Giulio Romano (1492/1499-1546), Raphael’s favourite pupil, played a key role in the awakening of a new approach to eroticism in Renaissance art. Engaging with openly pornographic subjects and more traditional mythological themes, such as the loves of the gods, Giulio became one of the most imaginative and provocative Renaissance painters of erotically charged scenes. ThisContinue reading “Online Lecture: Murray Seminar – Eroticism, Emulation and Censorship: the Two Lovers by Giulio Romano, Barbara Furlotti, 10th February 2022 5pm (GMT)”
Join Dr Lucy Donkin for ‘Representing Dante’s Steps in Illuminated Manuscripts of the Divine Comedy’
Four illustrated Tacuinum sanitatis (Tables of Health) manuscripts commissioned in the late fourteenth century by Giangaleazzo Visconti, Count of Milan and Pavia, pioneered a genre of books based on empirical experience. The manuscripts assimilated the eleventh-century Arabic medical and dietary knowledge of the tract Taqwīm al-ṣiḥḥa (Restoration of Health), itself a ground-breaking work, combining this with new formats andContinue reading “Online Lecture: The Tacuina Sanitatis of Giangaleazzo Visconti – encounters between visual experience, courtly culture, and medicine, Dominic Olariu, Murray Seminars at Birkbeck, 25th May, 4.45pm for 5pm (BST)”
This paper newly outlines an art history of late medieval ship models and their contexts of use. Focusing on the mid-thirteenth through early sixteenth centuries in Europe, an age of rapid maritime expansion, it investigates the design and role of miniature vessels at the intersection between devotional practices, courtly culture, modes of patronage, and technologicalContinue reading “Online Lecture: The Ship in the Shop – A Brief Art History of Late Medieval Ships in Miniature, Achim Timmerman, Murray Seminars at Birkbeck, 6th May 2021, 4.45pm for 5pm (BST)”
The paper re-examines some of the complex and enigmatic imagery in search of the sources, meanings and functions of the frescoes in their key position above the high altar and the tomb of St Francis.
This paper will pursue the concept of artistic expertise as a commodity in the first half of the twelfth century in northern Iberia and southern France. Consequently it will also cast doubt on the idea of the unfettered itinerant craftsman.
Laura Jacobus is a retired Senior Lecturer at Birkbeck, and organizer of the Murray Seminars on Medieval and Renaissance Art .
This talk is part of a series of Murray Research Seminars on Medieval and Renaissance Art, in which scholars present their current research for discussion.
3rd February 2020: James Hall, ‘Embattled Exclusivity: the Aesthetics and Politics of Michelangelo’s Attack on Flemish Painting’. In a dialogue composed by Francisco de Holanda, Michelangelo launches a diatribe against painting produced in Europe north of the Alps, attacking what he sees as its crowdedness and materialism; its lack of order and discrimination; its sentimentalityContinue reading “Seminar Series: Murray Seminars on Medieval and Renaissance Art at Birkbeck, London, Spring Term 2020”
16 October, Lisa Monnas Vestments and Textiles in Hans Memling’s ‘God with Singing and Music-making Angels Three large panels in the Royal Museum of Fine Arts in Antwerp, painted by Hans Memling in the 1480’s, represent a heavenly scene framed by clouds, which part to reveal the central figure of God attended by sixteen singing andContinue reading “Lecture Series: Murray Seminars at Birkbeck, Autumn 2019”