CFP: International conference: ‘Multiplied and Modified. Reception of the Printed Image in the Fifteenth and Sixteenth Centuries,’ University of Warsaw and the National Museum in Warsaw, June 28 – 29, 2018

Call for Papers: International conference: Multiplied and Modified. Reception of the Printed Image in the Fifteenth and Sixteenth Centuries, University of Warsaw and the National Museum in Warsaw, June 28 – 29, 2018 Deadline:  15 January 2018 Keynote speakers: Jean Michel Massing (University of Cambridge) Suzanne Karr Schmidt (The Newberry, Chicago) The production of printed image consists of aContinue reading “CFP: International conference: ‘Multiplied and Modified. Reception of the Printed Image in the Fifteenth and Sixteenth Centuries,’ University of Warsaw and the National Museum in Warsaw, June 28 – 29, 2018”

British Museum Handling Session: Master W and Key and late-gothic architectural prints 

Thanks to the assistance of Lloyd De Beer and Naomi Speakman, both in progress with individual collaborative PhDs at the British Museum, the Courtauld has organised several handling sessions for postgraduate students over the past few years – you can read a report from an earlier session here. The March session was kindly hosted byContinue reading “British Museum Handling Session: Master W and Key and late-gothic architectural prints “

CFP: The lettering of prints. Forms and functions of writing in the printed image in 16th-century Europe.

  Call for Papers: The lettering of prints. Forms and functions of writing in the printed image in 16th-century Europe. Paris, Centre André Chastel, Institut national d’histoire de l’art (INHA), November 17 – 18, 2016 Deadline: Mar 31, 2016   Words, titles, legends, commentaries, artists’ names, privileges – necessarily – fine speeches, addresses to the “reader”, showy dedications.Continue reading “CFP: The lettering of prints. Forms and functions of writing in the printed image in 16th-century Europe.”