Online Lecture: ‘Carved in Stone? The Green Man in Gothic Sculpture’ with Cassie Harrington, The Leaves of Southwell Project, 9 March 2021 14.00 (GMT)

Southwell Minster will host a talk by Cassie Harrington as part of the Leaves of Southwell Project. The event will take place on 9 March 2021 at 2pm, via Microsoft Teams.

Flourishing in the margins of medieval visual culture, foliate heads and masks enriched manuscripts and buildings. Painted on the page, and carved on corbels, ceiling bosses, capitals, tympana, fonts, and misericords, these so-called ‘Green Men’ permeated both the public and private spaces of Gothic Europe. Such foliate carvings are a ubiquitous and familiar part of the architectural framework of medieval cathedrals and church buildings. However, despite their popularity, little attention has been paid to them by medieval art historians and much of their contemporary implications have been lost or forgotten.

From enchanting early Gothic survivals at the Basilica of Saint-Denis in the Ile-de-France, to the celebrated chapter house carvings at Southwell Minster in the British Midlands, this talk will examine how recovering and piecing together the historical context of foliate head iconography can shed light on its significance during the High Gothic period. It will explore the cultural and symbolic importance of these enigmatic images, their place in the intellectual history of the thirteenth century, the roles that imagination and knowledge had in their dissemination and development, and consider how they had a didactic, and not merely decorative, function.

To book your place, please visit the Southwell Minster website.

About Cassie Harrington
Cassandra Harrington is a medieval art historian and PhD Candidate at the University of Kent. She has research interests in sculpture, manuscripts and illumination, architecture, the transmission and reception of ideas, and the dialogue between visual and textual modes in medieval Europe. Cassie currently teaches at Kent as an Assistant Lecturer in the School of History, and is working on a reappraisal of Gothic ‘foliate head’ iconography for her PhD.

Online Seminar Series: Passion and Pandemic, 22, 24, 29, 31 March 2021, 13.15-14.00 (GMT)

Westminster Abbey presents a specially-curated series of contemplative lunchtime seminars for Passiontide and Holy Week. At each seminar, a different art historian and theologian will focus on pictures from the National Gallery’s collection and explore themes of salvation, frailty, isolation, and sickness.

In the first seminar (22 March), Professor Joanna Cannon (Courtauld Institute) and the Reverend Dr Jamie Hawkey (Westminster Abbey and Clare College, Cambridge) will introduce a diptych of the Virgin and Child and Man of Sorrows by the artist known as The Master of the Borgo Crucifix. Registration for this seminar closes at 4:00pm on Wednesday 17th March.

On the 24 March, Professor Alison Wright (UCL) and the Reverend Dr Ayla Lepine (King’s College, Cambridge) will introduce Antonio and Piero del Pollaiuolo’s Martyrdom of St Sebastian.  Registration closes at 4:00pm on Monday 22nd March.

On the 29th March, Dr Jennifer Sliwka and Professor Ben Quash (KCL) will introduce Andrea Mantegna’s Agony in the Garden. Registration closes at 4:00pm on Wednesday 24th March.

In the final seminar (31 March), Dr Greg Bryda (Barnard College, Columbia University) and Dr Rowan Williams (former Archbishop of Canterbury) will explore the Isenheim Altarpiece. Registration closes at 4:00pm on Monday 29th March.

To register, please visit the Westminster Abbey website. After initial broadcast, all seminars in this series will be available to watch on the Abbey’s YouTube channel.

Online Lecture: Ravenna: Crucible of Europe, Tuesday, 16 March 2021, 5:30pm GMT

Join the Centre for Medieval Studies (University of York) for a lecture by Professor Judith Herrin (Professor Emerita, King’s College London). Dr. Herrin will explore the role of Ravenna, imperial capital from AD 402, until its fall to the Lombards in 751, as a catalyst in the development of what we can now identify as European features. Gothic rulers, imperial governors from Constantinople and local bishops all contributed elements to its particular culture, which drew on the integration of Germanic and Roman traditions within a Christian framework. Under the influence of Byzantium, diffused through Ravenna, ideals of efficient government sanctioned by law, policies of acculturation and religious toleration were embedded in the early medieval West. While Charlemagne was later hailed as the father of Europe, this novel identity had first taken form in Ravenna.

Please register in advance for this lecture here.

The York Medieval Lecture is co-sponsored by the Centre for Medieval Studies at York, the Department of History of Art at York, the Centre for Medieval Studies at Fordham, the Henri Pirenne Institute for Medieval Studies at Ghent and the Centre for Medieval Literature (Southern Denmark and York).

Virtual Book Launch: County Durham Pevsner, a new revision by Martin Roberts, 31 March 2021

The Paul Mellon Centre at Yale University present an online launch of Martin Roberts’ new revision of the County Durham volume of the Pevsner Architectural Guides. The event will take place on 31st March 2021, 6-7.30pm, via Zoom.

The author will discuss the project in conversation with Simon Bradley, joint editor of the Pevsner Architectural Guides, exploring the challenges of adapting and expanding Nikolaus Pevsner’s original text of 1953 and its interim revision of 1983. The new edition incorporates fresh insights from many fields of scholarship, especially the crucial Anglo-Saxon and Romanesque periods, and the revaluation of many of the county’s castles and fortified houses. Wider themes include questions of regional identity, the legacies of post-war planning and post-industrial change, and the challenges and adventures of fieldwork for a book that aims to embrace, in Pevsner’s words, ‘all ecclesiastical, public and domestic buildings of interest’ in this diverse and historically rewarding county.

To book tickets, and for more information, please visit the Paul Mellon Centre website.

County Durham can be purchased at Yale Books.

About the speakers

  • Martin Roberts was born in Chester but has lived in the North East for over fifty years. A qualified architect, he worked as Conservation Officer for Durham City Council for many years, later becoming a Historic Buildings Inspector with English Heritage. A keen interest in the region’s vernacular buildings led him to establish the North East Vernacular Architecture Group in 1991. He also initiated the restoration of Old Durham Gardens, and has written books on the buildings of Durham city (1994) and its university (2013).
  • Simon Bradley is joint editor of the Pevsner Architectural Guides, and author or co-author of four volumes in the Buildings of England county series. Born in the North East, he first encountered the Pevsner guides when exploring the buildings of Northumberland and Durham as a teenager.

Online Conference: ‘The Umayyads from West to East: New Perspectives’, 22 – 23 March 2021 (CEST)

Organiser: RomanIslam – Center for Comparative Empire & Transcultural Studies Universität Hamburg

The conference will be transmitted online via ZOOM and external participants are welcome. Please contact Laura Donath (laura.donath@studium.uni-hamburg.de) by March 18th 2021 to gain access to the link.


Conference programme

Monday 22 March 2021

15.00-15.10pm – Opening words by Isabel Toral (Freie Universitat Berlin) and Antonia Bosanquet (Romanlslam, Universitat Hamburg)

15.10-15.20pm – Welcome speech by Sabine Panzram and Stefan Heidemann (Directors of Romanlslam, Universitat Hamburg)

15.20-16.00pmEduardo Manzano (Consejo Superior de Investigaciones Cientificas, Madrid), From the Jjijaz to a/Anda/us: The rawcja of the Umayyad rulers in the Alcazar of Cordoba

Moderator: Stefan Heidemann

16.00-16.15pm – Coffee break

16.15-17.45pm – Panel 1: Imperial heritage and legitimation

Arietta Papaconstantinou (University of Reading), Reconfiguring Rome: Umayyad engagement with the imperial heritage

Jorge Elices (Universidade Federal de Sao Paulo), Between East and West: Objects of sovereignty and Umayyad discourses of Legitimation

Aurelien Montel (Universite Lyon), “When the Umayyad caliphate fell, people of the Maghrib acted like the Anda/usians”. Can the Maghrebi princes of the 11th century be considered as “party-kings”?

Discussant: Georg Leube (Universität Bayreuth / Universität Hamburg)

17.45-18.00pm – Coffee break

18.00-19.30pm – Panel 2: Ideology, legitimacy and rhetoric

Sebastian Bitsch (Georg-August-Universität Gottingen), The Rhetoric of Caliphal Legitimacy. On the use of alqab by the Umayyad rulers in East and West

Isabel Toral (Freie Universität Berlin), ‘Abd al-Raf:iman al-Dakhi/, the “Falcon of Quraysh “. The chain of legitimacy between the Umayyads in East and West

Elsa Cardoso (Universidade de Lisboa), ‘Syria rises to receive the Caliph’: Umayyad legitimacy from Damascus to Cordoba

Discussant: Antoine Borrut (University of Maryland)


Tuesday 23 March 2021

15.00-16.30pm – Panel 3: Rebellion, conflict and Islamication

Antonia Bosanquet (Romanlslam, Universität Hamburg), How the Umayyads lost the Maghrib: Presentations of the Berber revolt in Arab historical texts

Javier Albarran (Romanlslam, Universität Hamburg/ Universidad Aut6noma de Madrid), The Battles of the Umayyads. Remembering War from West to East

Hannah-Lena Hagemann (Universität Hamburg), Talking about a Revolution – The Rhetoric of Rebellion against Umayyad rule

Discussant: Jens Scheiner (Georg-August-Universität Göttingen)

16.30-16.45pm – Coffee break

16.45-18.15pm – Panel 4: Cities and material culture

Eneko Lopez (Universidad del Pafs Vasco), An authority from Damascus or Baghdad? Origin and consolidation of the political conception of the Umayyad tfraz of Cordoba

Antonio Vallejo (Conjunto Arqueol6gico Madinat al-Zahra, Cordoba), Between East and West: the ceremonial center of the Umayyad Caliphate

Stefan Heidemann (Romanlslam, Universität Hamburg), The Umayyad Visual Language of Power

Discussant: Isabel Toral

18.15-18.30 – Coffee break

18.30-19.10pm – Maribel Fierro (Consejo Superior de lnvestigaciones Cientificas, Madrid), Final remarks

Moderator: Sabine Panzram

19.10-19.20pm – Closing words by Javier Albarran and Elsa Cardoso

Online Conference: ‘Reviving the Trinity: New Perspectives on 15th-Century Scottish Culture’, University of Edinburgh, 27 March 2021

This Virtual Symposium comprises a full day of papers presenting new research on all aspects of the Trinity Altarpiece and Collegiate Church.

This collaborative, interdisciplinary project looks again at the Trinity Altarpiece by Hugo van der Goes, Trinity Collegiate Church, and Trinity Hospital as emblems of Scotland’s inventive and ambitious cultural milieu, and its active, outward looking engagement with Europe and beyond. The network will re-examine the Trinity, and establish its cultural relevance today. Taking innovative approaches to materialities, geographies, and the wider artistic, intellectual, and cultural networks that connect them during the reigns of James II, III and IV, and the regency of Queen Mary of Guelders, it seeks to identify contemporary networks and reassess the significance of knowledge exchange.

Get your tickets here.

Please note that the times are in GMT. Registration closes 36 hours before the symposium.

For further information see: https://blogs.ed.ac.uk/trinitynetwork/ or email trinitynetwork1460@gmail.com

Conference Programme

9.30am – Welcome

9.40am – Keynote:

Lorne Campbell (formerly Senior Research Curator at the National Gallery, London): The Trinity Panels: History and Subject-Matter

10.30 – 11.30am – Session 1

Lizzie Swarbrick (University of Edinburgh): A “magnificent and sumptuous work, [Queen Mary of Guelders] intends as soon as possible to finish it”: an Architectural Tour of Trinity College

Rachel Delman (University of York): A Queen and her Chapel: Mary of Guelders and the Architecture of Commemoration

11.45am – 12.45pm – Session 2

Bryony Coombs (University of Edinburgh): Artistic Continuity in Late Medieval Scotland: James III, James IV, and the Artists of Ghent Morvern French, Historic Environment Scotland: The Customer is King: Late Medieval Scoto-Flemish Consumer Culture

12.45pm – Lunch

1.30 – 2.30pm – Session 3

Patricia Allerston (Deputy Director & Chief Curator, European & Scottish Art, National Galleries of Scotland): A Moveable Feast – Displaying the Trinity panels at the Scottish National Gallery

Nicola Christie (Head of Paintings Conservation, Royal Collections Trust): The Trinity Panels: Initial observations on Materials and Technique

2.45 – 3.45pm – Session 4

Emily Wingfield (University of Birmingham): Margaret of Denmark and Networks of European (Literary) Culture

Catherine Reynolds (Independent scholar and Consultant on manuscripts to Christie’s): The Books in the Trinity Panels and the Text before the Queen

4.00pm – Session 5

James Cook (University of Edinburgh): Sarum in Bruges: Exploring the liturgical context for the chant in the Trinity Altarpiece

Jill Harrison (Open University): Interrogating St George: Scoto-Burgundian encounters in the Trinity Altarpiece and William Schmenner, Kostas Daniilidis and Yufu Wang, GRASP laboratory, University of Pennsylvania: Looking for Anselm Adornes

5.00pm – Conclusion

CFP: Modelling Medieval Vaults Second Symposium, University of Liverpool (19 August 2021), deadline 30 April 2021

This symposium is a follow up to that held in July 2016, which began to explore shared interests in gothic vaults, particularly research aided by digital methods. Our second event aims to take the conversations further and share findings from our ‘Tracing the Past’ research project investigating the design and construction of English medieval vaults.

The use of digital surveying and analysis techniques, such as laser scanning, photogrammetry, 3D reconstructions or reverse engineering offers the opportunity to re-examine historic works of architecture. In the context of medieval vaults, this has enabled research into three-dimensional design processes, construction methods, structural engineering, building archaeology and relationships between buildings.

To date much of this research, including our own, has focussed on individual sites or regions. The aim of our second event is to support discussion of the international and cross-temporal dimensions of this research and foster potential collaboration.

Abstracts (500 words maximum and one optional image) are invited for twenty-minute presentations on the following subjects:

  • Representation and analysis of medieval vaults using digital technologies.
  • Investigations of tierceron, lierne or fan vaults.
  • Digital techniques used for the analysis of historic works of architecture applicable to gothic vaulted buildings.

Deadline for abstracts: 30 April 2021

Enquiries and abstracts to be addressed alexb@liverpool.ac.uk

Symposium date: 19 August 2021
Location: Online via Zoom, hosted by the University of Liverpool
Conference organisers: Dr Alex Buchanan and Dr Nick Webb

Sign up for our biannual newsletter here:
http://www.tracingthepast.org.uk/subscribe

Medieval vaults research:
www.tracingthepast.org.uk

Keynote speakers:

  • Professor Santiago Huerta (Universidad Politécnica de Madrid)
  • Professor José Calvo-López (Universidad Politécnica de Cartagena)
  • Professor Robert Bork (University of Iowa)

Slade Professor of Fine Art, Annual Lecture Series 2021: ‘Material Histories of Medieval Iberia’ with Professor Jerrilynn Dodds, 5 May – 9 June 2021 (Wednesdays, 17:00 – 18:00 GMT)

Jerrilynn Dodds is Harlequin Adair Dammann Chair in the History of Art at Sarah Lawrence College. Prof. Dodds’ scholarly work has centered on issues of transculturation, and how groups form identities through art and architecture. Among her publications are: Arts of Intimacy: Christians, Jews and Muslims in the Making of Castilian Culture, co-authored with Prof. Mara Menocal and Abigail Krasner Balbale; Architecture and Ideology of Early Medieval Spain; and New York Masjid, the Mosques of New York City.  She was editor of the catalogue  Al Andalus:  The Arts of Islamic Spain (Metropolitan Museum of Art) and served as curator of the exhibition of the same name, at the Alhambra in Granada and in New York;  co-editor and curatorial consultant of The Arts of Medieval Spain (with Little, Moralejo and Williams, Metropolitan Museum of Art); co-editor and consulting curator for Convivencia. The Arts of Jews, Christians and Muslims in Medieval Iberia (ed., with Glick and Mann, 1992); and, with Edward Sullivan, co-editor and curator for Crowning Glory, Images of the Virgin in the Arts of Portugal( Newark Museum). She has written and directed films in conjunction with museum exhibitions (Journey to St. James (MMA); An Imaginary East (MMA); NY Masjid (Storefront) and for wider audiences (Hearts and Stones: The Bridge at Mostar). Professor Dodds was the recipient of the Cruz de la Orden de Mérito Civil (Cross of the Order of Civil Merit) from the Government of Spain (2018).

Material Histories of Medieval Iberia lecture dates (Wednesdays, 17:00 – 18:00 GMT)

5 May 2021 – An Agonistic History of Art

12 May 2021 – The Great Mosque of Cordoba as Center and Periphery

19 May 2021 – Babylon in Flames

26 May 2021 – Mudejar and Romanesque. Romanesque and Islam

2 June 2021 – The Virgin as Colonial Agent

9 June 2021 – Hunting in the Borderlands: Conversions and Translations 

Online Lecture: ‘Eagles, dragons, griffins, and angels: Netherlandish brass lecterns in context’ with Dr Douglas Brine, Courtauld Institute of Fine Art, 10 March 2021, 17:00-18:00 (GMT)

Register and find out more here.

Please register for more details. The platform and log in details will be sent to attendees at least 48 hours before the event. Please note that registration closes 30 minutes before the event start time. If you have not received the log in details or have any further queries, please contact researchforum@courtauld.ac.uk

One of the most common types of ecclesiastical furniture from the Burgundian Netherlands that survive today is the brass eagle-lectern. Many remain in churches and continue to function much as originally intended, as supports for the books used during services. Indeed, there is perhaps no other medieval artwork still in active use that exists in such numbers as the brass lectern. Most extant examples feature eagles clutching dragons in their talons, but there is clear evidence that lecterns also took the form of pelicans, griffins, or standing figures of angels, saints, or even Moses. This paper considers Netherlandish brass lecterns, in their various guises, from various perspectives – as metal sculptures, as liturgical fixtures, and as vehicles for private commemoration – and argues that they constitute a significant, if overlooked, category of early Netherlandish art.

Dr Douglas Brine completed his BA, MA, and PhD at The Courtauld and was the Research Forum Postdoctoral Fellow in 2006. He is now Associate Professor of Art History at Trinity University in San Antonio, Texas. His research focuses on the visual arts in northern Europe during the late Middle Ages and Renaissance with a particular emphasis on sculpture, painting, and metalwork in the Low Countries. His book Pious memories: The wall-mounted memorial in the Burgundian Netherlands was published by Brill in 2015.

British Archaeological Association’s Digital Tour Competition 2021 Winner & Highly Commended Tours

Inspired by the difficulties in visiting churches and other historic sites during the Coronavirus pandemic, The British Archaeological Association is looking at ways of promoting the use of digital technology to allow them to be seen even during a lockdown, or for those far distant. The Association held a competition to produce a short video/photographic presentation of a Roman or medieval site (a building, ruin, even a town) using remote mapping and imaging systems such as Google Earth, or Google Earth Studio.

Winner

Pevensey Castle and Roman Fort in Sussex

By Dr Richard Nevell

Pevensey is the kind of site you can lose yourself in; the ruins are wonderful to explore and there are so many stories to be told about its past. In creating the tour, I tried to make the most of that sweep of history, from the 3rd to the 20th century. It explores key events that shaped the physical remains of the fort and castle, and links to further digital resources such as articles and 3D models of objects discovered during excavations at Pevensey. I’ve been researching the site over the last few years – first for English Heritage and later independently. There are seemingly endless lines of inquiry but what has occupied me most recently is trying to work out whether King John slighted the castle in 1216. Reaching an answer has involved disentangling the history of the site – working out which bits fell down when – and creating a tour followed on quite naturally. Most importantly, it was an opportunity to (digitally) revisit one of my favourite castles!


Highly Commended Tours

Abergavenny Castle: A Tale of Conquest, Betrayal, and Resilience

By Megan Kirkpatrick and Jonathan Lim

We explore the fascinating and turbulent history of Abergavenny Castle – one of the most important strongholds built by the Norman invaders in south Wales. From its foundation in c.1087, through to the present-day, Abergavenny Castle has had an important role to play. Inspired by the potential of digital media and the increased functionality of certain platforms, we made use of ESRI’s Storymap service to take visitors on a virtual tour of this medieval monument. This not only increases the accessibility of the Castle (especially in the Covid-19 context), it highlights the historical and archaeological relevance of the surrounding landscape, something which is overlooked (often for practical reasons) when ‘real life’ visits are made to heritage sites. Exploring the relationship between landscapes and castles in Wales is the subject of Meg’s DPhil research and the integrated use of spatial analysis techniques underpins both authors’ research projects.


Bellapais Abbey in Cyprus

By Azra Say-Otun

The Bellapais Abbey is a Medieval monastery complex on the north coast of Cyprus. Its architecture is generally considered exemplary of Lusignan Gothic design; yet with the tour I wanted to trace as much of the life history of the site beyond this as I could, since all its experiences are a palimpsest in its current state. Having lived near the Abbey, and seen it from various angles, I wanted to bring forward its idiosyncrasies as well, be it the view of the Taurus mountains across the sea on a clear day, the stories told by the corbels in the chapter house, or mysterious artefacts repurposed from surrounding ancient sites. I hope those who take the tour will also be amused by the way curious physical aspects of the Bellapais Abbey connect to its history, and think about them if they one day amble through the cloister or listen to music recitals within the refectory.


The Tower Houses of Lecale

By Dr Duncan Berryman

Tower houses are small, fortified residences of the later Middle Ages. They were the centres of manorial holdings, lordly residences with associated agricultural complexes. However, today they generally stand isolated in fields, having lost their surrounding buildings. County Down’s tower houses, and particularly those in Lecale, form an interesting collection of monuments. They are almost entirely found close to the coast, with very few inland. There is an especially dense group in the Lecale region of County Down. This area also has a unique group of gatehouse style tower houses, these tower houses had two turrets on their front joined by a large arch machicolation at roof level. Their location by the coast suggests that the tower houses of County Down were involved in trading produce from the countryside with ships arriving in Ulster.


Vicars’ Hall and Vicars’ Close at Wells

By Philip Hickman

As a Wells Cathedral Guide, Philip Hickman has a particular interest in Vicars’ Close. With relevant views as are available in Google Earth and those supplemented by his own photographs, this project briefly outlines the history of the Wells Cathedral Vicars Choral: their college (1348 – 1936), their hall, and their purpose-built dwellings  and chapel as laid out in Vicars’ Close.