Tag Archives: female sanctity

Call for Papers: ‘The Other Half of Heaven: Visualizing Female Sanctity in East and West (c. 1200-1500) I-II’, ICMS 2019 (Deadline: 1 September 2018)

untitled1An ICMA-sponsored session at the 54th ICMS (International Congress of Medieval Studies) Kalamazoo, 9-12 May 2019

Organizer: Ioanna Christoforaki, Academy of Athens

If, according to the well-known Chinese proverb, women hold half the sky, did medieval female saints hold half of heaven? In her book of 1998, Forgetful of their Sex: Female Sanctity and Society, ca. 500-1100, Jane Schulenburg calculated that of over 2200 female and male saints examined, only one in seven (or 15%) were women. Although documentation on medieval women is notably scarce, this gender-based asymmetry in the celestial realm clearly reflected the values and hierarchy of earthly society.

 

Female saints were exceptional women who gained social status, popular recognition

and enhanced visibility through sainthood. Medieval female sanctity is a multi-faceted

phenomenon, which has been mainly explored through words. Historians and literary

scholars have fruitfully mined historical and hagiographical texts not only to draw

‘facts’ about the lives of female saints but also to elucidate social mentalities and

highlight gender issues. Holy women, however, were also represented on a variety of

media, most notably on icons, frescoes, manuscript illuminations and other artworks.

Nevertheless, despite the wealth of historical and hagiographical scholarship on female saints, their visual representations have been exploited almost exclusively in stylistic or iconographic terms.

The aim of this session is to consider female sanctity in visual terms both in Western Europe and the Byzantine East. By exploring representations of women saints and their changing iconography, it aspires to shed light on their status and experience in late medieval society. It will examine images of holy women as embodiments of cultural models and explore the social and religious environment that shaped their visual constructions. In the highly symbolic world of the Middle Ages, representations of female saints can become a vehicle for multiple interpretations, including social status, gender, identity, ethnicity and collective memory.

Some of the issues to be addressed include but are not restricted to:

  • Visual narratives and iconographic attributes defining female sanctity
  • The corporeality of female saints and the representation of the holy body
  • The iconography of transvestite holy women
  • Out of sight, out of mind: forgotten saints and newcomers
  • The relation between female holy images and text in illuminated manuscripts
  • The influence of mendicant literature on picturing female sanctity
  • One saint, many images: changes in iconography and meaning
  • Iconographic variations of the Virgin in East and West

Participants in ICMA-sponsored sessions are eligible to receive travel funds, generously provided by the Samuel H. Kress Foundation. The Kress funds are allocated for travel and hotel only. Speakers will be refunded only after the conference, against travel receipts.

 

Please send paper proposals of 300 words to the Chair of the ICMA Programs

Committee, Beth Williamson (beth.williamson@bristol.ac.uk) by September 1, 2018,

together with a completed Participant Information Form, to be found at the following address: https://wmich.edu/medievalcongress/submissions#papers. Please include your name, title, and affiliation on the abstract itself. All abstracts not accepted for the session will be forwarded to the Congress administration for consideration in general sessions, as per Congress regulations.

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Call for Contributions: Set Me as a Seal upon Thy Heart: Constructions of Female Sanctity in the Middle Ages (edited volume)

screen-shot-2017-01-20-at-9-19-20-amHoly women were represented on a variety of media, starting with manuscript illuminations, ending with frescoes, or textually-constructed and re-constructed in order to fit religious and/or political purposes, according to time and space(s). They imprinted their imagery on the social-cultural milieu of the Middle Ages as brides of Christ, virgin martyrs, or penitents, suggesting that medieval female sanctity is a multifaceted phenomenon. This volume intends to develop these concepts further in order to reconsider and redefine female holiness from a transdisciplinary perspective.

We welcome papers for the volume to be titled “Set Me as a Seal Upon Thy Heart.” Constructions of Female Sanctity in the Middle Ages.
Aiming to reflect recent research on the construction(s) of female holiness, we call for original manuscripts focusing on (but not limited to) the following topics:

  • Textual sources; text circulation and manipulation
  • Image-text relationship
  • Arts/visual culture and architecture
  • Thematic connections
  • Donors and audience
  • Cultural/religious constructions

Submission Guidelines:

Papers should be written following the template and guidelines found at http://www.trivent-publishing.eu and should have between minimum 7 and maximum 20 pages.

Dates and deadlines
Manuscript Submission March 20, 2017
Decision Notification May 8, 2017
Final Manuscript Submission June 12, 2017
Estimated Publication Date September 2017

* We kindly ask all prospective authors to send their intent of submitting a paper for this volume to publishing@trivent-publishing.eu by February 1st, 2017

The volume will be published open access. It will be listed in CEEOL, Directory of Open Access Scholarly Resources, SSOAR, DOI, and will be sent for evaluation in the Book Citation Index of Thomson Reuters.

For information and queries on the scientific content of the volume, please contact the editor of the volume, Andrea-Bianka Znorovszky, znorovszky_a@auca.kg

For information on the publication, please contact publishing@trivent-publishing.eu or see Trivent Publishing’s website here: http://www.trivent-publishing.eu