Call for Papers: ‘Women, Agency, and Architecture in the Premodern World’, 78th Annual Meeting of SECAC, 26th-29th October 2022 (Deadline 19th May 2022)

The Maryland Institute College of Art is excited to act as the institutional host for the 78th annual meeting of SECAC in Baltimore, MD, from October 26-29, 2022. Based at the Renaissance Baltimore Harborplace Hotel and informed by the theme Watershed, the conference seeks to foster thoughtful analyses of the myriad intersections between art, art history, education, and social and environmental justice. All submissions must be made through the SECAC submission portal: https://secac.secure-platform.com/a

This session invites proposals taking a panoramic view of women and architecture prior to the eighteenth century, and welcomes work on a broad range of geographies and temporalities. Although current scholarship continues to reveal the nuanced ways in which premodern women across socioeconomic strata engaged with architecture and the built environment, many critical facets of their engagement remain unstudied. The papers in this session move beyond updating the art historical canon to expanding our knowledge of how premodern women meaningfully contributed to their physical environments, from rural to urban and suburban. Topics of interest may include: women as architects or contributors to architectural design, women as patrons and benefactors of architecture, and women’s administration of architecture and communal spaces. Bringing these and related topics into conversation will further establish the significant role of women in shaping their surroundings across time and space.

Published by charlottecook

Charlotte Cook graduated magna cum laude with a Bachelor’s degree in European History from Washington & Lee University in 2019. In 2020 she received her Master’s degree in History of Art from the Courtauld Institute of Art, earning the classification of Merit. Her research explores questions of royal patronage, both by and in honor of rulers, in fourteenth- and fifteenth-century England. She has worked as a researcher and collections assistant at several museums and galleries, and plans to begin her PhD in the autumn of 2022.

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