Tag Archives: toronto

JOB: Postdoctoral Fellowship in Medieval Art and Digital Humanities, Toronto

University of Toronto Mississauga, September 17, 2018 – September 1, 2020

Application deadline: Jul 15, 2018

The Department of Visual Studies at the University of Toronto Mississauga offers a two-year postdoctoral fellowship in medieval art, with a focus on Digital Humanities and web-based technologies. The Fellow will have an established track record in his/her/their own discipline and/or Digital Humanities. Qualifications for the position include excellent writing and communication skills, expertise in an area of medieval visual culture (broadly defined as European, Byzantine, Islamic art and architecture or related fields), and experience working with Drupal and information architecture.
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Call for Participants: Roots and Routes III – Sociability and Material/Digital Mediterranean (26 May – 3 June 2014, Toronto)

Format:
Unlike traditional academic conferences, the Roots & Routes Summer Institute features a combination of informal presentations, seminar-style discussions of shared materials, hands-on workshops on a variety of digital tools, and small-group project development sessions. The institute welcomes participants from a range of disciplines with an interest in engaging with digital scholarship; technical experience is not a requirement. Graduate students (MA and PhD), postdoctoral fellows and faculty are all encouraged to apply.
Hosted by the University of Toronto Scarborough, the institute allows participants to develop a more coherent and explicitly transdisciplinary analytical framework for future scholarship using digital tools and methodologies. Participants will explore new formats for conducting research and presenting their findings. By teaming up with information technology specialists and digital scholarship experts working outside the Mediterranean, participants will have a chance to develop long-term collaborative projects to enhance their ongoing individual research agendas. In order to maximize the potential for future collaboration and broad, thematic conversations, groups will be composed of participants from a variety of disciplinary backgrounds and at different stages of their scholarly careers, from senior scholars to advanced undergraduates. Participants are encouraged to engage each other’s materials, bring insights from their own fields of expertise to a broader methodological and conceptual discussion, and begin to draw out connections between what are often seen as disparate fields of knowledge.

Annual theme:
This year’s theme, “Sociability and Materiality,” aims to capture a range of historical problems and their attendant methodological and epistemological challenges. Participants are invited to define and approach this theme from the position of their individual disciplines and research interests. For example, what place does “the Mediterranean” have in discussions about manuscript, print, and digital cultures and their interpretation? What can historians, art historians, archaeologists, and other scholars learn from one another when tackling these problems? (How) are themes such as sociability and materiality useful in the study of the premodern Mediterranean? How can attention to materiality and sociability make salient the various practices of knowledge production of different disciplinary traditions, and what do such practices entail? What new ways of envisioning archives (as processes as well as products) are being facilitated by digital technologies? How do digital media and methodologies change the ways in which we identify, access, and interpret historical records? What might “collaborative research” in digital environments have to learn from (and teach) the history of earlier forms of scholarly sociability? How does the recent resurgence in the history of material culture speak to longer-term interest among historians of the book in the materiality of textual artifacts?

Application Guidelines:
Applicants should submit  a CV and a brief proposal (up to 600 words) that includes a discussion of their current research and a specific object they would like to present and further develop digitally. This object may be a text, an artifact, a dataset, or a cluster of any of the above. Once accepted, participants will be asked to compile a bibliography of relevant readings to share with others in advance, as well as to install and become familiar with a few digital tools (e.g. Zotero), to allow us to explore more advanced features and digital skills at the institute itself. Participants are not expected to have prior programming knowledge or other advanced digital skills, but should be genuinely interested in the potential of digital tools to challenge and transform current research practices.
Application deadline: March 21, 2014

See http://ocs.library.utoronto.ca/index.php/utsc/RRSI3/announcement/view/139
** Travel bursaries may be available for some out-of-town graduate student participants. **
Please contact the organizers at rrsi2014[at]utsc.utoronto.ca for further information or to get involved in the organizing process.
“Roots & Routes: Scholarly Networks and Knowledge Production in the Premodern Mediterranean and in the Digital Age” is a three-year Summer Institute (2011, 2012 & 2014) hosted by the University of Toronto Scarborough and is generously supported by a grant from the University of Toronto’s Connaught Fund.

Call For Papers: Art’s Productive Economies, Toronto

Call For Papers: Art’s Productive Economies
University of Toronto, March 20, 2014
Deadline: Jan 1, 2014

2014 Wollesen Memorial Graduate Symposium, a one-day graduate symposium hosted by the Graduate Union of Students of Art, University of Toronto.

paularego460Given the multivalent definitions “work” denotes (including, but not limited to: the product of labour; action involving effort directed toward a definite end; and the operation of a force in producing physical change), it is possible to understand the work of art – and noless, the art of work – through a wide range of critical perspectives. Whether in the process of making art, the products of art, and / or the overarching labour networks in which art exists, how can one think of work and art together in ways that do not unduly privilege one term over the other? How should one situate art as work within both creative and economic labour markets? And how – if at all – can one conceive work as art in light of the conditions those markets entail?
That is, how does work negotiate the material dimensions of labour, production, and capital vis-à-vis the aesthetic dimensions of practice, process, and products? Indeed, such questions only begin to scratch the surface of this relation that lays at the heart of aesthetic  production. To these questions, we invite proposals for scholarly  papers spanning all relevant fields and time periods that touch upon the relation between art and work within the aesthetic, social,
political, and cultural economies that encompass these terms.

Sample topics include, but are not limited to:
– Representations of work and/or workers throughout visual culture.
– The physical labour of artmaking processes and practices
– Distributions of labour within artist studios (e.g. those of
Rembrandt, Warhol, etc.)
– Disjunctions and correlations between conceptual and material labour
in artmaking and/or art institutions
– The practice of art history / curating / etc. as forms of “the work
of art”
– The aesthetic consequences of immaterial labour / post-Fordism /
economic globalization / etc.
– The unseen labour practices that support art institutions (e.g.
museum employees, art handlers, interns, etc.)
– The figure of the artist as worker
– The functional “work” of art objects.

Current graduate students may submit an abstract of 200-300 words (outlining 15-20 minute presentations) and a brief CV to gustasymposium@gmail.com by January 1, 2014.

Please see gustasymposium.wordpress.com for more information.