This one day conference brings together the next generation of art history scholars to present and discuss their ongoing research. Papers will predominately focus on Italian and Northern Renaissance Art (c.1400–1600) and will encompass diverse media including tapestry, painting, engraving and stained glass.
The conference will comprise five sessions.In the first four, two PhD students (or recent graduates) will present on topics that are united by common themes such as patronage, attribution and materiality. The final session, entitled ‘Opening New Dialogues’, will feature a paper by Professor Michelle O’Malley (Deputy Director and former PhD student at The Warburg). In order to foster the intellectual exchange central to ‘New Dialogues in Art History’, the key paper(s) of each session will be followed by 20 minutes discussion.
The conference is free and open to all but please register in advance here.
Programme (please note details are subject to change):
10:00–10:15: Registration
10:15–10:30: Introduction: Lydia Goodson and Genevieve Verdigel
10:30–11:30: Session 1: Making and Materiality
Chair: Alexander Röstel (Courtauld Institute/ The National Gallery)
Ang Li (University of Oxford): ‘The Revival of Gold Ground in Late Fifteenth-Century Italian Paintings.’
Benedetta Pacini (University of Warwick/ The National Gallery): ‘Making and Moving Venetian Renaissance Paintings: my interviews with chief restorers in Venice and London, and archival records about Tintoretto’s transport strategy.’
11:30–11:45: Refreshments break
11:45–12:45: Session 2: Attribution and Authorship
Chair: Dr Olenka Horbatsch (British Museum; PhD 2017, University of Toronto)
James Wehn (Case Western Reserve University/ The Cleveland Museum of Art): ‘The Maker’s Image: Israhel van Meckenem, his Name, and his Copies.’
Catherine Spirit (University of York): ‘Weaving Light: Untangling Authorship in the Windows of All Saints Church, Earsham.’
12:45–13:45: Lunch break
13:45–14:45: Session 3: Prestige and Patronage
Chair: Adriana Concin (Courtauld Institute)
Ilaria Taddeo (PhD 2017, IMT School for Advanced Studies, Lucca): ‘Artistic Patronage, Family Prestige and Religious Politics. The case of the Guidiccioni between Lucca and Rome (c. 1530-1550).’
Anne-Sophie Laruelle (University of Liège): ‘Reconsidering Tapestry Patronage and Trade in the Renaissance.’
14:45–15:00: Refreshments break
15:00–16:00: Session 4: Itinerancy and Interchange
Chair: Lois Haines (Warburg Institute/ The National Gallery)
Giulio Dalvit (Courtauld Institute): ‘Circulation of Drawings in Castiglione Olona: Masolino, Paolo Schiavo, Vecchietta, Domenico Veneziano and Cyriacus of Ancona.’
Matthew Whyte (University College, Cork): ‘Stylistic Exchange and Civic Identity in Michelangelo’s work on the Arca di San Domenico in Bologna.’
16:05–16:55: Session 5: Opening New Dialogues
Professor Michelle O’Malley (Deputy Director; PhD, Warburg Institute): ‘The Specifics of Authorship: Attributing Production.’
16:55–17:00: Concluding Remarks
17:00–18:00: Reception
Medieval Art Research 