever-shifting interactions at the micro-level (Horden and Purcell’s “connectivity”), this approach has striven to move the focus away from the myriad local histories unfolding across the Mediterranean’s coastlands to bring the space of the sea as a principle of integration into relief. Highlighting wide-ranging forms of mobility, interconnectedness, and analytical fluidity in their adjustable Mediterranean model, these conceptions have emphasized the material flows running across the sea and its shore-lands, and the human activities that they have supported. As Peregrine Horden observes in his and Sharon Kinoshita’s Companion to Mediterranean History, “There seems to be no limit to the ways in which the Mediterranean region may be reimagined, as a sea, as an area involving physical movements, maritime spaces, territorial arrangements, and political processes that seek to transcend national boundaries and enmities” (5).

Moving the chronology and critical purviews of the field forward, this volume seeks to interrogate how theories and methodologies of Mediterranean Studies may bear on the modern period. Beyond the dominant mapping of the region in ancient, medieval and early modern contexts, there are important questions to be answered about our critical understandings of the modern Mediterranean and its arts and cultures that have a direct bearing on our understanding of the modern/contemporary world. This volume probes the critical cut of the Mediterranean as a theoretical entity, as an aesthetic, theoretical, and hermeneutic category for the interpretation and analysis of culture, and as a space of artistic and linguistic density and coterminous symbolic geographies. We propose to examine its critical potential in the age of nationalistic projects, global capitalism, colonial modernity, and postmodernism.

With these guiding principles in mind, we encourage contributions that explore material, visual, literary and linguistic cultures of “the Mediterranean as a spatial constellation undergoing recurring formation and dissolution,” in order to “make the notion of a modern Mediterranean plausible and reveal its structural similarities and connections with the sea’s previous lives” (Ben-Yehoyada 107). Teetering between the unenviable status of romantic delusion and the nefarious influence of residual (self)orientalizing dynamics, the Mediterranean as a conceptual tool first needs to liquidate its fraught exoticist heritage. With the advent of European imperialism in the Mediterranean in the 19th century, dealing with the legacy of globalization also requires attending to the fractures, inequalities, and forms of disenfranchisement that the new world order has engendered (what Ian Morris has dubbed “winners and losers” in relation to Mediterraneization). Alongside Iain Chamber’s “interrupted” paradigm, concepts of critical/ alternative modernities anchored in the sea are relevant to scrutinizing the fruitfulness of the Mediterranean construct to these theorizations.

We are thus seeking contributions that (1) present readings of an original, modern Mediterranean archive or corpus, and (2) rigorously, even polemically, argue what constitutes the archive/corpus’ Mediterraneanism.

We especially encourage proposals that address a combination of the following possible lines of inquiry:

  • Origins and genealogies. Sharon Kinoshita has aptly suggested that “Mediterranean studies is less a way of defining or delimiting a geographic space (as in the famous formulation of the Mediterranean as the region of the olive and the vine) than a heuristic device for remapping traditional disciplinary divides” (602). What are the material, visual, literary and linguistic limits to our grasping of the Mediterranean? What are the needs and natures of disciplinary, cross-disciplinary, and interdisciplinary work? What is the role of competing genealogies within field formation? In turn, how may the births and beginnings of disciplines inform our critical understandings of the modern Mediterranean and its arts and cultures?
  • Mediterranean representations. How do cultural formations, historical processes, and elements of style develop? How do considerations of genre and intertextuality inform their emergence? What artistic and intellectual tropes and turns (for example: nostalgia, cosmopolitanism, religion and mysticism) inflect the Mediterranean as a rhetorical tool or figure within their respective genealogies?
  • Mediterranean translations. What roles does language perform in the modern Mediterranean? What and where are the untreatable, untranslatable dimensions of Mediterranean expression? How do linguistic codes intersect with the visual, the sonic, and the (inter)medial? What are the specificities of—or relationships between—literature, visual culture, cinema, music, media and intermediality?
  • Philosophy, phenomenology and the poetics of space and time. Edgar Morin reports that it is in the 16th century that the Mediterranean was given its name, which meant sea-at-the-center-of-the-lands (33), but what if the Mediterranean in fact decenters and disorients? How do modern representations of the Mediterranean treat the nature of the sea? Beyond dialectics of change and permanence, how does the incursion of the Mediterranean into time evoke discrepant temporalities (plural, unpredictable, ephemeral, internally experienced, immanent or dormant)?
  • (Bio)politics. Chakrabarty has pointed how the Mediterranean “environment […] had an agentive presence in Braudel’s pages” (205). Does the modern Mediterranean still play “an agentive presence” in contemporary politics? In an era where “the Marxist critique of capitalism” and “Marxist internationalism undermined the idea of the nation” (Morin 38-39), what is the Mediterranean’s relationship to la raison d’état, or the nation-state as a heuristic core of critical practice? What becomes of the relationship between nation-states and languages, between identities and affiliations? How does it call into question national literary languages? How would (bio)political questions concerning revolution, democracy, migration, transnationalism, and minority and second-generation human rights be articulated and addressed within these discourses?
  • Mediterranean identities and self-identification. How do we key in the elaboration of local identity and community formation? What are the attendant regional politics and polemics? What are the dialectical relations to forms of being in the world ensconced in the discreteness of micro-localities? How may identity markers be uniquely declined beyond the dominant rhetoric of the right to difference? How may this entail the emergence of a transnational consciousness or of a specific ethos? How may we think beyond subjective experiences of the Mediterranean?
  • The Mediterranean/Mediterraneans. How do we balance the focus on the micro with the need for the macro (Abulafia, 2006) and the relation to other sea-centered logics? What are the geographical limits of the modern Mediterranean? What is the place of the critical Mediterranean within reflections on “new thalassology” (Horden and Purcell, 2006) and “thalassocracies” (Abulafia, 2014)? Should the model be applied beyond the region? What is its intellectual currency across geographical divides?

Detailed abstracts (500 words) are due by December 1, 2014 to Edwige Tamalet Talbayev (etamalet@tulane.edu) and Yasser Elhariry (yasser.elhariry@dartmouth.edu). Contributors will be notified of acceptance by December 15, 2014. Completed manuscripts (6,000 words) are due byJune 1, 2015. Manuscripts will be rigorously edited prior to submission to the press. Although final placement of the volume will be contingent on the outcome of the press’ peer-review process, Brian Catlos and Sharon Kinoshita, the editors of Palgrave Macmillan’s new Mediterranean Studies series, have expressed interest in the volume.

Abulafia, David. “Mediterraneans.” Rethinking the Mediterranean. Ed. W. V. Harris. Oxford: Oxford UP, 2006. 64-93.
———. “Thalassocracies.” A Companion to Mediterranean History. Ed. Peregrine Horden and Sharon Kinoshita. Oxford: Wiley Blackwell, 2014. 139-153.
Ben-Yehoyada, Naor “Mediterranean Modernity?” A Companion to Mediterranean History. Ed. Peregrine Horden and Sharon Kinoshita. Oxford: Wiley Blackwell, 2014. 107-121.
Chakrabarty, Dipesh. “The Climate of History: Four Theses.” Critical Inquiry 35 (2009): 197-222.
Chambers, Iain. Mediterranean Crossings: The Politics of an Interrupted Modernity. Durham: Duke UP, 2008.
Harris, W. V., ed. Rethinking the Mediterranean. Oxford: Oxford UP, 2006.
Horden, Peregrine. “Introduction.” A Companion to Mediterranean History. Ed. Peregrine Horden and Sharon Kinoshita. Oxford: Wiley Blackwell, 2014. 1-7.
Horden, Peregrine and Nicholas Purcell. The Corrupting Sea: A Study of Mediterranean History. Oxford: Wiley Blackwell, 2000.
———. “The Mediterranean and ‘the New Thalassology.’” The American Historical Review 111.3 (2006): 722-740.
Kinoshita, Sharon. “Medieval Mediterranean Literature.” PMLA 124.2 (2009): 600-608.
Morin, Edgar. “Penser la Méditerranée et méditerranéiser la pensée.” Confluences Méditerranée 28 (2009): 33-47.
Morris, Ian. “Mediterraneanization.” Mediterranean Historical Review 18.2 (2003): 30-55.