The art of medieval Europe emphasizes the eschatological future in terms that can often surprise contemporary viewers. Christian anxieties about the apocalypse – the longing for resurrection, the fear of eternal damnation, the hopes of attaining a place in paradise – hinged on the desire for a successful reunification of the bodies and souls ofContinue reading “Online Lecture: ‘The Guest of the Body – Visualising Souls in Medieval Europe, 1100-1200’, Shirin Fozi, 27th April 2022, 17:00-18:30 (BST)”
Tag Archives: online lecture
Online Lecture: ‘The Psycho-Architectonics of the Imżā Inscriptions – Denotations and Connotations of Text in the Arts of the Safavids’, Dr Mahroo Moosavi, 3rd March 2022, 18:00-19:30 (GMT)
By working between the two media of art and literature, this paper challenges some manners by which the textually infused arts of the early modern Iran have been conventionally perceived. While through the inherited discourse of Western art history, the inscription or epigraph is an appurtenance of the object’s visual and thematic language or is,Continue reading “Online Lecture: ‘The Psycho-Architectonics of the Imżā Inscriptions – Denotations and Connotations of Text in the Arts of the Safavids’, Dr Mahroo Moosavi, 3rd March 2022, 18:00-19:30 (GMT)”
Online Lecture: Materiality and Anachronism in the Medieval Church, Dr Karl Kinsella, Zoom, 4th April 2022, 18:00-19:30 BST
The past looks very much like the present to medieval audiences, filled with recognisable buildings, objects and the things of everyday life. This chronological mash-up has little to do with medieval ignorance of the past; instead, it expresses a flexible approach to authenticity and the very real material links between past and present within objects.Continue reading “Online Lecture: Materiality and Anachronism in the Medieval Church, Dr Karl Kinsella, Zoom, 4th April 2022, 18:00-19:30 BST”
Online Lecture: ‘Seeing in the Dark’, UCL via Zoom, 10th February 2022, 18:00-19:30 GMT
In this exploratory paper I consider the long history of seeing in the dark, from cave painting to Zoom lectures. Focusing especially on what was once known as the ‘Dark Ages’, I seek to counter whiggish histories of enlightenment, and explore how art and architecture are and were commonly produced and experienced in darkness orContinue reading “Online Lecture: ‘Seeing in the Dark’, UCL via Zoom, 10th February 2022, 18:00-19:30 GMT”
Online lecture: ‘Saint-Lazare d’Autun, collégiale ducale et église de pèlerinage’, Éliane Vergnolle, 14 February 2022, 5pm (GMT) / 6pm (CET)
La célébrité du grand tympan du Jugement dernier et des magnifiques chapiteaux sculptés de Saint-Lazare d’Autun a quelque peu laissé dans l’ombre le monument lui- même. Il s’agit pourtant d’un fleuron de l’architecture romane en Bourgogne. Érigée dans l’enceinte de son château par le duc Hugues II, la collégiale consacrée en 1130 avait une doubleContinue reading “Online lecture: ‘Saint-Lazare d’Autun, collégiale ducale et église de pèlerinage’, Éliane Vergnolle, 14 February 2022, 5pm (GMT) / 6pm (CET)”
Online Lecture: Art and Internal Anatomy – Michelangelo, Bronzino, and Mannerist Bodies, 8th February 2022, 5:00-6:30pm (CET)
Christian Kleinbub – Ohio State UniversityBuilding on the speaker’s research on Michelangelo’s investment in internal anatomical matters, this talk proposes that other artists of his time, especially Bronzino, paid particular attention to the meaning of the internal organs like the liver, heart, and brain, referencing those organs to explain the internal states of represented bodies. Although suchContinue reading “Online Lecture: Art and Internal Anatomy – Michelangelo, Bronzino, and Mannerist Bodies, 8th February 2022, 5:00-6:30pm (CET)”
Online Lecture: Murray Seminar – Eroticism, Emulation and Censorship: the Two Lovers by Giulio Romano, Barbara Furlotti, 10th February 2022 5pm (GMT)
Giulio Romano (1492/1499-1546), Raphael’s favourite pupil, played a key role in the awakening of a new approach to eroticism in Renaissance art. Engaging with openly pornographic subjects and more traditional mythological themes, such as the loves of the gods, Giulio became one of the most imaginative and provocative Renaissance painters of erotically charged scenes. ThisContinue reading “Online Lecture: Murray Seminar – Eroticism, Emulation and Censorship: the Two Lovers by Giulio Romano, Barbara Furlotti, 10th February 2022 5pm (GMT)”
Online Lecture: “Masters in Miniature”, SIMS Lecture Series, Bryan C. Keene, February 11th 2022, 1-2:30pm EST
The Schoenberg Institute for Manuscript Studies is pleased to announce the next lecture in its Online Lecture Series, presented in partnership with Center for Italian Studies and the Italian Studies section of the Department of Romance Languages at the University of Pennsylvania: Masters in Miniature: Future Horizons for Italian Manuscript StudiesBryan C. Keene, Riverside CityContinue reading “Online Lecture: “Masters in Miniature”, SIMS Lecture Series, Bryan C. Keene, February 11th 2022, 1-2:30pm EST”
Online Lecture: Imagining Jerusalem in late Medieval Nuremberg – Adam Kraft & Albrecht Durer, Dr Dilshat Harman, April 1st 2022, 12:00-13:30 CT
“Imagining Jerusalem in Late Medieval Nuremberg: Adam Kraft and Albrecht Durer”Dr. Dilshat Harman, Center for Visual Studies of the Medieval and Early Modern Culture, Russian State University for the Humanities in Moscow Friday, April 1st, 2022 | 12:00–1:30 PM CT | via Zoom: https://uwmadison.zoom.us/j/96410986654 The lecture will deal with Jerusalem in late medieval imagination, focusing onContinue reading “Online Lecture: Imagining Jerusalem in late Medieval Nuremberg – Adam Kraft & Albrecht Durer, Dr Dilshat Harman, April 1st 2022, 12:00-13:30 CT”
Online lecture: ‘Eroticism, emulation, and censorship: The Two Lovers by Giulio Romano,’ Barbara Furlotti, Murray Seminars on Medieval & Renaissance Art, Birkbeck, 10 February 2022, 4.45pm (GMT)
As part of the Murray Seminars on Medieval & Renaissance Art at Birkbeck, Dr Barbara Furlotti will present her online lecture ‘Eroticism, emulation, and censorship: The Two Lovers by Giulio Romano,’ at 4.45pm (GMT) on 10 February 2022. Giulio Romano (1492/1499-1546), Raphael’s favourite pupil, played a key role in the awakening of a new approachContinue reading “Online lecture: ‘Eroticism, emulation, and censorship: The Two Lovers by Giulio Romano,’ Barbara Furlotti, Murray Seminars on Medieval & Renaissance Art, Birkbeck, 10 February 2022, 4.45pm (GMT)”
Medieval Art Research 