Call for submissions: Edited Volume: ‘The Senses and the Elements. Water, Fire, Air and Earth as Sensorial Triggers in Medieval Religious Contexts’, deadline 15 October 2025

Submissions are invited for the edited volume ‘The Senses and the Elements. Water, Fire, Air and Earth as Sensorial Triggers in Medieval Religious Contexts’. Deadline is 15 October 2025.

New Publication: ‘The Medieval Mediterranean between Islam and Christianity: Crosspollinations in Art, Architecture, and Material Culture’, Edited by Sami Luigi De Giosa and Nikolaos Vryzidis

In this volume, thirteen international scholars explore various aspects of pan-Mediterranean Christian-Islamic encounters in material culture and art, from textiles to precious oils, and from metalwork to ceramics, covering most of the Mediterranean, as well as parts of its extended hinterland, from Spain and Italy to Egypt and Georgia.

New Open Access Publication: ‘Art médiéval et médiévalisme’, edited by Philippe Cordez

This new open-access volume, the result of work carried out in 2015/2016 at the German Centre for Art History in Paris, brings together fifteen studies on medieval artefacts and their subsequent history, up to the present day.

New Publication: ‘Representations of Saint Anne and the Virgin Mary from the Middle Ages to the Early Modern Period: Exploring Iconographic Flexibility and Permeability’, edited by Andrea-Bianka Znorovszky 

This volume traces the often significant iconographic flexibility in terms of both how the Virgin Mary and Saint Anne were presented and perceived, and what can be termed a permeability between visual representations of the two saints.

New Publication: ‘Art and Drama on a Late Medieval Rood Screen: Unveiling a Mystical Passion’ by Michael Calder

Discover the unique iconographic program of the late medieval rood screens at Berry Pomeroy in this new publication.

New Publication: ‘The Abbey Church of Cluny, The Context and Creation of the Surviving Great Transept’ by C. Edson Armi

In this new publication, C. Edson Armi examines the innovative artistry of Cluny’s surviving transept, exploring its refined design within a rich artistic context. Blending archaeology, architecture, and sculpture, Armi uncovers diverse influences, analyses aesthetics and function, and provides inclusive photography to capture the monument’s power and nuance.

New Publication: ‘The Visual Culture of al-Andalus in the Christian Kingdoms of Iberia’, edited by Inés Monteira

This new book addresses the reception of Islamic visual culture by the northern Iberian kingdoms, by systematically comparing works of art from both sides and fleshing out their historical context.