CFP: ICMA sponsored session: ‘MOVING MATERIALS: Medium, Meanings, and Technique in Transit,’ Leeds International Medieval Congress, University of Leeds, Leeds, United Kingdom, 1–4 July 2019

Deadline: 21 September 2018 MOVING MATERIALS: Medium, Meanings, and Technique in Transit, Leeds International Medieval Congress (thematic strand: Materialities), University of Leeds, Leeds, United Kingdom, 1-4 July 2019 Sponsored by the International Center of Medieval Art (ICMA) Student Committee Organized by D. Esther Kim (Toronto),  Maggie Crosland (Courtauld), and Xin Yue (Sylvia) Wang (Toronto) The materials of theContinue reading “CFP: ICMA sponsored session: ‘MOVING MATERIALS: Medium, Meanings, and Technique in Transit,’ Leeds International Medieval Congress, University of Leeds, Leeds, United Kingdom, 1–4 July 2019”

CFP: L’architecture gothique. Entre réception et invention. Impact, continuité et réinterprétation (XIIe – XXe siècle), Centre André Chastel, Paris, 10 March 2018

Call for Papers: L’architecture gothique. Entre réception et invention. Impact, continuité et réinterprétation (XIIe – XXe siècle), Centre André Chastel, Paris, 10 March 2018 Deadline: 15 November 2017 L’une des définitions les plus correctes du terme « gothique » est celle qui interprète ce phénomène architectural non comme l’expression d’une période historique mais comme un systèmeContinue reading “CFP: L’architecture gothique. Entre réception et invention. Impact, continuité et réinterprétation (XIIe – XXe siècle), Centre André Chastel, Paris, 10 March 2018”

Material Witness Blog

          The Material Witness blog is up! Material Witness is an interdisciplinary training program for PhD students from the seven UK universities that makes up the CHASE consortium – The Courtauld Institute of Art, Goldsmiths, the Open University, and the Universities of East Anglia, Essex, Kent and Sussex. The Material WitnessContinue reading “Material Witness Blog”