New Publication: ‘The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)’, edited by Therese Martin

The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages.

New Publication: ‘Picturing Death 1200–1600’, edited by Stephen Perkinson & Noa Turel

Picturing Death: 1200–1600 explores the visual culture of mortality over the course of four centuries that witnessed a remarkable flourishing of imagery focused on the themes of death, dying, and the afterlife.

New Publication: The Interaction of Art and Relics in Late Medieval and Early Modern Art, ed. Livia Stoenescu

The collection of essays gathered in this volume investigates the interaction between art and relics as a distinct historical relevance for devotional art of Early Modernity and the Renaissance.

New Publication: Art et économie en France et en Italie au XIVe siècle: Prix, valeurs, carrières, ed. Nicolas Bock and Michele Tomasi

From Giotto to the Parisian goldsmith Jean le Braelier, from Avignon to Naples via Mallorca, by approaching paintings, funeral monuments, frescoes, precious wood panelling and even a royal faldistoire, the authors question the impact of economic factors on the artistic creation.

Call for Chapters: ‘Tomb Monuments in Medieval Europe’, deadline 31 January 2021

This new volume Tomb Monuments in Medieval Europe will encourage a pan-European approach (focusing on Catholic Christendom), recognising that trade, war, diplomacy, and marriage spanned individual countries and left their mark on material culture, influencing patrons, craftsmen, methods and materials.

New Publication: The Lives and Afterlives of Medieval Iconography, Edited by Pamela A. Patton and Henry D. Schilb

What does the study of iconography entail for scholars active today? How does it intersect with the broad array of methodological and theoretical approaches now at the disposal of art historians? Should we still dare to use the term “iconography” to describe such work?

New Publication: The Monuments Man: Essays in Honour of Jerome Bertram, ed. Christian Steer

This Festschrift honours the late Jerome Bertram of the Oxford Oratory and former Vice-President of the Monumental Brass Society, who admired, researched, lectured and wrote about monumental brasses and incised slabs for over fifty years.

New Publication: ‘The Rood in Medieval Britain & Ireland, c.800-c.1500’, Edited by Philippa Turner & Jane Hawkes

This volume brings together contributions offering a new perspective on the medieval rood – understood in its widest sense, as any kind of cross – within the context of Britain and Ireland, over a wide period of time which saw significant political and cultural change.

Online Book Launch: Continuous Page: Bringing Art Online in a Pandemic, 23 November 2020, 5:00 pm – 6:30 pm (GMT)

To celebrate the launch of the latest volume in the Courtauld Books Online series—Continuous Page: Scrolls and Scrolling from Papyrus to Hypertext—this roundtable discussion will reflect on art history’s recent rush online in response to the COVID-19 pandemic.