Find out more about Medieval Tabernacle Shrines (Helgonskåp) in Sweden and Europe in this new publication.
During the Middle Ages, the arresting motif of the walled garden – especially in its manifestation as a sacred or love-inflected hortus conclusus – was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities.
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition.
book demonstrates the relationships between images and indulgences in fifteenth- and early sixteenth-century Netherlandish art. In the Roman Catholic Church, indulgences served as a way to reduce temporal punishment in purgatory for one’s sins. Indulgences could be obtained by reciting prayers and performing devotional practices.
This collection provides students and scholars with carefully selected, introduced, and annotated materials from non-Islamic sources dating to the early years of Islam. These can be read alone or alongside the Qur’an and later Islamic materials.
Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage.
Developed out of a joint exhibition and conference held in the autumn of 2016, this collection of papers delivers ‘a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted’.
In honor of the 700th anniversary of the death of Dante, geologist Ann C. Pizzorusso has published a new book, available in English and Italian on the gems Dante used as metaphors in the Divine Comedy. From a gemological point of view, the Divine Comedy is a veritable treasure trove: containing rubies, topazes, emeralds, sapphires,Continue reading “New Publication: The Gems of Dante’s Divine Comedy by Ann C. Pizzorusso”
Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? Art historians have been fiercely debating this question for decades. This book starts with Ficino’s views on the imagination as a faculty of the soul, and shows how these ideas were part of a long philosophical tradition and inspired fresh insights. ThisContinue reading “New Publication: Ficino and Fantasy – Imagination in Renaissance Art and Theory from Botticelli to Michelangelo by Marieke J.E. van den Doel”
This month’s edition of The Burlington Magazine is the first issue to be devoted to the Middle Ages for over thirty years encompasses a remarkable diversity of art and architecture. Enjoy a 40% discount with our special code!