Conference programme: ‘From Name to Space, and to Myth’, 17 November 2023

From Name to Space, and to Myth: Toponyms, Topographies, Representations, and How Places Become Mythical in the Pre-Modern Mediterranean Space and Beyond (7th–14th centuries)

This conference aims to ask a simple yet complex question: how can a (holy) place becomes mythical through the intersection of its name (echoed by pilgrims, travelers, “policymakers”, texts, and accounts), its topographical features, and its visual representations? Necessarily at the intersection of scholarly traditions and disciplines, this study day wishes to understand this phenomenon by crossing perspectives from scholars studying “Eastern” and “Western” – as far as these categories are relevant – case studies, from the legendary Mount Ararat, resting place of Noah’s Ark, to a series of places which are profoundly embedded in premodern collective memory. The mythicization of space is, of course, not only the result of these factors playing together: this workshop also wishes to investigate the purposeful fabrication of place by policymakers, from ruling powers to ecclesiastical authorities.

In person: University of Lausanne (Switzerland)

Online: https://unil.zoom.us/j/95408794847

Programme

9h30: Opening remarks (Cassandre Lejosne, University of Lausanne)

10h00: Adrien Palladino (Masaryk University, Brno)

Relictual Relics: Reflections on Nature, Placedness, and Ecologies of Holy Sites in Late Antiquity (4th–8th c.)

10h30 Coffee break

11h00: Mattia Guidetti (University of Bologna)

From Mount Moriah to al-Haram al-Sharif: Jerusalem in the Early Islamic Period

11h30: Chen Cui (University of Lausanne; Birkbeck, University of London)

Spatial Narrative and the Mandeville-Author’s Vision of World System: Reading Mandeville’s Travels as a Universal History

12h00 Lunch break

14h00: Nazénie Garibian (Institute of Ancient Manuscripts of Matenadaran; Academy of Fine Arts of Armenia, Yerevan)

From Name to Space and to a Sacred Topography: The Mount Ararat in the Armenian Christian Tradition

14h30 : Annalisa Moraschi (Masaryk University, Brno; École Pratique des Hautes Études, Paris)

The Epitome of Perfection: How a 13th-century Liege Family Came to Build the “Perfect Establishment”

15h00: Coffee break

15h30: Giorgos Papantoniou (Trinity College Dublin)

Reconsidering the Cypriot ‘extra-urban’ sanctuary in the context of Central Place Theory: Methodological Attempts from Earlier Periods

16h00: Final discussion

Lecture: ‘Birth, death and protective imagery in a rock-hewn church from tenth-century Cappadocia’, with Dr Niamh Bhalla, Courtauld Institute of Art, Vernon Square, Wed 15 November 2023, 5.30pm-7pm (GMT)

Life was unpredictable, and often precarious, for the people of medieval Byzantium. Life expectancies were low and mortality rates high, particularly for young children and pregnant women. The world was perceived as a fraught dialectic between good and evil forces as Christians awaited the full implementation of Christ’s victory at the Second Coming. Securing divine protection in the meantime could determine the outcome for you and your loved ones, particularly in the face of illness and the bearing of healthy children. Very often, all that remains of the cycles of existential threat, fear and trust in God experienced by medieval people are the objects of material culture through which they sought divine protection. In this paper, Dr Niamh Bhalla will explore the image of the Nativity in the tenth–century church of Eğri Taş, in the Peristrema Valley of Cappadocia in rural Turkey, as an indexical trace of the community that once came to secure God’s protection aided by the potent imagery there. The palpable emphasis on the theme of childbearing in this funerary church that hosted many graves, including those of women and children, through an unusual and extended infancy cycle along with the inclusion of powerful elements such as prophylactic names and the SATOR palindrome within images related to Christ’s birth, will be interpreted as the employment of persuasive visual analogies in response to the struggles that families faced in the community.  

Dr Niamh Bhalla is Associate Professor in Art History and Assistant Dean at Northeastern University – London. Niamh came to Northeastern in 2018, having previously lectured and worked on research projects at The Courtauld Institute of Art and the Victoria and Albert Museum. She is the author of Experiencing the Last Judgement (Routledge, 2021). She researches and publishes on the physical, emotional, mnemonic, analogical and gendered experience of late classical and medieval imagery. She also works on the modern reception of Byzantium.  

Find out more here.

Organised by Dr Tom Nickson (The Courtauld) as part of the Medieval Work in Progress Series. 

The Medieval Work in Progress Series is kindly supported by Sam Fogg.

Online Lecture: ‘The Wall Paintings of Angers Cathedral’ with Professor Paul Binski, Dr Emily Guerry, and Dr Lucy Wrapson, Monday 27 November 2023 5-7pm (GMT)

Join Professor Paul Binski, Dr Emily Guerry, and Dr Lucy Wrapson in this online lecture to hear about their work on the Gothic Wall Paintings in Angers cathedral as part of the Cambridge Medieval Art Seminars at the University of Cambridge.

Book your tickets for the online lecture here: https://www.eventbrite.co.uk/e/binski-guerry-wrapson-the-wall-paintings-of-angers-cathedral-tickets-742045757837?aff=oddtdtcreator

Online Lecture: ‘Chess and Skin Colour in the Global Middle Ages’ with Dr Krisztina Ilko, Wednesday 8 November 2023, 9am-10.30am (GMT)

Dr Krisztina Ilko, University of Cambridge

Wednesday 8 November 2023, 9am-10.30am GMT
World History Seminar, Chinese University of Hong Kong
Online via Zoom

How could the game of chess facilitate cross-cultural interaction? To perambulate this question, this talk explores medieval images of chess games between players of contrasting skin colour. Key pieces of medieval art, like the lavishly illuminated gaming manual commissioned by King Alfonso X of Castile, are brought into conversation here with little-known pieces, such as a fourteenth-century Mallorcan altarpiece. Despite chess often being perceived through the lens of western European chivalric culture, these examples highlight a much more diverse social and cultural spectrum for this ‘game of kings’. This talk investigates the crucial role of colour in the chequered world of chess, and highlights new avenues to refine our understanding of the representation of skin colour and diversity in the Global Middle Ages.

Follow the link to join through Zoom: https://cuhk.zoom.us/j/99088684183

Lecture: ‘Seeing and being seen in an illuminated Tractatus Moralis de Oculo (c. 1274-1289)’, with Roisin Astell, British Archaeological Association, Wednesday 1 November 2023, 5pm (GMT)

This month’s British Archaeological Association Lecture will occur in person and online, with our very own Dr Roisin Astell presenting on the relationship between text and image in an intriguing early fourteenth-century illuminated manuscript.

The lecture will take place at the Society of Antiquaries of London, Burlington House, Piccadilly, London W1J 0BE.

Tea is served from 4.30 p.m. and the Chair is taken at 5.00 p.m. 

You can also tune in to hear Roisin’s talk live on Youtube: https://www.youtube.com/watch?v=lnDiIFzhv_s&ab_channel=BritishArchaeologicalAssociation

CFP: ‘Ecologies of Visual Culture in the Global Middle Ages’, Association for Art History 2024 Annual Conference, University of Bristol, deadline 10 November 2023

2024 marks the fiftieth anniversary of the Association for Art History. We are delighted to announce that next year’s conference will be held in collaboration with the History of Art department at the University of Bristol.

Proposals are invited for the conference session ‘Ecologies of Visual Culture in the Global Middle Ages’.

The study of medieval art and visual culture has recently seen a flourishing of ecocritical and environmental approaches that invite us to explore new ways of thinking about objects, buildings and landscapes. Drawing on the material, spatial, and post-human turns in humanities research, these have highlighted the complex ways in which human creativity and acts of making are entangled with non-human processes and agency. One aspect emphasises the landscape as integral to sacred space, placing built structures within their topographical and ecological contexts, and attending to other kinds of material intervention. Another focuses on materiality, the ‘stuff’ of the natural world from which both buildings and objects were crafted, to better understand their making and meaning. Across the globe, such interactions were inflected by different environments and cultural frameworks. This panel thus aims to bring together new research on visual cultures of the natural world, as these relate to any medium and geographic region, c.500-1500.

Proposals for papers are invited on topics including, but not limited to: visual representations and perceptions of the natural world; the materiality of objects and buildings, whether animal, vegetable or mineral in origin; the impact of cultivating and extracting such materials on landscapes and ecosystems; lasting interventions in the natural world, from free-standing buildings and monuments to rock-cut structures and gardens; ephemeral engagement with natural environments, through ritual and performance, mobile objects and temporary creations; the relationship between the non-human world and the human body, including sensory experience; intersections between environmental science and visual culture. We welcome submissions that together represent a variety of methodologies and perspectives, and a range of cultural contexts.

To offer a paper:

  • Please email your paper proposals direct to the session convenor(s).
  • You will need to provide a title and abstract (250 words maximum) for a 20-minute paper, your name and institutional affiliation (if any).
  • Deadline for submissions: 10 November 2023

Session convenors:

Lecture:’Towers, travel, and architectural habits’ with Dr Tom Nickson, Courtauld Institute of Art, Wednesday 25th October 2023, 5.30pm-7pm (BST)

Art-historical studies of an inter-connected globe have understandably focused on mobile objects, materials, patrons, and artists. But how does architecture fit into discourses of globality, especially in periods before the widespread circulation of architectural drawings and designs? Scholars have long recognised the impact of Italian and northern European prints on the architecture of sixteenth-century Spain and colonial Latin America, or the movement of architects and ideas between Spain and Mexico, or Portugal and Goa. Yet focus on architectural producers or design similarities overlooks ways of using and experiencing architecture that leave little material trace but were nonetheless learnt in distant lands. In this paper, Dr Tom Nickson considers one such experience, an architectural ‘habit’ or behaviour familiar to modern tourists around the world: climbing tall buildings to enjoy the view. From the late fifteenth century onwards evidence multiplies that the great towers of medieval Europe were being climbed regularly by international travellers, who surveyed the cities from their summit and relished the view. This paper focuses principally on tall buildings in Europe and the Mediterranean, but expands to explore related phenomena in Mexico and China. To what extent does tower climbing relate to new methods of surveying and cartography? How do people behave in buildings, and how are expectations about behaviour shaped by encounters with other buildings? 

Tom Nickson is Reader in Medieval Art and Architecture at The Courtauld. His research and teaching focus on Spain and England from the 12th to the 16th centuries. 

The Medieval Lecture and Seminar Series is kindly supported by Sam Fogg. 

Register here.

Online Workshop: Beginner’s Guide to the Index of Medieval Art Database, 14 November 2023

The Index of Medieval Art are pleased to announce that they will be holding a new online training session for anyone interested in learning more about the database! It will take place via Zoom on Tuesday, November 14, 2023 from 10:00 – 11:00 am EST.

This session, led by Index specialists Maria Alessia Rossi and Jessica Savage, will demonstrate how the database can be used with advanced search options, filters, and browse tools to locate works of medieval art. There will be a Q&A period at the end of the session, so please bring any questions you might have about your research!

Sign up and find out more here.

CFP: ‘Owning Gothic Ivories: Buying, Giving, Circulating’, British Museum and V&A (25-26 October 2024), deadline 15 January 2024

Over the last three decades, research on Gothic ivories has seen a significant shift from studies concerned with stylistic attribution and classification towards the investigation of their materiality, iconography, function, and – last but not least – patronage. Although we now have a much better understanding of the social, devotional, and cultural contexts in which especially religious ivories were commissioned and produced, overall, we still know comparatively little about the owners of Gothic ivories. This is especially true for the secular sphere, where it has not yet been possible to link any surviving fourteenth-century carving to its first owner.

This conference aims to return to the question of the ownership of Gothic ivories, an area which offers great potential for further discoveries, particularly (but not only) through the combination of art historical object analysis with evaluations of contemporary written sources such as inventories, wills, and other documents. Illuminating the stories of historic owners, be they individuals or institutions, and their Gothic ivories is the first aim of this two-day conference, while the second is to shed light on the later life of these objects, and on their transition into new ownership contexts and uses.

We welcome proposals for 20-minute papers exploring material across these themes that deal with either case studies or broader methodological questions. Papers which take an interdisciplinary approach, breaking the traditional boundaries between art history, history of collecting, museum studies or conservation, are particularly welcome. Topics of interest may include but are not limited to:

Individual patrons and collectors of Gothic ivories.

  • Commissioning, buying, and trading Gothic ivories.
  • Gothic ivories in written sources.
  • Gothic ivories in their archaeological contexts.
  • The circulation of Gothic ivories.
  • The adaptation, restoration and/or change of function of Gothic ivories over time.
  • Object biographies of Gothic ivories in a conservation context.
  • The provenance of Gothic ivories.
  • The changing status and perception of Gothic ivories.
  • The reproductions of Gothic ivories, i.e. fictile ivories, electrotypes, photography etc.
  • The role of museums and curators as the custodians of Gothic ivories.
  • The display of Gothic ivories through time in treasuries, private collections, and museums.
  • The dispersal of Gothic ivories such as fragments, ensembles, and collections.

Please submit your abstracts of 250 – 300 words and a short biography of 100 words in one PDF document to Manuela Studer-Karlen (manuela.studer-karlen@unibe.ch), Naomi Speakman (nspeakman@britishmuseum.org) and Michaela Zöschg (m.zoschg@vam.ac.uk ) by 15 January 2024. Please note that travel and accommodation costs for speakers will be covered, and that the conference papers will be published.

Conference and Publication Timetable:

  • 15 January 2024: Deadline for submission of abstracts and biography.
  • 15 February 2024: Feedback on abstracts.
  • 25-26 October 2024: Conference.
  • 31 January 2025: Submission of papers for publication.

Organised by Manuela Studer-Karlen (University of Bern), Naomi Speakman (British Museum, London) and Michaela Zöschg (Victoria and Albert Museum, London). This conference is supported by the project “Love and War. Secular images on Gothic ivories”, funded by the Swiss National Science Foundation.

Lecture Series: Medieval Visual Culture Seminar, St Catherine’s College Oxford

St Catherine’s College, Oxford, Arumugam Building, Thursdays 5 pm (Except for Wednesday 18 October), all welcome 

Convenors: Elena Lichmanova (elena.lichmanova@merton.ox.ac.uk), Gervase Rosser, Martin Kauffmann, Hannah Skoda

Sacred Space

Week 2, 18 October 2023

Giosuè Fabiano (Courtauld Institute of Art), ‘Illuminavit hunc diem’: Natural Lighting, Liturgical Time and Frescoes in late Medieval Italian Churches

Week 4, 2 November 2023

John Munns (University of Cambridge), Topographical Realism in Winchester’s Holy Sepulchre

Week 6, 16 November 2023

Liz James (University of Sussex), The Remembrance of God’: Theologising Wall Mosaics

Week 8, 30 November 2023

Alexandra Gajewski (The Burlington Magazine), Theodechilde, Potentin and Osanna: Saints and Cult at Jouarre Abbey in the Middle Ages