The Merton library is rightly known for its antiquity, its beautiful medieval and early modern architecture and fittings and for its remarkable and important collection of manuscripts and rare books.
Tag Archives: New Publication
New Publication: The Lives and Afterlives of Medieval Iconography, Edited by Pamela A. Patton and Henry D. Schilb
What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term “iconography” to describe such work?
New Publication: The Monuments Man: Essays in Honour of Jerome Bertram, ed. Christian Steer
This Festschrift honours the late Jerome Bertram of the Oxford Oratory and former Vice-President of the Monumental Brass Society, who admired, researched, lectured and wrote about monumental brasses and incised slabs for over fifty years.
New Publication: ‘The Rood in Medieval Britain & Ireland, c.800-c.1500’, Edited by Philippa Turner & Jane Hawkes
This volume brings together contributions offering a new perspective on the medieval rood – understood in its widest sense, as any kind of cross – within the context of Britain and Ireland, over a wide period of time which saw significant political and cultural change.
New Publication: ‘Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries’ by Susan L. Green
This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ.
Online Book Launch: ‘The Illuminated World Chronicle: Tales from the Late Medieval City’ by Nina Rowe, 22 November 2020, 1pm (ET)
Join Fordham University for a conversation celebrating the publication of Nina Rowe’s new book, The Illuminated World Chronicle: Tales from the Late Medieval City (Yale UP, 2020).
New Publication: Icons of Sound: Voice, Architecture, and Imagination in Medieval Art, edited by Bissera V. Pentcheva
Icons of Sound: Voice, Architecture and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, andContinue reading “New Publication: Icons of Sound: Voice, Architecture, and Imagination in Medieval Art, edited by Bissera V. Pentcheva”
New Publication: The Illuminated World Chronicle: Tales from the Late Medieval City by Nina Rowe
In this innovative study, Nina Rowe examines a curious genre of illustrated book that gained popularity among the newly emergent middle class of late medieval cities.
New Publication: The Matter of Piety – Zoutleeuw’s Church of Saint Leonard and Religious Material Culture in the Low Countries (c. 1450-1620) by Ruben Suykerbuyk
Studies in Netherlandish Art and Cultural History, Volume: 16 The Matter of Piety provides the first in-depth study of Zoutleeuw’s exceptionally well-preserved pilgrimage church in a comparative perspective, and revaluates religious art and material culture in Netherlandish piety from the late Middle Ages through the crisis of iconoclasm and the Reformation to Catholic restoration. Analyzing theContinue reading “New Publication: The Matter of Piety – Zoutleeuw’s Church of Saint Leonard and Religious Material Culture in the Low Countries (c. 1450-1620) by Ruben Suykerbuyk”
New Publication: La Bouquechardière of Jean de Courcy-Critical Edition and Commentary by Catherine Gaullier-Bougassas
Jean de Courcy, lord of Bourg-Achard in Normandy, wrote la Bouquechardière at the beginning of the 15th century. In this broad, hitherto unpublished chronicle, he departs from the model of universal history, selecting above all the history of one part of the world: Greece and the European and Asian territories linked to it. His work offers aContinue reading “New Publication: La Bouquechardière of Jean de Courcy-Critical Edition and Commentary by Catherine Gaullier-Bougassas”
Medieval Art Research 