Job Opportunity: Tutors, History of Art 1 (prehonours), University of Edinburgh (Deadline: 8 August 2022)

The History of Art department at the University of Edinburgh is hiring Tutors its prehonours courses. Applications are invited for a Guaranteed Hours (GH) contract as Tutor for the following courses:

  • History of Art 1A Art and Belief in Europe, 500 to 1700 (HIAR08025)
  • History of Art 1B Art at the Crossroads of World Cultures, 500 to 1700 (HIAR08026)
  • History of Art 2A Reason, Romance, Revolution: Art from 1700 to 1900 (HIAR08027)
  • History of Art 2B From Modernism and the Avant-Gardes to Postmodernism and Globalisation (HIAR08028)

We are looking for applications from individuals experienced in researching history of art at PG level, in relevant fields to fill tutoring positions in Semesters 1 and/or 2 in 2022–23. Applicants should be familiar with the history and historiography of art history and committed to sharing it through passionate teaching. Some experience in teaching is desirable but training and support will be provided as part of the role. Successful candidates will, preferably, be enrolled on a PhD, within their prescribed period of study and/or have a proven record of teaching undergraduate students in the context of a university degree course.

History of Art 1A and 2A are taught in semester 1, while History of Art 1B and 2B are taught in semester 2. Ideally, we would like candidates who are available to teach in both semesters. Candidates who are able to teach on one course only and who can demonstrate the required expertise will be considered.

There is a guaranteed minimum of 9 hours per group to be offered in Semester 1 of the academic year 2022–23. While the minimum detailed here indicates contact hours only, payment will be made for all required hours worked including contact hours, preparation, marking, induction and training.

This is a fixed term appointment, from August 2022 until June 2023. More information about the posting can be found here. Click here for a full description of the job posting.

Edinburgh College of Art is committed to equal and fair treatment of all its employees and in recognition of the positive promotion of diversity and gender equality among staff and students, Athena SWAN granted the Edinburgh College of Art a Bronze Award in 2017.

Call for Papers: Marian Devotion and the Senses in the Middle Ages (Deadline: 12 September 2022)

Thematic focus: Networks and Entanglements

This session seeks to explore the sensory approach of the Marian cult as reflected in Eastern and Western Christianity. It aims to examine the private/collective expressions of Marian devotion in relation to the senses (touch, smell, sight, taste, and hearing) that generate forms of spiritual entanglements and mutual dependencies between human devotional practices, artefacts, and sites. 

Suggested topics, on any geographic area or time period (between 300-1500) may include, but are not limited to:

  • Pilgrimages to Marian shrines/holy sites (incubation, dreams, and Marian miracles)
  • Devotion gestures based on: touch (e.g. touching the floor, kneeling, kissing), smell and its healing properties, sound, etc.
  • Active/passive use of the senses in Marian devotion
  • Inner senses/external senses in relation to Marian devotion
  • Marian devotion, the senses, and the liturgy (ceremonies, sermons)
  • Architecture/church interiors in relation to sensory effects and Marian devotion
  • Personal/collective devotional practices
  • Religious objects, the senses, and Marian devotion
  • Sensory deprivation, mystical experience, and Marian proximity
  • Visual representations and the senses: books and illustrations, paintings, mosaics, marbles, statues
  • Literature: liturgical dramas/plays; books

Submissions from a variety of disciplines are accepted including but not limited to: history, art history, visual culture, social history, cultural history, hagiography, religious studies, cultural studies, textual studies in a transdisciplinary perspective. 

This session will be a part of the 2023 International Medieval Congress 3-6 July, 2023 at the University of Leeds.

Please submit a 250-word proposal (in English) for a 15-20 minute paper. Proposals should have an abstract format and be accompanied by a short CV, of no more than 800 words, including e-mail, current affiliation, affiliation address, and position and your preference for whether to present in-person or virtually.  Please submit all relevant documents, as PDF or Word.doc, by 12 September, 2022, to the e-mail address: znorovszkyandrea@gmail.com

If you have any questions, please contact Andrea-Bianka Znorovszky (University of Salamanca, Salamanca, Spain): znorovszkyandrea@gmail.com

Call for Papers: Cave Churches, Chapels, Hermitages, and Monasteries: Wall Paintings and Gender in the Eastern Mediterranean (Deadline: 12 September 2022)

Thematic focus: Networks and Entanglements

This session seeks to explore the relation between gender and wall paintings in the Eastern Mediterranean. It scrutinizes the artistic exchanges and interactions in relation to pilgrimage, commercial, and Crusader routes, and their function in the transmission and transfer of gendered iconographic models with particular emphasis on visual representations pertaining to caves (churches, monasteries).

Suggested topics, on any time period may include, but are not limited to:

  • Artistic networks and entangled iconographies
  • Networks, mobilities, and circulations of gendered models
  • Circulation of workshops and commissioners
  • Circulation of iconographic patterns and models in relation to gender

Submissions from a variety of disciplines are accepted including but not limited to: history, art history, visual culture, social history, cultural history, hagiography, religious studies, cultural studies, textual studies in a transdisciplinary perspective. 

This session will be a part of the 2023 International Medieval Congress 3-6 July, 2023 at the University of Leeds.

Please submit a 250-word proposal (in English) for a 15-20 minute paper. Proposals should have an abstract format and be accompanied by a short CV, of no more than 800 words, including e-mail, current affiliation, affiliation address, and position and your preference for whether to present in-person or virtually.  Please submit all relevant documents, as PDF or .DOC, by 12 September, 2022, to the e-mail address: znorovszkyandrea@gmail.com

If you have any questions, please contact Andrea-Bianka Znorovszky (University of Salamanca, Salamanca, Spain): znorovszkyandrea@gmail.com

Call for Papers: The Networks of Romance (Deadline: 15 September 2022)

The Medieval Romance Society is sponsoring several sessions at the 58th International Congress on Medieval Studies, 11-13 May 2023. Please note that Sessions I and III will be in person, while Session II will be in a hybrid format.

The Networks of Romance I: Transnational and Global – (In-Person Format)

Increased social mobility and technological advances in modern society, as well as the advent of postcolonial studies, have spurred scholars to investigate the ‘interconnectedness’ of the global Middle Ages, and to challenge Western-centrism. This session is open to papers that apply these critical approaches to romance texts. We welcome scholars who consider the textual representations of cross-culturalism, and of networks that transcend regional and national boundaries. Also invited are papers that examine depictions of networks from outside the medieval West. We particularly encourage participants who use decolonising methodologies.

The Networks of Romance II: Material Culture and its Networks – Blended Format – (Virtual & In-Person Formats)

In recent years, scholars have increasingly posed questions about the relationship between medieval romance and the material. This session seeks to contribute to this discussion, inviting papers that interrogate material culture and its networks in relation to romance texts. Participants might examine how characters interacted with material objects, or the connections between ‘things’ and space in romance. Also invited are papers that consider the circulation, transmission and reception of romance manuscripts.

The Networks of Romance III: Intersectionality, Instability, and Social Networks – (In-Person Format)

A growing body of research by medievalists examines the intersectionality of identities, experiences and relationships. This work reveals the numerous ways that individuals of medieval society differentiated themselves based on age, disability, gender, ethnicity and social standing. However, it also tends to overlook the instability of these overlapping social categories. This session challenges the assumption that intersecting identities, experiences and relationships in the Middle Ages were static. It does so through interrogating the multiple and complex features of social networks in romance, whether that be on a micro or macro level.

Deadline for proposals: 15 September 2022

Proposals should be up to 250 words for a 20-minute paper. Please submit your proposal directly to the ICMS Confex: https://icms.confex.com/icms/2023/cfp.cgi. If you have any questions, please contact Rachel Harley: rah600@york.ac.uk

Call for Papers: Inscriptions as Networks and Entanglements in the Medieval Eastern Mediterranean (Deadline: 15 September 2022)

The ERC GRAPH-EAST project (CESCM, University of Poitiers and CNRS) will sponsor three sessions that explore topics dealing with “Epigraphic Networks and Entanglements in the Medieval Eastern Mediterranean” for the International Medieval Congress 2023 in Leeds, United Kingdom, 3-6 July 2023.

The Medieval Mediterranean has long been thought of in terms of networks, circulations, and dynamics of exchanges, at different scales. One type of “network” has not yet been studied: the epigraphic network formed by the inscriptions and graffiti in Latin alphabet of pilgrims, travellers, crusaders, military orders and merchants. The theme for the IMC Leeds 2023, “Networks and Entanglements,” presents an opportunity to explore the complex set of relationships between the epigraphic writing and its web of interactions in the Eastern Mediterranean.

The aim of the sessions is to explore, among others that might arise from the proposals, the following four sets of questions:

  • Pilgrims, churchmen, merchants, and artists moved across Europe, Africa and Asia, back and forth. The inscriptions referring to the movements of such social groups bear precious information about their producer’s intentions, which can be reckoned both from their textual and linguistical content and from their technical and material features. Do some or all of these characteristics form a network or an entanglement? What kinds of networks, entanglements, paths, and circulations are revealed by the graphic signs? Is it possible to trace epigraphical recurrent patterns or connections within a small and/or a large area such as the one between the Eastern and Western coast of the Mediterranean basin?
  • What is the relationship between inscriptions and micro (within a building) and macro space (within a continent)? For instance, from an architectural point of view the memory of the Holy Sepulchre was echoed in a large series of buildings and shrines which studded the Medieval Western realm. Is it possible to say the same about epigraphy? Were inscriptions conceived as to evoke the Holy Land or any other area of the Eastern Mediterranean? And vice versa, did inscriptions in the Eastern Mediterranean recall any Western region?
  • Beyond the Latin alphabet, is it possible to think of inscriptions in different languages and scripts together, such as Arabic, Greek, Armenian, Syriac etc., as forming a vast graphic network in the East? For instance, in the Holy Places as the basilica of the Holy Sepulchre in Jerusalem or the Nativity church of Bethlehem?
  • Medieval inscriptions formed a network also within a large span of time both backwards and forwards. If the classical Greek and Roman inscriptions were related to medieval ones in terms of content and form, medieval inscriptions had at their turn an impact on men and women of the modern and contemporary era. What was the political, intellectual, devotional, and social role of medieval inscriptions in modern societies? What were the connections and the entanglements linking the men and women of the past to the men and women of the present?

Art historic, archaeological, historic, and literary approaches are welcome, in particular through precise case studies.

Submission guidelines
Proposals are due by September 15th to Maria Aimé Villano (maria.aime.villano01@univ-poitiers.fr), Sercan Saglam (hasan.sercan.saglam@univ-poitiers.fr) and Estelle Ingrand-Varenne (estelle.ingrand.varenne@univ-poitiers.fr) and must include:

  • Full name
  • E-mail address
  • Full affiliation details (department, institution) if applicable
  • Paper title
  • Abstract (250 words max.)
  • Keywords
  • Brief bio (300 words max.)

Applicants will be notified of the outcome by September 30, 2022. Each panel will host three papers of 20 minutes each, plus 10 minutes for discussion.

For further information, please contact: Estelle Ingrand-Varenne (CNRS/CESCM, Poitiers – France) estelle.ingrand.varenne@univ-poitiers.fr. For more details, please visit our website: https://grapheast.hypotheses.org; Twitter: @ErcGraphEast; Instagram: @graph_east

Online Course: IUS ILLUMINATUM: Legal Illuminated Manuscripts Between Art, History and Literature (29 August – 9 September 2022)

The IUS ILLUMINATUM International Summer Course will take place under the purview of the “Escola de Verão” of the  Faculdade de Ciências Sociais e Humanas (FCSH) of the NOVA University in Lisbon 2022 on the topic: Legal Illuminated Manuscripts Between Art, History and Literature. The course will run online from 29 August to 09 September 2022

The course organized by the members of the IUS ILLUMINATUM Research Team, hosted by the Instituto de Estudos Medievais (IEM) in the NOVA School of Social Sciences and Humanities of Lisbon, aims to complement the training of future researchers in Art History, Medieval History and Literature and to provide students with an introduction to the production of illuminated legal manuscripts in medieval Europe (5th -15th centuries) by an interdisciplinary approach.

Further details regarding the Summer Course inscriptions can be found on the NOVA School of Social Sciences and Humanities of Lisbon website: https://www.fcsh.unl.pt/outros-cursos/os-manuscritos-juridicos-iluminados-entre-arte-historia-e-literatura-legal-illuminated-manuscripts-between-art-history-and-literature/. Applications are open from July 18th to August 7th 2022. Any questions can be directed to: ev.secretariado@fcsh.unl.pt

Programme

  • 29 August: O estudo dos manuscritos jurídicos iluminados: uma introdução histórica e metodológica
    Maria Alessandra Bilotta (IEM-NOVA/FCSH)
  • 30 August: Legal Books in Late Antiquity: Types, Forms, Functions
    Serena Ammirati (Università Roma Tre)
  • 31 August: Os manuscritos jurídicos iluminados no Sul da França (seculos XIII-XIV): produção e circulação na Peninsula Ibérica
    Maria Alessandra Bilotta
  • 1 September: The Illumination of Legal Manuscripts in Bologna, ca. 1150-1350
    Gianluca del Monaco (Alma Mater Studiorum – Università di Bologna)
  • 2 September: Las Siete Partidas de Alfonso X de Castilla. Texto e imagen a través de los manuscritos
    Jorge Prádanos Fernández (Universidad Complutense de Madrid)
  • 5 September: Content and Production of Vernacular Legal Manuscripts from Medieval Western Scandinavia
    Stefan Andreas Drechsler (University of Bergen)
  • 6 September: La colección de manuscritos jurídicos del Archivo Capitular de Toledo: origen, evolución y códices iluminados singulares
    Jaime Moraleda Moraleda (Universidad de Castilla – La Mancha)
  • 7 September: Garabatos marginales: Desde el códice a los muros carcelarios medievales
    Jorge Jiménez López (Universidad de Zaragoza) & Maria Alessandra Bilotta
  • 8 September: Justicia divina y Justicia Local. Marcos monumentales en el ámbito hispano
    Jorge Jiménez López
  • 9 September: Rastros da legislação de Alfonso X na lírica galego-portuguesa
    Fabio Barberini (Universitat de Girona)

New Journal: Analekta Stagon kai Meteoron – Analecta Stagorum et Meteororum 1 (2022)

The first issue of the new journal “Analekta Stagon kai Meteoron/Analecta Stagorum et Meteororum” was recently published and is available now. An initiative of the Diocesan Academy of the Greek Orthodox Diocese of Stagoi and Meteora, the journal seeks to present and illuminate various unknown or little known aspects of the historical and material heritage of the local Church, the Meteora monasteries and, by extension, north-west Thessaly as a whole. The inaugural issue is bilingual and printed in full colour.

Analekta Stagon kai Meteoron – Analecta Stagorum et Meteororum 1 (2022), ISSN: 2944-9022, 430 p., 30 €

  1. ΣΥΜΕΩΝ ΟΥΡΕΣΗΣ ΠΑΛΑΙΟΛΟΓΟΣ, ΑΥΤΟΚΡΑΤΟΡΑΣ ΤΩΝ ΤΡΙΚΑΛΩΝ
    Brendan Osswald
  2. THESSALY UNDER THE SERBS (1348 – c. 1373)
    Maja Nikolić
  3. ΠΡΟΣΩΠΑ ΚΑΙ ΤΟΠΟΙ ΣΤΟΝ ΒΙΟ ΤΩΝ ΟΣΙΩΝ ΝΕΚΤΑΡΙΟΥ ΚΑΙ ΘΕΟΦΑΝΟΥΣ ΤΩΝ ΑΨΑΡΑΔΩΝ
    Demetrios Agoritsas
  4. THE MONASTERIES OF METEORA DURING THE OTTOMAN PERIOD AND THE PRACTICE OF MONASTIC CONFINEMENT
    Elif Bayraktar Tellan
  5. ΒΗΜΟΘΥΡΟ ΣΤΗ ΜΟΝΗ ΜΕΓΑΛΟΥ ΜΕΤΕΩΡΟΥ ΑΠΟΔΙΔΟΜΕΝΟ ΣΤΟΝ ΘΕΟΦΑΝΗ ΤΟΝ ΚΡΗΤΑ
    Paraskevi Papademetriou
  6. THE ARTISTIC ACTIVITY OF THEOPHANES ΤΗΕ CRETAN IN WESTERN THESSALY AND THE EMERGENCE OF THE “CRETAN SCHOOL” OF PAINTING IN OTTOMAN GREECE
    Konstantinos M. Vapheiades
  7. RECREATING A SOCIETY’S MATERIAL CULTURE: TEXTILES IN THE TRIKKE CODEX EBE 1471
    Nikolaos Vryzidis
  8. ‘FROM THE ORTHODOX MEGALOPOLIS OF MOSCOVY OF GREAT RUSSIA’: RUSSIAN HEIRLOOMS FROM THE MONASTERY OF TATARNA, SIXTEENTH -SEVENTEENTH CENTURIES
    Yuliana Boycheva (with an appendix by Daria Resh)
  9. Η ΕΠΙΚΡΙΤΙΚΗ ΣΤΑΣΗ ΕΝΑΝΤΙ ΜΟΣΧΟΠΟΛΙΤΙΚΩΝ ΕΚΔΟΣΕΩΝ ΠΕΡΙ ΑΓΙΩΝ ΤΗΣ ΘΕΣΣΑΛΙΑΣ ΚΑΙ ΚΟΡΥΔΑΛΙΚΗΣ ΕΠΙΣΤΟΛΟΓΡΑΦΙΑΣ ΚΑΙ ΡΗΤΟΡΙΚΗΣ ΚΑΤΑ ΤΟΝ 18º ΑΙΩΝΑ
    Elias Tempelis

The journal will be distributed by Tsigaridas Books (orders@tsigaridasbooks.gr). To find out more, click here: https://independent.academia.edu/AnalectaStagorumetMeteororum

Call for Papers: Movement & Activation: Social Sculpture in the Global Middle Ages (Deadline: 15 September 2022)

This special session will take place at the 58th International Congress on Medieval Studies (11-13 May, 2023). Organizers: Ariela Algaze (NYU Institute of Fine Arts), Kris Racaniello (CUNY Graduate Center)

Drawing performance studies into the larger field of medieval art history, this session seeks to address the methodological unity between materiality, sensory experience, and activation studies through the paradigm of “social sculpture.” Since Joseph Beuys introduced the term in the late 1960s, contemporary art historians investigated the potentialities of sculpture and bodies-as-sculpture to shape social communities and identity through performance. This session proposal seeks to identify ways in which this phenomenon can be applied to the study of art in the Global Middle Ages. 

Transformative and performative, medieval art was integrated into the lived experience of everyday people through religious and political institutions in the form of procession, liturgy, and urban planning. Medieval viewers responded to art through offerings, drawing, graffiti, and ritual actions. We invite papers that might address how medieval sculptural programs shaped and transformed various social, political, or religious communities through direct and indirect contact. We welcome investigations excavating premodern performance practices through the paradigm of social sculpture.

We seek to open this relatively new field of study through a diverse panel focused on different geographies across Afro-Eurasia and welcome papers focused on subjects from the fifth to sixteenth century. Please submit the proposed paper title, affiliation, and an abstract of no more than 250 words for this in-person session through the ICMS portal AND email them to aa8765@nyu.edu and kristen.racaniello@gmail.com by September 15th. 

Papers might consider, but are not limited to, the following subjects and questions: 

  • Participatory sculpture, performance, and spectacle
  • The role of the sculpted body-in-space in structuring religious and civic ritual
  • Portable sculpture along pilgrimage, processions, and trade routes 
  • The representation of the body with ephemeral or recyclable materials, such as votive offerings in shrine space and on cult objects 
  • Delimiting premodern race and community building through public oaths and acts of conversion
  • Manipulation of the body in penitential and confessory settings

Call for Papers: IVº Coloquio de Hagiografía // 4th Colloquium on Hagiography (Deadline: 14 August 2022)

It is the purpose of this IVth Colloquium on Hagiography, convened by the Augustinian Library in Buenos Aires, to be able to reflect on the research in the hagiographic field referring to Saints, Blesseds and venerable ones who have given their testimony of holiness in the midst of the Blessed of the Gospel (Cf. Mt V, 3-12).

Discourses on poverty, minorities and the exclusion of these for various reasons related to religion, gender, ethnic origin, health and life decisions, are highly cultivated nowadays. Following a path of scientific production that began a couple of decades ago, studies related to the social field, cultures, practices of writing and reading, ways of preaching, the practice of power and the hagiographic models, continue to enjoy a vitality from different disciplines, which contribute to the debate and generate the challenge of also providing a living contribution and an analysis of what is happening to us in the present as a society from the academic field.

For this, we invite researchers with work in progress who want to share their contributions from their disciplinary or confessional approaches, within the time frame of the call (From Early Christianity to the 18th century), with special emphasis on those witnesses of the Christian faith. who have been in contact with Judaizing minorities, Moors, excluded for reasons of origin, ethnicity or race, slaves, poor, migrants, etc. Likewise, the modern period includes the possibility of also analyzing the relationship between preaching and holiness with the original cultures of the New World as it was called at that time. In turn, the approach used may include any of the three main aspects of the act of preaching: the preacher as the transmitter of the message, the sermon as an instrumental, documentary and textual reflection of that act, and the audience as the objective, receiver and interpreter of the message. speech.

The event will be in Hybrid and/or Virtual format according to the development of the ongoing COVID-19 health situation. The rules for presenting papers are similar to those of the publication Bibliotheca Augustiniana ISSN 2469 – 0341, where those that pass peer review will be edited once presented at the Colloquium.

The Abstract submission date is open until August 19 and the delivery of the final paper on Friday, October 7, 2022. This allows us to have Abstracts and Final Papers peer reviewed prior to the event. It is suggested to send the abstract in the following way: Title of the work, Author and Academic membership, a text of no more than 250 words and at least four keywords.

The date of the event, as is tradition, will be in the Spring of the Southern Cone, at the beginning of November 2022, on November 3 and 4. We would like to count on your collaboration, participation and assistance. The dynamics of the Colloquium is following the Liturgical Hours of the day, with a Conference of Terce, one of Median Hour and one of Vespers. The Discussion Tables of the Presentations have 20 minutes of oral presentation per work and about ten minutes of general consultations at the end of each Table, composed of no more than three exhibitors.

Our contact emails for the Colloquium are: bibcisao@gmail.com bibliothecaugustiniana@gmail.com & biblioteca@sanagustin.org

Sponsors of the event

  • CITCEM, UNIVERSIDADE DA PORTO / IIBICRIT – CONICET 
  • UNTREF / PROGRAMA DE HISTORIAS DE LAS CULTURAS DEL MEDITERRÁNEO
  • SAEMED, SOCIEDAD ARGENTINA DE ESTUDIOS MEDIEVALES
  • FHE, FUNDACIÓN PARA LA HISTORIA DE ESPAÑA

Academic Committee

  • EMILIA JAMROZIAK, UNIVERSITY OF LEEDS
  • PAULA CRISTINA ALMEIDA MENDES, CITCEM / FAC. DE LETRAS – UNIVERSIDADE DO PORTO MARCELA BORELLI, IHUCSO LITORAL – UNL/UBA -CONICET
  • HORACIO BOTALLA, UBA – UNTREF ALFONSO ESPONERA CERDÁN, OP ALFONSO HERNANDEZ, UNIPE / CONICET
  • ANTONIO BUENO GARCIA, UVA UNIVERSIDAD DE VALLADOLIDESPAÑA SEBASTIAN PROVVIDENT, IMHICIHU / CONICET
  • MARIANO SPLENDIDO, UNLP – CONICET
  • FR. JAVIER CAMPOS, OSA –  REAL  XMONASTERIO DE SAN LORENZO DE EL ESCORIAL 
  • FR. EMILIANO SÁNCHEZ PÉREZ, OSA – SAN AGUSTÍN DE BUENOS AIRES

Call for Papers: The Potential of Prosopography for Historical and Art Historical Studies on the Charterhouses and the Carthusian Order, Ljubljana on August 23-25, 2023. (Deadline: 30 September 2022)

The Research Centre of the Slovenian Academy of Sciences and Arts (France Stele Institute of Art History), the University of Vienna and the University Jean-Monnet in Saint-Étienne cordially invite you to submit your proposals for the international conference “The Potential of Prosopography for Historical and Art Historical Studies on the Charterhouses and the Carthusian Order”. The conference will be held in-person in Ljubljana on August 23-25, 2023.

Please send your proposals for papers that can be presented in about 30 minutes maximum in English, German, French, Spanish or Italian. The proposals should include the following: the title, an abstract of about 250 words, and a short CV of no more than a single page. Please submit your proposals to the conference e-mail address – cfp.uifs@zrc-sazu.si – by 30 September 2022.

The selection of papers will be completed by 30 November 2022. Conference participants’ accommodation expenses and a visit to the Slovenian Charterhouses will be covered, though the participants will need to meet their own transport costs. After the conference the Scientific Research Centre of the Slovenian Academy of Sciences and Arts, France Stele Institute of Art History will coordinate the publication of an edited monograph of papers presented at the conference.

Click here for a downloadable CFP. For more information, please visit: https://uifs.zrc-sazu.si/en/novice/the-potential-of-prosopography-for-historical-and-art-historical-studies-on-the

Organisers:

  • Asst. Prof. Mija Oter Gorenčič, PhD, ZRC SAZU, France Stele Institute of Art History, Ljubljana, and University of Maribor, Faculty of Arts
  • Prof. Meta Niederkorn, PhD, Department of History, University of Vienna
  • Sylvain Excoffon, PhD, Lecturer in Medieval History, Université Jean-Monnet, Saint-Étienne, UMR CNRS 8584 LEM-CERCOR, France (for CERCOR and co-editors of the Analecta Cartusiana)