This session seeks to sound out ways of how to study connectivity, transcultural entanglements, and the role of and artistic responses to imported artefacts from 500 CE to the present-day in Africa without seeing Africans as passive beings ‘influenced’ by people and objects from afar.
We invite proposals for papers exploring the role of women as artists, patrons and collectors in the medieval and early modern periods, broadly defined (c.400–1700).
The Association for Art History offer grants of up to £1,000 which provide support to aid scholarly research, to develop professional practice and to further the teaching and learning of art history at all education levels.
The Association for Art History Dissertation Prize is awarded each year. There are two awards: one for undergraduate dissertations and one for postgraduate (Master’s-level) dissertations. The 2020 prize is for dissertations written during the 2019-20 academic year.
How do you write about art? On Wednesday 24 June we launched a new series of short online talks about writing about art. We started the series finding out how to write about art and exhibitions with art critic, Tabish Khan. Tabish has been visual arts editor at Londonist since 2013 and writes extensively aboutContinue reading “Resource: Writing about Art with Art Critic Tabish Khan, Association for Art History”
This is a call for presenters in a panel at the Association of Art Historians annual conference, which is taking place at the University of East Anglia, Norwich 9th – 11th April 2015. Artists, Avarice and Ambition in Europe, 1300 -1600 Co-convenors: Jill Harrison, Open Universityjill.email@example.com Vicky Ley, Open Universityv.firstname.lastname@example.org In Trecento Italy Giotto diContinue reading “CFP: Artists, Avarice and Ambition in Europe, 1300 -1600 (AAH Annual Conference 2015), deadline 10 November 2014”