Call for Papers: Reusing Medieval Sculpture: Ideology, Meaning, and Aesthetics of a Process over Time, ICMS Kalamazoo (9-14 May 2022) (Deadline 15 September 2021)

Historical sites, as palimpsests of material and symbolic elements, are characterized by the re-functioning of spaces and buildings and also by the re-use of artistic materials. The session aims to analyse cases of reuse of medieval sculpture in modern contexts (roughly 15th-18th centuries) inspired not by practical and material purposes but by the need to communicate messages of high symbolic value. Papers will focus on episodes that allow to recover the “long life” of medieval sculptures over the centuries, in contexts similar or, on the contrary, completely different to the original ones and related phenomena of re-working and re-functionalization. The session is part of the activities of the two-years MemId (Memory and Identity. Reuse, rework and rearrangement of the Medieval sculpture in the Modern Age, between historical research and new technologies) project funded by the Italian Ministry for University and Research, led by Clario Di Fabio, Laura Cavazzini and Paola Vitolo, which is conducting in various regions of Italy a systematic and in-depth study of the topic, with a team of young researchers. The session will be an opportunity to discuss the topic with a wide range of international scholars of different geographical and cultural areas.

Please submit abstracts no later than 15 September through the ICMS Confex site at https://icms.confex.com/icms/2022am/cfp.cgi. Please direct all questions or concerns to paola.vitolo@unina.it

Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

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