Online Publication: ‘Towards an Art History of the Parish Church, 1200-1399’, edited by Meg Bernstein

Estimated at numbering between eight and nine thousand, parish churches containing at least some medieval building fabric are ubiquitous in the English landscape. Yet, despite their quotidian familiarity, parish churches have not, by and large, been treated consistently or systematically as deserving of the attention of art historical study. The ten diverse essays contained within this open-access volume explore the art and architecture of parish churches through a variety of lenses, methodologies, and perspectives, ranging from (re)considerations of the very definition of the parish church to phenomenological explorations of their component parts, as well as case studies of their decorative schemes. An Afterword by Paul Binski reflects upon his 1999 essay, ‘The English Parish Church and its Art in the Later Middle Ages: A Review of the Problem’ and considers the place of anthropology in our developed study of the parish church.

The entire ebook is available to view and download as a PDF here.


Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

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