In this innovative study, Nina Rowe examines a curious genre of illustrated book that gained popularity among the newly emergent middle class of late medieval cities.
Precious metalwork, relics, chess pieces, ostrich eggs, unicorn horns, and bones of giants were among the treasury objects accumulated in churches during the Middle Ages. The material manifestations of a Christian worldview, they would only later become naturalia and objets d’art, from the sixteenth and the nineteenth century onwards, respectively. Philippe Cordez traces the rhetoricalContinue reading “New Publication: Treasure, Memory, Nature: Church Objects in the Middle Ages, by Philippe Cordez”
The volume features studies focusing on specific thrones known from historical texts, artistic depictions, or excavations, or that offer an overview of the role of thrones from as early as ancient Mesopotamia in the 3rd millennium BCE to as late as Iran and China in the 14th century CE.
The first systematic attempt to approach the subject of the scroll from an interdisciplinary standpoint. Scrolls encompass in one sweep the oldest and the most contemporary ideas about images and image-making. On the one hand, some of the most enduring artefacts of the ancient world adopt the scroll form, evoking long-standing associations with the ClassicalContinue reading “New Publication: Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext, edited by Jack Hartnell”
The Cambridge Companion to Medieval British Manuscripts orientates students in the complex, multidisciplinary study of medieval book production and contemporary display of manuscripts from c.600–1500.
This new book by Dr Anna McSweeney – From Granada to Berlin: the Alhambra Cupola (Verlag Kettler, 2020) – tells the long history of the Alhambra palace through the prism of one of its most extraordinary survivors: the Alhambra cupola, a carved and painted Islamic ceiling from the palace which is now in the Museum of Islamic Art in Berlin.
Presented by The Royal Asiatic Society, The Islamic Art Circle and the Friends of the Museum for Islamic Art in the Pergamon Museum.
This collection of essays by leading scholars reflects new interest in how graphic devices contributed to the production of knowledge during a formative period of European history.
Very richly illustrated, this volume re-frames this exceptional library within its political, economic, historical and artistic context, examining closely both scholarly literature and more than sixty manuscripts considered to be the jewels of the Library.
This volume is the first English-language study of the baptistery of Padua and its extraordinarily rich fresco program, commissioned by a woman, Fina Buzzacarini, in the 1370s. She had the sacred space reshaped into a family mausoleum, though it continued to function as the town’s baptistery.