For the second year, the Index of Medieval Art is pleased to offer a student travel grant to attend this year’s Index conference, Whose East? Defining, Challenging, and Exploring Eastern Christian Art, on November 11, 2023.
Author Archives: Roisin Astell
Call for editors: Co-editors-in-chief for postmedieval journal, deadline 1 October 2023
The postmedieval journal seeks four new Editors-in-Chief.
CFP: ‘The Medieval in Museums’, IMC Leeds 2024, deadline 18 September 2023
Proposals are invited for the IMC Leeds 2024 session ‘The Medieval in Museums’.
CFP: ‘Commemoration and the Senses in Late Medieval Europe’, IMC Leeds 2024, deadline 24 September 2023
Abstracts are welcomed for the session ‘Commemoration and the Senses in Late Medieval Europe’ at IMC Leeds 2024.
Job: History of Art Tutor, Department for Continuing Education, University of Oxford, deadline 18 August 2023
The Department for Continuing Education at the University of Oxford seeks a History of Art Tutor.
CFP: ICMS Kalamazoo 2024 – two sessions on Queer(ing) Medieval Art, deadline 15 September 2023
This session seeks papers that bring queer methodologies to the study of medieval visual culture.
Conference: ‘Reliquary busts between Italy and Europe (XII-XVIth centuries’, 22-24 Sep 2023
This conference follows the exhibition ‘Gold and Silver Portraits exhibition. Medieval reliquaries in Piedmont, Valle d’Aosta, Switzerland and Savoy’.
Call for Proposals: ‘Social Sculpture in the Middle Ages’, Different Visions journal, deadline 1 October 2023
This special issue of Different Visions seeks to address the methodological unity between sensory experience, reader response, and performance studies through the paradigm of “social sculpture.”
Conference: ‘Visualizing Drugs & Dyes. Art and Pharmacology in (Early) Medieval Worlds (600–1400)’, 4-6 Sep 2023, University of Basel
Attend online or in person this wonderful conference all about the role of plants within material practice and medicine.
New Publication: ‘Colors in Medieval Art: Theories, Matter, and Light from Suger to Grosseteste (1100–1250)’, by Alberto Virdis
This book argues that color is and was a central “cultural object” within art history, a fact first elucidated through an examination of the debates and difficulties of color in language, theology, science, and philosophy.