The Cambridge Companion to Medieval British Manuscripts orientates students in the complex, multidisciplinary study of medieval book production and contemporary display of manuscripts from c.600–1500.
This new book by Dr Anna McSweeney – From Granada to Berlin: the Alhambra Cupola (Verlag Kettler, 2020) – tells the long history of the Alhambra palace through the prism of one of its most extraordinary survivors: the Alhambra cupola, a carved and painted Islamic ceiling from the palace which is now in the Museum of Islamic Art in Berlin.
Presented by The Royal Asiatic Society, The Islamic Art Circle and the Friends of the Museum for Islamic Art in the Pergamon Museum.
This collection of essays by leading scholars reflects new interest in how graphic devices contributed to the production of knowledge during a formative period of European history.
Very richly illustrated, this volume re-frames this exceptional library within its political, economic, historical and artistic context, examining closely both scholarly literature and more than sixty manuscripts considered to be the jewels of the Library.
This volume is the first English-language study of the baptistery of Padua and its extraordinarily rich fresco program, commissioned by a woman, Fina Buzzacarini, in the 1370s. She had the sacred space reshaped into a family mausoleum, though it continued to function as the town’s baptistery.
Pilgrimage and England’s Cathedrals looks at England’s cathedrals and their relationship with pilgrimage throughout history and in the present day.
The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books.
Praised by his contemporaries, by later art historians, and by generations of viewers, Fra Angelico’s art is known for its exceptional combination of piety and painterly skill. In this book, Monsignor Verdon explores the spiritual and mystical foundations of the friar-painter’s work, and traces his artistic evolution from his early work, to the frescoes for the covent of San Marco in Florence, his Annunciations, and the chapel for Pope Niccolò V.
Conservators Michele Marincola and Lucretia Kargère have published a new volume on the history, theory, and practice of the conservation of medieval sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated,Continue reading “New Publication: The Conservation of Medieval Polychrome Wood Sculpture”