This volume is the first English-language study of the baptistery of Padua and its extraordinarily rich fresco program, commissioned by a woman, Fina Buzzacarini, in the 1370s. She had the sacred space reshaped into a family mausoleum, though it continued to function as the town’s baptistery.
Author Archives: Roisin Astell
New Publication: ‘Pilgrimage and England’s Cathedrals: Past, Present, and Future’, edited by Dee Dyas and John Jenkins
Pilgrimage and England’s Cathedrals looks at England’s cathedrals and their relationship with pilgrimage throughout history and in the present day.
Postdoctoral Fellowships: ‘Musical and Poetic Creativity in the Western Christian Liturgy, c.1000-1500’, Two 4-Year Postdoctoral Research Fellowships, University of Oslo, deadline 1 October 2020
Two Post-Doctoral Research Fellowships in Musical and Poetic Creativity in the Western Christian Liturgy, c.1000-1500 are available at the Department of Musicology, University of Oslo.
Call for Participants: Studying East of Byzantium VII: In Conversation with Anti-racism, Pandemic, and Social Inequality, deadline 15 September 2020
A three-part workshop that intends to bring together doctoral students studying the Christian East to discuss how the events of 2020, from the intensified conservations about systemic racism and economic inequality stemming acts of police violence on Black men and women in the United States to the dramatic changes to life and work brought about by the coronavirus pandemic, have impacted their research with a diverse group of colleagues and senior specialists in the field.
Call for Papers: ‘Public Space & Community’, Late Antique & Medieval Postgraduate Society, University of Edinburgh, Autumn 2020 Seminar Series, deadline 21 September 2020
The Late Antique and Medieval Postgraduate Society (LAMPS) invites postgraduate students to present their research at our weekly Monday seminars.
Online Course: Los manuscritos iluminados: historia, producción y descripción, 21 September – 2 October 2020
Please note that this course will be in Spanish. Illuminated Manuscripts: History, Production and identification. The course is designed as an introductory to the study of Illuminated Manuscripts from both theoretical and practical viewpoints. The relationship between text and image(s), the history of manuscripts production or the materials and techniques used by scribes and illuminatorsContinue reading “Online Course: Los manuscritos iluminados: historia, producción y descripción, 21 September – 2 October 2020”
Call for Participants: Medieval WaterWorks: A Roundtable, Leeds IMC 2021, deadline 18 September 2020
The last decade has seen a burgeoning critical interest in the study of water in the Middle Ages. Scholars from a range of disciplines have begun to recognise that water is not merely a catalogue of interesting tropes; it is a means or method of communication, a disruptive and radical force, and a vehicle for thinking across time, space, disciplines and languages. It carries us down diverse paths and creates unexpected intersections between people, places and things.
CFP: Eating Like Orientals in the Medieval Western Imagination, International Congress on Medieval Studies, Kalamazoo 2021, deadline 15 September 2020
This session invites reflections on medieval representations of “exotic” eating habits and their resonance in our time of pandemic, taking into consideration the recent epidemic of orientalist sentiments, assumptions, judgments against *not* “eating like white people,” in today’s terms.
Host Conference Institution: 21st Annual Vagantes Conference 2022, deadline 27 September 2020
The Vagantes Conference on Medieval Studies is now accepting applications for our 2022 host institution. The conference is an interdisciplinary graduate student conference focusing on the Middle Ages. It is entirely organized and run by graduate students.
Online Lecture: The Ringsaker Altarpiece, 21 September 2020, 9:15-16:15 (GMT+2), register by 14 September 2020
On September 21, 2020, NIKU welcomes you to a webinar on the altarpiece in Ringsaker, Norway. This is the only known Antwerp altarpiece in Norway.