New Publication: Right and Left in Early Christian and Medieval Art by Robert Couzin

Robert Couzin’s Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imageryContinue reading “New Publication: Right and Left in Early Christian and Medieval Art by Robert Couzin”

New Publication: Medieval Ethiopian Kingship, Craft, and Diplomacy with Latin Europe, by Verena Krebs

This book explores why Ethiopian kings pursued long-distance diplomatic contacts with Latin Europe in the late Middle Ages. It traces the history of more than a dozen embassies dispatched to the Latin West by the kings of Solomonic Ethiopia, a powerful Christian kingdom in the medieval Horn of Africa. Drawing on sources from Europe, Ethiopia,Continue reading “New Publication: Medieval Ethiopian Kingship, Craft, and Diplomacy with Latin Europe, by Verena Krebs”

New Publication: New Horizons in Trecento Italian Art, edited by Bryan C. Keene and Karl Whittington

The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars atContinue reading “New Publication: New Horizons in Trecento Italian Art, edited by Bryan C. Keene and Karl Whittington”

New Publication: ‘Imagining the Divine: Art in Religions of Late Antiquity across Eurasia’, edited by Jaś Elsner and Rachel Wood

This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people andContinue reading “New Publication: ‘Imagining the Divine: Art in Religions of Late Antiquity across Eurasia’, edited by Jaś Elsner and Rachel Wood”

New Publication: ‘Typical Venice? The Art of Commodities, 13th-16th Centuries’, edited by Ella Beaucamp and Philippe Cordez

Check out the new book edited by Ella Beaucamp and Philippe Cordez: ‘Typical Venice? The Art of Commodities, 13th-16th Centuries’

New Publication: ‘Emerging Naturalism: Contexts and Narratives in European Sculpture 1140-1220’ edited by Gerardo Boto Varela, Marta Serrano Coll & John McNeill

Artistic production in Europe between the mid-12th and early 13th centuries is notoriously difficult to categorise. ‘Emerging Naturalism: Contexts and Narratives in the Architectural Sculpture of the Latin Church 1140-1220’ offers a number of different perspectives on this question, while offering a panoramic analysis of the period as expressed in the medium of stone sculpture.

New Publication: ‘The Portal of Glory: Architecture, Matter, and Vision’ Edited by Francisco Prado-Vilar

To celebrate the start of the Santiago de Compostela Jubilee Year (Xacobeo 2021), the Complutense Foundation publishes an open-access digital edition of the book ‘The Portal of Glory: Architecture, Matter, and Vision’.

New Publication: ‘Conversion to Islam in the Premodern Age: A Sourcebook’, eds. Nimrod Hurvitz, Christian C. Sahner, Uriel Simonsohn, and Luke Yarbrough

This groundbreaking collection of texts, translated from sources in a dozen languages from the seventh to the eighteenth centuries, presents the historical process of conversion to Islam in all its variety and unruly detail, through the eyes of both Muslim and non-Muslim observers.

New Publication: ‘A Companion to Late Medieval & Early Modern Siena’, edited by Santa Casciani & Heather Richardson Hayton

This multi-disciplinary book presents chapters by prominent scholars on the powerful commune that birthed a pope, sheltered saints, built banking institutions that have thrived for nearly 1000 years, and nurtured vibrant communities of artists and intellectuals.

New Publication: ‘Catalogue of Byzantine Seals at Dumbarton Oaks and in the Fogg Museum of Art, Volume 7’, ed. John A. Cotsonis

Dumbarton Oaks houses the largest collection of Byzantine lead seals in the world, with approximately 17,000 specimens. Volume 7 of the ongoing series of Dumbarton Oaks catalogues presents a distinct part of the collection: 572 anonymous seals bearing sacred images on both sides.