This panel explores and challenges understanding about Eastern European art from the Middle Ages to the present through presentations that engage with the artistic production of different regions.
Tag Archives: call for papers
CFP: ‘Premodern Parchment’, IMC Leeds 2023, deadline 12 September 2022
Proposals welcome for the session ‘Premodern Parchment’ for the IMC Leeds 2023.
New extended deadline for CFP: British Archaeological Association Post-Graduate Online Conference (23-24 November 2022), now deadline 5 September 2022
The British Archaeological Association has extended their invitation for proposals from postgraduates and early career researchers in the field of medieval history of art, architecture, and archaeology.
CFP: ‘Social Agency of Secular Goldsmiths’ Work in the Late Middle Ages’, IMC 2023, deadline 12 September 2022
This session seeks to explore the arena of secular goldsmiths’ work in the later Middle Ages and its manifestations in different contexts such as domestic, civic, courtly, juridical, academic, diplomatic, etc.
CFP: ‘Medieval sculpture in the aftermath of the World War II: destruction, dispersion and restitution. The impact on research methodologies and tools’, International Cirice Congress 2023, deadline 20 September 2022
The session aims to investigate, through the discussion of case studies, how and to what extent World War II conditioned and posed new methodological questions in the field of medieval sculpture studies. The session is part of the activities of the MemId project (Memory and identity. Reuse, rework and repurposing of medieval sculpture in the Modern Age, between historical research and new technologies, FISR 2019).
CFP: ‘Political reuse of Medieval sculpture: Family strategies and (re)construction of the past’, Kalamazoo 2023, deadline 15 September 2022
This session is part of the activities of the MemId and will be an opportunity to discuss the topic with a wide range of international scholars of different geographical and cultural areas.
Call for Papers: Visualizing Peace in the Global Middle Ages, 500-1500 (Deadline: 31 August 2022)
Many today see peace as the absence of war, but to the medieval world peace was far from a pale, negative concept – a lack of violence. Rather it was celebrated as a rich, vibrant ideal. Yet premodern war and violence have attracted much more attention than peace and cooperation, both in the public mediaContinue reading “Call for Papers: Visualizing Peace in the Global Middle Ages, 500-1500 (Deadline: 31 August 2022)”
Call for Papers: Arthur Kingsley Porter 100 Years Later (Deadline: 15 September 2022)
2023 marks the 100th anniversary of Arthur Kingsley Porter’s seminal Romanesque Sculpture of the Pilgrimage Roads, providing an opportunity to revisit one of medieval art history’s foundational thinkers. While Porter’s work continues to underpin scholarship today, surprisingly few studies have examined him or the paradigms he created. These sessions aim to address the work ofContinue reading “Call for Papers: Arthur Kingsley Porter 100 Years Later (Deadline: 15 September 2022)”
Call for Papers: Marian Devotion and the Senses in the Middle Ages (Deadline: 12 September 2022)
Thematic focus: Networks and Entanglements This session seeks to explore the sensory approach of the Marian cult as reflected in Eastern and Western Christianity. It aims to examine the private/collective expressions of Marian devotion in relation to the senses (touch, smell, sight, taste, and hearing) that generate forms of spiritual entanglements and mutual dependencies betweenContinue reading “Call for Papers: Marian Devotion and the Senses in the Middle Ages (Deadline: 12 September 2022)”
Call for Papers: Cave Churches, Chapels, Hermitages, and Monasteries: Wall Paintings and Gender in the Eastern Mediterranean (Deadline: 12 September 2022)
Thematic focus: Networks and Entanglements This session seeks to explore the relation between gender and wall paintings in the Eastern Mediterranean. It scrutinizes the artistic exchanges and interactions in relation to pilgrimage, commercial, and Crusader routes, and their function in the transmission and transfer of gendered iconographic models with particular emphasis on visual representations pertainingContinue reading “Call for Papers: Cave Churches, Chapels, Hermitages, and Monasteries: Wall Paintings and Gender in the Eastern Mediterranean (Deadline: 12 September 2022)”
Medieval Art Research 