Conservators Michele Marincola and Lucretia Kargère have published a new volume on the history, theory, and practice of the conservation of medieval sculpture. Medieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated,Continue reading “New Publication: The Conservation of Medieval Polychrome Wood Sculpture”
Moving with the Magdalen is the first art-historical book dedicated to the cult of Mary Magdalen in the late medieval Alps. Its seven case study chapters focus on the artworks commissioned for key churches that belonged to both parish and pilgrimage networks in order to explore the role of artistic workshops, commissioning patrons and diverse devoteesContinue reading “New Publication: Moving with the Magdalen: Late Medieval Art and Devotion in the Alps”
Born from the fields of Islamic art and architectural history, the archaeological study of the Islamic societies is a relatively young discipline. With its roots in the colonial periods of the late 19th and early 20th centuries, its rapid development since the 1980s warrants a reevaluation of where the field stands today. This Handbook representsContinue reading “New Publication: The Oxford Handbook of Islamic Archaeology, edited by Bethany Walker, Timothy Insoll, & Corisande Fenwick”
Late Antique artefacts, and the images they carry, attest to a highly connected visual culture from ca. 300 to 800 C.E. On the one hand, the same decorative motifs and iconographies are found across various genres of visual and material culture, irrespective of social and economic differences among their users – for instance in mosaics, architectural decoration, and luxury arts (silver plate, textiles, ivories), as well as in everyday objects such as tableware, lamps, and pilgrim vessels.
From an acclaimed historian, a mesmerizing account of how medieval European Christians envisioned the paradoxical nature of holy objects. Between the twelfth and the sixteenth centuries, European Christians used in worship a plethora of objects, not only prayer books, statues, and paintings but also pieces of natural materials, such as stones and earth, considered toContinue reading “New Publication: Dissimilar Similitudes: Devotional Objects in Late Medieval Europe, by Caroline Walker Bynum”
The Autumn 2020 issue of Peregrinations: Journal of Medieval Art and Architecture (Kenyon College) is out now. As always, online access to Peregrinations is free and available to all interested students and scholars. The current issue features articles highlighting shifts in medieval iconography and its various interpretations. Six book reviews are also included. To accessContinue reading “New Issue of Peregrinations: Journal of Medieval Art and Architecture”
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe.
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scriptsContinue reading “New Publication: The Oxford Handbook of Latin Palaeography, Edited by Frank Coulson and Robert Babcock”
This book offers a way of reading maps of the Holy Land as visual imagery with religious connotations. Through a corpus of representative examples created between the sixth and the nineteenth centuries, it studies the maps as iconic imagery of an iconic landscape and analyses their strategies to manifest the spiritual quality of the biblical topography, to support religious tenets, and to construct and preserve cultural memory.
This volume for the first time systematically catalogs medieval Hildesheim champlevé scattered in collections around the world. The products from these local workshops differ from those in large centers for enamel production on the Rhine and Meuse in that they reflect the upholding of local historical tradition by religious elites in the 12th century, as well as the beginnings of mass production for export.