Tag Archives: south-east asia

Job: Assistant Professor of Art and Material Culture of the Islamic World, University of California, Riverside,

ucr-sealJob: Assistant Professor of Art and Material Culture of the Islamic World, University of California, Riverside
Deadline: Dec 1, 2017
Starting Date: July 1, 2018

Salary: Commensurate with education and experience
Application Procedure: The Department of the History of Art at the University of California, Riverside invites applications for a full-time, tenure-track Assistant Professor in Art and Material Culture of the Islamic World. The department is searching for an energetic candidate whose teaching and research interests focus on Islamic Art, Architecture, and Material Cultures in the wider Mediterranean World, the Middle East, and Central and South East Asia, from the medieval period to the 20th century. The candidate will be versed in the most advanced theoretical and methodological concerns of the field, have competency in the languages the specialization requires, and will develop and offer courses that serve the Department of Art History. Collaborations with UCR’s program for Middle Eastern and Islam Studies are encouraged.
Potential for teaching excellence and teaching experience and a promising record of research and publication are required. Ph.D. required at time of appointment. Salary will be commensurate with education and experience. Position begins July 1, 2018.
Review of completed applications will begin December 1, 2017, and continue until the position is filled.

Submit materials electronically via url: https://aprecruit.ucr.edu/apply/JPF00808
Candidates must submit a letter of application, a research statement, curriculum vitae, writing sample (30 pages maximum), evidence of teaching, a statement of contributions to diversity, and three letters of recommendation.

Applicants who use Interfolio may utilize a feature provided by the Interfolio Service to allow Interfolio to upload their letters directly into AP Recruit. Applicants can input an Interfolio-generated email address in place of their letter writer’s email address. Interfolio refers to this as Online Application Deliveries. The following link on the Interfolio website shows how to set this up. http://help.interfolio.com/entries/24062742-Uploading-Letters-to-an-Online-Application-System.
For further information, please contact the Islamic Art and Material Culture Search Committee at arthistory@ucr.edu.
Advancement through the faculty ranks at the University of California is through a series of structured, merit-based evaluations, occurring every 2-3 years, each of which includes substantial peer input.
UCR is a world-class research university with an exceptionally diverse undergraduate student body. Its mission is explicitly linked to providing routes to educational success for underrepresented and first-generation college students. A commitment to this mission is a preferred qualification.
The University of California is an Equal Opportunity/Affirmative Action Employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, age, disability, protected veteran status, or any other characteristic protected by law.

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Conference: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute, 16 November 2017

410868Conference: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute, 16 November 2017

The Warburg Institute will host its second Postgraduate Symposium on 16 November 2017. This year’s Symposium focuses on particular personalities who acted for or against historical and cultural change.  The Early Modern period saw seismic shifts across all aspects of society, ranging from technological developments to new artistic techniques; to innovations in philosophical thought and religious doctrine and scientific discoveries; to social and political movements. This interdisciplinary conference will appraise the extent to which such transformations were triggered or repressed by the acts of individuals such as innovators, pioneers, reformers and censors.

Attendance is free of charge. Pre-registrations required: https://warburgpostgradsymposium.eventbrite.co.uk

For more information: warburg.postgrad@gmail.com
https://warburgpostgrad.wordpress.com/

Organisers: Organisers: James Christie, Lorenza Gay, Hanna Gentili, Lydia Goodson, Vito Guida, Antonia Karaisl, Finn Schulze-Feldmann, Genevieve Verdigel. 

PROGRAMME 2017

INTRODUCTION
10:15 – 10:30 Professor Bill Sherman (Director of The Warburg Institute)

SESSION 1: Art and Invention
Chair: Lorenza Gay (The Warburg Institute)


10:30 – 10:50 Allegra Baggio Corradi (The Warburg Institute)
A Book, a Bust and a Pelican Pet: Philosophy, Art and Zoology in Niccolò Leonico Tomeo’s Cinquecento Padua

10:50 – 11:10 Mauricio Oviedo Salazar (University of Amsterdam)
The Legacy of the Poeta-theologus: Salutati’s Influence in 15th-century Italian Art

 11:10 – 11:30 Response and discussion.

 11:30 – 11:45 Tea

 SESSION 2: Challenging Established Philosophies

Chair: Genevieve Verdigel (The Warburg Institute)

 11:45 – 12:05 Maria Vittoria Comacchi (University of Venice)
Marsilio Ficino’s renovatio antiquorum through Leone Ebreo’s Dialoghi d’amore: a philosophical theological Reform before the Reformation

12:05 – 12:25 Salvatore Carannante (Istituto Nazionale di Studi sul Rinascimento, Florence)
‘A Mercury sent down by the Gods’: Bruno’s Self-Representation between Ancient Wisdom and Nova Filosofia

 12:25 – 12:45 Response and discussion.

 12:45-14:00 Lunch

SESSION 3: Within/Without Institutions
Chair : Antonia Karaisl (The Warburg Institute)

14:00– 14:20 Sophie-Bérangère Singlard (Université Paris-Sorbonne)
To be an Influential Humanist and to become an Important Name in 16th-century Spain: The Case of Francisco Sánchez de las Brozas

14:20 – 14:40 Hasan Siddiqui (University of Chicago)
Critical Modes of the Scholarly Life in Early-Modern South Asia 

14:40 – 15:00 Response and discussion.

15:00 – 15:15 Tea

SESSION 4: The Patron and the Poet: self-fashioning in words, art, and music

Chair: Lydia Goodson (The Warburg Institute)

15:15 – 15:35 Elisa Zucchini (University of Florence)
Art and Music in Gran Principe Ferdinando de’ Medici’s Patronage

15:35 – 15:55 James Barry (University of Cambridge)
Vanity Projects: Thomas Lyster’s Fragments (1714) and the commercialisation of individualism in late seventeenth and early eighteenth century print culture

15:55 – 16:15 Response and discussion.

16:15 – 17:15 Keynote AddressDr Ben Thomas, (Co-Curator of the 2017 Exhibition ‘Raphael, The Drawings’ at the Ashmolean; University of Kent)

 ‘Raphael: Singular Acts of Drawing’

17:15 – 17:30 Closing Remarks: Professor Michelle O’Malley (Assistant Director of The Warburg Institute)

17:30 – 18:30 Reception